OOIR: Observatory of International Research

Papers

(The median citation count of Oxford Art Journal is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)

Article	Citations
A Feminist Critique of Capitalism: Class, Gender, Work, and Unrest in Women’s Art after 2008	2
Charles Meryon’s Graphic Risks	1
Naomi Mitchison, Sam J. Ntiro, and Modern African Art in Rural Scotland	1
Notes on Contributors	1
The Rhône and the Saône	1
A Box of Alabaster	1
Notes on Contributors	1
Carlos Cruz-Diez’s Ephemeral Painted Walkways and the Politics of Mobility in Mid-1970s Caracas	1
William Holman Hunt’s Fantastic Magic Lantern	1
Why Does That Wolf Have Red On His Lips?	1
Impressionism in the Land of the Bolsheviks: Questions of Art, Reality, and Ideology in the Interwar Soviet Union	1
Monet Remade	1
Getting Away and Going With	1
Avant-Garde Co-option and the Phenomenological Opening of Possibilities	0
The Materialist Imagination: Essays in Honour of Caroline Arscott	0
Abstracts	0
Oro en el río: Placer Mining, Abundance, and Sustainability in Early Modern Art and Thought	0
Correction to: The Morbid Symptoms of Capitalist Culture: Stuart Brisley’s Placement with Hille & Co. Furniture Factory (1970–1972)	0
Purpose, Power, and Possibility: A History of Museums Past and Present	0
Women Artists Together	0
Placing the Visual in Participatory Art: Tele-Vecindario and the Chicago Grid at Street Level	0
Rococo Rubbish: Ornament and Waste in the Eighteenth-Century Paris Street	0
Priests Come and Go…	0
A Fascist Tango in Argentina: Exhibiting Novecento Italiano in Buenos Aires, 1930	0
The Worker as Monster: Images of Class and Radicalism in Operaismo and Autonomia	0

Women Counted in Early Modern Bologna	0
Between Empathy and Antagonism: Subjective Imagination in the Situationist Drakabygget	0
Impressionism After Impressionism	0
Realist Pastoral and the Painting of Modern Life	0
Art and the Actuarial Imagination: Propositions	0
Notes on Contributors	0
Tatlinism, or Dada’s Bluff	0
Entangled Histories of Art and Medicine	0
Senga Nengudi, the Fetish, and the Urban Growth Machine in 1970s Los Angeles	0
Notes on Contributors	0
Joshua Reynolds and Deafness: Listening, Hearing, and Not Hearing in Eighteenth-Century Portraiture	0
Beyond the Screen: Joan Jonas’s Television by Other Means	0
Ways of Seeing Impressionism circa 1968	0
Fuck You, Angels. Artworks as Allies in Care	0
Vitality of Form in Ruskin and Pater on Michelangelo	0
Touching Stone: Rembrandt’s Aristotle with the Bust of Homer	0
New Spatial Visions: Hadi Bara’s Critique of Architecture Formes Couleur	0
Cultural Transfer and Its Discontents: Recent Scholarship on the Mobility of Early Modern Prints	0
Concealing and Revealing the Face of Charles the Martyr King	0
Notes on Contributors	0
Abstracts	0
The Great Escape: The Visibility of Class in Tracey Emin’s Margate	0
Photographic Power	0
A Feminist Queering	0
Ars Longa, Vita Brevis: The Fine Art & General Insurance Company, Ltd	0
Modernity and Freedom: Lionello Venturi’s Impressionism	0
Notes on Contributors	0
Modernity’s Children: Form as Authority in the Films and Photobooks of Helen Levitt	0
Ruskin’s Double Plots	0
Colour Matters	0
Pick Your Picasso	0
A Microhistory of Heritage Creation Processes: The Impressionists Exhibited at the Orangerie (1930–1937)	0
Millais and Yellow	0
Coals for the Study: Reading Fire in William Westall’s Views of Australia	0
Emiria Sunassa’s Citational Paintings: ‘Like a Boil on a Virgin’s Lips’	0
Between Equal Rights: Representing Class and Other Struggles in the Image Field	0
Body Talk	0
Avant-Garde Co-Optation and the Phenomenological Opening of Possibilities	0
Twists in Time: Apricots and Pomegranates by Albert Moore	0
Family Phantasmagoria: Antoine Claudet, Stereographs, and Middle-Class Dummies	0
Abstracts	0
Museum Conversations	0
Beyond Revisionism	0
Voracious Images, Forgotten Images: Notes on the Visual Culture of the Polish Solidarity Movement	0
Abstracts	0
James Ensor, Animal Activist	0
American Monument: Racism and Class	0
Correction to: Impotence and Incompetence: Edward Krasiński's Art and Writing	0
Impotence and Incompetence: Edward Krasiński’s Art and Writing	0
Abstracts	0

