OOIR: Observatory of International Research

Papers

(The median citation count of Historical Journal of Film Radio and Television is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-08-01 to 2025-08-01.)

Article	Citations
All ‘Shook’ up: Bob Hope, the USO, and How a Night in Greenland Changed Television	4
John Feeney at the National Film Board of Canada: Scripting Inuit Modern Art	3
The digital Double Blind: Change and stasis in the Middle East	3
Decontextualisations in German Überläufer Comedies: The Reception and Political Aesthetic of Die Fledermaus ( The Bat , 1946)	2
Southern Censorship against Hollywood in Better Films Committees and Local Censorship Boards: Film Control as a Woman’s Political Weapon	2
Old West, New Audiences: Wildlife Documentaries, Non-Theatrical Exhibition, and the Us Wilderness Culture Industry, 1928–1930	1
Revisiting the Weaver Years at NBC	1
Correction	1
Experimental Filmmaking and Punk: Feminist Audio Visual Culture in the 1970s and 1980s	1
Preserving the Imperial Project: Documenting Film Censorship Practices in the Gold Coast (Ghana)	1
Scripting Empire: Broadcasting, the BBC, and the Black Atlantic	1
Sex, Politics, and Comedy: the Transnational Cinema of Ernst Lubitsch	1
Material Lives of Cold War Radio Pasts in India	1
Campbeltown Speaks: Small-Town Cinema and the Coming of Sound	1
Schools and Screens: A Watchful History	1
The Endless End of Cinema: A History of Crisis and Survival in Hollywood	1
Asta Nielsen, the Film Star System and the Introduction of the Long Feature Film	1
‘I Read My Dickens’: Agatha Christie’s Unproduced Film Adaptation of Bleak House	1
Animated Personalities: Cartoon Characters and Stardom in American Theatrical Shorts	1
Porridge: BFI Classics	1
The lost honour of katharina blum	1
Chronology of the Birth of Cinema 1833-1896	1
Broadcasting the ‘Voice of Science’ on America’s Town Meeting of the Air: Public Education, Popular Entertainment, and Post-World War II Scientific Ambivalence	1
Play Time: Jacques Tati and Comedic Modernism	1
Offensive Screens: The Italy-China Diplomatic Agreement (1936–37) and the Transnational Censorship of Films	1

Beyond The Movie Theater: Sites, Sponsors, Uses, Audiences	0
From Blue Book to White Book: The Hutchins Commission and Llewellyn White’s The American Radio	0
The Battle of Neretva (1969): Production, Exhibition, Reception, Aesthetics, and Historiography	0
Speech-To-Local Data: Exploring ASR Files of Archived Television News (2004–2018) on the 1986 Chernobyl Nuclear Disaster	0
Gaza on Screen	0
The Aesthetics of Early Sound Film: Media Change around 1930	0
A Clockwork Orange on stage	0
Luchino visconti and the fabric of cinema	0
Fate in Film: A Deterministic Approach to Cinema	0
TV Snapshots – An Archive of Everyday LifeTV Snapshots – An Archive of Everyday LifeLYNN SPIGEL, 2022Durham and London, Duke University Press pp. ix + 315, illus., $107.95 (cloth), $28.95 (paper)	0
Starmaker: David O. Selznick and the Production of Stars in the Hollywood Studio System	0
Announcement	0
From Propaganda to Attraction: Reassessing the Role of the Public in the Newsreel Jornal Português (1938–1951)	0
‘Were Our Ideas of Maintaining Control Mythical?’: Film Policy at Hampton Court Palace, 1911–1989	0
Adult Themes: British Cinema and the X Certificate in the Long 1960 s	0
Shocking Cinema of the 70s	0
Suitcase of Soundscapes: The London Transcription Service and the Packaging of Wartime Sounds for the BBC’s Global Radio Audience	0
Breaks in the Air: The Birth of Rap Radio in New York City	0
The Shared History of Stanley Kubrick’s A Clockwork Orange (1971) and Ken Russell’s The Devils (1971)	0
Chinese Film Classics, 1922–1949	0
All the President’s Men	0
Black America and Hollywood’s Korean War: The Steel Helmet (1951) and Pork Chop Hill (1959)	0
Cold war II: Hollywood’s Renewed Obsession with Russia	0
Reginald rose and the journey of 12 angry men	0
Miryam de Flores: The Woman of the Port. The Legacy of a Female TV Auteur From the Colombian Caribbean Region	0
