OOIR: Observatory of International Research

Papers

(The median citation count of Historical Journal of Film Radio and Television is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-09-01 to 2025-09-01.)

Article	Citations
John Feeney at the National Film Board of Canada: Scripting Inuit Modern Art	4
Broadcasting the ‘Voice of Science’ on America’s Town Meeting of the Air: Public Education, Popular Entertainment, and Post-World War II Scientific Ambivalence	3
Southern Censorship against Hollywood in Better Films Committees and Local Censorship Boards: Film Control as a Woman’s Political Weapon	3
The Endless End of Cinema: A History of Crisis and Survival in Hollywood	2
Preserving the Imperial Project: Documenting Film Censorship Practices in the Gold Coast (Ghana)	2
The digital Double Blind: Change and stasis in the Middle East	2
Experimental Filmmaking and Punk: Feminist Audio Visual Culture in the 1970s and 1980s	1
Correction	1
The lost honour of katharina blum	1
Animated Personalities: Cartoon Characters and Stardom in American Theatrical Shorts	1
Material Lives of Cold War Radio Pasts in India	1
Offensive Screens: The Italy-China Diplomatic Agreement (1936–37) and the Transnational Censorship of Films	1
Scripting Empire: Broadcasting, the BBC, and the Black Atlantic	1
Chronology of the Birth of Cinema 1833-1896	1
Asta Nielsen, the Film Star System and the Introduction of the Long Feature Film	1
Porridge: BFI Classics	1
‘I Read My Dickens’: Agatha Christie’s Unproduced Film Adaptation of Bleak House	1
Revisiting the Weaver Years at NBC	1
Play Time: Jacques Tati and Comedic Modernism	1
Schools and Screens: A Watchful History	1
Decontextualisations in German Überläufer Comedies: The Reception and Political Aesthetic of Die Fledermaus ( The Bat , 1946)	1
Sex, Politics, and Comedy: the Transnational Cinema of Ernst Lubitsch	1
Old West, New Audiences: Wildlife Documentaries, Non-Theatrical Exhibition, and the Us Wilderness Culture Industry, 1928–1930	1
Campbeltown Speaks: Small-Town Cinema and the Coming of Sound	1
Castan’s Panopticum und Passage Panoptikum, Berlin. Eine Rekonstruktion aus Programm, Literatur und Wissenschaft	0

Silent Film Performance: Dramatic Bodies on Screen	0
‘Well they Weren’t Married!’: The Marriage Bar at Radio/Telefís Éireann 1962–72	0
French cinema vs the bomb: Atomic science and a war of images circa 1950	0
The Shared History of Stanley Kubrick’s A Clockwork Orange (1971) and Ken Russell’s The Devils (1971)	0
Crafting Contemporary Documentaries and Docuseries for Global Screens: Docu-mania	0
Lost in Translation	0
Filming History from Below: Microhistorical Documentaries	0
Shadow of a Doubt	0
Bette Davis Black and White	0
Monstrous Youth: Transgressing the Boundaries of Childhood in the United States Monstrous Youth: Transgressing the Boundaries of Childhood in the United States SARA AUST	0
‘Unmitigated Cad’: The Dual Stardom of George Sanders ¹	0
Resetting the Scene: Classical Hollywood Revisited	0
From Stage to Screen: The Legacy of Traditional Chinese Theatre in Chinese Martial Arts Cinema Soundtracks	0
Columbo: Make Me a Perfect Murder	0
The Cinema of Extractions: Film Materials and Their Forms	0
The Empire Symphony Film: Fascist Documentary, Infrastructure, and the Avant-Garde	0
Miami Studios and Early Film Production in South Florida	0
‘Anyone Can Put On Clothes, Right?’: Costume Design and Styling as Women’s Work in Dutch Media Production	0
Franchising a Classic: Stanley Kubrick, Arthur C. Clarke, MGM and the Exploitation of 2001: A Space Odyssey	0
The Iamhist-Routledge Best Article Prizes for 2022	0
Chinese Film Classics, 1922–1949	0
Sergio Leone: Cinema as Political Fable	0
Correction	0
Australian Radio Listeners and Television Viewers. Historical Perspectives	0
Requisitioning film studios in wartime Britain	0
Alien Invasion Films: Imperialism, Race and Gender in the American Security State 1950-2020	0