Impressionism and Post-Impressionism: The Controversial Reception in China (1910–1950)	0
The Unstable Lives of Monuments	0
Beyond Rehearsed Positions	0
Notes on Contributors	0
Notes on Contributors	0
Contemporary Art and Class: Reassessing an Analytical Category	0
The Morbid Symptoms of Capitalist Culture: Stuart Brisley’s Placement with Hille & Co. Furniture Factory (1970–1972)	0
Absolutism, the Royal Body, and the Origins of Mythologie Galante: Charles de La Fosse at the Trianon	0
Meyer Schapiro on the ‘Content’ of Impressionism: The Standpoint of Subjective Freedom	0
The Sun Is God: Turner, Angerstein, and Insurance	0
Abstracts	0
Wastelands: East End Bombsites in Postwar Photography	0
Please Eat!	0
City Seer: Alfred Stieglitz Circa 1900	0
Abstracts	0
Notes on Contributors	0
Morris Hirshfield and Art History in the Making	0
Viewing Broken Things	0
Abstracts	0
Notes on Contributors	0
Monument to? Kara Walker’s Fons Americanus and the Commemorative Entanglements of the Present	0
Making It Function Differently: TV Sculpture	0
‘Dogs of the World Unite’: Keith Haring and New York’s Canine Imaginary	0
Retrospeculation: Tom Burr’s 42nd Street Structures	0
Notes on Contributors	0
The Revolutionary Symbolism of Angelo Herndon: Photography, Race, and Communism in 1930s America	0
Abstracts	0
Automatism and Autonomy in Postwar Rome: Alberto Burri and His Circle	0
Abstracts	0
Crafting ‘Craft’ in Japan	0
What Makes Mina Loy Modern?	0
HIV, the Country, and the City: Helen Chadwick’s Viral Landscapes	0
Morse’s Media	0
Salvage Brutalism: Class, Culture and Dispossession in the Victoria and Albert Museum’s Fragment of Robin Hood Gardens	0
On the Beaten Track	0
Past and Present: Competing Ideologies of Impressionism in France, c. 1930–1950	0
Wonders: Guide Culture and Narrative Detail in Western Images Related to Pilgrimage in the Holy Land	0
Surface Tension: Equations of Difference between Architecture and Sculpture	0
Rescue Politics: Richard Mosse’s Thermal Imaging and the Containment of Migration	0
Memory as an Ever-present Past: Photographic Representations of US Military Presence in South Korea	0
‘Infidelity, Imposture, and Bad Faith’: Reproducing an Insurance Bubble	0
The Spectacle of Crime	0
Sites of Memory and Forgetting: Gyula Derkovits’s Woodcuts of the 1514 Peasant War	0
Sculpting the ‘Idea of Insurance’: John Quincy Adams Ward’s Protection Group and the Rise of the American Life Sector	0
Art and Insurance after the Era of Statistics	0
Against the Canon: The Unresolved Dispute between Carla Lonzi and Giulio Carlo Argan	0