Cinematic Guerrillas: Propaganda, Projectionists, and Audiences in Socialist China	0
Cinema off screen: moviegoing in socialist China	0
‘Our Film Orgy’: the Institute for Sex Research, Cinemages, Herman Weinberg, and George Eastman House, 1958–1963	0
Correction	0
Chinese Film: Realism and Convention from the Silent Era to the Digital Age	0
Esfir Shub: Pioneer of Documentary Filmmaking	0
‘The Delight of Real Boys’: Male Role Models in the Silent-Era Boys’ Cinema Weekly Fan Paper	0
Correction	0
Fighting Without Fighting: Kung Fu Cinema’s Journey to the West	0
Empire’s Mistress: Starring Isabel Rosario Cooper	0
Frances Kavanaugh and B Westerns’ Women Writers	0
Monstrous Youth: Transgressing the Boundaries of Childhood in the United States Monstrous Youth: Transgressing the Boundaries of Childhood in the United States SARA AUST	0
Reality, Magic, and Other Lies. Fairy-Tale Film Truths	0
Maverick Movies: New Line Cinema and the Transformation of American Film	0
Hollywood in San Francisco: Location Shooting and the Aesthetics of Urban Decline	0
Dr. No: The First James Bond Film	0
Filming History from Below: Microhistorical Documentaries	0
Emergence of Colour Film Laboratories in Bombay: A Historical Narrative of Technological Dependence, Redesign and Inordinate Delay of Colour Cinema	0
Unspooled: How the Cassette Made Music Shareable	0
‘A Strange World of Fantasy’: The Radio Propaganda of the Rhodesian Broadcasting Corporation, 1964–1970. ¹	0
‘A Movie Paralysis’: Defining Cinema during the Polio Epidemic of 1916	0
Transnational Television Caricature: The Global Spread of Spitting Image 1984–1994	0
The Cinema of Extractions: Film Materials and Their Forms	0
Hollywood’s Unofficial Film Corps: American Jewish Moviemakers and the War Effort	0
What Did the Haji Jawa See in Mecca? A film from 1928 as Primary Source	0

Alien Invasion Films: Imperialism, Race and Gender in the American Security State 1950-2020	0
French Film History, 1895–1946	0
Lost in Translation	0
Correction	0
SHIN FILMS PRESENTS: THE ‘KOREAN-STYLE’ STUDIO SYSTEM AND THE MODERNIZATION OF THE FILM INDUSTRY In SOUTH KOREA, 1952–1975	0
Medium Wars: Adapting the Film Narrative of Star Wars for Radio	0
Harold Pinter’s Early BBC Roles: Between Tradition and Innovation	0
Evading Censorship. Spanish Radio Disobedience During Late Francoism	0
Film Noir and Los Angeles: Urban History and the Dark ImaginaryFilm Noir and Los Angeles: Urban History and the Dark ImaginarySEAN W. MAHER, 2022New York, Routledge Press pp. vi + 211 + index, $52.95	0
Closures: Heterosexuality and the American Sitcom	0
Peter weir interviews	0
The Richard Dyer Reader	0
Miami Studios and Early Film Production in South Florida	0
The English Hollywood that wasn’t: shadow history and Esher’s unbuilt film studios	0
Early Cinema and Optical Media: An Index to Print Anthologies and Exhibition Catalogues – Part 1	0
Ida Lupino, Filmmaker	0
Supporters or Saboteurs: Deviated Experiences of Maoist Film Propaganda in Rural China	0
Screen Workers and the Irish Film Industry	0
The Big Picture: The Cold War on the Small Screen	0
Kill the Documentary: A Letter to Filmmakers, Students, and Scholars Kill the Documentary: A Letter to Filmmakers, Students, and Scholars JILL GODMILOW, 2022New York, Co	0
The Berlin–Tokyo Film Axis and a Troubled Co-Production: The Makers of New Earth/The Samurai’s Daughter (1937)	0
Suzuki Seijun and Postwar Japanese Cinema	0
Man’ei film in China 1937–1945: The Ideological Weapon of Japanese Settler Colonialism	0
New Perspectives on Early Cinema History: concepts, approaches, audiences	0
Socialist China’s Participation in the Asia-Africa Film Festival (1958–1964)	0
The Kinematograph Theatre Arrives: Part III of the London County Council and the Cinematograph	0
The Iamhist-Routledge Best Article Prizes for 2022	0
Cinema Memories: A People’s History of Cinema-Going in 1960s Britain Cinema Memories: A People’s History of Cinema-Going in 1960s Britain MELVYN STOKES, MATTHEW JONES an	0
