OOIR: Observatory of International Research

Papers

(The median citation count of Oxford Art Journal is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-01-01 to 2026-01-01.)

Article	Citations
A Feminist Critique of Capitalism: Class, Gender, Work, and Unrest in Women’s Art after 2008	2
Monet Remade	1
Notes on Contributors	1
William Holman Hunt’s Fantastic Magic Lantern	1
Getting Away and Going With	1
The Rhône and the Saône	1
Non-Aligned Visions	1
The Body as Axis of History: Raphael and Michelangelo at Santa Maria della Pace in Rome	1
Carlos Cruz-Diez’s Ephemeral Painted Walkways and the Politics of Mobility in Mid-1970s Caracas	1
Notes on Contributors	1
Correction to: Figino’s Efficacy: Portraits, Votives, and Their Makers after Trent	1
Abstracts	0
Modernity and Freedom: Lionello Venturi’s Impressionism	0
Crafting ‘Craft’ in Japan	0
Colour Matters	0
Ruskin’s Double Plots	0
Making It Function Differently: TV Sculpture	0
Coals for the Study: Reading Fire in William Westall’s Views of Australia	0
The Morbid Symptoms of Capitalist Culture: Stuart Brisley’s Placement with Hille & Co. Furniture Factory (1970–1972)	0
A Fascist Tango in Argentina: Exhibiting Novecento Italiano in Buenos Aires, 1930	0
Placing the Visual in Participatory Art: Tele-Vecindario and the Chicago Grid at Street Level	0
Art and Insurance after the Era of Statistics	0
Senga Nengudi, the Fetish, and the Urban Growth Machine in 1970s Los Angeles	0
‘Dogs of the World Unite’: Keith Haring and New York’s Canine Imaginary	0
Why Does That Wolf Have Red On His Lips?	0

Pick Your Picasso	0
Salvage Brutalism: Class, Culture and Dispossession in the Victoria and Albert Museum’s Fragment of Robin Hood Gardens	0
The Revolutionary Symbolism of Angelo Herndon: Photography, Race, and Communism in 1930s America	0
Morris Hirshfield and Art History in the Making	0
Automatism and Autonomy in Postwar Rome: Alberto Burri and His Circle	0
Abstracts	0
Modernity’s Children: Form as Authority in the Films and Photobooks of Helen Levitt	0
Abstracts	0
Past and Present: Competing Ideologies of Impressionism in France, c. 1930–1950	0
Realist Pastoral and the Painting of Modern Life	0
Notes on Contributors	0
A Feminist Queering	0
Impressionism and Post-Impressionism: The Controversial Reception in China (1910–1950)	0
Beyond the Screen: Joan Jonas’s Television by Other Means	0
Retrospeculation: Tom Burr’s 42nd Street Structures	0
On the Beaten Track	0
‘Infidelity, Imposture, and Bad Faith’: Reproducing an Insurance Bubble	0
Memory as an Ever-present Past: Photographic Representations of US Military Presence in South Korea	0
Family Phantasmagoria: Antoine Claudet, Stereographs, and Middle-Class Dummies	0
City Seer: Alfred Stieglitz Circa 1900	0
Sculpting the ‘Idea of Insurance’: John Quincy Adams Ward’s Protection Group and the Rise of the American Life Sector	0
Sites of Memory and Forgetting: Gyula Derkovits’s Woodcuts of the 1514 Peasant War	0
Stalin’s Collectivisation as Zombie Apocalypse: Images of the Undead in 1930s Russia	0
The Sun Is God: Turner, Angerstein, and Insurance	0
Against the Canon: The Unresolved Dispute between Carla Lonzi and Giulio Carlo Argan	0
Absolutism, the Royal Body, and the Origins of Mythologie Galante: Charles de La Fosse at the Trianon	0
Avant-Garde Co-Optation and the Phenomenological Opening of Possibilities	0
Abstracts	0
Oro en el río: Placer Mining, Abundance, and Sustainability in Early Modern Art and Thought	0
Notes on Contributors	0
Women Counted in Early Modern Bologna	0
Wastelands: East End Bombsites in Postwar Photography	0
Abstracts	0
Correction to: The Morbid Symptoms of Capitalist Culture: Stuart Brisley’s Placement with Hille & Co. Furniture Factory (1970–1972)	0
Millais and Yellow	0
Impressionism in the Land of the Bolsheviks: Questions of Art, Reality, and Ideology in the Interwar Soviet Union	0
Mutable Bodies: Abstraction and Modern Dance in 1960s Argentina	0
Between Empathy and Antagonism: Subjective Imagination in the Situationist Drakabygget	0
Naomi Mitchison, Sam J. Ntiro, and Modern African Art in Rural Scotland	0
Viewing Broken Things	0
Notes on Contributors	0
Art and the Actuarial Imagination: Propositions	0
Abstracts	0
Joshua Reynolds and Deafness: Listening, Hearing, and Not Hearing in Eighteenth-Century Portraiture	0
Adolph Menzel and the Site of Seeing in Nineteenth-Century Drawing	0
Knowing and Not Knowing: Addressing Chinese Objects in the Art Museum	0
Tatlinism, or Dada’s Bluff	0
Avant-Garde Co-option and the Phenomenological Opening of Possibilities	0
Ars Longa, Vita Brevis: The Fine Art & General Insurance Company, Ltd	0
Morse’s Media	0

