Art History

Article	Citations
‘Dreaming Has a Share in History’: Biding Time in the Work of Lubaina Himid	10
Dearly Beloved or Unrequited? To Be ‘Black’ in Art's Histories	9
The Diaristic Mode in Contemporary Art after Barthes	3
Painting Historicity: William Dunlap's Engagement with the Circumstances of Time and Place	2
Domestic Slavery, Skin Colour, and Image Dialectic in Thirteenth‐Century Arabic Manuscripts	2
Post‐Impressionism: Universal, British, Global	2
Chronic Illness as Critique: Crip Aesthetics Across the Atlantic	2
Binding Trauma	2
‘Building touched with emotion’	1
How to Teach Manet's Olympia after Transgender Studies	1
Abstracts & Authors' Biographies	1
Van Mander's Protean Artist: Hendrick Goltzius, Mythic Masculinity and Embodiment	1
Theorizing Image and Abstraction in Ancient Rome: The Case of the Villa Farnesina	1
Moscow's Outreach to Hanoi: Artistic Ties between the Soviet Union and Vietnam	1
The Longest Journey: Black Diaspora Artists in Britain	1
Surrealism‐Speak	1
Exhibitions and the Market for Modern British Art: Independent Art of Today at Agnew's Gallery, 1906	1
The Avian Sense for Beauty: A Posthumanist Perspective on the Bowerbird	1
‘The Breath of Every Living Thing’: Zoocephali and the Language of Difference on the Medieval Hebrew Page	1
‘Banner of an Atomic Regiment’: Morris Louis, Greenberg's Modernism, and Science, c. 1962	1
The Conditions and Limits of ‘Chineseness’ in Contemporary Performance and Video Art	1
Divine Nature: Feathered Microcarvings in the Early Modern World	1
Sugar Spoils: Marie‐Antoine Carême and the Gastronomic Architecture of Napoleonic Empire	1
Fra Angelico's The Miracle of the Black Leg: Skin Colour and the Perception of Ethiopians in Florence before 1450	1
Unearthing the Mundane	0

Art History's Turn to Health	0
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A Medium Finds its Moment	0
Financial True Crime: Art, Para‐Journalism, and Data‐Driven Storytelling	0
Indigenous Dispossession and Settler Colonial Art Galleries: Anguish at the National Gallery of Victoria	0
Abstracts & Authors’ Biographies	0
Industrial Productions	0
Queer Ecologies and Anti-Colonial Abundance in Lionel Wendt's Ceylon	0
Index to Volume 45	0
Searching for Selfhood in the Romantic Landscape	0
Migratory Modernisms	0
On Masculinity and Male Sexuality in Ernst Ludwig Kirchner's Soldiers' Bath	0
Queer Failures	0
Rubens and Peiresc in Search of Agate: Materiality and Aesthetics in Early Modern Europe	0
Guercino's Saint Petronilla: Saintly Body, Michelangelo, and New St Peter's	0
Architecture in Anticipation: Building Socialist Friendship between Hungary and North Korea in the 1950s	0
Riley in Cairo: British Art and Egypt in the 1980s	0
Abstracts & Authors' Biographies	0
Call and Response	0
Looking Beyond Jerusalem: A Fifteenth-Century Exercise in Image Comparison	0
‘The Higher Branches’: Genre and Race on Display at the British Institution, London, 1806	0
Patch, Walpole, and Queer Complicity	0
Identity/Alterity Re‐De‐Constructed in Repetition and Difference	0
Breaking the Dam: Sámi Art Histories	0
Renato Guttuso's Boogie Woogie in Rome (1953): A Geopolitical Tableau	0
Bovine Reproductions: Animal Husbandry and Acclimatization in the Cattle Paintings and Prints of Rosa Bonheur	0
The Unfolding of Photography in India	0
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Moods, Monsoons, and the Art of Place-Making	0
Discernment or Devotion: Egypt and Sculptural Politics in Eighteenth‐Century France	0
Learning from Latin America	0
Spit or Swallow? Orality in the Art of Felix Gonzalez‐Torres	0
An Inside Look at Yüksel Arslan's Outsider Practice, 1955–64	0
Abstracts & Authors' Biographies	0
‘About the Tangle of the Rose’: Thinking with the Fin‐de‐Siècle Tendril	0
Mustering Memory: George Grosz's Late Montages	0
An Ecology of Picture‐Rhythms (Tālamālā) in Western India, circa 1800	0
Abstracts & Authors' Biographies	0
‘the personal clutter… the painterly mess…’ Tracing a History of Carolee Schneemann's Interior Scroll	0
‘Kind of Goya‐esque or Something’: Charles Ray's Early Works	0
The Ghost and the Rock: Albert Renger‐Patzsch and the Shape of Time	0
Both/And: Howardena Pindell and Lorraine O'Grady in Focus	0
Academies, Schools and Écoles	0
A Field Made Visible: New Directions in African‐American Contemporary Art History	0
Allusive Objects	0
Sonia Delaunay, ‘Living Profoundly’	0
On Islam and Portraiture: Lithography, Glass Painting, and Photography in Senegal	0
Writing to Barnett Newman: F. N. Souza and the End of Modernism	0