Crime Scenery in Postwar Film and Photography	0
The ‘Horror Serials’ of the 1910s: Episodes in the Construction of a Film Genre	0
The Art of the Observer: A Personal View of Documentary	0
A Wonderful (After) Life: Public Domain Works and Television Discourse	0
Hitchcock’s Number Seventeen (1932) and the British Film Quota	0
British Cinema in a Divided Nation	0
Entertaining Ginnie: Visiting the Cinema and the Theatre, 1939–1945	0
Bette Davis Black and White	0
Women in the Work of Woody Allen	0
Picturegoing: A Critical Anthology of Eyewitness Experiences Picturegoing: A Critical Anthology of Eyewitness Experiences LUKE MCKERNAN, 2022Exeter, University of Exeter	0
Early Cinema and Optical Media: An Index to Print Anthologies and Exhibition Catalogues – Part 2	0
Film Curatorship: Archives, Museums, and the Digital Marketplace, 2nd Edition	0
The International Reception of Downfall (Der Untergang, 2004)	0
Silent Film Performance: Dramatic Bodies on Screen	0
Forecasting the Future Feature: How Film Industry Hierarchies Shaped Trailer Discourse, 1919–1959	0
Crafting Contemporary Documentaries and Docuseries for Global Screens: Docu-mania	0
‘A Brilliant Meteor Across the Filmic Heavens’: Brigitte Helm in British Film Culture, 1926–33	0
Saving the Children: Humanitarianism, Internationalism, and Empire	0
Murakami Haruki on Film	0
Introduction: 50 years of A Clockwork Orange (1971)	0
Russian TV Series in the Era of Transition: Genres, Technologies, Identities	0
Shadow of a Doubt	0
Translating Radio Productions into Television Programmes: The Post-War Career of BBC Writer/Producer Nesta Pain	0
Feeling Colour: Chromatic Embodiment in Film Culture (1950s–1960s)	0
The Routledge Companion to Radio and Podcast Studies	0
Haunted by Vertigo: Hitchcock’s Masterpiece Then and Now	0
‘Well they Weren’t Married!’: The Marriage Bar at Radio/Telefís Éireann 1962–72	0
The Story of British Propaganda Film	0
Horror Film and Otherness: Film and Culture Horror Film and Otherness: Film and Culture ADAM LOWENSTEIN, 2022New York, NY, Columbia University Press pp. xiii + 229, illu	0
Kubrick’s clockwork psychopath	0
Polish Radio Art: The Case of Eugeninsz Rudnik and the Polish Radio Experimental Studio, 1959–2002	0
The Americans (TV Milestones) The Americans (TV Milestones) LINDA MIZEJEWSKI, 2022Detroit, Wayne State University Press pp. 124, bibliography, $19.95 (paperback)	0
My Place in the Sun: Life in the Golden Age of Hollywood and Washington My Place in the Sun: Life in the Golden Age of Hollywood and Washington GEORGE STEVENS,JR., 2022L	0
Framing contagious images	0
Revisiting the Weaver Years at NBC	0
The Romance Promoter with A Deadline at 11: Rural Exhibitors, Urban Exchanges, and The Emerging Culture of Film Distribution in The United States, 1918–1925	0
Pictures of Poverty: The Works of George R. Sims and Their Screen Adaptations	0
Columbo: Paying Attention 24/7	0
Our Blessed Rebel Queen: Essays on Carrie Fisher and Princess LeiaOur Blessed Rebel Queen: Essays on Carrie Fisher and Princess LeiaLINDA MIZEJEWSKI and TANYA D. ZUK (eds.), 2021Detroit, Wayne State U	0
Correction	0
Screens and Gender: Re(Visiting) the History of Ghana’s Film Industry	0
Waves and Radiation: Television Sets and the Fear of Biological Harm in the Cold War	0
Cold War Children’s Television: Philadelphia as a Case Study	0
Remapping the Cold War in Asian Cinemas	0
The BBC German Service during the Second World War: Broadcasting to the Enemy	0
The Oxford Handbook of Radio and Podcasting	0
The History of German Literature on Film	0
Sport in the French Television Magazine Programme Cinq Colonnes à la Une (1959–1968)	0
The Last Bohemian: Brian Desmond Hurst, Irish Film, British Cinema	0
‘Problems Which Do Not Exist in the Field of Sound Alone’: Policies Against ‘Free Advertisement’ on Early BBC Television	0
Policing Show Business: J. Edgar Hoover, the Hollywood Blacklist, and Cold War Movies	0
