OOIR: Observatory of International Research

Papers

(The TQCC of Historical Journal of Film Radio and Television is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-09-01 to 2025-09-01.)

Article	Citations
John Feeney at the National Film Board of Canada: Scripting Inuit Modern Art	4
Broadcasting the ‘Voice of Science’ on America’s Town Meeting of the Air: Public Education, Popular Entertainment, and Post-World War II Scientific Ambivalence	3
Southern Censorship against Hollywood in Better Films Committees and Local Censorship Boards: Film Control as a Woman’s Political Weapon	3
The Endless End of Cinema: A History of Crisis and Survival in Hollywood	2
Preserving the Imperial Project: Documenting Film Censorship Practices in the Gold Coast (Ghana)	2
The digital Double Blind: Change and stasis in the Middle East	2
Experimental Filmmaking and Punk: Feminist Audio Visual Culture in the 1970s and 1980s	1
Correction	1
The lost honour of katharina blum	1
Animated Personalities: Cartoon Characters and Stardom in American Theatrical Shorts	1
Material Lives of Cold War Radio Pasts in India	1
Offensive Screens: The Italy-China Diplomatic Agreement (1936–37) and the Transnational Censorship of Films	1
Scripting Empire: Broadcasting, the BBC, and the Black Atlantic	1
Chronology of the Birth of Cinema 1833-1896	1
Asta Nielsen, the Film Star System and the Introduction of the Long Feature Film	1
Porridge: BFI Classics	1
‘I Read My Dickens’: Agatha Christie’s Unproduced Film Adaptation of Bleak House	1
Revisiting the Weaver Years at NBC	1
Play Time: Jacques Tati and Comedic Modernism	1
Schools and Screens: A Watchful History	1
Decontextualisations in German Überläufer Comedies: The Reception and Political Aesthetic of Die Fledermaus ( The Bat , 1946)	1
Sex, Politics, and Comedy: the Transnational Cinema of Ernst Lubitsch	1
Old West, New Audiences: Wildlife Documentaries, Non-Theatrical Exhibition, and the Us Wilderness Culture Industry, 1928–1930	1
Campbeltown Speaks: Small-Town Cinema and the Coming of Sound	1
The BBC German Service during the Second World War: Broadcasting to the Enemy	0

The Cinematographic Activities of Charles Rider Noble and John Mackenzie in the Balkans	0
Silent Film Performance: Dramatic Bodies on Screen	0
French Film History, 1895–1946	0
The Myth of Stalin and the Death of Hitler: André Bazin and The Fall of Berlin ’s Transnational Travels	0
The Shared History of Stanley Kubrick’s A Clockwork Orange (1971) and Ken Russell’s The Devils (1971)	0
Hitchcock’s Number Seventeen (1932) and the British Film Quota	0
Dark Matter: Independent Filmmaking in the 21st Century	0
Bette Davis Black and White	0
‘The Delight of Real Boys’: Male Role Models in the Silent-Era Boys’ Cinema Weekly Fan Paper	0
Suitcase of Soundscapes: The London Transcription Service and the Packaging of Wartime Sounds for the BBC’s Global Radio Audience	0
Resetting the Scene: Classical Hollywood Revisited	0
Film Curatorship: Archives, Museums, and the Digital Marketplace, 2nd Edition	0
My Place in the Sun: Life in the Golden Age of Hollywood and Washington My Place in the Sun: Life in the Golden Age of Hollywood and Washington GEORGE STEVENS,JR., 2022L	0
For No Reason at All: The Changing Narrative of the First World War in American film	0
Sergio Leone: Cinema as Political Fable	0
Kubrick’s clockwork psychopath	0
Reginald rose and the journey of 12 angry men	0
‘Anyone Can Put On Clothes, Right?’: Costume Design and Styling as Women’s Work in Dutch Media Production	0
Cinema off screen: moviegoing in socialist China	0
Radiophilia	0
Radio’s Legacy in Popular Culture: The Sounds of British Broadcasting Over the Decades	0
Reality, Magic, and Other Lies. Fairy-Tale Film Truths	0
Women in the Work of Woody Allen	0
Australian Radio Listeners and Television Viewers. Historical Perspectives	0
Clandestine Documentary Film V. Apartheid: Phela-Ndaba/End of The Dialogue (1970), Last Grave at Dimbaza (1974) and The South African Gove	0
