Art History

Article	Citations
Detours Through the Black Country: On Al‐An deSouza's Expeditionary Under‐Writings	6
Mit dem Kreidestift und Farben: Revolutionizing Grünewald in the German Democratic Republic	3
That Monster Over There: Silvia Kolbowski, Trump, and Allegory	3
Introduction: Political Ecologies of Paper in Early Modern Art, 1500–1800	2
Unchanging Form	2
Baya in Vogue: From Oriental Textile to Transcultural Tissage	2
The Form of Memory: Delacroix and the Sketchbook	1
Courbet’s Substance	1
Art History and the Landscape of Crisis	1
Feminist Art Coming Together	1
Delineations: Jan Hackaert’s Graphic Geognosy	1
Transmission and Transfer: Plantation Imagery and Medical Management in the British Empire	1
	1
Nineteenth-Century Intersex Bodies and the ‘Appearance of a Double Sex’: Nadar’s Medical Anti-Illustration	1
Errata	1
Precarious Futures? Reading and Recovering the Archives of Artists for Democracy (1974–77) and Artists Call (1984–85)	1
Artists, Institutions, and Agitators in Midcentury Japan	0
Thinking with Heraldry on the Eve of the Reformation: A Drawing by Niklaus Manuel Deutsch	0
The Past in the Present: Eleanor Antin, Jewish Art and 1990s America	0
Julia Margaret Cameron and the Legacy of the British Empire	0
Can We Choose Who We Swim Downstream Of? A Conversation between Disciplinary Boundaries	0
Constituting the Body of State: Paper, Parchment, and Political Thought in the Age of the American Revolution	0
Bernini, the Materials of Sculpture, and Race	0
Patterns of Dissension	0
Brushstrokes of Power: Art and the Legacy of US Imperialism	0

Abstracts & Authors’ Biographies	0
Beautiful Trouble	0
‘Ornament’ Reconsidered	0
Goya’s Critical Witnessing	0
Moscow's Outreach to Hanoi: Artistic Ties between the Soviet Union and Vietnam	0
The Invisible Sainthood of Mariana de Jesús Paredes y Flores	0
Riley in Cairo: British Art and Egypt in the 1980s	0
Discernment or Devotion: Egypt and Sculptural Politics in Eighteenth‐Century France	0
Index to Volume 45	0
Relationism Versus Relativism	0
The Unfolding of Photography in India	0
The Back of Her Head: The Fashionable Wartime Ruins of Cecil Beaton	0
Bernini’s Braids and the Intimacies of Stone	0
Séances, Art and Embodied Affordances	0
Abstracts & Authors' Biographies	0
Techniques of Whiteness in Photographs from the Late Russian Empire	0
Worlding on the Hudson: Frederic Church and Global Histories of Art	0
Against Plantation Futures	0
Edgar Degas’s Dust	0
Indigenous Dispossession and Settler Colonial Art Galleries: Anguish at the National Gallery of Victoria	0
	0
Moods, Monsoons, and the Art of Place-Making	0
Infrastructure, Nation, and Excess	0
Ringcraft	0
Paper as Artistic Medium at the Ottoman Court	0
Abstracts & Authors' Biographies	0
Palpable Privilege and Performative Stones	0
Voicing the Queer Self: Listening to Portraits with Vernon Lee	0
Both/And: Howardena Pindell and Lorraine O'Grady in Focus	0
Turner and the Keelmen: Landscapes of Labour and Resistance in the Fossil Economy	0
Benedetta: Futurist Sacred Art ‘in, of, and from the Feminine’	0
Ripples in the Historiography: Harlem Studio Photographer James Van Der Zee and Cecil Beaton’s New York, 1938	0
Ecstatic Forms: Air and the Apsarā  during the Second Sino-Japanese War (1937–1945)	0
Common-Places: Édouard Glissant, Nadia Huggins, and the Poetics and Politics of the Deep	0
Environmental Threats: Sigmar Polke Paints the End of Nature	0