This Studio is Dangerous! Hazards of Working in British Film Studios in the 1930s and 1940s	0

Rewind, Replay: Britain and the Video Boom, 1978–92 Rewind, Replay: Britain and the Video Boom, 1978–92 JOHNNY WALKER, 2022 Edinburgh, UK, Edinburgh University Press pp.	0
Hitler Youth Quex: A Guide for the English-Speaking Reader	0
In Conversation with Women Practitioners	0
Film, Hot War Traces and Cold War Spaces Film, Hot War Traces and Cold War Spaces MAURIZIO CINQUEGRANI, 2022Edinburgh, Edinburgh University Press pp. ix + 203, illus.,	0
Nazi ‘black’ Propaganda to Britain: Secret Radio Stations and British Renegades	0
The Middle Ages and the Movies: Eight Key Films	0
Gene Tierney: Star of Hollywood’s Home Front	0
Smartphone Filmmaking: Theory and Practice	0
‘Zapata is Fighting the Enemy Here’: Defanging a Rebel in Pre-revolutionary Iran	0
Documentary Film and the Volga Famine: Save the Children Fund’S Famine (1922)	0
Imitation of Life: Cross-Cultural Reception and Remakes in Turkish Cinema	0
Transcending the Iron Curtain: Foreign Film Weeks and Transnational Film Exchanges in the People’s Republic of China, 1949–1966	0
Word, Sound and Music in Radio Drama	0
On the Phenomenology of Media in the 1930s: Blaustein On Cinema and Radio Experiences	0
WOMEN’S TELEVISION HISTORIES: LOCATING WOMEN’S ROLE in EMERGING AND DEVELOPING INTERNATIONAL TELEVISION	0
The Iamhist-Routledge Best Article Prizes for 2021	0
French cinema vs the bomb: Atomic science and a war of images circa 1950	0
A Gathering Place for Outlaws: Fugitive Cinema’s Alternative Film Distribution	0
Labouring on A Clockwork Orange (1971): finding the voices of creative, technical, and administrative workers in the Stanley Kubrick Archive	0
Race and Radio: Pioneering Black Broadcasters in New Orleans Race and Radio: Pioneering Black Broadcasters in New Orleans BALA JAMES BAPTIST, 2019Jackson, University Pre	0
It’s all in the Delivery: Pregnancy in American Film and Television Comedy	0
Aesthetics of the In-Between: Traces of Transitional Times in Woman Overboard (W. Staudte, 1945–1952)	0
Art Bell’s Open Forum: Conspiracy Talk on Coast to Coast AM and its Legacy in the Internet Age	0
Clandestine Documentary Film V. Apartheid: Phela-Ndaba/End of The Dialogue (1970), Last Grave at Dimbaza (1974) and The South African Gove	0
Imperial Interest, Regional Politics and British Film Quotas in Post-war Hong Kong and Singapore	0
The Dark Interval: Film noir, Iconography and Affect The Dark Interval: Film Noir, Iconography and Affect PADRAIC KILLEEN, 2022New York, Bloomsbury pp. 271, $162.00 (clo	0
The Red Shoes	0
Trailblazing Women of Australian Public Broadcasting, 1945-1975	0
Sergio Leone: Cinema as Political Fable	0
SceneWriting: The Missing Manual for Screenwriters SceneWriting: The Missing Manual for Screenwriters CHRIS PERRY and ERIC HENRY SANDERS, 2022New York, NY, Bloomsbury Ac	0
Buster Keaton: A Filmmaker’s Life	0
Slavery before Roots : Television, the Civil Rights Movement, and History TV in the 1960s	0
Eleanor Powell: Born to Dance	0
The Biopic and Beyond: Celebrities as Characters in Screen Media	0
Bastard Theatres and Human Dregs: Cultures of Illegitimacy on 42 ^nd Street	0
Early Cinema and Optical Media: An Index to Print Anthologies and Exhibition Catalogues – Part 3	0
‘View’ and ‘Process’: Early British Industrial Films and Visual Culture	0
The Cinematographic Activities of Charles Rider Noble and John Mackenzie in the Balkans	0
‘Gumnut-flavoured’ British comedies and the representation of race, sexuality and suburb in Love Thy Neighbour in Australia	0
The British Trauma Film: Psychoanalysis and Popular British Cinema in the Immediate Aftermath of the Second World War	0
A Trip Down Market Street: A Century of ‘Eureka’ Moments	0
Resetting the Scene: Classical Hollywood Revisited	0
The Cinema of Manoel de Oliveira. Modernity, Intermediality and the Uncanny	0
Announcement	0
Channel 4 and the South Series (1991-93): from the Third World to the Global South	0