‘The New Life’: Mozambican Art Students in the USSR, and the Aesthetic Epistemologies of Anti‐Colonial Solidarity	0
‘Aesthetics of Revolution’ and Generative Spaces	0

Portrait of a Collector	0
The Curse of Nation, or the Dark Underside of French Modernity	0
The Boundaries of the Book: Material and Immatériaux	0
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Ana Mendieta is Everywhere	0
The Photographs of Kim Lim: A Visual Essay	0
Transmission and Transfer: Plantation Imagery and Medical Management in the British Empire	0
Unstable Maps, Volatile Bodies	0
Art History and Racial Capitalism	0
Worlding on the Hudson: Frederic Church and Global Histories of Art	0
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A World to Be at Home In	0
Colonial Myth Busters	0
The Elusive Modern Baroque	0
Striking sparks against our ruin: Re‐enchanting Art History	0
Turning Inwards and Outwards in the Global Eighteenth Century	0
Abstracts & Authors' Biographies	0
Maternities: Dorothea Tanning's Aesthetics of Touch	0
Demateriality and Photography in Conceptual Art	0
Errata	0
Photography as Relation in Africa	0
	0
Synaptic Visualizations: Reading ‘the Global’ in and through the Work of Sutapa Biswas	0
Catholicism is Central African	0
Cover Story	0
Abstracts & Authors' Biographies	0
Learning to Speak the New Language of the Artworld	0
Thinking with Heraldry on the Eve of the Reformation: A Drawing by Niklaus Manuel Deutsch	0
The Back of Her Head: The Fashionable Wartime Ruins of Cecil Beaton	0
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Iqbal Geoffrey v. The Museum of Modern Art	0
Abstracts & Authors' Biographies	0
Slavery through Imperial Eyes	0
Abstracts & Authors' Biographies	0
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Animating Internationalism: David Alfaro Siqueiros and Antifascist Art in the 1930s	0
Doves and Machetes: Rina Lazo's Portable Mural Venceremos (1959) in Guatemala, North Korea, and Beyond	0
Image‐Intensity Complex, or Art History	0
Medieval Elite Women and Their Precious Objects on the Move	0
Exchange Value	0
Reckoning with Empire in French Modern Visual Culture	0
That Monster Over There: Silvia Kolbowski, Trump, and Allegory	0
Scale of the Nation: Alberto Giacometti's Miniature Monument	0
Between Two Easts: Picturing a Global Socialism in Albanian Post‐War Art, 1959–69	0
Detours Through the Black Country: On Al‐An deSouza's Expeditionary Under‐Writings	0
The Scandal of M. Alphonse Legros	0
A Life’s Work: Romare Bearden's Profile and Biography	0
Polar Art and Aesthetics: Past and Present	0
The Multi‐Dimensional Modernity of Cézanne's Art	0
Introduction: Making Room for Misfits	0
New Light on Seventeenth‐Century Woodcarving: A Resurrection for the Carved Arts	0
Ambiguities of Imperial Mourning: The Patcham Chattri	0
Abstracts & Authors’ Biographies	0
Imaginary Identities	0
Copyright in the Expanded Field	0
Abstracts & Authors' Biographies	0
A Script, A Poem, An Invocation	0
The ‘Spectral Others’ of Bauhaus Rationalism: Experiments in Mysticism, Spirituality, Sexuality, and Politics	0
Duchamp Effects	0
Reassessing an Unimportant Pebble	0
Feminism is for Todes: Art History and Feminist Interventions in Spanish‐Speaking Latin America	0
Unearthing Wu Daozi (c. 686 to c. 760): The Concept of Authorship in Tang Painting	0
Prussian Blue: Chemistry, Commerce, and Colour in Eighteenth‐Century Paris	0
Gilbert and George's 1980 Pictures and the Spectre of Nationalism in Postcolonial Britain	0
Permindar Kaur: Locating a ‘Black’ Artist in Narratives of British Art in the 1990s	0
Ecocritical Art History	0
The Experience of Formalism	0
Multiple Versions, Multiple Markets, Multiple Meanings: Worldwide Trade in British Autograph Replicas	0
Crunching the Canon	0
Abstracts & Authors' Biographies	0
Fragments: An Exploration of Everyday Black Creativity and Its Relationship to Political Change	0
‘Corps a corps’: Martyrs, Models, and Myths in Harriet Hosmer's Beatrice Cenci	0
Happening as Insurrection	0
The Architextual Icon	0
Queering Needlework?	0
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Ingres, Painter of Men	0
Crafting Friendship	0
On the Home Front: Italian Art, 1944–1973, and the Hidden Abode of Cultural Reproduction	0
An Exhibition in Negative: Nigel Henderson, Parallel of Life and Art and the Photographic Image	0

Physics, Psychical Research, and the Self: Evelyn De Morgan's Spiritualist Portraits	0
A Timeless, Eternal World Realized in Humble Materials	0
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Archiving the Archive Art Phenomenon	0
