New German Critique

Papers
(The TQCC of New German Critique is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-11-01 to 2025-11-01.)
ArticleCitations
Looking Away: On Théodore Géricault’s The Raft of the Medusa and the Narration of Political Pedagogy in The Aesthetics of Resistance4
New Perspectives in German Studies: A View from the Margins3
The Inversions of Walter Benjamin’s Anarchism3
“After Frankfurt”: Sedimentations, Colonialism, and Critical Theory2
In Memoriam2
The Boulevard of Sunset: Adorno’s Lyric Subject2
More Than an Old Love Affair: Media Art and Walter Benjamin2
Peter Weiss and Others2
Hope in a Warming World: Rereading Adorno on Progress1
Singularly German in the Pluriverse1
Medea’s Violence: Apathy as a Politics of Withdrawal1
Death Writes: Franz Kafka, Tubercular Soundscapes, and the Place of Literature1
“Life of the Community”: Gustav Landauer Reads Friedrich Hölderlin1
Where Next for New German Critique?1
Outline of the Psychophysical Educational Problem in the Work of Walter Benjamin1
Decoding Aesop: Blumenberg’s Fabulistic Turn1
Awakening: A Politico-Existential Understanding of Messianism; On Walter Benjamin’s Project for a New Humankind1
Totality Reconsidered: Lukács’sHistory and Class Consciousnessa Century On1
Adorno’s “Urbanism and Societal Order” and the State of Rebuilding West Germany, 19491
The Body Encyclopedic: Embodiment in Thomas Mann’s The Magic Mountain1
Introduction: Critical Theory after Frankfurt1
“The Most Profound Confirmation of the Existence of a Dissonance”: Émile Boutroux, Georg Simmel, and Lukács’s Theory of the Novel, with an Outlook to History and Class Consciousness1
A Sympathy with Death: Weimar Politics from Heidegger to Mann1
The Pleasure and Pain of Passing as (Dis)abled: Rudi Dutschke’s Exile in the United Kingdom (1968–1971) and the Ableism of the West German Student Movement1
In Memoriam1
Johannes Schaaf’s Tätowierung (Tattoo, 1967), West German Cinema around 1968, and the Joys of Violence; or, The Forgotten Case of the “Aesthetic Left”1
Marxist and Formless: Uncanny Materialism in Peter Weiss’s The Aesthetics of Resistance1
The Ethos of Distance in Emotional Culture Critiques: Helmuth Plessner, Richard Sennett, Frank Furedi1
“The 62 Members of the Mickey Mouse Club”: Yearbook Impressions1
We Can Come Very Close to Them: Solidarity and the Struggle for Liberation inThe Aesthetics of Resistance1
Choose Your Own Adventure1
The Nature of Critique: Revisiting Adorno’s “Natural History” amid the Postcritique Debates1
No More Than Seeing: Hans Blumenberg’s Poetics of Spectatorship1
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