Haunted by Vertigo: Hitchcock’s Masterpiece Then and Now	0
Sport in the French Television Magazine Programme Cinq Colonnes à la Une (1959–1968)	0
The History of German Literature on Film	0
‘A Strange World of Fantasy’: The Radio Propaganda of the Rhodesian Broadcasting Corporation, 1964–1970. ¹	0
Horror Film and Otherness: Film and Culture Horror Film and Otherness: Film and Culture ADAM LOWENSTEIN, 2022New York, NY, Columbia University Press pp. xiii + 229, illu	0
The legacy of A Clockwork Orange in The Great Ecstasy of Robert Carmichael (Thomas Clay, 2005) and Bronson (Nicolas Winding Refn, 2009): ‘all form and no content’?	0
Poetry FM: American Poetry and Radio Counterculture	0
British Cinema in a Divided Nation	0
Provenance and Early Cinema	0
Cold War Children’s Television: Philadelphia as a Case Study	0
Remapping the Cold War in Asian Cinemas	0
‘No experiments’? Reprises and Remakes in 1950s West German Cinema	0
The Oxford Handbook of Radio and Podcasting	0
Rewind, Replay: Britain and the Video Boom, 1978–92 Rewind, Replay: Britain and the Video Boom, 1978–92 JOHNNY WALKER, 2022 Edinburgh, UK, Edinburgh University Press pp.	0
Screens and Gender: Re(Visiting) the History of Ghana’s Film Industry	0
‘Zapata is Fighting the Enemy Here’: Defanging a Rebel in Pre-revolutionary Iran	0
Frances Kavanaugh and B Westerns’ Women Writers	0
Motor City Movie Culture, 1916–1925	0
Harold Pinter’s Early BBC Roles: Between Tradition and Innovation	0
Studio Restructuring Without the Paramount Decree: Japanese Film Industry and Oligopoly after the 1960s	0
The Middle Ages and the Movies: Eight Key Films	0
Smartphone Filmmaking: Theory and Practice	0
Hollywood’s Unofficial Film Corps: American Jewish Moviemakers and the War Effort	0
Breaks in the Air: The Birth of Rap Radio in New York City	0
What Did the Haji Jawa See in Mecca? A film from 1928 as Primary Source	0

Kill the Documentary: A Letter to Filmmakers, Students, and Scholars Kill the Documentary: A Letter to Filmmakers, Students, and Scholars JILL GODMILOW, 2022New York, Co	0
Rated A: Soft-Porn Cinema and Mediations of Desire in India	0
Transcending the Iron Curtain: Foreign Film Weeks and Transnational Film Exchanges in the People’s Republic of China, 1949–1966	0
Mavericks: Interviews with the world’s iconoclast filmmaker	0
Race and Radio: Pioneering Black Broadcasters in New Orleans Race and Radio: Pioneering Black Broadcasters in New Orleans BALA JAMES BAPTIST, 2019Jackson, University Pre	0
Chinese Film: Realism and Convention from the Silent Era to the Digital Age	0
Medium Wars: Adapting the Film Narrative of Star Wars for Radio	0
The Americans (TV Milestones) The Americans (TV Milestones) LINDA MIZEJEWSKI, 2022Detroit, Wayne State University Press pp. 124, bibliography, $19.95 (paperback)	0
From Blue Book to White Book: The Hutchins Commission and Llewellyn White’s The American Radio	0
Labouring on A Clockwork Orange (1971): finding the voices of creative, technical, and administrative workers in the Stanley Kubrick Archive	0
Screen Workers and the Irish Film Industry	0
Man’ei film in China 1937–1945: The Ideological Weapon of Japanese Settler Colonialism	0
The Iamhist-Routledge Best Article Prizes for 2021	0
Murakami Haruki on Film	0
Fate in Film: A Deterministic Approach to Cinema	0
Cold war II: Hollywood’s Renewed Obsession with Russia	0
Announcement	0
Ida Lupino, Filmmaker	0
The Aesthetics of Early Sound Film: Media Change around 1930	0
‘Our Film Orgy’: the Institute for Sex Research, Cinemages, Herman Weinberg, and George Eastman House, 1958–1963	0
The International Reception of Downfall (Der Untergang, 2004)	0
TV Snapshots – An Archive of Everyday LifeTV Snapshots – An Archive of Everyday LifeLYNN SPIGEL, 2022Durham and London, Duke University Press pp. ix + 315, illus., $107.95 (cloth), $28.95 (paper)	0
The Eyes of Power: Intellectual Vision in Contemporary Chinese Local Film Censorship	0
