OOIR: Observatory of International Research

Papers

(The median citation count of Historical Journal of Film Radio and Television is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-04-01 to 2025-04-01.)

Article	Citations
Unacceptable Matters: The Hays Code, Family, Film Noir and RKO Radio Pictures	3
Recovering the past: the national archives of Zimbabwe and the Central African Film Unit (1948 to 1963)	3
Mainstream Maverick: John Hughes and New Hollywood Cinema	3
Broadcasting the ‘Voice of Science’ on America’s Town Meeting of the Air: Public Education, Popular Entertainment, and Post-World War II Scientific Ambivalence	2
When Life Imitates Art: Éric Rohmer’s Triple Agent (2004) As a Primer for Real-Life Politics	2
Columbo: Paying Attention 24/7	1
Preserving the Imperial Project: Documenting Film Censorship Practices in the Gold Coast (Ghana)	1
American Cinema and Cultural Diplomacy. The Fragmented Kaleidoscope	1
Batman: the animated series	1
Early Cinema and Optical Media: An Index to Print Anthologies and Exhibition Catalogues – Part 1	1
Transnational Television Caricature: The Global Spread of Spitting Image 1984–1994	1
Poetry FM: American Poetry and Radio Counterculture	1
The Victory Banner over the Reichstag: Film, Document, and Ritual in Russia’s Contested Memory of World War II	1
Hollywood in San Francisco: Location Shooting and the Aesthetics of Urban Decline	1
Ballymena, Bangor and Belfast: Hyper-Localism, Regional Decision-Making and Local Film Censorship in Northern Ireland	1
The Middle Ages and the Movies: Eight Key Films	1
The process genre: Cinema and the aesthetic of labor	1
A Wonderful (After) Life: Public Domain Works and Television Discourse	1
Dr. No: The First James Bond Film	1
Documenting Africa on Film and Nkrumah’s Legacy in Pan-Africanist Africa	1
When Ships Don’t Come Ashore – a Yugoslav cinema club production’s dissent in-between the personal and the political	1
Provenance and Early Cinema	1
Werner Herzog: Ecstatic Truth and Other Useless Conquests	1
The Aesthetics of Early Sound Film: Media Change around 1930	1
A Gathering Place for Outlaws: Fugitive Cinema’s Alternative Film Distribution	0

Radio’s Legacy in Popular Culture: The Sounds of British Broadcasting Over the Decades	0
British Cinema in a Divided Nation	0
The English Hollywood that wasn’t: shadow history and Esher’s unbuilt film studios	0
Soupy Sales and the Detroit Experience: Manufacturing a Television Personality	0
Sport in the French Television Magazine Programme Cinq Colonnes à la Une (1959–1968)	0
TV Snapshots – An Archive of Everyday LifeTV Snapshots – An Archive of Everyday LifeLYNN SPIGEL, 2022Durham and London, Duke University Press pp. ix + 315, illus., $107.95 (cloth), $28.95 (paper)	0
Australian Radio Listeners and Television Viewers. Historical Perspectives	0
Revisiting the Weaver Years at NBC	0
Pulses of Abstraction: Episodes from a History of Animation	0
Rewind, Replay: Britain and the Video Boom, 1978–92 Rewind, Replay: Britain and the Video Boom, 1978–92 JOHNNY WALKER, 2022 Edinburgh, UK, Edinburgh University Press pp.	0
Alluring Monsters: The Pontianak and Cinemas of Decolonization	0
Supporters or Saboteurs: Deviated Experiences of Maoist Film Propaganda in Rural China	0
Miami Studios and Early Film Production in South Florida	0
Free Churches of the Air: the History of Community Radio in Sweden	0
Resetting the Scene: Classical Hollywood Revisited	0
For No Reason at All: The Changing Narrative of the First World War in American film	0
The BBC German Service during the Second World War: Broadcasting to the Enemy	0
