OOIR: Observatory of International Research

Papers

(The median citation count of Historical Journal of Film Radio and Television is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-11-01 to 2025-11-01.)

Article	Citations
The digital Double Blind: Change and stasis in the Middle East	4
John Feeney at the National Film Board of Canada: Scripting Inuit Modern Art	3
Southern Censorship against Hollywood in Better Films Committees and Local Censorship Boards: Film Control as a Woman’s Political Weapon	3
Decontextualisations in German Überläufer Comedies: The Reception and Political Aesthetic of Die Fledermaus ( The Bat , 1946)	3
Schools and Screens: A Watchful History	2
Preserving the Imperial Project: Documenting Film Censorship Practices in the Gold Coast (Ghana)	2
Chronology of the Birth of Cinema 1833-1896	2
Broadcasting the ‘Voice of Science’ on America’s Town Meeting of the Air: Public Education, Popular Entertainment, and Post-World War II Scientific Ambivalence	2
The Endless End of Cinema: A History of Crisis and Survival in Hollywood	2
The lost honour of katharina blum	1
Experimental Filmmaking and Punk: Feminist Audio Visual Culture in the 1970s and 1980s	1
‘I Read My Dickens’: Agatha Christie’s Unproduced Film Adaptation of Bleak House	1
Material Lives of Cold War Radio Pasts in India	1
Franchising a Classic: Stanley Kubrick, Arthur C. Clarke, MGM and the Exploitation of 2001: A Space Odyssey	1
Correction	1
Asta Nielsen, the Film Star System and the Introduction of the Long Feature Film	1
Campbeltown Speaks: Small-Town Cinema and the Coming of Sound	1
Porridge: BFI Classics	1
Sex, Politics, and Comedy: the Transnational Cinema of Ernst Lubitsch	1
Scripting Empire: Broadcasting, the BBC, and the Black Atlantic	1
Play Time: Jacques Tati and Comedic Modernism	1
Offensive Screens: The Italy-China Diplomatic Agreement (1936–37) and the Transnational Censorship of Films	1
Old West, New Audiences: Wildlife Documentaries, Non-Theatrical Exhibition, and the Us Wilderness Culture Industry, 1928–1930	1
Revisiting the Weaver Years at NBC	1
Film Noir and Los Angeles: Urban History and the Dark ImaginaryFilm Noir and Los Angeles: Urban History and the Dark ImaginarySEAN W. MAHER, 2022New York, Routledge Press pp. vi + 211 + index, $52.95	0

Unspooled: How the Cassette Made Music Shareable	0
A Wonderful (After) Life: Public Domain Works and Television Discourse	0
Reginald rose and the journey of 12 angry men	0
Harold Pinter’s Early BBC Roles: Between Tradition and Innovation	0
The Americans (TV Milestones) The Americans (TV Milestones) LINDA MIZEJEWSKI, 2022Detroit, Wayne State University Press pp. 124, bibliography, $19.95 (paperback)	0
Nazi ‘black’ Propaganda to Britain: Secret Radio Stations and British Renegades	0
Emergence of Colour Film Laboratories in Bombay: A Historical Narrative of Technological Dependence, Redesign and Inordinate Delay of Colour Cinema	0
Radio’s Legacy in Popular Culture: The Sounds of British Broadcasting Over the Decades	0
The Shared History of Stanley Kubrick’s A Clockwork Orange (1971) and Ken Russell’s The Devils (1971)	0
Visioning, Contesting and Revisioning Trinidad’s 1970 Black Power Revolt in Independent Documentary Film	0
Miami Studios and Early Film Production in South Florida	0
Contemporary Art Cinema Culture in China	0
Imitation of Life: Cross-Cultural Reception and Remakes in Turkish Cinema	0
Ingmar Bergman Out of Focus: Film Cultures and International Reception	0
Resetting the Scene: Classical Hollywood Revisited	0
Forecasting the Future Feature: How Film Industry Hierarchies Shaped Trailer Discourse, 1919–1959	0
Communicating Europe: Technologies, Information, Events	0
Poetry FM: American Poetry and Radio Counterculture	0
Rated A: Soft-Porn Cinema and Mediations of Desire in India	0
Scratches and Glitches: Observations on Preserving and Exhibiting Cinema in the Early 21st Century	0
Hollywood’s Unofficial Film Corps: American Jewish Moviemakers and the War Effort	0