Bigger Than Life: The Close-Up and Scale in the Cinema Bigger Than Life: The Close-Up and Scale in the Cinema MARY ANN DOANE, 2021Durham, NC, Duke University Press pp. x	0
Early Cinema and Optical Media: An Index to Print Anthologies and Exhibition Catalogues – Part 2	0
A Clockwork Orange on stage	0
Black America and Hollywood’s Korean War: The Steel Helmet (1951) and Pork Chop Hill (1959)	0
‘Gumnut-flavoured’ British comedies and the representation of race, sexuality and suburb in Love Thy Neighbour in Australia	0
A Trip Down Market Street: A Century of ‘Eureka’ Moments	0
Starmaker: David O. Selznick and the Production of Stars in the Hollywood Studio System	0
Feeling Colour: Chromatic Embodiment in Film Culture (1950s–1960s)	0
SceneWriting: The Missing Manual for Screenwriters SceneWriting: The Missing Manual for Screenwriters CHRIS PERRY and ERIC HENRY SANDERS, 2022New York, NY, Bloomsbury Ac	0
New Perspectives on Early Cinema History: concepts, approaches, audiences	0
‘Well they Weren’t Married!’: The Marriage Bar at Radio/Telefís Éireann 1962–72	0
Hitler Youth Quex: A Guide for the English-Speaking Reader	0
Crafting Contemporary Documentaries and Docuseries for Global Screens: Docu-mania	0
Forecasting the Future Feature: How Film Industry Hierarchies Shaped Trailer Discourse, 1919–1959	0
Cinematic Guerrillas: Propaganda, Projectionists, and Audiences in Socialist China	0
‘View’ and ‘Process’: Early British Industrial Films and Visual Culture	0
Filming History from Below: Microhistorical Documentaries	0
Monstrous Youth: Transgressing the Boundaries of Childhood in the United States Monstrous Youth: Transgressing the Boundaries of Childhood in the United States SARA AUST	0
The Story of British Propaganda Film	0
From Stage to Screen: The Legacy of Traditional Chinese Theatre in Chinese Martial Arts Cinema Soundtracks	0
The Last Bohemian: Brian Desmond Hurst, Irish Film, British Cinema	0
Correction	0
From the BBC’s Shadows? Fledgling AIR Finding Its Feet	0
The Cinema of Extractions: Film Materials and Their Forms	0
The Empire Symphony Film: Fascist Documentary, Infrastructure, and the Avant-Garde	0
Hidden in Plain Sight: Attending to Women’s Amateur Filmmaking Histories at the Irish Film Archive	0
Esfir Shub: Pioneer of Documentary Filmmaking	0
Hollywood in San Francisco: Location Shooting and the Aesthetics of Urban Decline	0
Dr. No: The First James Bond Film	0
The Iamhist-Routledge Best Article Prizes for 2022	0
Correction	0
Video, Feminism and Television: A Trajectory of the Brazilian Feminist Collective Lilith Video, 1983–1988	0
SHIN FILMS PRESENTS: THE ‘KOREAN-STYLE’ STUDIO SYSTEM AND THE MODERNIZATION OF THE FILM INDUSTRY In SOUTH KOREA, 1952–1975	0
Maverick Movies: New Line Cinema and the Transformation of American Film	0
Soupy Sales and the Detroit Experience: Manufacturing a Television Personality	0
Alien Invasion Films: Imperialism, Race and Gender in the American Security State 1950-2020	0
The Screen Censorship Companion: Critical explorations in the control of film and screen media	0
Aesthetics of the In-Between: Traces of Transitional Times in Woman Overboard (W. Staudte, 1945–1952)	0
Revisiting the Women’s Movement in India (1970s–80s) Through the Women’s Programme	0
Transnational Television Caricature: The Global Spread of Spitting Image 1984–1994	0
Evading Censorship. Spanish Radio Disobedience During Late Francoism	0
Scratches and Glitches: Observations on Preserving and Exhibiting Cinema in the Early 21st Century	0
Marketing the A Clockwork Orange myth	0
THOROLD DICKINSON and SECRET PEOPLE (1952): POPULAR FRONT TO COLD WAR AND AFTER	0
Text/Author/Audience: Audience Reception of Ingmar Bergman and His Films	0
Bohemians in 1970s New York City: perspectives on Miloš Forman and Ivan Passer’s films	0
MISSING LINKS: THE AFTERMATH of THE NAZI ERA IN GERMAN AND EUROPEAN FILM HISTORY	0
The Offline Maintenance of the First International Film Festival During COVID-19: Institutional Adjustments and Participants’ Response	0