Abstracts & Authors’ Biographies	0
Queer Ecologies of Art History	0
Candace Hill‐Montgomery, Against Containment	0
Painting Against Nature: A Medieval Queer Theory of Art and the Artist	0
Pressing Buttons: Kodak, Advertising Psychotechnics, and the Politics of Graphic Design, c. 1915	0
	0
Abstracts & Authors’ Biographies	0
Errata	0
Worlds Collide	0
Striking sparks against our ruin: Re‐enchanting Art History	0
Abstracts & Authors' Biographies	0
‘Un oubli généreux du passé’: Art, Politics and Oblivion, and the Salon of 1814	0
Eastern Encounters: Ilia Repin's Orientalist Aesthetics Abroad and at Home	0
	0
Sovereignty of the Dewdrop	0

Look Again	0
Dreams of Gold: Mesoamerican Metalwork and the Question of Form	0
Art for Coexistence	0
‘Aesthetics of Revolution’ and Generative Spaces	0
Surviving the Afterlife	0
Countercultural Misunderstandings: Alternative Art and Cold War Politics	0
The People’s Politics: Jean Béraud at the Salle Graffard	0
Where is the Muranów Lily? Unearthing Traces of Queer Jewishness in Contemporary Warsaw	0
Desde el cielo: Real Photo Postcards and the Counter-Archive of Alfonso Ongpin	0
Post‐Impressionism: Universal, British, Global	0
Claiming the Past in Vietnam: Decolonisation, De-Exoticisation, Nationalism, and Archaeology	0
Laissez-Passer: Papering over the French Revolutionary Past	0
Style and the Development of Art Theory in Classical Greece and Early Imperial China	0
Abstracts & Authors' Biographies	0
Repatriating the Object with No Shadow: Along, Against, Within, and Through	0
Die Schönheit des Mittelmenschen: Stephan Balkenhol’s ‘Everyday Beauty’	0
Unstable Maps, Volatile Bodies	0
Lavinia Fontana's Freedom	0
Nancy Spero at the Orchard Gallery, Derry: Activist Strategies for Working with the Community in 1990s Northern Ireland	0
Printed Design Proposals as Salvaged Remainders of the Goldsmith’s Workshop	0
Expressionist Women Before and After the Blue Rider	0
The Not-So-Global Field of Global Art History	0
Indigenous Knowledge and Women's Cosmetics: Mopa Mopa in the Colonial Northern Andes	0
Synaptic Visualizations: Reading ‘the Global’ in and through the Work of Sutapa Biswas	0
Community as Gesamtkunstwerk: Dick Ket’s Self-Portraiture and the Debt of Epic Film	0
Guerilla Art, Risk and Direct Action from 1962–1987	0
A Totalising, Political Environment: How Art History Understands Media	0
Staging Grounds: Loutherbourg and Warley	0
May Morris, Egypt, and Coptic Textiles	0
Soft Sculpture and Ageing	0
High, Low, and Beyond: The Question of Popular Art in Peru	0
Land Art Submerged: Betty Beaumont’s Ocean Landmark and Art History Beyond Proximity	0
Beyond the Brush: Mediums and Methods in Modern Chinese Painting	0
Myths of Modernism: Austrian Art after 1918	0
Reckoning with Empire in French Modern Visual Culture	0
Property Rights	0
Pakulo Politics: Shop 6 and the Material(isms) of Conceptual Art	0
Clocking Mai: A Study of Time in Reynolds’ Polynesian Portrait	0
Abstracts & Authors' Biographies	0
Masculine and Feminine	0
Multiple Versions, Multiple Markets, Multiple Meanings: Worldwide Trade in British Autograph Replicas	0
Imaging Authority, Authorship and Mortality in Late Medieval and Early Modern Europe	0
A Script, A Poem, An Invocation	0
On Islam and Portraiture: Lithography, Glass Painting, and Photography in Senegal	0
New Passages in Modern Sculpture	0
Embedding the Philippines into the Map: In Conversation	0