When in Rome: Hollywood Runaway Productions, the International Film Service, and Rome Adventure (1962)	0
Reality, Magic, and Other Lies. Fairy-Tale Film Truths	0
Marketing the A Clockwork Orange myth	0
The legacy of A Clockwork Orange in The Great Ecstasy of Robert Carmichael (Thomas Clay, 2005) and Bronson (Nicolas Winding Refn, 2009): ‘all form and no content’?	0
Learning with Light and Shadows: Educational Lantern and Film Projection, 1860–1990	0
Evading Censorship. Spanish Radio Disobedience During Late Francoism	0
The Big Picture: The Cold War on the Small Screen	0
‘A Strange World of Fantasy’: The Radio Propaganda of the Rhodesian Broadcasting Corporation, 1964–1970. ¹	0
MISSING LINKS: THE AFTERMATH of THE NAZI ERA IN GERMAN AND EUROPEAN FILM HISTORY	0
‘We’ll Have No More Grapes of Wrath :’ The Origins, Rise and Impact of a Dubious Cinematic Anecdote	0
The Oxford Handbook of Radio and Podcasting	0
The English Hollywood that wasn’t: shadow history and Esher’s unbuilt film studios	0
From Prison to Censorship: Devil’s Island Films (1926–1940)	0
Provenance and Early Cinema	0
The stardom film: Creating the Hollywood fairy tale	0
Film, Hot War Traces and Cold War Spaces Film, Hot War Traces and Cold War Spaces MAURIZIO CINQUEGRANI, 2022Edinburgh, Edinburgh University Press pp. ix + 203, illus.,	0
The Myth of Stalin and the Death of Hitler: André Bazin and The Fall of Berlin ’s Transnational Travels	0
The Middle Ages and the Movies: Eight Key Films	0
The Berlin–Tokyo Film Axis and a Troubled Co-Production: The Makers of New Earth/The Samurai’s Daughter (1937)	0
Hitchcock’s Number Seventeen (1932) and the British Film Quota	0
‘Zapata is Fighting the Enemy Here’: Defanging a Rebel in Pre-revolutionary Iran	0
Luchino visconti and the fabric of cinema	0
Communicating Europe: Technologies, Information, Events	0
Suitcase of Soundscapes: The London Transcription Service and the Packaging of Wartime Sounds for the BBC’s Global Radio Audience	0

Transcending the Iron Curtain: Foreign Film Weeks and Transnational Film Exchanges in the People’s Republic of China, 1949–1966	0
Cinema Memories: A People’s History of Cinema-Going in 1960s Britain Cinema Memories: A People’s History of Cinema-Going in 1960s Britain MELVYN STOKES, MATTHEW JONES an	0
Film Curatorship: Archives, Museums, and the Digital Marketplace, 2nd Edition	0
Breaks in the Air: The Birth of Rap Radio in New York City	0
The Art of the Observer: A Personal View of Documentary	0
All the President’s Men	0
Reginald rose and the journey of 12 angry men	0
Labouring on A Clockwork Orange (1971): finding the voices of creative, technical, and administrative workers in the Stanley Kubrick Archive	0
Entertaining Ginnie: Visiting the Cinema and the Theatre, 1939–1945	0
Cinema off screen: moviegoing in socialist China	0
Chinese Film: Realism and Convention from the Silent Era to the Digital Age	0
Picturegoing: A Critical Anthology of Eyewitness Experiences Picturegoing: A Critical Anthology of Eyewitness Experiences LUKE MCKERNAN, 2022Exeter, University of Exeter	0
‘Keep ‘em in the East’: Kazan, Kubrick, and the Postwar New York Film Renaissance	0
Women in the Work of Woody Allen	0
Cold war II: Hollywood’s Renewed Obsession with Russia	0
Slavery before Roots : Television, the Civil Rights Movement, and History TV in the 1960s	0
Clandestine Documentary Film V. Apartheid: Phela-Ndaba/End of The Dialogue (1970), Last Grave at Dimbaza (1974) and The South African Gove	0
The Aesthetics of Early Sound Film: Media Change around 1930	0
Hawaii Five-O	0
Fighting Without Fighting: Kung Fu Cinema’s Journey to the West	0
Horror Film and Otherness: Film and Culture Horror Film and Otherness: Film and Culture ADAM LOWENSTEIN, 2022New York, NY, Columbia University Press pp. xiii + 229, illu	0
TV Snapshots – An Archive of Everyday LifeTV Snapshots – An Archive of Everyday LifeLYNN SPIGEL, 2022Durham and London, Duke University Press pp. ix + 315, illus., $107.95 (cloth), $28.95 (paper)	0