The English Hollywood that wasn’t: shadow history and Esher’s unbuilt film studios	0
Unacceptable Matters: The Hays Code, Family, Film Noir and RKO Radio Pictures	0
The stardom film: Creating the Hollywood fairy tale	0
Buñuel and Mexico: The Crisis of National Cinema	0
The Ascent of the Nazis and the Downfall of the Catholic Company, Leo-Film AG	0
In Conversation with Women Practitioners	0
Film, Hot War Traces and Cold War Spaces Film, Hot War Traces and Cold War Spaces MAURIZIO CINQUEGRANI, 2022Edinburgh, Edinburgh University Press pp. ix + 203, illus.,	0
The Berlin–Tokyo Film Axis and a Troubled Co-Production: The Makers of New Earth/The Samurai’s Daughter (1937)	0
Jia Zhangke on Jia Zhangke	0

Luchino visconti and the fabric of cinema	0
Closures: Heterosexuality and the American Sitcom	0
Socialist China’s Participation in the Asia-Africa Film Festival (1958–1964)	0
The Red Shoes	0
Communicating Europe: Technologies, Information, Events	0
Cinema Memories: A People’s History of Cinema-Going in 1960s Britain Cinema Memories: A People’s History of Cinema-Going in 1960s Britain MELVYN STOKES, MATTHEW JONES an	0
Crime Scenery in Postwar Film and Photography	0
The Art of the Observer: A Personal View of Documentary	0
Gene Tierney: Star of Hollywood’s Home Front	0
All the President’s Men	0
Entertaining Ginnie: Visiting the Cinema and the Theatre, 1939–1945	0
Eleanor Powell: Born to Dance	0
Picturegoing: A Critical Anthology of Eyewitness Experiences Picturegoing: A Critical Anthology of Eyewitness Experiences LUKE MCKERNAN, 2022Exeter, University of Exeter	0
Pulses of Abstraction: Episodes from a History of Animation	0
A Wonderful (After) Life: Public Domain Works and Television Discourse	0
Saving the Children: Humanitarianism, Internationalism, and Empire	0
‘Keep ‘em in the East’: Kazan, Kubrick, and the Postwar New York Film Renaissance	0
Slavery before Roots : Television, the Civil Rights Movement, and History TV in the 1960s	0
Shocking Cinema of the 70s	0
Hawaii Five-O	0
The ‘Horror Serials’ of the 1910s: Episodes in the Construction of a Film Genre	0
Early Cinema and Optical Media: An Index to Print Anthologies and Exhibition Catalogues – Part 3	0
The Cinema of Manoel de Oliveira. Modernity, Intermediality and the Uncanny	0
Introduction: 50 years of A Clockwork Orange (1971)	0
Film Noir and Los Angeles: Urban History and the Dark ImaginaryFilm Noir and Los Angeles: Urban History and the Dark ImaginarySEAN W. MAHER, 2022New York, Routledge Press pp. vi + 211 + index, $52.95	0
Translating Radio Productions into Television Programmes: The Post-War Career of BBC Writer/Producer Nesta Pain	0
The Biopic and Beyond: Celebrities as Characters in Screen Media	0
‘A Brilliant Meteor Across the Filmic Heavens’: Brigitte Helm in British Film Culture, 1926–33	0
‘Were Our Ideas of Maintaining Control Mythical?’: Film Policy at Hampton Court Palace, 1911–1989	0
Fighting Without Fighting: Kung Fu Cinema’s Journey to the West	0
‘Problems Which Do Not Exist in the Field of Sound Alone’: Policies Against ‘Free Advertisement’ on Early BBC Television	0
Miryam de Flores: The Woman of the Port. The Legacy of a Female TV Auteur From the Colombian Caribbean Region	0
It’s a Wonderful Life	0
The British Trauma Film: Psychoanalysis and Popular British Cinema in the Immediate Aftermath of the Second World War	0
Policing Show Business: J. Edgar Hoover, the Hollywood Blacklist, and Cold War Movies	0
The Kinematograph Theatre Arrives: Part III of the London County Council and the Cinematograph	0
Correction	0
Revisiting the Weaver Years at NBC	0
‘Blind’ warfare: radio propaganda dynamics in South Africa during the Second World War	0
Russian TV Series in the Era of Transition: Genres, Technologies, Identities	0
Art Bell’s Open Forum: Conspiracy Talk on Coast to Coast AM and its Legacy in the Internet Age	0