Feminism and the Cinema of Experience	0
‘A Brilliant Meteor Across the Filmic Heavens’: Brigitte Helm in British Film Culture, 1926–33	0
Film Curatorship: Archives, Museums, and the Digital Marketplace, 2nd Edition	0
Luchino visconti and the fabric of cinema	0
Soupy Sales and the Detroit Experience: Manufacturing a Television Personality	0
The International Reception of Downfall (Der Untergang, 2004)	0
The Art of the Observer: A Personal View of Documentary	0
‘A Difficult Film to Sell and a Difficult Film to Appreciate’: MGM’s Alfred the Great (1969) and the Challenges of Promoting Historical Epic in the Late-	0
Translating Radio Productions into Television Programmes: The Post-War Career of BBC Writer/Producer Nesta Pain	0
Australian Radio Listeners and Television Viewers. Historical Perspectives	0
Bigger Than Life: The Close-Up and Scale in the Cinema Bigger Than Life: The Close-Up and Scale in the Cinema MARY ANN DOANE, 2021Durham, NC, Duke University Press pp. x	0
All the President’s Men	0
Fate in Film: A Deterministic Approach to Cinema	0
The Role of Film Archives in Creating Canons of Eastern European Cinema	0
Abandoned: Propaganda Films of the Third Reich	0
James Bond’s Socialist Rivals: Television Spy Heroes and Popular Culture in the Cold War East	0
When in Rome: Hollywood Runaway Productions, the International Film Service, and Rome Adventure (1962)	0
‘Our Film Orgy’: the Institute for Sex Research, Cinemages, Herman Weinberg, and George Eastman House, 1958–1963	0
Motor City Movie Culture, 1916–1925	0
‘A Strange World of Fantasy’: The Radio Propaganda of the Rhodesian Broadcasting Corporation, 1964–1970. ¹	0
Learning with Light and Shadows: Educational Lantern and Film Projection, 1860–1990	0
The Eyes of Power: Intellectual Vision in Contemporary Chinese Local Film Censorship	0
The legacy of A Clockwork Orange in The Great Ecstasy of Robert Carmichael (Thomas Clay, 2005) and Bronson (Nicolas Winding Refn, 2009): ‘all form and no content’?	0
‘View’ and ‘Process’: Early British Industrial Films and Visual Culture	0
New Perspectives on Early Cinema History: concepts, approaches, audiences	0
The Popes on Air: The History of Vatican Radio from Its Origins to World War II	0
Correction	0
SHIN FILMS PRESENTS: THE ‘KOREAN-STYLE’ STUDIO SYSTEM AND THE MODERNIZATION OF THE FILM INDUSTRY In SOUTH KOREA, 1952–1975	0
Maverick Movies: New Line Cinema and the Transformation of American Film	0

‘The Delight of Real Boys’: Male Role Models in the Silent-Era Boys’ Cinema Weekly Fan Paper	0
Correction	0
A Trip Down Market Street: A Century of ‘Eureka’ Moments	0
Black America and Hollywood’s Korean War: The Steel Helmet (1951) and Pork Chop Hill (1959)	0
Aesthetics of the In-Between: Traces of Transitional Times in Woman Overboard (W. Staudte, 1945–1952)	0
Bohemians in 1970s New York City: perspectives on Miloš Forman and Ivan Passer’s films	0
Kubrick’s clockwork psychopath	0
The Big Picture: The Cold War on the Small Screen	0
Jia Zhangke on Jia Zhangke	0
‘Problems Which Do Not Exist in the Field of Sound Alone’: Policies Against ‘Free Advertisement’ on Early BBC Television	0
WOMEN’S TELEVISION HISTORIES: LOCATING WOMEN’S ROLE in EMERGING AND DEVELOPING INTERNATIONAL TELEVISION	0
Starmaker: David O. Selznick and the Production of Stars in the Hollywood Studio System	0
SceneWriting: The Missing Manual for Screenwriters SceneWriting: The Missing Manual for Screenwriters CHRIS PERRY and ERIC HENRY SANDERS, 2022New York, NY, Bloomsbury Ac	0
Filming History from Below: Microhistorical Documentaries	0
TV Snapshots – An Archive of Everyday LifeTV Snapshots – An Archive of Everyday LifeLYNN SPIGEL, 2022Durham and London, Duke University Press pp. ix + 315, illus., $107.95 (cloth), $28.95 (paper)	0
Monstrous Youth: Transgressing the Boundaries of Childhood in the United States Monstrous Youth: Transgressing the Boundaries of Childhood in the United States SARA AUST	0