Screening dissent: the uprising of 17 June 1953 in East German film	0
The Wrath to Come: Gone with the Wind and the Lies America TellsThe Wrath to Come: Gone with the Wind and the Lies America TellsSARAH CHURCHWELL, 2022London, Head of Zeus pp. 453, illus., $40.00 (clot	0
Motor City Movie Culture, 1916–1925	0
Clandestine Documentary Film V. Apartheid: Phela-Ndaba/End of The Dialogue (1970), Last Grave at Dimbaza (1974) and The South African Gove	0
From the BBC’s Shadows? Fledgling AIR Finding Its Feet	0
Billy Wilder: Dancing on the EdgeBilly Wilder: Dancing on the EdgeJOSEPH McBRIDE, 2021New York, Columbia University Press pp. 658, illus., filmography, notes, index, £35 (hardback)	0
Bastard Theatres and Human Dregs: Cultures of Illegitimacy on 42 ^nd Street	0
Miryam de Flores: The Woman of the Port. The Legacy of a Female TV Auteur From the Colombian Caribbean Region	0
Before the Paris Fire: Projecting the Cinematograph in London from 1889-4 ^th May 1997, Part IV of the London County Council and the CinematographBefore the Paris Fir	0
My Place in the Sun: Life in the Golden Age of Hollywood and Washington My Place in the Sun: Life in the Golden Age of Hollywood and Washington GEORGE STEVENS,JR., 2022L	0
Experimental Filmmaking and Punk: Feminist Audio Visual Culture in the 1970s and 1980s	0
The Berlin–Tokyo Film Axis and a Troubled Co-Production: The Makers of New Earth/The Samurai’s Daughter (1937)	0
The Man Who Invented Motion Pictures. A True Tale of Obsession, Murder and the Movies	0
Gaza on Screen	0
French cinema vs the bomb: Atomic science and a war of images circa 1950	0
Nazi ‘black’ Propaganda to Britain: Secret Radio Stations and British Renegades	0
Jia Zhangke on Jia Zhangke	0
Commemorating the Great War on Film: Veterans, Pilgrimages and Amateur Filmmaking	0
Suitcase of Soundscapes: The London Transcription Service and the Packaging of Wartime Sounds for the BBC’s Global Radio Audience	0
Announcement	0
The studio and the song: synergy and self-mythology in Bohemian Rhapsody (2018) and Mary Poppins Returns (2019)	0
The Politics of Industry and the Wave of Nationalism: Exploring the Shanghai Film Guild, 1927–1930	0
Studio Restructuring Without the Paramount Decree: Japanese Film Industry and Oligopoly after the 1960s	0
Harold Pinter’s Early BBC Roles: Between Tradition and Innovation	0
‘The Greatest Single Force of Our Day’: Father Charles Coughlin’s Audience and The Power of Radio	0
The Empire Symphony Film: Fascist Documentary, Infrastructure, and the Avant-Garde	0
Documentary Film and the Volga Famine: Save the Children Fund’S Famine (1922)	0
Mass producing European cinema: Studiocanal and its work	0
Reality, Magic, and Other Lies. Fairy-Tale Film Truths	0
Public Ceremony: The Construction of Nationalism Through Mobile Film Screening Under Jiang Kai-shek’s CNP Government	0
Announcement	0
Early Cinema and Optical Media: An Index to Print Anthologies and Exhibition Catalogues – Part 2	0
From Russia with Love From Russia with Love LLEWELLA CHAPMAN, 2022London, British Film Institutepp. 112, illus., $15.95 (paperback)	0

The DJ Who “Brought Down” The USSR: The Life and Legacy of Seva Novgorodsev	0
Fighting Without Fighting: Kung Fu Cinema’s Journey to the West	0
Frame by Frame: A Materialist Aesthetics of Animated Cartoons	0
Fashioning James Bond: Costume, Gender and Identity in the World of 007	0
The stardom film: Creating the Hollywood fairy tale	0
The limits of political influence – the limits of creativity: the first 25 years of FAMU	0
Harun Farocki: Forms of Intelligence	0
