OOIR: Observatory of International Research

Papers

(The TQCC of Historical Journal of Film Radio and Television is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-05-01 to 2024-05-01.)

Article	Citations
‘An Old Hullo Out of the Dark’: Radio Echoes between Samuel Beckett and Harold Pinter	3
The Eyes of Power: Intellectual Vision in Contemporary Chinese Local Film Censorship	2
Introduction: Harold Pinter’s Transmedial Histories	2
Urban regeneration and stakeholder dynamics in the formation, growth and maintenance of the Sheffield International Documentary Festival in the 1990s	2
From Propaganda to Attraction: Reassessing the Role of the Public in the Newsreel Jornal Português (1938–1951)	2
Free Churches of the Air: the History of Community Radio in Sweden	2
Pinter, Authorship and Entrepreneurship In 1960S British Cinema: The Economics of The Quiller Memorandum	1
THE Anxiety of Authenticity: THE Historical Reception of Broken Blossoms (1919), Shanghai Express (1932) and The Good Earth (1937) in China	1
Luxurious cinemites and the great depression: labour, stardom and Stand-In (1937)	1
Animated Personalities: Cartoon Characters and Stardom in American Theatrical Shorts	1
When Puerto Rico Talked to the World: Pioneering Dubbing in the Caribbean	1
Branding the Oscarcast: The public relations strategies that established the Academy Awards ceremony as a media spectacle	1
Labouring on A Clockwork Orange (1971): finding the voices of creative, technical, and administrative workers in the Stanley Kubrick Archive	1
The Distribution Front: Spain in Flames, Partisan Protest, and the Limits of Radical Documentary	1
Deben Bhattacharya at the BBC, 1949–79: Cultural entrepreneurism, precarity, and the business of post-war folklore collection	1
Film and the British Atomic Project	1
The Juggler (1953) in Galilee: Hollywood's Progressives and the Establishment of Israel	1
Audio literature and the holocaust: a study based on the material of public radio stations –– polish radio in warsaw, radio łódź, and radio lublin, 1950–2020	1
Lightweight cameras and dissident filmmakers: seminal case studies from 1968 to 1980 Romania	1
‘Most stories of this type’: genre, horror and mystery in the silent cinema	1
Sensations of history: Animation and new media art	1
The Romance Promoter with A Deadline at 11: Rural Exhibitors, Urban Exchanges, and The Emerging Culture of Film Distribution in The United States, 1918–1925	1
Bottling Pinter: the Making of the 2002 Pinter at the BBC Season	1
Starring Tom Cruise	1
Visioning, Contesting and Revisioning Trinidad’s 1970 Black Power Revolt in Independent Documentary Film	1

Pulses of Abstraction: Episodes from a History of Animation	1
Text/Author/Audience: Audience Reception of Ingmar Bergman and His Films	1
Harold Pinter, Sound, Media, and Other Transmissions	1
‘Thrills Sweep Like Electric Currents through Multitudes’: Spectacle, Sociality, and Media Competition in Mid-Century America	1
Harold Pinter on Polish Radio and Television: Between Tradition and Innovation	1
Traces of Dissent: The Journal Filmspiegel and Readership Responses to the Ban of Frank Beyer’s DEFA Film Spur der Steine (1965/66)	1
The lost honour of katharina blum	0
Alluring Monsters: The Pontianak and Cinemas of Decolonization	0
‘What happened to the four freedoms?’: John Huston, Richard Brooks, Humphrey Bogart and Key Largo (1948) as a parable of post-war Hollywood liberalism	0
Recovering the past: the national archives of Zimbabwe and the Central African Film Unit (1948 to 1963)	0
Cinemagritte: René magritte within the frame of film history, theory, and practice	0
Judith Anderson: Australian star, first lady of the American stage	0
The routledge companion to new cinema history	0