Gavin Jantjes's Korabra Series (1986): Reworking Museum Interpretation	0
Surviving the Afterlife	0
In the Flesh: John Singleton Copley's Royall Portraits and Whiteness	0
‘Ornament’ Reconsidered	0
Velázquez and the Fragile Portrait of the King	0
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United by AIDS?	0
Art in Times of War	0
Remaking Shanghai	0
Beautiful Trouble	0
European Manipulations of Egypt	0
Telling Stories	0
Rethinking Strawberry Hill	0
New Names for the Old Sacristy of the Siena Hospital: Pseudo‐Scripts, Hidden Signatures, and the Ludic Self	0
Infrastructure, Nation, and Excess	0
Masculine and Feminine	0
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Chalk and Cheese	0
In Search of the ‘Self’	0
Reflecting (on) Objects	0
Index to Volume 44	0
Eastern Encounters: Ilia Repin's Orientalist Aesthetics Abroad and at Home	0
Lavinia Fontana's Freedom	0
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Calamitous	0
Something to Puzzle	0
Whom Did You Meet … And What Did You Wear?	0
The Artist Works: An Imperfective Reading of Mladen Stilinović’s Artist at Work	0
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Voicing the Queer Self: Listening to Portraits with Vernon Lee	0
Imagined Solidarities: Cairo‐Moscow and the Struggle for Realist Art	0
Glass Containers’ Aura: The Gestalt of Material Milieu	0
The Modern Press: Politics, Passion and Provocation in Early Twentieth‐Century Publishing	0
Stateside Perspectives on Black British Artists	0
Staging Grounds: Loutherbourg and Warley	0
Out of Sync in Havana: Two Socialist Visions of Global Contemporary Art	0
Keeping the Basilisk Rolling: A War Machine in the Holzschuher Testament of 1558	0
Index to Volume 43	0
Vong Phaophanit and Claire Oboussier: Three Decades, Four Moments	0
A Special Kind of Hell: On the Embodied and Emotional Experience of Byzantine Images of the Last Judgement	0
Two Histories of Art History	0
Doubled Abstraction: Ruth Asawa's Stamp and Its Afterlife	0
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Abstracts & Authors' Biographies	0
Abstracts & Authors' Biographies	0
Planes of Immanence: Walking on Carl Andre's Art in Moments of Protest	0
Readymade Primitivism: Marcel Duchamp, Dada, and African Art	0
High, Low, and Beyond: The Question of Popular Art in Peru	0
Modernism, Non‐Central	0
A Totalising, Political Environment: How Art History Understands Media	0
Abstracts & Authors' Biographies	0
Cultural Workers of the World, Unite!	0
George Gabb and ‘Le Cabinet de M. Le Clerc’: Art, Science, and the Visual Production of Knowledge	0
Heaven, Earth, and Art History's Theological Turn	0
Colesworthy Grant's Portraits of Colonial Society in India: Lithography, Liberalism, and the Global Making of Middle‐Class Culture, c. 1833–57	0
Errata	0
The Violence of Hair	0
Constructing a Human World: Denis Williams's Place in British Modernism of the 1950s	0
The Craft of Anne Ryan's Collages	0
Althea McNish: Designs without Borders	0
Abstracts & Authors' Biographies	0
Myths of Modernism: Austrian Art after 1918	0
What is ‘Islamic’ Art?	0
Collecting, Sketching, Printing and Painting: Mark Catesby's Observations of the Natural World	0
Mit dem Kreidestift und Farben: Revolutionizing Grünewald in the German Democratic Republic	0
Mixed Signals	0
On the Possibility of Meaning in Science and Art	0
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A New Light on Paris	0
Queer Abstractions and Formal Revisions	0
‘She engages us with a steady, cool look’: Creating the Field of Southeast Asian Art	0
Mercury Rising: US–Mexican Conflict in Alexander Edouart's Blessing of the Enrequita Mine	0
Beauty or Beast? Manet's Olympia in the Age of Comparative Anatomy	0
The Art of Assemblage at La Venta	0
Countercultural Misunderstandings: Alternative Art and Cold War Politics	0
Olmec Colossal Heads in the Paintings of Aubrey Williams	0
Baroque Transfixions	0
A Question of Dependence	0
Art History and the Landscape of Crisis	0
All that Glitters Is Not Gold	0
Who Is Photography For?	0
Crossing the Line: Cristóbal de Villalpando and the Surplus of Script	0
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The Return of History	0
The Idiot as Artist:The Fantasy Boats of James Henry Pullen	0
‘The Centre is Nowhere’: British Art and the Global	0
Rethinking Rubens: Baroque Painter, Diplomat, and Women's Ally?	0
Abstracts & Authors' Biographies	0
Art History as Black Study	0
To Let You Understand: Franki Raffles, Photography and Feminist Solidarity	0
Framing the Fragment	0