‘Blind’ warfare: radio propaganda dynamics in South Africa during the Second World War	0
The Cinematographic Activities of Charles Rider Noble and John Mackenzie in the Balkans	0
‘Our Film Orgy’: the Institute for Sex Research, Cinemages, Herman Weinberg, and George Eastman House, 1958–1963	0
Adult Themes: British Cinema and the X Certificate in the Long 1960 s	0
Peter weir interviews	0
Peace on the Small Screen: UNPROFOR’s Television Unit in 1994–5 and the ‘Media War’ in Former Yugoslavia	0
Film and the British Atomic Project	0
A Trip Down Market Street: A Century of ‘Eureka’ Moments	0
Audio literature and the holocaust: a study based on the material of public radio stations –– polish radio in warsaw, radio łódź, and radio lublin, 1950–2020	0
From Propaganda to Attraction: Reassessing the Role of the Public in the Newsreel Jornal Português (1938–1951)	0
From Stage to Screen: The Legacy of Traditional Chinese Theatre in Chinese Martial Arts Cinema Soundtracks	0
The Routledge Companion to Radio and Podcast Studies	0
The lost honour of katharina blum	0
Revisiting the Women’s Movement in India (1970s–80s) Through the Women’s Programme	0
Monstrous Youth: Transgressing the Boundaries of Childhood in the United States Monstrous Youth: Transgressing the Boundaries of Childhood in the United States SARA AUST	0
Saving the Children: Humanitarianism, Internationalism, and Empire	0
Pictures of Poverty: The Works of George R. Sims and Their Screen Adaptations	0
Adapting Performance between Stage and Screen	0
Sergio Leone: Cinema as Political Fable	0
Offensive Screens: The Italy-China Diplomatic Agreement (1936–37) and the Transnational Censorship of Films	0
Deben Bhattacharya at the BBC, 1949–79: Cultural entrepreneurism, precarity, and the business of post-war folklore collection	0
Mapping Fairy-Tale Space: Pastiche and Metafiction in Borderless Tales	0
Cinemagritte: René magritte within the frame of film history, theory, and practice	0
This Studio is Dangerous! Hazards of Working in British Film Studios in the 1930s and 1940s	0
Urban regeneration and stakeholder dynamics in the formation, growth and maintenance of the Sheffield International Documentary Festival in the 1990s	0
Dark Matter: Independent Filmmaking in the 21st Century	0
Asta Nielsen, the Film Star System and the Introduction of the Long Feature Film	0
Channel 4 and the South Series (1991-93): from the Third World to the Global South	0
THE Anxiety of Authenticity: THE Historical Reception of Broken Blossoms (1919), Shanghai Express (1932) and The Good Earth (1937) in China	0
Moulding and Mutilating: Newsreels, the British State, and Yugoslav ‘Exceptional’ Socialism, 1946–1961	0
The Biopic and Beyond: Celebrities as Characters in Screen Media	0
Cinema off screen: moviegoing in socialist China	0
Visioning, Contesting and Revisioning Trinidad’s 1970 Black Power Revolt in Independent Documentary Film	0
Fedor Bondarchuk: Stalingrad Fedor Bondarchuk: Stalingrad STEPHEN M. NORRIS, 2022 Bristol, UK, INTELLECT pp. 180, illus., bibliography, $30,35 (paperback)	0
Polish Radio Art: The Case of Eugeninsz Rudnik and the Polish Radio Experimental Studio, 1959–2002	0
Radiophilia	0
The British Trauma Film: Psychoanalysis and Popular British Cinema in the Immediate Aftermath of the Second World War	0
The Eyes of Power: Intellectual Vision in Contemporary Chinese Local Film Censorship	0
Marketing the A Clockwork Orange myth	0
Our Blessed Rebel Queen: Essays on Carrie Fisher and Princess LeiaOur Blessed Rebel Queen: Essays on Carrie Fisher and Princess LeiaLINDA MIZEJEWSKI and TANYA D. ZUK (eds.), 2021Detroit, Wayne State U	0
