OOIR: Observatory of International Research

Papers

(The median citation count of Journal of Musicological Research is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-08-01 to 2025-08-01.)

Article	Citations
Soundworks: Race, Sound, and Poetry in Production	2
“To Make Chicago Wake Up to Its Duty”: Fortnightly Clubwomen, Patronage, and Operatic Boosterism in 1920s Chicago	2
The Possibility Machine: Music and Myth in Las Vegas	1
About the Authors	1
Lying in the Middle: Musical Theater and Belief at the Heart of America	1
Hound Dog	1
Wild Sound: Maryanne Amacher and the Tenses of Audible Life	1
Musik und Gesellschaft: Marktplätze, Kampfzonen, Elysium	1
About the Authors, volume 42, no. 1	1
Art Music Activism: Aesthetics and Politics in 1930s New York	0
Dreams and Intertextuality in Chopin’s A-Minor Prelude	0
The Easter Sonata of Fanny Mendelssohn (1828)	0
Sonic Overload: Alfred Schnittke, Valentin Silvestrov, and Polystylism in the Late USSR	0
Kauffman Prize, Journal of Musicological Research	0
Germany’s Staatsräson —and Israel’s: Tina Frühauf on Jewish Music in Germany Since 1945	0
About the Authors	0
Blues Mamas and Broadway Belters: Black Women, Voice, and the Musical Stage	0
Correction	0
Don Giovanni Captured: Performance, Media, Myth; Opera Lab: Explorations in History, Technology, and Performance	0
Quartet: How Four Women Changed the Musical World	0
Expanding Perspectives: Materializing Musical Instruments	0
Composing Anxious Voices: Aesthetic Distance, Empathy, and Musical Rhetoric in Two Ossian-Inspired Works by Louis Spohr and Carl Maria von Weber	0
The Songs of Fanny Hensel	0
Kanon im Repertoire und in der musikalischen Praxis: Essays und Interviews	0
Mabel Daniels: an American Composer in Transition, by Maryann McCabe, London and New York, Routledge, 2018, xv, 300 pp., $160 (hardback), ISBN 9781472424518. Augusta Browne: Composer and Woman of Lett	0

Musical Instruments and Palimpsestic Identity	0
“But I Have No Recollection…”: Representations of Posttraumatic Stress Disorder in Schoenberg’s A Survivor from Warsaw	0
The Cambridge Companion to Amy Beach	0
Sounding Human: Music and Machines, 1740/2020	0
“The Wanderer: Public musicology and the logic of content creation”	0
From Dixie to Rocky Top: Music and Meaning in Southeastern Conference Football	0
Of Majesty, Mockery, and Misprints: The Coda of Shostakovich’s Fifth on Record	0
A Review of Podcasting: Time for a Musicology Podcasting Revolution?	0
The Boston Pops: An American Institution and Its European Roots	0
The Cambridge Companion to Schubert’s Winterreise	0
About the Authors	0
Gerald Finzi’s Letters, 1915-1956	0
Streaming Music, Streaming Capital	0
The “Gibson Les Paul” Guitar—Conception, Prototype and Production: A Study Through Counterfactuals	0
Creative Authorship and the Filipina Diva Atang de la Rama	0
Kauffman Prize Announcement	0
About the Authors	0
Beyond Fingal’s Cave: Ossian in the Musical Imagination	0
Key Constellations: Interpreting Tonality in Film	0
Performing Commemoration: Musical Reenactment and the Politics of Trauma	0
About the Authors	0
Frederic Grant Gleason and the Emerging Chicago Music Scene of the Gilded Age	0
About the Authors	0
The Concept Album and the Early Music Revival	0
Phantom Hands Will Live Forever: Reading the Player Piano Anew	0
Piano Fingering and the Embodied Expression of Bodily Effort	0
About the Authors	0
Felicita Vestvali: Rebellious Prima Donna, Charismatic Actor, and LGBTQ Icon	0
A Review of Public Musicology	0
Popular Opera in Eighteenth-Century France: Music and Entertainment before the Revolution	0
Hugh Macdonald, Bizet in Italy: Letters and Journals, 1857–1860, The Boydell Press, Woodbridge UK, 2021, £45, $90 ISBN 978 1 78 327580 9	0
Hercules, Vampires, and the Opera of Attractions	0
Scènes à Faire : Genre Practice in Music Copyright Infringement Cases	0
“Some Strange Temptation to Evil”: Salieri as Literary Type and the Queerness of Musical Crime in 19th-Century Fiction	0
A Socioeconomic Approach to Studying Musical Instruments	0
Review of Musicology Twitter	0
Industry: Bang on a Can and New Music in the Marketplace	0
Auenbruggers, Sensibility, and the Instrumental Bodies	0
“The Real Kazakh is a Dombyra”?: Musical Instruments and Nation Branding in 21 ^st -Century Kazakhstan	0
About the Authors	0
Intersections, Divergences, and Cross Sections: Eduard Steuermann, the Busoni-Schoenberg Nexus, and a Broadening of Compositional Procedures in the Twentieth Century	0
On Organology: Introduction to the Organology Special Issue	0
Musical Instruments as Scriptive Things: Instrument-Body Interactions & Racial Play in the Brazilian Music Scene in Austin, Texas	0
Blacksound: Making Race and Popular Music in the United States	0
Singing and Speaking in Early Twentieth-Century Zarzuela: The Evidence from Early Recordings	0
About the Authors	0
Pop Masculinities: The Politics of Gender in Twenty-First Century Popular Music *Pop Masculinities: The Politics of Gender in Twenty-First Century Popular Music*	0
Consecrating the Stage: Uwe Scholz’s Choreographic Completion of Mozart’s Große Messe	0
About the Authors	0
Fantasy Aesthetic and Franz Schubert’s “Magical” Transitions in Sonata Forms	0

Musical Solidarities: Political Action and Music in Late Twentieth-Century Poland	0
Pedagogy Captured in Print: Student-Teacher Duos in Banchieri’s Cartella musicale (1614)	0
The Logic of Filtering: How Noise Shapes the Sound of Recorded Music	0
About the Authors	0
On Music Theory and Making Music More Welcoming for Everyone	0
Music, Gender, and Sexuality Studies: A Teacher’s Guide	0
Mixing Pop and Politics: Political Dimensions of Popular Music in the 21st Century	0
Bach against Modernity *Bach against Modernity* , by Michael Marissen, New York, NY, Oxford University Press, 2023, xvi, 184 pp., $34.95	0
The Big Parade: Meredith Willson’s Musicals from The Music Man to 1491	0
Ecosystems and Sounding Lives: Musical Instrument Makers in Greater Central Asia	0
Vocal Ornamentation in the Zarzuela Isabelina	0
Roundtable: Pedagogical Approaches to Music Encoding	0
Music, a Connected Art: Die Illusion der Absoluten Music. A Festschrift for Jürgen Thym on his 80th Birthday	0
3D Digital Technologies for Studying Historical Musical Instruments	0