It’s all in the Delivery: Pregnancy in American Film and Television Comedy	0
The Last Bohemian: Brian Desmond Hurst, Irish Film, British Cinema	0
From Prison to Censorship: Devil’s Island Films (1926–1940)	0
Documentary Film and the Volga Famine: Save the Children Fund’S Famine (1922)	0
Picturegoing: A Critical Anthology of Eyewitness Experiences Picturegoing: A Critical Anthology of Eyewitness Experiences LUKE MCKERNAN, 2022Exeter, University of Exeter	0
The Empire Symphony Film: Fascist Documentary, Infrastructure, and the Avant-Garde	0
The Richard Dyer Reader	0
Suitcase of Soundscapes: The London Transcription Service and the Packaging of Wartime Sounds for the BBC’s Global Radio Audience	0
Labouring on A Clockwork Orange (1971): finding the voices of creative, technical, and administrative workers in the Stanley Kubrick Archive	0
‘No experiments’? Reprises and Remakes in 1950s West German Cinema	0
Silent Film Performance: Dramatic Bodies on Screen	0
Video, Feminism and Television: A Trajectory of the Brazilian Feminist Collective Lilith Video, 1983–1988	0
On the Phenomenology of Media in the 1930s: Blaustein On Cinema and Radio Experiences	0
The Screen Censorship Companion: Critical explorations in the control of film and screen media	0
Esfir Shub: Pioneer of Documentary Filmmaking	0
The Offline Maintenance of the First International Film Festival During COVID-19: Institutional Adjustments and Participants’ Response	0
‘Unmitigated Cad’: The Dual Stardom of George Sanders ¹	0
Studio Restructuring Without the Paramount Decree: Japanese Film Industry and Oligopoly after the 1960s	0
Screens and Gender: Re(Visiting) the History of Ghana’s Film Industry	0
The Films of Aleksandr Rou: Father of Soviet Fairy Tale Cinema	0
Feeling Colour: Chromatic Embodiment in Film Culture (1950s–1960s)	0
Horror Film and Otherness: Film and Culture Horror Film and Otherness: Film and Culture ADAM LOWENSTEIN, 2022New York, NY, Columbia University Press pp. xiii + 229, illu	0
Transnational Television Caricature: The Global Spread of Spitting Image 1984–1994	0
Dr. No: The First James Bond Film	0
Introduction: 50 years of A Clockwork Orange (1971)	0
The Shadow of Oru Palace: Contending narratives at a national monument site	0
Cinematic Guerrillas: Propaganda, Projectionists, and Audiences in Socialist China	0
STORM OVER ASIA (1928) and SÜKHBAATAR (1942): Soviet Imagining of Mongolia – From Orientalism to the Cult of Personality	0
The Cinema of Extractions: Film Materials and Their Forms	0
Fighting Without Fighting: Kung Fu Cinema’s Journey to the West	0
Cinema Memories: A People’s History of Cinema-Going in 1960s Britain Cinema Memories: A People’s History of Cinema-Going in 1960s Britain MELVYN STOKES, MATTHEW JONES an	0
‘Gumnut-flavoured’ British comedies and the representation of race, sexuality and suburb in Love Thy Neighbour in Australia	0
THOROLD DICKINSON and SECRET PEOPLE (1952): POPULAR FRONT TO COLD WAR AND AFTER	0
Miryam de Flores: The Woman of the Port. The Legacy of a Female TV Auteur From the Colombian Caribbean Region	0
Correction	0
Frances Kavanaugh and B Westerns’ Women Writers	0
British Cinema in a Divided Nation	0
Gender and Genre in 1990s Hollywood: Challenging the Definitions of Sex, Women, and Femininity	0
Adult Themes: British Cinema and the X Certificate in the Long 1960 s	0
Early Cinema and Optical Media: An Index to Print Anthologies and Exhibition Catalogues – Part 3	0
Race and Radio: Pioneering Black Broadcasters in New Orleans Race and Radio: Pioneering Black Broadcasters in New Orleans BALA JAMES BAPTIST, 2019Jackson, University Pre	0
Crafting Contemporary Documentaries and Docuseries for Global Screens: Docu-mania	0
Silent Film and the Formations of U.S. Literary Culture: Literature in Motion	0
What Did the Haji Jawa See in Mecca? A film from 1928 as Primary Source	0
Murakami Haruki on Film	0
Slavery before Roots : Television, the Civil Rights Movement, and History TV in the 1960s	0
