OOIR: Observatory of International Research

Papers

(The TQCC of Eighteenth-Century Life is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-11-01 to 2025-11-01.)

Article	Citations
Britannia's “Gallant Crew”: Sailor Poets and the Legacy of William Falconer	1
“The Tennis Ball of Fortune”: Print, Manuscript, and Provincial Literacies in The Chronicles of John Cannon	1
Of Reef Tackles and Halyards: “Marine Language” and the Technologies of Immediacy in William Falconer's The Shipwreck	1
More than Eve: Women and Superior Secondariness in English Poetry, 1751–1810	1
The Promise and Problem of Habit in Austen's Mansfield Park	0
“I Had Not the Honour to Be Born in England”: Armstrong, Wilkes, and The Muncher's and Guzler's Diary	0
Editors’ Note: Fifty Years of Eighteenth-Century Life	0
Eighteenth-Century Poetry Now	0
Computational Approaches to Manuscript Books: Quaker Correspondence and the History of Its Reconstruction	0
Elizabeth Inchbald: A Life in Lodgings	0
“Frances Burney's Legacy Duty Account” (1840)	0
The Dynamics of Authorial Forgetting: The Case of James Robertson	0
Contesting Women's Learning and Fashion: Ann Murry's Moral Zoological System in the Lady's Magazine	0
Ossian on the Georgian Stage	0
Revising the Eighteenth-Century Novel	0
And Time to Begin Anew: The New Oxford Dryden	0
Publishing Perils and Friendships	0
Sancho Panza in Eighteenth-Century English Theater: Disrupting the Path of the English Knight-Errant	0
Britannia and the Weight of Empires Past: The Instance of Falconer's The Shipwreck	0
“Supposed to Be Dead, / Fair Argument”: Cross-Reading in the Mid-to-Late Eighteenth Century	0
“Women Should Become Thinner When They Are Pregnant”: Corpulency and Women's Reproductive Health in the Long Eighteenth Century	0
Appendix: A Bibliography of Poems Written by Sailors, Those Who Served at Sea, or Ascribed to Sailors	0
Afterlives of the Poets	0
Introduction: The Manuscript Book in the Long Eighteenth Century	0
What Cato Did: Suicide, Sentimentalism, and the Drama of Emulation	0

