OOIR: Observatory of International Research

Papers

(The TQCC of Journal of Musicological Research is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-08-01 to 2025-08-01.)

Article	Citations
“To Make Chicago Wake Up to Its Duty”: Fortnightly Clubwomen, Patronage, and Operatic Boosterism in 1920s Chicago	2
Soundworks: Race, Sound, and Poetry in Production	2
Musik und Gesellschaft: Marktplätze, Kampfzonen, Elysium	1
About the Authors, volume 42, no. 1	1
The Possibility Machine: Music and Myth in Las Vegas	1
About the Authors	1
Lying in the Middle: Musical Theater and Belief at the Heart of America	1
Hound Dog	1
Wild Sound: Maryanne Amacher and the Tenses of Audible Life	1
The Concept Album and the Early Music Revival	0
Phantom Hands Will Live Forever: Reading the Player Piano Anew	0
About the Authors	0
About the Authors	0
Felicita Vestvali: Rebellious Prima Donna, Charismatic Actor, and LGBTQ Icon	0
Piano Fingering and the Embodied Expression of Bodily Effort	0
Popular Opera in Eighteenth-Century France: Music and Entertainment before the Revolution	0
Hugh Macdonald, Bizet in Italy: Letters and Journals, 1857–1860, The Boydell Press, Woodbridge UK, 2021, £45, $90 ISBN 978 1 78 327580 9	0
A Review of Public Musicology	0
Scènes à Faire : Genre Practice in Music Copyright Infringement Cases	0
“Some Strange Temptation to Evil”: Salieri as Literary Type and the Queerness of Musical Crime in 19th-Century Fiction	0
Hercules, Vampires, and the Opera of Attractions	0
Review of Musicology Twitter	0
Industry: Bang on a Can and New Music in the Marketplace	0
A Socioeconomic Approach to Studying Musical Instruments	0
“The Real Kazakh is a Dombyra”?: Musical Instruments and Nation Branding in 21 ^st -Century Kazakhstan	0

Auenbruggers, Sensibility, and the Instrumental Bodies	0
Intersections, Divergences, and Cross Sections: Eduard Steuermann, the Busoni-Schoenberg Nexus, and a Broadening of Compositional Procedures in the Twentieth Century	0
About the Authors	0
Musical Instruments as Scriptive Things: Instrument-Body Interactions & Racial Play in the Brazilian Music Scene in Austin, Texas	0
On Organology: Introduction to the Organology Special Issue	0
Singing and Speaking in Early Twentieth-Century Zarzuela: The Evidence from Early Recordings	0
About the Authors	0
Blacksound: Making Race and Popular Music in the United States	0
About the Authors	0
Pop Masculinities: The Politics of Gender in Twenty-First Century Popular Music *Pop Masculinities: The Politics of Gender in Twenty-First Century Popular Music*	0
Consecrating the Stage: Uwe Scholz’s Choreographic Completion of Mozart’s Große Messe	0
About the Authors	0
Musical Solidarities: Political Action and Music in Late Twentieth-Century Poland	0
Pedagogy Captured in Print: Student-Teacher Duos in Banchieri’s Cartella musicale (1614)	0
Fantasy Aesthetic and Franz Schubert’s “Magical” Transitions in Sonata Forms	0
About the Authors	0
On Music Theory and Making Music More Welcoming for Everyone	0
The Logic of Filtering: How Noise Shapes the Sound of Recorded Music	0
Mixing Pop and Politics: Political Dimensions of Popular Music in the 21st Century	0
Bach against Modernity *Bach against Modernity* , by Michael Marissen, New York, NY, Oxford University Press, 2023, xvi, 184 pp., $34.95	0
Music, Gender, and Sexuality Studies: A Teacher’s Guide	0
Ecosystems and Sounding Lives: Musical Instrument Makers in Greater Central Asia	0
Vocal Ornamentation in the Zarzuela Isabelina	0
The Big Parade: Meredith Willson’s Musicals from The Music Man to 1491	0
3D Digital Technologies for Studying Historical Musical Instruments	0
Roundtable: Pedagogical Approaches to Music Encoding	0
Music, a Connected Art: Die Illusion der Absoluten Music. A Festschrift for Jürgen Thym on his 80th Birthday	0
Dreams and Intertextuality in Chopin’s A-Minor Prelude	0
Art Music Activism: Aesthetics and Politics in 1930s New York	0
Sonic Overload: Alfred Schnittke, Valentin Silvestrov, and Polystylism in the Late USSR	0
The Easter Sonata of Fanny Mendelssohn (1828)	0
Germany’s Staatsräson —and Israel’s: Tina Frühauf on Jewish Music in Germany Since 1945	0
Kauffman Prize, Journal of Musicological Research	0
Blues Mamas and Broadway Belters: Black Women, Voice, and the Musical Stage	0
About the Authors	0
Correction	0
Don Giovanni Captured: Performance, Media, Myth; Opera Lab: Explorations in History, Technology, and Performance	0
Quartet: How Four Women Changed the Musical World	0
Expanding Perspectives: Materializing Musical Instruments	0
Composing Anxious Voices: Aesthetic Distance, Empathy, and Musical Rhetoric in Two Ossian-Inspired Works by Louis Spohr and Carl Maria von Weber	0
Kanon im Repertoire und in der musikalischen Praxis: Essays und Interviews	0
Mabel Daniels: an American Composer in Transition, by Maryann McCabe, London and New York, Routledge, 2018, xv, 300 pp., $160 (hardback), ISBN 9781472424518. Augusta Browne: Composer and Woman of Lett	0
The Songs of Fanny Hensel	0
“But I Have No Recollection…”: Representations of Posttraumatic Stress Disorder in Schoenberg’s A Survivor from Warsaw	0
The Cambridge Companion to Amy Beach	0
Musical Instruments and Palimpsestic Identity	0
“The Wanderer: Public musicology and the logic of content creation”	0
From Dixie to Rocky Top: Music and Meaning in Southeastern Conference Football	0
Sounding Human: Music and Machines, 1740/2020	0
A Review of Podcasting: Time for a Musicology Podcasting Revolution?	0

The Boston Pops: An American Institution and Its European Roots	0
Of Majesty, Mockery, and Misprints: The Coda of Shostakovich’s Fifth on Record	0
Gerald Finzi’s Letters, 1915-1956	0
The Cambridge Companion to Schubert’s Winterreise	0
The “Gibson Les Paul” Guitar—Conception, Prototype and Production: A Study Through Counterfactuals	0
Streaming Music, Streaming Capital	0
Kauffman Prize Announcement	0
Creative Authorship and the Filipina Diva Atang de la Rama	0
Beyond Fingal’s Cave: Ossian in the Musical Imagination	0
About the Authors	0
Performing Commemoration: Musical Reenactment and the Politics of Trauma	0
Key Constellations: Interpreting Tonality in Film	0
About the Authors	0
Frederic Grant Gleason and the Emerging Chicago Music Scene of the Gilded Age	0