Bordering an Industry: KVOS-TV and Canawest Film Productions in the Pacific Northwest	0
Adapting Performance between Stage and Screen	0
Hollywood Diplomacy: Film Regulation, Foreign Relations, and East Asian Representations	0
British Cinema in a Divided Nation	0
Old West, New Audiences: Wildlife Documentaries, Non-Theatrical Exhibition, and the Us Wilderness Culture Industry, 1928–1930	0
Dream Projects in Theatre, Novels and Films: the Works of Paul Claudel, Jean Genet, and Federico Fellini Dream Projects in Theatre, Novels and Films: the Works of Paul Claudel, Jean Gen	0
Revolution in Paradise: Veiled Representations of Jewish Characters in the Cinema of Occupied France	0
Ballymena, Bangor and Belfast: Hyper-Localism, Regional Decision-Making and Local Film Censorship in Northern Ireland	0
For No Reason at All: The Changing Narrative of the First World War in American film	0
The enforcers: how little-known trade reporters exposed the keating five and advanced business journalism	0
Stanley Kubrick, the 1974 Finance Act, and the crisis of the British film industry: a case study of access, power and privilege in British media and politics	0
Sixties British Cinema Reconsidered	0
Mapping Fairy-Tale Space: Pastiche and Metafiction in Borderless Tales	0
Asta Nielsen, the Film Star System and the Introduction of the Long Feature Film Asta Nielsen, the Film Star System and the Introduction of the Long Feature Film. Specia	0
Hitchcock’s Number Seventeen (1932) and the British Film Quota	0
‘Blind’ warfare: radio propaganda dynamics in South Africa during the Second World War	0
Screening dissent: the uprising of 17 June 1953 in East German film	0
The socialist Yugoslav paradox: Documentary cinema exhibition opportunities and the meaning of ‘Dissent’	0
Making Images Move: Handmade Cinema and the Other Arts	0
Schools and Screens: A Watchful History Schools and Screens: A Watchful History VICTORIA CAIN, 2020 Cambridge, MA, The MIT Press pp. 1 + 272, $29.95 (hardback), $24.95 (	0
Breaks in the Air: The Birth of Rap Radio in New York CityBreaks in the Air: The Birth of Rap Radio in New York CityJOHN KLAESS, 2022Durham, NC, Duke University Presspp. xiii + 218, $99.95 (hardcover)	0
Southern Censorship against Hollywood in Better Films Committees and Local Censorship Boards: Film Control as a Woman’s Political Weapon	0
Suzuki Seijun and Postwar Japanese Cinema	0
A Transnational Communication Network Promoting Film Diplomacy: The case of Turkey and the USA, 1950–86	0
The contemporary russian cinema reader 2005-2016	0
Requisitioning film studios in wartime Britain	0
SHIN FILMS PRESENTS: THE ‘KOREAN-STYLE’ STUDIO SYSTEM AND THE MODERNIZATION OF THE FILM INDUSTRY In SOUTH KOREA, 1952–1975	0
Beyond The Movie Theater: Sites, Sponsors, Uses, Audiences Beyond The Movie Theater: Sites, Sponsors, Uses, Audiences GREGORY A. WALLER, 2023Oakland, California, Univers	0
The Endless End of Cinema: A History of Crisis and Survival in Hollywood The Endless End of Cinema: a History of Crisis and Survival in Hollywood GIANLUCA SERGI and GARY	0
Rockstar Games and American History: Promotional Materials and the Construction of Authenticity	0
Kill the Documentary: A Letter to Filmmakers, Students, and Scholars Kill the Documentary: A Letter to Filmmakers, Students, and Scholars JILL GODMILOW, 2022New York, Co	0
Transnationalism and Imperialism: Endurance of the global Western film	0
Chronology of the Birth of Cinema 1833-1896 Chronology of the Birth of Cinema 1833-1896 DEAC ROSSELL, 2022 Bloomington, IN, Indiana University Press pp. 200 + 300 illus.	0
‘I Read My Dickens’: Agatha Christie’s Unproduced Film Adaptation of Bleak House	0
Broadcasting the ‘Voice of Science’ on America’s Town Meeting of the Air: Public Education, Popular Entertainment, and Post-World War II Scientific Ambivalence	0