Chinese Film: Realism and Convention from the Silent Era to the Digital Age	0
Bordering an Industry: KVOS-TV and Canawest Film Productions in the Pacific Northwest	0
Hollywood and the Spanish Civil War: The Hidden Anti-Fascist Ideology of Love Under Fire (1937)	0
All the President’s Men	0
Translating Radio Productions into Television Programmes: The Post-War Career of BBC Writer/Producer Nesta Pain	0
Celluloid Colony: Locating History and Ethnography in Early Dutch Colonial Films of Indonesia	0
The Screen Censorship Companion: Critical explorations in the control of film and screen media	0
Rockstar Games and American History: Promotional Materials and the Construction of Authenticity	0
From Blue Book to White Book: The Hutchins Commission and Llewellyn White’s The American Radio	0
Starmaker: David O. Selznick and the Production of Stars in the Hollywood Studio System	0
The Battle of Neretva (1969): Production, Exhibition, Reception, Aesthetics, and Historiography	0
Imitation of Life: Cross-Cultural Reception and Remakes in Turkish Cinema	0
Interactive Documentary: Theory and Debate	0
Hitler Youth Quex: A Guide for the English-Speaking Reader	0
Suzuki Seijun and Postwar Japanese Cinema	0
Fate in Film: A Deterministic Approach to Cinema	0
Ida Lupino, Filmmaker	0
Méliès Boots: Footwear and Film Manufacturing in Second Industrial Revolution Paris	0
Decline and Reimagination in Cinematic New York	0
Requisitioning film studios in wartime Britain	0
The ‘Horror Serials’ of the 1910s: Episodes in the Construction of a Film Genre	0
‘Unmitigated Cad’: The Dual Stardom of George Sanders ¹	0
French Film History, 1895–1946	0
Labouring on A Clockwork Orange (1971): finding the voices of creative, technical, and administrative workers in the Stanley Kubrick Archive	0
Literati lenses: Wenren landscape in Chinese cinema of the Mao Era	0
Revolution in Paradise: Veiled Representations of Jewish Characters in the Cinema of Occupied France	0
Starring Tom Cruise	0
A Cultural Response to a Rural Crisis: Educational Films for Rural Society in INterwar China	0
New Perspectives on Early Cinema History: concepts, approaches, audiences	0
Early Cinema and Optical Media: An Index to Print Anthologies and Exhibition Catalogues – Part 4	0
Correction	0
The Iamhist-Routledge Best Article Prizes for 2022	0
The everyman cinema, hampstead: film, art and community in the 1930s	0

‘Anyone Can Put On Clothes, Right?’: Costume Design and Styling as Women’s Work in Dutch Media Production	0
The Shared History of Stanley Kubrick’s A Clockwork Orange (1971) and Ken Russell’s The Devils (1971)	0
PIRATE RADIO and ITS ROLE IN THE ESTABLISHMENT OF COMMUNITY RADIO. POLAND, AUSTRIA AND HUNGARY – A COMPARISON	0
‘A Brilliant Meteor Across the Filmic Heavens’: Brigitte Helm in British Film Culture, 1926–33	0
Bohemians in 1970s New York City: perspectives on Miloš Forman and Ivan Passer’s films	0
Women in the Work of Woody Allen	0
Haunted by Vertigo: Hitchcock’s Masterpiece Then and Now	0
Radical mainstream: Independent film, video and television in britain, 1974–90	0
Reporting the Second World War: The Press and People, 1939-1945	0
SHIN FILMS PRESENTS: THE ‘KOREAN-STYLE’ STUDIO SYSTEM AND THE MODERNIZATION OF THE FILM INDUSTRY In SOUTH KOREA, 1952–1975	0
Media and the Constitution of the Political: South Asia and Beyond Media and The Constitution of the Political: South Asia and Beyond RAVI VASUDEVAN (ed.), 2022New Delhi	0
Cold War Children’s Television: Philadelphia as a Case Study	0
Word, Sound and Music in Radio Drama	0