Polish Radio Art: The Case of Eugeninsz Rudnik and the Polish Radio Experimental Studio, 1959–2002	0
Hollis Frampton: Navigating the Infinite Cinema	0
Resurrecting the Black Body: Race and the Digital Afterlife	0
On the Phenomenology of Media in the 1930s: Blaustein On Cinema and Radio Experiences	0
Emergence of Colour Film Laboratories in Bombay: A Historical Narrative of Technological Dependence, Redesign and Inordinate Delay of Colour Cinema	0
The BBC’s Controversy Committee, 1928–1929	0
Visioning, Contesting and Revisioning Trinidad’s 1970 Black Power Revolt in Independent Documentary Film	0
Columbo: Paying Attention 24/7	0
Our Blessed Rebel Queen: Essays on Carrie Fisher and Princess LeiaOur Blessed Rebel Queen: Essays on Carrie Fisher and Princess LeiaLINDA MIZEJEWSKI and TANYA D. ZUK (eds.), 2021Detroit, Wayne State U	0
Empire’s Mistress: Starring Isabel Rosario Cooper	0
Lost in Translation	0
Broadcasting a Legend: The Canadian TV Miniseries The Arrow (1997)	0
Castan’s Panopticum und Passage Panoptikum, Berlin. Eine Rekonstruktion aus Programm, Literatur und Wissenschaft	0
French cinema vs the bomb: Atomic science and a war of images circa 1950	0
Correction	0
Gaza on Screen	0
Unspooled: How the Cassette Made Music Shareable	0
The Richard Dyer Reader	0
Shadow of a Doubt	0
Documentary Film and the Volga Famine: Save the Children Fund’S Famine (1922)	0
‘Unmitigated Cad’: The Dual Stardom of George Sanders ¹	0
Nazi ‘black’ Propaganda to Britain: Secret Radio Stations and British Renegades	0
Ingmar Bergman Out of Focus: Film Cultures and International Reception	0
Peter weir interviews	0
Columbo: Make Me a Perfect Murder	0
WOMEN’S TELEVISION HISTORIES: LOCATING WOMEN’S ROLE in EMERGING AND DEVELOPING INTERNATIONAL TELEVISION	0
Chinese Film Classics, 1922–1949	0
The City on Screen: Modern Strangers of Cinematic Istanbul	0
Miami Studios and Early Film Production in South Florida	0
Imitation of Life: Cross-Cultural Reception and Remakes in Turkish Cinema	0
Early Cinema and Optical Media: An Index to Print Anthologies and Exhibition Catalogues – Part 1	0
Supporters or Saboteurs: Deviated Experiences of Maoist Film Propaganda in Rural China	0
Franchising a Classic: Stanley Kubrick, Arthur C. Clarke, MGM and the Exploitation of 2001: A Space Odyssey	0
It’s all in the Delivery: Pregnancy in American Film and Television Comedy	0
When in Rome: Hollywood Runaway Productions, the International Film Service, and Rome Adventure (1962)	0
Beyond The Movie Theater: Sites, Sponsors, Uses, Audiences	0
A Gathering Place for Outlaws: Fugitive Cinema’s Alternative Film Distribution	0
Suzuki Seijun and Postwar Japanese Cinema	0
The Sentimental in Chinese Cinema The Sentimental in Chinese Cinema HUIMIAO, 2022Cham, Palgrave Macmillan pp. xvi + 210, $107 (cloth)	0
Requisitioning film studios in wartime Britain	0
The Big Picture: The Cold War on the Small Screen	0
Buster Keaton: A Filmmaker’s Life	0
Imperial Interest, Regional Politics and British Film Quotas in Post-war Hong Kong and Singapore	0
The Battle of Neretva (1969): Production, Exhibition, Reception, Aesthetics, and Historiography	0
Trailblazing Women of Australian Public Broadcasting, 1945-1975	0
Learning with Light and Shadows: Educational Lantern and Film Projection, 1860–1990	0
Waves and Radiation: Television Sets and the Fear of Biological Harm in the Cold War	0
Announcement	0
Adult Themes: British Cinema and the X Certificate in the Long 1960 s	0
The Dark Interval: Film noir, Iconography and Affect The Dark Interval: Film Noir, Iconography and Affect PADRAIC KILLEEN, 2022New York, Bloomsbury pp. 271, $162.00 (clo	0
Bastard Theatres and Human Dregs: Cultures of Illegitimacy on 42 ^nd Street	0
‘We’ll Have No More Grapes of Wrath :’ The Origins, Rise and Impact of a Dubious Cinematic Anecdote	0
From Propaganda to Attraction: Reassessing the Role of the Public in the Newsreel Jornal Português (1938–1951)	0
From Prison to Censorship: Devil’s Island Films (1926–1940)	0