The limits of political influence – the limits of creativity: the first 25 years of FAMU	0
Documenting syria: Film-making, video activism and revolution	0

The Iamhist-Routledge Best Article Prizes for 2021	0
Record cultures: the transformation of the U.S. recording industry	0
The Dark Interval: Film noir, Iconography and Affect The Dark Interval: Film Noir, Iconography and Affect PADRAIC KILLEEN, 2022New York, Bloomsbury pp. 271, $162.00 (clo	0
Dissent as responsibility: Manfred Durniok’s Central European coproductions Mephisto (1981), Taken for a Ride (1983) and Colonel Redl (1985)	0
Provenance and Early Cinema	0
American Presidents and Oliver Stone: Kennedy, Nixon, and Bush between History and Cinema	0
‘Of a Human Satellite’: Cassius Clay/Muhammad Ali in Cold War Finnish Television Culture, 1960–1965	0
Forecasting the Future Feature: How Film Industry Hierarchies Shaped Trailer Discourse, 1919–1959	0
V.F. Perkins on Movies: Collected Shorter Film Criticism	0
Practices of projection: Histories and technologies	0
What Did the Haji Jawa See in Mecca? A film from 1928 as Primary Source	0
The Cinema of Manoel de Oliveira. Modernity, Intermediality and the Uncanny	0
The Middle Ages and the Movies: Eight Key Films	0
Neorealist film culture 1945-1954. Rome, open cinema	0
Empire’s Mistress: Starring Isabel Rosario Cooper	0
Bastard Theatres and Human Dregs: Cultures of Illegitimacy on 42 ^nd Street	0
Hawaii Five-O	0
Documentary Film and the Volga Famine: Save the Children Fund’S Famine (1922)	0
Porridge: BFI Classics	0
Before the Paris Fire: Projecting the Cinematograph in London from 1889-4 ^th May 1997, Part IV of the London County Council and the CinematographBefore the Paris Fir	0
Meteorology and British film studios: an article of the London fog	0
The process genre: Cinema and the aesthetic of labor	0
Learning with Light and Shadows: Educational Lantern and Film Projection, 1860–1990 Learning with Light and Shadows: Educational Lantern and Film Projection, 1860–1990 ,	0
‘View’ and ‘Process’: Early British Industrial Films and Visual Culture	0
Philosophers on film from Bergson to Badiou	0
Seeing by Electricity: The Emergence of Television, 1878–1939	0
The Politics of Industry and the Wave of Nationalism: Exploring the Shanghai Film Guild, 1927–1930	0
Movie Workers: The Women Who Made British Cinema	0
Gender and media in the broadcast age: Women’s radio programming at the BBC, CBC, and ABC	0
‘Use The Songs to Sell Your SHOW!’ Sam Goldwyn, The Eddie Cantor Musicals and the development of product-centred marketability	0
Radio Empire: the BBC’s Eastern service and the emergence of the global anglophone novel	0
Motor City Movie Culture, 1916–1925	0
The legacy of A Clockwork Orange in The Great Ecstasy of Robert Carmichael (Thomas Clay, 2005) and Bronson (Nicolas Winding Refn, 2009): ‘all form and no content’?	0
From Alex to Riefenstahl: Nazism, propaganda, and Stanley Kubrick’s A Clockwork Orange (1971)	0
The aesthetics of nostalgia TV: Production design and the boomer era	0
Best actress: the history of Oscar-Winning women	0
Post-Fordist cinema: Hollywood auteurs and the corporate counterculture	0
Adventures of a jazz age lawyer. Nathan burkan and the making of American popular culture	0
Ready for their close-up: fan scenarists, Cecil B. DeMille, and the studio system	0
Documenting Africa on Film and Nkrumah’s Legacy in Pan-Africanist Africa	0
Buster Keaton: A Filmmaker’s Life	0
Revisiting the Weaver Years at NBC	0
Material Lives of Cold War Radio Pasts in India	0
Reality, Magic, and Other Lies. Fairy-Tale Film Truths	0
Batman: the animated series	0
Revisiting the Weaver Years at NBC	0
The Big Picture: The Cold War on the Small Screen	0