Making the Best Years of Our Lives: The Hollywood Classic that Inspired a Nation Making The Best Years of Our Lives: the Hollywood Classic that Inspired a Nation ALISON	0
Ardmore Studios, film workers and the Irish state, 1962–1964	0
The IAMHIST-Routledge best article prizes for 2020	0
Branding the Oscarcast: The public relations strategies that established the Academy Awards ceremony as a media spectacle	0
Sesame Street: A Transnational History	0
Chinese Film Classics, 1922–1949	0
Buster Keaton: A Filmmaker’s Life	0
Cinema against Doublethink: Ethical Encounters with the Lost Pasts of World History	0
Southern Censorship against Hollywood in Better Films Committees and Local Censorship Boards: Film Control as a Woman’s Political Weapon	0
‘Islands of Sound in the Silent Flow of Film’: German Part-Talkies Around 1930 as a Hybrid Medium	0
The Dark Interval: Film noir, Iconography and Affect The Dark Interval: Film Noir, Iconography and Affect PADRAIC KILLEEN, 2022New York, Bloomsbury pp. 271, $162.00 (clo	0
Exploring Cinema Memory	0
Art Bell’s Open Forum: Conspiracy Talk on Coast to Coast AM and its Legacy in the Internet Age	0
Stars and silhouettes: the history of the cameo role in hollywood	0
Early Cinema and Optical Media: An Index to Print Anthologies and Exhibition Catalogues – Part 3	0
The legacy of A Clockwork Orange in The Great Ecstasy of Robert Carmichael (Thomas Clay, 2005) and Bronson (Nicolas Winding Refn, 2009): ‘all form and no content’?	0
Russian TV Series in the Era of Transition: Genres, Technologies, Identities	0
Chronology of the Birth of Cinema 1833-1896	0
How Documentaries Work	0
Black and white bioscope: Making movies in Africa, 1899 to 1925	0
Woman Up: Invoking Feminism in Quality Television Woman Up: Invoking Feminism in Quality Television JULIA HAVAS, 2022Detroit, Wayne State University Presspp. viii + 269,	0
Alice ‘Lavender’ Lee, ‘The Pictures Girl’: A ‘Star Search’ Competition of the Late 1910s	0
From the Margins to the Mainstream: Women in Film and Television From the Margins to the Mainstream: Women in Film and Television MARIANNE KAC-VERGNE and JULIE ASSOULY (	0
‘A Movie Paralysis’: Defining Cinema during the Polio Epidemic of 1916	0
Film, Hot War Traces and Cold War Spaces Film, Hot War Traces and Cold War Spaces MAURIZIO CINQUEGRANI, 2022Edinburgh, Edinburgh University Press pp. ix + 203, illus.,	0
Making Hollywood Happen: The Story of Film Finances	0
‘“Perfect ladies” are seldom interesting’: locating modernity in Irene Dunne’s early stardom	0
The Art of the Observer: A Personal View of Documentary	0
Race and Radio: Pioneering Black Broadcasters in New Orleans Race and Radio: Pioneering Black Broadcasters in New Orleans BALA JAMES BAPTIST, 2019Jackson, University Pre	0
Shadow of a Doubt	0
Engineering the ‘Sense of Being There’: Electronovision and the Invention of the Stage Performance Documentary	0
Horror Film and Otherness: Film and Culture Horror Film and Otherness: Film and Culture ADAM LOWENSTEIN, 2022New York, NY, Columbia University Press pp. xiii + 229, illu	0
Bigger Than Life: The Close-Up and Scale in the Cinema Bigger Than Life: The Close-Up and Scale in the Cinema MARY ANN DOANE, 2021Durham, NC, Duke University Press pp. x	0
Imperial Interest, Regional Politics and British Film Quotas in Post-war Hong Kong and Singapore	0
Learning with Light and Shadows: Educational Lantern and Film Projection, 1860–1990	0
Correction	0
Empire’s Mistress: Starring Isabel Rosario Cooper	0
Introduction: 50 years of A Clockwork Orange (1971)	0
Play Time: Jacques Tati and Comedic Modernism	0
