OOIR: Observatory of International Research

Papers

(The median citation count of Journal of Musicological Research is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-04-01 to 2025-04-01.)

Article	Citations
Lying in the Middle: Musical Theater and Belief at the Heart of America	2
Sonic Overload: Alfred Schnittke, Valentin Silvestrov, and Polystylism in the Late USSR	2
About the Authors	0
Scènes à Faire : Genre Practice in Music Copyright Infringement Cases	0
Metamorphosis and Animation	0
Metamorphosis and the Taxonomy of Musical Instruments	0
Music, a Connected Art: Die Illusion der Absoluten Music. A Festschrift for Jürgen Thym on his 80th Birthday	0
Performing Commemoration: Musical Reenactment and the Politics of Trauma	0
Musical Solidarities: Political Action and Music in Late Twentieth-Century Poland	0
Key Constellations: Interpreting Tonality in Film	0
Music, Gender, and Sexuality Studies: A Teacher’s Guide	0
3D Digital Technologies for Studying Historical Musical Instruments	0
Review of Musicology Twitter	0
The Songs of Fanny Hensel	0
About the Authors	0
The Logic of Filtering: How Noise Shapes the Sound of Recorded Music	0
Response: Ovid, Haydn, and the Symbiosis of Music and Metamorphosis	0
From Dixie to Rocky Top: Music and Meaning in Southeastern Conference Football	0
Fantasy Aesthetic and Franz Schubert’s “Magical” Transitions in Sonata Forms	0
The Big Parade: Meredith Willson’s Musicals from The Music Man to 1491	0
A Review of Podcasting: Time for a Musicology Podcasting Revolution?	0
Metamorphosis and the Sirena	0
Popular Opera in Eighteenth-Century France: Music and Entertainment before the Revolution	0
Metamorphosis and the Beast Within	0
Metamorphosis and the Protean Performer	0

Kauffman Prize Announcement	0
From “Angelegenheit Großdeutschlands” to “Österreichische Abende”: Programming the 1945 Salzburg Festival	0
Gerald Finzi’s Letters, 1915-1956	0
Roundtable: Pedagogical Approaches to Music Encoding	0
“To Make Chicago Wake Up to Its Duty”: Fortnightly Clubwomen, Patronage, and Operatic Boosterism in 1920s Chicago	0
Kanon im Repertoire und in der musikalischen Praxis: Essays und Interviews	0
The Cambridge Companion to Amy Beach	0
Don Giovanni Captured: Performance, Media, Myth; Opera Lab: Explorations in History, Technology, and Performance	0
About the Authors	0
Quartet: How Four Women Changed the Musical World	0
Auenbruggers, Sensibility, and the Instrumental Bodies	0
The Easter Sonata of Fanny Mendelssohn (1828)	0
Composing Anxious Voices: Aesthetic Distance, Empathy, and Musical Rhetoric in Two Ossian-Inspired Works by Louis Spohr and Carl Maria von Weber	0
The Mahalia Jackson Reader	0
The “Gibson Les Paul” Guitar—Conception, Prototype and Production: A Study Through Counterfactuals	0
The Communist Walküre: Eisenstein’s Vision for Marrying German Wagnerism with Soviet Communism	0
Art Music Activism: Aesthetics and Politics in 1930s New York	0
Expanding Perspectives: Materializing Musical Instruments	0
Sounding Human: Music and Machines, 1740/2020	0
Mabel Daniels: an American Composer in Transition, by Maryann McCabe, London and New York, Routledge, 2018, xv, 300 pp., $160 (hardback), ISBN 9781472424518. Augusta Browne: Composer and Woman of Lett	0
Of Majesty, Mockery, and Misprints: The Coda of Shostakovich’s Fifth on Record	0
Pop Masculinities: The Politics of Gender in Twenty-First Century Popular Music *Pop Masculinities: The Politics of Gender in Twenty-First Century Popular Music*	0
About the Authors	0
On Organology: Introduction to the Organology Special Issue	0
Phantom Hands Will Live Forever: Reading the Player Piano Anew	0
Dreams and Intertextuality in Chopin’s A-Minor Prelude	0
Ecosystems and Sounding Lives: Musical Instrument Makers in Greater Central Asia	0
Intersections, Divergences, and Cross Sections: Eduard Steuermann, the Busoni-Schoenberg Nexus, and a Broadening of Compositional Procedures in the Twentieth Century	0
About the Authors	0
Introduction: Dynamic Ontologies of the Eighteenth Century	0
Hercules, Vampires, and the Opera of Attractions	0
Musik und Gesellschaft: Marktplätze, Kampfzonen, Elysium	0
About the Authors	0
The Boston Pops: An American Institution and Its European Roots	0
“The Real Kazakh is a Dombyra”?: Musical Instruments and Nation Branding in 21 ^st -Century Kazakhstan	0
A Socioeconomic Approach to Studying Musical Instruments	0
Pedagogy Captured in Print: Student-Teacher Duos in Banchieri’s Cartella musicale (1614)	0
The Possibility Machine: Music and Myth in Las Vegas	0
Felicita Vestvali: Rebellious Prima Donna, Charismatic Actor, and LGBTQ Icon	0
“The Wanderer: Public musicology and the logic of content creation”	0
Correction	0
Creative Authorship and the Filipina Diva Atang de la Rama	0
About the Authors	0
About the Authors	0
About the Authors	0
A Review of Public Musicology	0
The Concept Album and the Early Music Revival	0
The Cambridge Companion to Schubert’s Winterreise	0
Hugh Macdonald, Bizet in Italy: Letters and Journals, 1857–1860, The Boydell Press, Woodbridge UK, 2021, £45, $90 ISBN 978 1 78 327580 9	0
Kauffman Prize, Journal of Musicological Research	0

Bach against Modernity *Bach against Modernity* , by Michael Marissen, New York, NY, Oxford University Press, 2023, xvi, 184 pp., $34.95	0
About the Authors	0
About the Authors	0
Musical Instruments and Palimpsestic Identity	0
On Music Theory and Making Music More Welcoming for Everyone	0
Musical Instruments as Scriptive Things: Instrument-Body Interactions & Racial Play in the Brazilian Music Scene in Austin, Texas	0
Industry: Bang on a Can and New Music in the Marketplace	0
“But I Have No Recollection…”: Representations of Posttraumatic Stress Disorder in Schoenberg’s A Survivor from Warsaw	0
About the Authors, volume 42, no. 1	0
Beyond Fingal’s Cave: Ossian in the Musical Imagination	0
Wild Sound: Maryanne Amacher and the Tenses of Audible Life	0
Soundworks: Race, Sound, and Poetry in Production	0
About the Authors	0
Vocal Ornamentation in the Zarzuela Isabelina	0
Hound Dog	0
Singing and Speaking in Early Twentieth-Century Zarzuela: The Evidence from Early Recordings	0
Blacksound: Making Race and Popular Music in the United States	0