Althea McNish: Designs without Borders	0
Baroque Transfixions	0
When Art History Meets Artificial Intelligence	0
Travelling Knick-Knacks and Picturesque Points of View: Reverend James Plumptre’s Narrative of a Pedestrian Journey […] to the Highlands of Scotland […] in the Summer of the Year 1799	0
Monumental Ephemera: British Sculpture in the Arctic, Icebergs in London, an Inuit Map	0
Plastic Approaches to Roman Design: (Im)perceptible Mediations in Plaster Wall Reliefs	0
Elected Affinities	0
Beyond the Face: Double-Sided Renaissance Portraits and the Craft of Thought	0
Mercury Rising: US–Mexican Conflict in Alexander Edouart's Blessing of the Enrequita Mine	0
Introduction: Making Room for Misfits	0
	0
Validating Viewer Response at the Nineteenth-Century Salon	0
Utopia: Rhetoric and Reality	0
Colesworthy Grant's Portraits of Colonial Society in India: Lithography, Liberalism, and the Global Making of Middle‐Class Culture, c. 1833–57	0
Material Masquerade: Porcelain, Sugar, and Race on the Eighteenth-Century French Dining Table	0
Reinventing Form between the Classroom and the Cinema	0
Copyright in the Expanded Field	0
Doves and Machetes: Rina Lazo's Portable Mural Venceremos (1959) in Guatemala, North Korea, and Beyond	0
Ambiguities of Imperial Mourning: The Patcham Chattri	0
Telling Stories	0
‘The Breath of Every Living Thing’: Zoocephali and the Language of Difference on the Medieval Hebrew Page	0
Fragment and Evocation: Hindu-Buddhist Hauntings in the Islamic Complex of Sendang Duwur	0
Abstracts & Authors’ Biographies	0
Prussian Blue: Chemistry, Commerce, and Colour in Eighteenth‐Century Paris	0
Abstracts & Authors’ Biographies	0
The AIA 1951 Lithographs: Contesting National Identity in Intermodern Prints	0
Polar Art and Aesthetics: Past and Present	0
The Spaces Between and the Spaces Among	0
Connecting Worlds: Aby Warburg and Anthropology	0
Is Postmodernism Passé ?	0
An Exhibition in Negative: Nigel Henderson, Parallel of Life and Art and the Photographic Image	0
Abstracts & Authors' Biographies	0
Looking Beyond Jerusalem: A Fifteenth-Century Exercise in Image Comparison	0
Doubled Abstraction: Ruth Asawa's Stamp and Its Afterlife	0

Imagined Solidarities: Cairo‐Moscow and the Struggle for Realist Art	0
Crunching the Canon	0
Animating Internationalism: David Alfaro Siqueiros and Antifascist Art in the 1930s	0
What Should Art History Do with Modern Painting?	0
Iqbal Geoffrey v. The Museum of Modern Art	0
Notes on a Fragment: Zarina’s Dividing Line	0
Historicising the Monstrous: Georges Bataille’s ‘Les écarts de la nature’ (1930), Pronatalism and French Eugenics in the Interwar Period	0
Evolution of the Permanent Display of Hindu-Buddhist Sculpture at the National Museum of Cambodia (1920–2007)	0
Paper and Textile Encounters in the Pacific	0
The Challenge of Kosovo	0
Eros, Inc.: Cupid, Capital, and the Crash of 1720	0
Portrait of a Collector	0
‘The New Life’: Mozambican Art Students in the USSR, and the Aesthetic Epistemologies of Anti‐Colonial Solidarity	0
Decoloniality and the Purchase of the Pre-Modern: Views from Southeast Asian Fields	0
The Art of Assemblage at La Venta	0
‘The Centre is Nowhere’: British Art and the Global	0
Abstracts & Authors' Biographies	0
Please Walk on This: Gutai and the Emergence of Walkable Art	0
Working Carefully	0
Imaging the Buddha: From Sacred Biography to Cultural Construct	0
Abstracts & Authors’ Biographies	0