Communicating Europe: Technologies, Information, Events	0
Gene Tierney: Star of Hollywood’s Home Front	0
Unspooled: How the Cassette Made Music Shareable	0
Smartphone Filmmaking: Theory and Practice	0
‘Of a Human Satellite’: Cassius Clay/Muhammad Ali in Cold War Finnish Television Culture, 1960–1965	0
Evading Censorship. Spanish Radio Disobedience During Late Francoism	0
Where histories reside: India as filmed space	0
Black Women and the Changing Television Landscape	0
Forecasting the Future Feature: How Film Industry Hierarchies Shaped Trailer Discourse, 1919–1959	0
Frances Kavanaugh and B Westerns’ Women Writers	0
Mother of the nation? The German Democratic Republic’s forgotten television star, Agnes Kraus	0
Film Finances and Golden Rendezvous (1977): Financial Mismanagement, Personal Tensions and Political Scandal	0
The Americans (TV Milestones) The Americans (TV Milestones) LINDA MIZEJEWSKI, 2022Detroit, Wayne State University Press pp. 124, bibliography, $19.95 (paperback)	0
Scenarios III	0
Dissent and dissidents in central and eastern european film	0
Cinema Memories: A People’s History of Cinema-Going in 1960s Britain Cinema Memories: A People’s History of Cinema-Going in 1960s Britain MELVYN STOKES, MATTHEW JONES an	0
In Conversation with Women Practitioners	0
404: file not found web archives and the challenges of preserving digital film promotion	0
Film Finances and the Trial (1963): Alexander Salkind, Orson Welles, and European Co-Production in the 1960s	0
Esfir Shub: Pioneer of Documentary Filmmaking	0
Bette Davis Black and White	0
100 American Horror Films. BARRY KEITH GRANT, 2022, London, UK, Bloomsbury for British Film Institute, pp. vi + 217, illus., index, list of illustrations, £19.99 (paper)100 American Horror FilmsBARRY	0
The Romance Promoter with A Deadline at 11: Rural Exhibitors, Urban Exchanges, and The Emerging Culture of Film Distribution in The United States, 1918–1925	0
The International Reception of Downfall (Der Untergang, 2004)	0
The Sentimental in Chinese Cinema The Sentimental in Chinese Cinema HUIMIAO, 2022Cham, Palgrave Macmillan pp. xvi + 210, $107 (cloth)	0
Correction	0
Kubrick’s clockwork psychopath	0
Ready for their close-up: fan scenarists, Cecil B. DeMille, and the studio system	0
Rated A: Soft-Porn Cinema and Mediations of Desire in India	0
Philosophers on film from Bergson to Badiou	0
Trailblazing Women of Australian Public Broadcasting, 1945-1975	0
The Middleman of the Movies: US Film Exchanges, 1915-1919	0
A piece of the action: race and labor in post-civil rights Hollywood	0
Cinematic Guerrillas: Propaganda, Projectionists, and Audiences in Socialist China	0
The Growth of the Turkish Film Industry and the Death of Suphi Kaner: Articulating a Star’s Suicide to the History of Labour in Cinema	0
Correction	0
Picturegoing: A Critical Anthology of Eyewitness Experiences Picturegoing: A Critical Anthology of Eyewitness Experiences LUKE MCKERNAN, 2022Exeter, University of Exeter	0
‘We’ll Have No More Grapes of Wrath :’ The Origins, Rise and Impact of a Dubious Cinematic Anecdote	0
‘Keep ‘em in the East’: Kazan, Kubrick, and the Postwar New York Film Renaissance	0
All ‘Shook’ up: Bob Hope, the USO, and How a Night in Greenland Changed Television	0
Filming History from Below: Microhistorical Documentaries	0
What Did the Haji Jawa See in Mecca? A film from 1928 as Primary Source	0
Chinese Film: Realism and Convention from the Silent Era to the Digital Age Chinese Film: Realism and Convention from the Silent Era to the Digital Age JASON MCGRATH, 20	0