Introduction: 50 years of A Clockwork Orange (1971)	0
Poetry FM: American Poetry and Radio Counterculture	0
Early Cinema and Optical Media: An Index to Print Anthologies and Exhibition Catalogues – Part 2	0
Translating Radio Productions into Television Programmes: The Post-War Career of BBC Writer/Producer Nesta Pain	0
The History of German Literature on Film	0
Cold War Children’s Television: Philadelphia as a Case Study	0
‘Gumnut-flavoured’ British comedies and the representation of race, sexuality and suburb in Love Thy Neighbour in Australia	0
‘Problems Which Do Not Exist in the Field of Sound Alone’: Policies Against ‘Free Advertisement’ on Early BBC Television	0
Remapping the Cold War in Asian Cinemas	0
Feeling Colour: Chromatic Embodiment in Film Culture (1950s–1960s)	0
It’s a Wonderful Life	0
Screens and Gender: Re(Visiting) the History of Ghana’s Film Industry	0
Correction	0
Frances Kavanaugh and B Westerns’ Women Writers	0
Hitler Youth Quex: A Guide for the English-Speaking Reader	0
Revisiting the Weaver Years at NBC	0
Harold Pinter’s Early BBC Roles: Between Tradition and Innovation	0
Cinematic Guerrillas: Propaganda, Projectionists, and Audiences in Socialist China	0
Russian TV Series in the Era of Transition: Genres, Technologies, Identities	0
Hollywood’s Unofficial Film Corps: American Jewish Moviemakers and the War Effort	0
Resurrecting the Black Body: Race and the Digital Afterlife	0
On the Phenomenology of Media in the 1930s: Blaustein On Cinema and Radio Experiences	0
Correction	0
Race and Radio: Pioneering Black Broadcasters in New Orleans Race and Radio: Pioneering Black Broadcasters in New Orleans BALA JAMES BAPTIST, 2019Jackson, University Pre	0
Empire’s Mistress: Starring Isabel Rosario Cooper	0
What Did the Haji Jawa See in Mecca? A film from 1928 as Primary Source	0
The Story of British Propaganda Film	0
Unspooled: How the Cassette Made Music Shareable	0
Hollywood in San Francisco: Location Shooting and the Aesthetics of Urban Decline	0
Man’ei film in China 1937–1945: The Ideological Weapon of Japanese Settler Colonialism	0
Correction	0
Medium Wars: Adapting the Film Narrative of Star Wars for Radio	0
Hidden in Plain Sight: Attending to Women’s Amateur Filmmaking Histories at the Irish Film Archive	0
Documentary Film and the Volga Famine: Save the Children Fund’S Famine (1922)	0
Ida Lupino, Filmmaker	0
The Screen Censorship Companion: Critical explorations in the control of film and screen media	0
Nazi ‘black’ Propaganda to Britain: Secret Radio Stations and British Renegades	0
The Iamhist-Routledge Best Article Prizes for 2021	0
SHIN FILMS PRESENTS: THE ‘KOREAN-STYLE’ STUDIO SYSTEM AND THE MODERNIZATION OF THE FILM INDUSTRY In SOUTH KOREA, 1952–1975	0
Peter weir interviews	0
The City on Screen: Modern Strangers of Cinematic Istanbul	0
Bigger Than Life: The Close-Up and Scale in the Cinema Bigger Than Life: The Close-Up and Scale in the Cinema MARY ANN DOANE, 2021Durham, NC, Duke University Press pp. x	0
Scratches and Glitches: Observations on Preserving and Exhibiting Cinema in the Early 21st Century	0
Imitation of Life: Cross-Cultural Reception and Remakes in Turkish Cinema	0
A Clockwork Orange on stage	0
Aesthetics of the In-Between: Traces of Transitional Times in Woman Overboard (W. Staudte, 1945–1952)	0
Supporters or Saboteurs: Deviated Experiences of Maoist Film Propaganda in Rural China	0
Beyond The Movie Theater: Sites, Sponsors, Uses, Audiences	0
Starmaker: David O. Selznick and the Production of Stars in the Hollywood Studio System	0
Unacceptable Matters: The Hays Code, Family, Film Noir and RKO Radio Pictures	0
A Gathering Place for Outlaws: Fugitive Cinema’s Alternative Film Distribution	0
SceneWriting: The Missing Manual for Screenwriters SceneWriting: The Missing Manual for Screenwriters CHRIS PERRY and ERIC HENRY SANDERS, 2022New York, NY, Bloomsbury Ac	0
Text/Author/Audience: Audience Reception of Ingmar Bergman and His Films	0