Reality, Magic, and Other Lies. Fairy-Tale Film Truths	0
Requisitioning film studios in wartime Britain	0
Text/Author/Audience: Audience Reception of Ingmar Bergman and His Films	0
Medium Wars: Adapting the Film Narrative of Star Wars for Radio	0
The Iamhist-Routledge Best Article Prizes for 2022	0
Rewind, Replay: Britain and the Video Boom, 1978–92 Rewind, Replay: Britain and the Video Boom, 1978–92 JOHNNY WALKER, 2022 Edinburgh, UK, Edinburgh University Press pp.	0
Hidden in Plain Sight: Attending to Women’s Amateur Filmmaking Histories at the Irish Film Archive	0
Ida Lupino, Filmmaker	0
Market positioning and reception of Bad Education (Pedro Almodóvar, 2004) in Spain and the USA	0
Columbo: Paying Attention 24/7	0
My Place in the Sun: Life in the Golden Age of Hollywood and Washington My Place in the Sun: Life in the Golden Age of Hollywood and Washington GEORGE STEVENS,JR., 2022L	0
Sergio Leone: Cinema as Political Fable	0
Beyond The Movie Theater: Sites, Sponsors, Uses, Audiences	0
The Story of British Propaganda Film	0
The Politics of Industry and the Wave of Nationalism: Exploring the Shanghai Film Guild, 1927–1930	0
Gaza on Screen	0
In Conversation with Women Practitioners	0
Radiophilia	0

Crime Scenery in Postwar Film and Photography	0
Kill the Documentary: A Letter to Filmmakers, Students, and Scholars Kill the Documentary: A Letter to Filmmakers, Students, and Scholars JILL GODMILOW, 2022New York, Co	0
‘Zapata is Fighting the Enemy Here’: Defanging a Rebel in Pre-revolutionary Iran	0
Art Bell’s Open Forum: Conspiracy Talk on Coast to Coast AM and its Legacy in the Internet Age	0
Russian TV Series in the Era of Transition: Genres, Technologies, Identities	0
The Kinematograph Theatre Arrives: Part III of the London County Council and the Cinematograph	0
Suzuki Seijun and Postwar Japanese Cinema	0
For No Reason at All: The Changing Narrative of the First World War in American film	0
The Ascent of the Nazis and the Downfall of the Catholic Company, Leo-Film AG	0
The Myth of Stalin and the Death of Hitler: André Bazin and The Fall of Berlin ’s Transnational Travels	0
The Cinema of Manoel de Oliveira. Modernity, Intermediality and the Uncanny	0
Desktop Montage: Ethics of Holocaust Footage in the Online Space	0
Eleanor Powell: Born to Dance	0
Revisiting the Weaver Years at NBC	0
Early Cinema and Optical Media: An Index to Print Anthologies and Exhibition Catalogues – Part 2	0
Women in the Work of Woody Allen	0
Transcending the Iron Curtain: Foreign Film Weeks and Transnational Film Exchanges in the People’s Republic of China, 1949–1966	0
The City on Screen: Modern Strangers of Cinematic Istanbul	0
Shocking Cinema of the 70s	0
Mavericks: Interviews with the world’s iconoclast filmmaker	0
The Aesthetics of Early Sound Film: Media Change around 1930	0
The British Trauma Film: Psychoanalysis and Popular British Cinema in the Immediate Aftermath of the Second World War	0
French cinema vs the bomb: Atomic science and a war of images circa 1950	0
Haunted by Vertigo: Hitchcock’s Masterpiece Then and Now	0
Evading Censorship. Spanish Radio Disobedience During Late Francoism	0
Lost in Translation	0
Smartphone Filmmaking: Theory and Practice	0
The Oxford Handbook of Radio and Podcasting	0
Shadow of a Doubt	0
Film, Hot War Traces and Cold War Spaces Film, Hot War Traces and Cold War Spaces MAURIZIO CINQUEGRANI, 2022Edinburgh, Edinburgh University Press pp. ix + 203, illus.,	0
Clandestine Documentary Film V. Apartheid: Phela-Ndaba/End of The Dialogue (1970), Last Grave at Dimbaza (1974) and The South African Gove	0
The English Hollywood that wasn’t: shadow history and Esher’s unbuilt film studios	0
From Private Films to Public Memories: Revisiting the History of the ‘Forgács Archive’	0
Policing Show Business: J. Edgar Hoover, the Hollywood Blacklist, and Cold War Movies	0
Cold War Children’s Television: Philadelphia as a Case Study	0
