New German Critique

Papers
(The TQCC of New German Critique is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-08-01 to 2025-08-01.)
ArticleCitations
Looking Away: On Théodore Géricault’s The Raft of the Medusa and the Narration of Political Pedagogy in The Aesthetics of Resistance3
The Inversions of Walter Benjamin’s Anarchism3
Medea’s Violence: Apathy as a Politics of Withdrawal2
More Than an Old Love Affair: Media Art and Walter Benjamin2
The Ethos of Distance in Emotional Culture Critiques: Helmuth Plessner, Richard Sennett, Frank Furedi2
Peter Weiss and Others2
New Perspectives in German Studies: A View from the Margins2
Singularly German in the Pluriverse2
“The 62 Members of the Mickey Mouse Club”: Yearbook Impressions2
Hope in a Warming World: Rereading Adorno on Progress1
Where Next for New German Critique?1
Weber’s “Strange Intoxication”1
Outline of the Psychophysical Educational Problem in the Work of Walter Benjamin1
A Sympathy with Death: Weimar Politics from Heidegger to Mann1
On Similarity in Contemporary German Jewish Literature1
Decoding Aesop: Blumenberg’s Fabulistic Turn1
Adorno’sAesthetic Theoryat Fifty: Introductory Remarks1
Johannes Schaaf’s Tätowierung (Tattoo, 1967), West German Cinema around 1968, and the Joys of Violence; or, The Forgotten Case of the “Aesthetic Left”1
Death Writes: Franz Kafka, Tubercular Soundscapes, and the Place of Literature1
We Can Come Very Close to Them: Solidarity and the Struggle for Liberation inThe Aesthetics of Resistance1
Erich Auerbach’s Figural Interpretation and the Uncanny Jew1
The Call: Leo Strauss on Heidegger, Secularization, and Revelation1
Introduction: Peter Weiss and The Aesthetics of Resistance1
In Memoriam1
Adorno’s “Urbanism and Societal Order” and the State of Rebuilding West Germany, 19491
The Body Encyclopedic: Embodiment in Thomas Mann’s The Magic Mountain1
Adorno and the Role of Sublimation in Artistic Creativity and Cultural Redemption1
No More Than Seeing: Hans Blumenberg’s Poetics of Spectatorship1
Social Suffering and the Autonomy of Art1
The Pleasure and Pain of Passing as (Dis)abled: Rudi Dutschke’s Exile in the United Kingdom (1968–1971) and the Ableism of the West German Student Movement1
Trendy Monsters: The Nazis, the Perpetrator Turn, and Popular Culture1
The Nature of Critique: Revisiting Adorno’s “Natural History” amid the Postcritique Debates1
Choose Your Own Adventure1
“The Most Profound Confirmation of the Existence of a Dissonance”: Émile Boutroux, Georg Simmel, and Lukács’s Theory of the Novel, with an Outlook to History and Class Consciousness1
“Life of the Community”: Gustav Landauer Reads Friedrich Hölderlin1
Totality Reconsidered: Lukács’sHistory and Class Consciousnessa Century On1
Marxist and Formless: Uncanny Materialism in Peter Weiss’s The Aesthetics of Resistance1
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