The Sentimental in Chinese Cinema The Sentimental in Chinese Cinema HUIMIAO, 2022Cham, Palgrave Macmillan pp. xvi + 210, $107 (cloth)	0
Buster Keaton: A Filmmaker’s Life	0
Forecasting the Future Feature: How Film Industry Hierarchies Shaped Trailer Discourse, 1919–1959	0
Jia Zhangke on Jia Zhangke	0
Imperial Interest, Regional Politics and British Film Quotas in Post-war Hong Kong and Singapore	0

‘View’ and ‘Process’: Early British Industrial Films and Visual Culture	0
The Ascent of the Nazis and the Downfall of the Catholic Company, Leo-Film AG	0
Trailblazing Women of Australian Public Broadcasting, 1945-1975	0
Announcement	0
The Last Bohemian: Brian Desmond Hurst, Irish Film, British Cinema	0
Crime Scenery in Postwar Film and Photography	0
Adult Themes: British Cinema and the X Certificate in the Long 1960 s	0
From the BBC’s Shadows? Fledgling AIR Finding Its Feet	0
Socialist China’s Participation in the Asia-Africa Film Festival (1958–1964)	0
Bastard Theatres and Human Dregs: Cultures of Illegitimacy on 42 ^nd Street	0
The BBC German Service during the Second World War: Broadcasting to the Enemy	0
Esfir Shub: Pioneer of Documentary Filmmaking	0
Eleanor Powell: Born to Dance	0
The Cinematographic Activities of Charles Rider Noble and John Mackenzie in the Balkans	0
Dr. No: The First James Bond Film	0
A Wonderful (After) Life: Public Domain Works and Television Discourse	0
French Film History, 1895–1946	0
Maverick Movies: New Line Cinema and the Transformation of American Film	0
Shocking Cinema of the 70s	0
Dark Matter: Independent Filmmaking in the 21st Century	0
Soupy Sales and the Detroit Experience: Manufacturing a Television Personality	0
Early Cinema and Optical Media: An Index to Print Anthologies and Exhibition Catalogues – Part 3	0
‘The Delight of Real Boys’: Male Role Models in the Silent-Era Boys’ Cinema Weekly Fan Paper	0
Video, Feminism and Television: A Trajectory of the Brazilian Feminist Collective Lilith Video, 1983–1988	0
My Place in the Sun: Life in the Golden Age of Hollywood and Washington My Place in the Sun: Life in the Golden Age of Hollywood and Washington GEORGE STEVENS,JR., 2022L	0
Revisiting the Women’s Movement in India (1970s–80s) Through the Women’s Programme	0
Film Noir and Los Angeles: Urban History and the Dark ImaginaryFilm Noir and Los Angeles: Urban History and the Dark ImaginarySEAN W. MAHER, 2022New York, Routledge Press pp. vi + 211 + index, $52.95	0
For No Reason at All: The Changing Narrative of the First World War in American film	0
Transnational Television Caricature: The Global Spread of Spitting Image 1984–1994	0
‘A Brilliant Meteor Across the Filmic Heavens’: Brigitte Helm in British Film Culture, 1926–33	0
Kubrick’s clockwork psychopath	0
THOROLD DICKINSON and SECRET PEOPLE (1952): POPULAR FRONT TO COLD WAR AND AFTER	0
Radiophilia	0
Miryam de Flores: The Woman of the Port. The Legacy of a Female TV Auteur From the Colombian Caribbean Region	0
Radio’s Legacy in Popular Culture: The Sounds of British Broadcasting Over the Decades	0
The Offline Maintenance of the First International Film Festival During COVID-19: Institutional Adjustments and Participants’ Response	0
Policing Show Business: J. Edgar Hoover, the Hollywood Blacklist, and Cold War Movies	0
Buñuel and Mexico: The Crisis of National Cinema	0
Haunted by Vertigo: Hitchcock’s Masterpiece Then and Now	0
Bohemians in 1970s New York City: perspectives on Miloš Forman and Ivan Passer’s films	0
Sport in the French Television Magazine Programme Cinq Colonnes à la Une (1959–1968)	0
Polish Radio Art: The Case of Eugeninsz Rudnik and the Polish Radio Experimental Studio, 1959–2002	0
Closures: Heterosexuality and the American Sitcom	0
British Cinema in a Divided Nation	0
In Conversation with Women Practitioners	0
‘Blind’ warfare: radio propaganda dynamics in South Africa during the Second World War	0