What Makes Mina Loy Modern?	0
Surface Tension: Equations of Difference between Architecture and Sculpture	0
Impotence and Incompetence: Edward Krasiński’s Art and Writing	0
Body Talk	0
Vitality of Form in Ruskin and Pater on Michelangelo	0
The Materialist Imagination: Essays in Honour of Caroline Arscott	0
Concealing and Revealing the Face of Charles the Martyr King	0
Cultural Transfer and Its Discontents: Recent Scholarship on the Mobility of Early Modern Prints	0
Abstracts	0
The Great Escape: The Visibility of Class in Tracey Emin’s Margate	0
The Spectacle of Crime	0
Environment and Emotion – Dual Pathways to the Art History of the Subcontinent	0
Abstracts	0
Notes on Contributors	0
Please Eat!	0
Ways of Seeing Impressionism circa 1968	0
Emiria Sunassa’s Citational Paintings: ‘Like a Boil on a Virgin’s Lips’	0
A Microhistory of Heritage Creation Processes: The Impressionists Exhibited at the Orangerie (1930–1937)	0
Notes on Contributors	0
Priests Come and Go…	0
Abstracts	0
Purpose, Power, and Possibility: A History of Museums Past and Present	0
Between Equal Rights: Representing Class and Other Struggles in the Image Field	0
A Box of Alabaster	0
Abstracts	0
Twists in Time: Apricots and Pomegranates by Albert Moore	0
Charles Meryon’s Graphic Risks	0
The Body Beyond	0
Complicities with the Camera: The Performance and Installation Art of Carlos Leppe	0
Museum Conversations	0
Rococo Rubbish: Ornament and Waste in the Eighteenth-Century Paris Street	0
Correction to: Impotence and Incompetence: Edward Krasiński's Art and Writing	0
The Unstable Lives of Monuments	0
Beyond Rehearsed Positions	0
Voracious Images, Forgotten Images: Notes on the Visual Culture of the Polish Solidarity Movement	0
Fuck You, Angels. Artworks as Allies in Care	0
HIV, the Country, and the City: Helen Chadwick’s Viral Landscapes	0
Impressionism After Impressionism	0
American Monument: Racism and Class	0
Notes on Contributors	0
Hauntings: An Ink Painter and a Coal Mine in 1960s China	0
The Worker as Monster: Images of Class and Radicalism in Operaismo and Autonomia	0
Rescue Politics: Richard Mosse’s Thermal Imaging and the Containment of Migration	0
Notes on Contributors	0
Contemporary Art and Class: Reassessing an Analytical Category	0
Notes on Contributors	0
Photographic Power	0
Meyer Schapiro on the ‘Content’ of Impressionism: The Standpoint of Subjective Freedom	0