Reflecting (on) Objects	0
The Essence of Cybernetics Is Nothing Cybernetic: Manuel Felguérez and the Aesthetic Machine	0
On Art History as Environmental Knowledge	0
From Rome to Rabat: Carla Accardi’s Encounters with Moroccan Modernism	0
Art History's Turn to Health	0
Figure, Ground and the Logic of Painting	0
Voices of Resistance: Unveiling Feminist Art in Latin America	0
Abstracts & Authors' Biographies	0
Portraiture, Selfhood, and the Problem of Recognition in the First Age of Celebrity	0
The Lie of the Eye: Op Art and Doubt	0
The World Eaters and Lee Bontecou’s Flightless Birds	0
Prefiguring Reconfiguration	0
Index of Contributors	0
Crafting Friendship	0
Remaking Art Histories	0
Unearthing the Mundane	0
‘About the Tangle of the Rose’: Thinking with the Fin‐de‐Siècle Tendril	0
While We Were Watching: Violence and the Releasing of Objects from Southeast Asian Art and Archaeology	0
Index	0
Ecology, Pathology, and the Life of Paper	0
An Inside Look at Yüksel Arslan's Outsider Practice, 1955–64	0
Archiving the Archive Art Phenomenon	0
The Curse of Nation, or the Dark Underside of French Modernity	0
To Let You Understand: Franki Raffles, Photography and Feminist Solidarity	0
Art History and Racial Capitalism	0
Twentieth-Century Italian Art and the Politics of Display	0
Morris & Co., Settler Nation-Building, and the ‘Imperial Anthropocene’: The Floral Furnishings of Torrens Park, South Australia, 1880–1900	0
Architecture in Anticipation: Building Socialist Friendship between Hungary and North Korea in the 1950s	0
Abstracts & Authors’ Biographies	0
Mandan Dandies: Trade, Intimacy and Ornamental Excess in a Destroyed 1832 Portrait by George Catlin	0
Abstracts & Authors’ Biographies	0
Maoist Currents and Un-American Art Histories	0
Breaking the Dam: Sámi Art Histories	0
New Light on Seventeenth‐Century Woodcarving: A Resurrection for the Carved Arts	0
Octopodal Pictoriality: The Self-Reflexivity of the Octopus in Graeco-Roman Art	0
Artful Ambiguities in Angkor’s Literary and Material Culture: Locating Śrī in Inscriptions and Art	0
Queer Abstractions and Formal Revisions	0
Collecting, Sketching, Printing and Painting: Mark Catesby's Observations of the Natural World	0
The Violence of Hair	0
A Special Kind of Hell: On the Embodied and Emotional Experience of Byzantine Images of the Last Judgement	0
Industrial Productions	0
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Theory from Historiography: Stanley J. O’Connor’s and T. K. Sabapathy’s Writings on Southeast Asian Art	0
Impure Situations	0
Who Is Photography For?	0
A Woman’s Work	0
Bovine Reproductions: Animal Husbandry and Acclimatization in the Cattle Paintings and Prints of Rosa Bonheur	0
Between Two Easts: Picturing a Global Socialism in Albanian Post‐War Art, 1959–69	0
	0
On Decoloniality and Restitution: Invoking Ganesha in Cambodia Today	0
Out of Sync in Havana: Two Socialist Visions of Global Contemporary Art	0
Abstracts & Authors' Biographies	0
Beyond the Monograph	0
Conjugal Cubism: Picasso, Braque, and Homosocial Desire	0
Against the Singular Feminine	0
Physics, Psychical Research, and the Self: Evelyn De Morgan's Spiritualist Portraits	0
The Ghost and the Rock: Albert Renger‐Patzsch and the Shape of Time	0
Queer Ecologies and Anti-Colonial Abundance in Lionel Wendt's Ceylon	0
The Aesthetic Redemption of the Black Body in Eighteenth-Century France	0
Cannibals and Cartographers: Mapping Dada	0