Rewind, Replay: Britain and the Video Boom, 1978–92 Rewind, Replay: Britain and the Video Boom, 1978–92 JOHNNY WALKER, 2022 Edinburgh, UK, Edinburgh University Press pp.	0
Columbo: Paying Attention 24/7	0
Gene Tierney: Star of Hollywood’s Home Front	0
‘No experiments’? Reprises and Remakes in 1950s West German Cinema	0
The Red Shoes	0
The BBC’s Controversy Committee, 1928–1929	0
Motor City Movie Culture, 1916–1925	0
Pulses of Abstraction: Episodes from a History of Animation	0
Gaza on Screen	0
Studio Restructuring Without the Paramount Decree: Japanese Film Industry and Oligopoly after the 1960s	0
Saving the Children: Humanitarianism, Internationalism, and Empire	0
Broadcasting a Legend: The Canadian TV Miniseries The Arrow (1997)	0
Smartphone Filmmaking: Theory and Practice	0
Kill the Documentary: A Letter to Filmmakers, Students, and Scholars Kill the Documentary: A Letter to Filmmakers, Students, and Scholars JILL GODMILOW, 2022New York, Co	0
The ‘Horror Serials’ of the 1910s: Episodes in the Construction of a Film Genre	0
Ingmar Bergman Out of Focus: Film Cultures and International Reception	0
Rated A: Soft-Porn Cinema and Mediations of Desire in India	0
The Cinema of Manoel de Oliveira. Modernity, Intermediality and the Uncanny	0
The Richard Dyer Reader	0
Mavericks: Interviews with the world’s iconoclast filmmaker	0
The Americans (TV Milestones) The Americans (TV Milestones) LINDA MIZEJEWSKI, 2022Detroit, Wayne State University Press pp. 124, bibliography, $19.95 (paperback)	0
The Biopic and Beyond: Celebrities as Characters in Screen Media	0
Early Cinema and Optical Media: An Index to Print Anthologies and Exhibition Catalogues – Part 1	0
From Blue Book to White Book: The Hutchins Commission and Llewellyn White’s The American Radio	0
‘Were Our Ideas of Maintaining Control Mythical?’: Film Policy at Hampton Court Palace, 1911–1989	0
WOMEN’S TELEVISION HISTORIES: LOCATING WOMEN’S ROLE in EMERGING AND DEVELOPING INTERNATIONAL TELEVISION	0
Screen Workers and the Irish Film Industry	0
Murakami Haruki on Film	0
The British Trauma Film: Psychoanalysis and Popular British Cinema in the Immediate Aftermath of the Second World War	0
Suzuki Seijun and Postwar Japanese Cinema	0
Fate in Film: A Deterministic Approach to Cinema	0
The Kinematograph Theatre Arrives: Part III of the London County Council and the Cinematograph	0
It’s all in the Delivery: Pregnancy in American Film and Television Comedy	0
Announcement	0
‘Our Film Orgy’: the Institute for Sex Research, Cinemages, Herman Weinberg, and George Eastman House, 1958–1963	0
Art Bell’s Open Forum: Conspiracy Talk on Coast to Coast AM and its Legacy in the Internet Age	0
The Battle of Neretva (1969): Production, Exhibition, Reception, Aesthetics, and Historiography	0
The International Reception of Downfall (Der Untergang, 2004)	0
Hollis Frampton: Navigating the Infinite Cinema	0
Waves and Radiation: Television Sets and the Fear of Biological Harm in the Cold War	0
The Eyes of Power: Intellectual Vision in Contemporary Chinese Local Film Censorship	0
New Perspectives on Early Cinema History: concepts, approaches, audiences	0
Visioning, Contesting and Revisioning Trinidad’s 1970 Black Power Revolt in Independent Documentary Film	0
The Dark Interval: Film noir, Iconography and Affect The Dark Interval: Film Noir, Iconography and Affect PADRAIC KILLEEN, 2022New York, Bloomsbury pp. 271, $162.00 (clo	0
Black America and Hollywood’s Korean War: The Steel Helmet (1951) and Pork Chop Hill (1959)	0
Our Blessed Rebel Queen: Essays on Carrie Fisher and Princess LeiaOur Blessed Rebel Queen: Essays on Carrie Fisher and Princess LeiaLINDA MIZEJEWSKI and TANYA D. ZUK (eds.), 2021Detroit, Wayne State U	0
From Propaganda to Attraction: Reassessing the Role of the Public in the Newsreel Jornal Português (1938–1951)	0
A Trip Down Market Street: A Century of ‘Eureka’ Moments	0
Emergence of Colour Film Laboratories in Bombay: A Historical Narrative of Technological Dependence, Redesign and Inordinate Delay of Colour Cinema	0