A New Irish Eighteenth Century	0
“My Case,” Her Cure: William Hay's Permissible Gender Fluidity and Mrs. Stephens's Controversy	0
“Pertinacity Is Fortitude”: Rethinking Conduct Books and Youthful Resistance	0
Playing with Fire: Love of Light and Nocturnal Shadows	0
Pornography and Social Justice	0
“Let Genius Still This Glorious Object Own”: Naming, Signing, Authoring, and Owning in the Manuscript Verse Miscellany	0
The Influence of William Hogarth on Later Generations	0
The Reception History of Lady Mary Wortley Montagu as a Celebrity Female Traveler	0
Discerning a Through Line in Austen's Oeuvre	0
William Falconer's Manuscript Draft Poetry: An Annotated Transcription	0
Poetic Mourning in the Darkness of Solitude: Echoing Conversations in the Poetry of Elizabeth Singer Rowe and Thomas Gray	0
Horace Walpole, the Prince, and the Baron	0
Affective Profit	0
Transcript of “Frances Burney's Legacy Duty Account”	0
Editors’ Note	0
William Falconer and the Rhetoric of the Sea	0
Writing Himself into a Profession: Knowledge, Skills, and Community in John Martin's “Several Receipts for the Use of Mankind”	0
Lovelace's “Gloomy Scheme of Death”: Suffering, Dueling, and Suicide in Richardson's Clarissa	0
The Honor of Modernity: Maria Edgeworth, Castle Rackrent (1800), and Discourses of Honor in Enlightenment Ireland	0
Picturing Political Power: Eighteenth-Century Korean Portraits in San Francisco's Asian Art Museum	0
Jakob Bogdani's Stuffed Titmouse: Birds, Still-Life Painting, and the Global Imaginary	0
The Enlightenment's Dark Spaces: Library as Heterotopia in The Dunciad in Four Books (1743)	0
Before the Reporter's Notebook: The Oblong Book in the Long Eighteenth Century	0
Captive Subjects, Captive Audiences	0
Dark Enlightenments: An Introduction	0
The Narrative Garden	0
Patronage or Friendship? Charlotte Lennox and the Fifth Earl of Orrery	0
Rescaling Falconer's The Shipwreck: Time, Labor, and the Problem of Immersion	0
Contexts for Kant's Libido: The Last Big Picture of the Enlightenment	0
All about Closet Work	0
The Modest Genius: Mathematics, Certainty, and the Creation of the Public Newton	0
“Open House”: Hospitality and Decentered Subjects in Charlotte Dacre's Zofloya, or The Moor (1806)	0
Introduction	0
Afterword	0
Somebody's Complaint: Isabella Kelly, Warren Hastings, and the Strange Case of Ruthinglenne	0
Richard Baxter's Soteriological Enabling: Or, the Limits of Enlightenment Liberal Inclusion	0
Psychological Coercion, Affection, and Enslavement: Robert King and Mechanisms of Control in Olaudah Equiano's The Interesting Narrative (1789)	0
“A Piece of History the Most Remarkable & Interesting That Ever Happened in Any Age or Country”: “The Lyon in Mourning” Manuscript of Robert Forbes	0
“Where Are Your Books?”: William Wordsworth's Commonplaces	0
Working Title	0
Theater without Theory: Comedy in the Eighteenth Century	0
The Irresistible Narrativity of Mozart's G-Minor String Quintet, K. 516	0
Owning Ephemerality	0
Insects and the American Farmer: Crèvecœur's Response to Buffon's and Raynal's Theories of American Nature	0
The Visual Anatomy of Falconer's The Shipwreck, 1762–1818	0
Manuscript Devotional Culture in Eighteenth-Century English Convents: A Case Study	0
“A Volume of Manuscript Poems &c”: Phillis Wheatley Peters's Lost Book and a Found Proposal	0
Biographies in the Album: Reading Lives between the Lines	0
Piozzi and Wales	0
Anti-Gothic Gothic Animals in Mary Wollstonecraft's Maria (1798)	0

Making Whiteness Visible: Slavery and Oriental She-Tragedy in Thomas Southerne's Oroonoko (1696)	0
“Law Enough to Set You Free”: Contract, Community, and Consent in the Comedies of George Farquhar	0
Denaturalizing Naturalization	0
William Falconer: Sailor, Poet, Lexicographer	0
Hieroglyphic State Machine	0
The Morphology of Handel's Operas	0
Fielding, Opera, and Oratorio: The Case of Handel	0
“How Is Our Blue Club Cut Up!”: Frances Burney's Changing Views of the Bluestockings	0
Face Value: Toward a Theory of Eighteenth-Century Portraiture	0
William Hogarth and Richard Steele	0
Motivated by Hatred: Defoe, Deism, and the Novel	0
William Falconer's “Sons of Neptune”: The Merchant Service, the Royal Navy, and The Shipwreck	0
“I Hope You Will Forgive the Liberty I Have Taken in Speaking My Mind Thus Freely”: Charles Burney, William Mason, and Polite Exchange	0
Line Making as Life Writing: Graphic Literacy and Design in Eighteenth-Century Commonplace Books	0
Eighteenth-Century Review Culture and the “Enormous Crimes” of Antislavery Verse	0
Lessons in Danger	0
Britain's Appetite for Empire	0
Realism Reconsidered: New Approaches in Novel Studies	0
Is There a Devil in This Text? Subtlety and Satanic Persuasion in Defoe's Roxana	0
The Replacements	0
Swift: Poetical Repurposer	0
Finance, Fiction, and Loss	0
Trivial Pursuit: The Anecdote as Evidence in Theater History	0
Welcome to the Anthropocene, in the Eighteenth Century	0
The Further Surprising Adventures of the Scholarship of Robinson Crusoe	0
Capturing the Queen: Establishing Agency through Narrative Strategies and Royal Materiality in Charlotte Papendiek's Memoirs	0
The Art of Imperial Maternity: Pierre-Paul Prud'hon, Empress Marie-Louise, and The King of Rome Sleeping	0
Labors with Her Neighbors	0
Johnson in Japan	0