Dark Matter: Independent Filmmaking in the 21st Century	0
The Eyes of Power: Intellectual Vision in Contemporary Chinese Local Film Censorship	0
The Myth of Stalin and the Death of Hitler: André Bazin and The Fall of Berlin ’s Transnational Travels	0
It’s a Wonderful Life	0
‘Anyone Can Put On Clothes, Right?’: Costume Design and Styling as Women’s Work in Dutch Media Production	0
Hollis Frampton: Navigating the Infinite Cinema	0
‘Keep ‘em in the East’: Kazan, Kubrick, and the Postwar New York Film Renaissance	0
For No Reason at All: The Changing Narrative of the First World War in American film	0
‘Blind’ warfare: radio propaganda dynamics in South Africa during the Second World War	0
Castan’s Panopticum und Passage Panoptikum, Berlin. Eine Rekonstruktion aus Programm, Literatur und Wissenschaft	0
From Stage to Screen: The Legacy of Traditional Chinese Theatre in Chinese Martial Arts Cinema Soundtracks	0
Australian Radio Listeners and Television Viewers. Historical Perspectives	0
‘Unmitigated Cad’: The Dual Stardom of George Sanders ¹	0
The Sentimental in Chinese Cinema The Sentimental in Chinese Cinema HUIMIAO, 2022Cham, Palgrave Macmillan pp. xvi + 210, $107 (cloth)	0
Making the Best Years of Our Lives: The Hollywood Classic that Inspired a Nation Making The Best Years of Our Lives: the Hollywood Classic that Inspired a Nation ALISON	0
Radio’s Legacy in Popular Culture: The Sounds of British Broadcasting Over the Decades	0
The BBC’s Controversy Committee, 1928–1929	0
‘We’ll Have No More Grapes of Wrath :’ The Origins, Rise and Impact of a Dubious Cinematic Anecdote	0
The legacy of A Clockwork Orange in The Great Ecstasy of Robert Carmichael (Thomas Clay, 2005) and Bronson (Nicolas Winding Refn, 2009): ‘all form and no content’?	0
Poetry FM: American Poetry and Radio Counterculture	0
Radiophilia	0
Columbo: Make Me a Perfect Murder	0
Visioning, Contesting and Revisioning Trinidad’s 1970 Black Power Revolt in Independent Documentary Film	0
Communicating Europe: Technologies, Information, Events	0
Hawaii Five-O	0
The Screen Censorship Companion: Critical explorations in the control of film and screen media	0
Video, Feminism and Television: A Trajectory of the Brazilian Feminist Collective Lilith Video, 1983–1988	0
The Empire Symphony Film: Fascist Documentary, Infrastructure, and the Avant-Garde	0
Provenance and Early Cinema	0
Bohemians in 1970s New York City: perspectives on Miloš Forman and Ivan Passer’s films	0
Soupy Sales and the Detroit Experience: Manufacturing a Television Personality	0
‘No experiments’? Reprises and Remakes in 1950s West German Cinema	0
Scratches and Glitches: Observations on Preserving and Exhibiting Cinema in the Early 21st Century	0
Pulses of Abstraction: Episodes from a History of Animation	0
Marketing the A Clockwork Orange myth	0
Hidden in Plain Sight: Attending to Women’s Amateur Filmmaking Histories at the Irish Film Archive	0
The Offline Maintenance of the First International Film Festival During COVID-19: Institutional Adjustments and Participants’ Response	0
Studio Restructuring Without the Paramount Decree: Japanese Film Industry and Oligopoly after the 1960s	0
Unacceptable Matters: The Hays Code, Family, Film Noir and RKO Radio Pictures	0
Learning with Light and Shadows: Educational Lantern and Film Projection, 1860–1990	0
The stardom film: Creating the Hollywood fairy tale	0
Text/Author/Audience: Audience Reception of Ingmar Bergman and His Films	0
When in Rome: Hollywood Runaway Productions, the International Film Service, and Rome Adventure (1962)	0
Motor City Movie Culture, 1916–1925	0
Rated A: Soft-Porn Cinema and Mediations of Desire in India	0
Jia Zhangke on Jia Zhangke	0
Requisitioning film studios in wartime Britain	0
The Ascent of the Nazis and the Downfall of the Catholic Company, Leo-Film AG	0
Broadcasting a Legend: The Canadian TV Miniseries The Arrow (1997)	0
From Prison to Censorship: Devil’s Island Films (1926–1940)	0