MISSING LINKS: THE AFTERMATH of THE NAZI ERA IN GERMAN AND EUROPEAN FILM HISTORY	0
Our Blessed Rebel Queen: Essays on Carrie Fisher and Princess LeiaOur Blessed Rebel Queen: Essays on Carrie Fisher and Princess LeiaLINDA MIZEJEWSKI and TANYA D. ZUK (eds.), 2021Detroit, Wayne State U	0
Dark Matter: Independent Filmmaking in the 21st Century	0
The Battle of Neretva (1969): Production, Exhibition, Reception, Aesthetics, and Historiography	0
Columbo: Make Me a Perfect Murder	0
The BBC German Service during the Second World War: Broadcasting to the Enemy	0
‘Anyone Can Put On Clothes, Right?’: Costume Design and Styling as Women’s Work in Dutch Media Production	0
A Clockwork Orange on stage	0
Hawaii Five-O	0
Remapping the Cold War in Asian Cinemas	0
Imperial Interest, Regional Politics and British Film Quotas in Post-war Hong Kong and Singapore	0
Hitler Youth Quex: A Guide for the English-Speaking Reader	0
Reassessing Murder, She Wrote : the Afterlives of a Popular Culture Phenomenon	0
French Film History, 1895–1946	0
Polish Radio Art: The Case of Eugeninsz Rudnik and the Polish Radio Experimental Studio, 1959–2002	0
The ‘Horror Serials’ of the 1910s: Episodes in the Construction of a Film Genre	0
Buster Keaton: A Filmmaker’s Life	0
Entertaining Ginnie: Visiting the Cinema and the Theatre, 1939–1945	0
Socialist China’s Participation in the Asia-Africa Film Festival (1958–1964)	0
Closures: Heterosexuality and the American Sitcom	0
It’s a Wonderful Life	0
The Multimedia Show ‘Congorama’ at Expo 58: The Colonial as Spectacle, the Spectacle as Colonial	0
Hollywood Unions	0
Unstaged Grief: Musicals and Mourning in Midcentury America	0
The Cinematographic Activities of Charles Rider Noble and John Mackenzie in the Balkans	0
The BBC’s Controversy Committee, 1928–1929	0
Gene Tierney: Star of Hollywood’s Home Front	0
Announcement	0
The Red Shoes	0
‘Keep ‘em in the East’: Kazan, Kubrick, and the Postwar New York Film Renaissance	0
Chinese Film: Realism and Convention from the Silent Era to the Digital Age	0
Marketing the A Clockwork Orange myth	0
Broadcasting a Legend: The Canadian TV Miniseries The Arrow (1997)	0
Pulses of Abstraction: Episodes from a History of Animation	0
Trailblazing Women of Australian Public Broadcasting, 1945-1975	0
The Sentimental in Chinese Cinema The Sentimental in Chinese Cinema HUIMIAO, 2022Cham, Palgrave Macmillan pp. xvi + 210, $107 (cloth)	0
Bastard Theatres and Human Dregs: Cultures of Illegitimacy on 42 ^nd Street	0
Alien Invasion Films: Imperialism, Race and Gender in the American Security State 1950-2020	0
Waves and Radiation: Television Sets and the Fear of Biological Harm in the Cold War	0
Rockstar Games and American History: Promotional Materials and the Construction of Authenticity	0
From Stage to Screen: The Legacy of Traditional Chinese Theatre in Chinese Martial Arts Cinema Soundtracks	0
The Iamhist-Routledge Best Article Prizes for 2021	0
Resurrecting the Black Body: Race and the Digital Afterlife	0
Cold war II: Hollywood’s Renewed Obsession with Russia	0
‘Well they Weren’t Married!’: The Marriage Bar at Radio/Telefís Éireann 1962–72	0
Screen Workers and the Irish Film Industry	0
The Biopic and Beyond: Celebrities as Characters in Screen Media	0
Hitchcock’s Number Seventeen (1932) and the British Film Quota	0
The Dark Interval: Film noir, Iconography and Affect The Dark Interval: Film Noir, Iconography and Affect PADRAIC KILLEEN, 2022New York, Bloomsbury pp. 271, $162.00 (clo	0
Peter weir interviews	0
Breaks in the Air: The Birth of Rap Radio in New York City	0
Murder, She Wrote	0
‘Were Our Ideas of Maintaining Control Mythical?’: Film Policy at Hampton Court Palace, 1911–1989	0
Announcement	0
Bette Davis Black and White	0
Correction	0
Provenance and Early Cinema	0
Saving the Children: Humanitarianism, Internationalism, and Empire	0
Reporting the Second World War: The Press and People, 1939-1945	0
A Gathering Place for Outlaws: Fugitive Cinema’s Alternative Film Distribution	0