Shocking Cinema of the 70sShocking Cinema of the 70s XAVIER MENDIK and JULIAN PETLEY (eds), 2023 London, New York and Dublin, Bloomsbury pp. x + 326, illus., $108.00 (hard), $35.98 (paper)	0
The Divo and the Duce: Promoting Film Stardom and Political Leadership in 1920s America GIORGIO BERTELLINI, 2019	0
Radio’s Legacy in Popular Culture: The Sounds of British Broadcasting Over the Decades	0
The Growth of the Turkish Film Industry and the Death of Suphi Kaner: Articulating a Star’s Suicide to the History of Labour in Cinema	0
Singing a Different Tune: The Slavic Film Musical in a Transnational Context Singing a Different Tune: The Slavic Film Musical in a Transnational Context HELENA GOSCILO	0
The ‘Horror Serials’ of the 1910s: Episodes in the Construction of a Film Genre	0
Noir affect	0
The Unknown War of the Eastern Front: the first American-Soviet television production and Détente’s World War II	0
Chinese Film Classics, 1922–1949	0
Hidden in Plain Sight: Attending to Women’s Amateur Filmmaking Histories at the Irish Film Archive	0
The Rainbow’s Gravity: Colour, Materiality and British Modernity The Rainbow’s Gravity: Colour, Materiality and British Modernity KIRSTY SINCLAIR DOOTSON, 2023 New Haven	0
Soupy Sales and the Detroit Experience: Manufacturing a Television Personality Soupy Sales and the Detroit Experience: Manufacturing a Television Personality FRANCIS SHO	0
Jia Zhangke on Jia Zhangke	0
The Story of Tell England (1931) in Turkey: Transcultural Remakes and the Early Sound Era	0
Bohemians in 1970s New York City: perspectives on Miloš Forman and Ivan Passer’s films	0
The New American War Film The New American War Film . ROBERT BURGOYNE, 2023. Minneapolis, University of Minnesota Press, pp. xxvii + 150, illus., notes, and index, $ 25.	0
Making Worlds: Affect and Collectivity in Contemporary European Cinema	0
Hollis Frampton: Navigating the Infinite Cinema Hollis Frampton: Navigating the Infinite Cinema . MICHAEL ZRYD, 2023New York, NY, Columbia University Press pp. xiv + 279	0
Experimental Filmmaking and Punk: Feminist Audio Visual Culture in the 1970s and 1980s	0
American Cinema and Cultural Diplomacy. The Fragmented Kaleidoscope	0
SceneWriting: The Missing Manual for Screenwriters SceneWriting: The Missing Manual for Screenwriters CHRIS PERRY and ERIC HENRY SANDERS, 2022New York, NY, Bloomsbury Ac	0
Robert Paul and the Origins of British Cinema IAN CHRISTIE, 2019	0
Virginia Woolf, Science, Radio, and IdentityVirginia Woolf, Science, Radio, and Identity CATRIONA LIVINGSTONE, 2022 Cambridge, Cambridge University Press pp. x + 204, bibliography, index, $99.99 (hard	0
‘Gumnut-flavoured’ British comedies and the representation of race, sexuality and suburb in Love Thy Neighbour in Australia	0
When Life Imitates Art: Éric Rohmer’s Triple Agent (2004) As a Primer for Real-Life Politics	0
Fame amid the Ruins. Italian Film Stardom in the Age of Neorealism STEPHEN GUNDLE, 2020	0
The Victory Banner over the Reichstag: Film, Document, and Ritual in Russia’s Contested Memory of World War II	0
Billy Wilder: Dancing on the EdgeBilly Wilder: Dancing on the EdgeJOSEPH McBRIDE, 2021New York, Columbia University Press pp. 658, illus., filmography, notes, index, £35 (hardback)	0
John Boorman’s the Lord of the Rings: A Case Study of an Unmade Film	0
Becoming: Genre, queerness, and transformation in NBC’s Hannibal	0
Offensive Screens: The Italy-China Diplomatic Agreement (1936–37) and the Transnational Censorship of Films	0
Television history, the peabody archive, and cultural memory	0
Dr. No: The First James Bond Film	0

The art of pure cinema: Hitchcock and his imitators	0
Interactive Documentary: Theory and Debate	0
Ida Lupino, Filmmaker Ida Lupino, Filmmaker . PHILIP SIPIORA (ed), 2021. New York and London, Bloomsbury Academic. pp. xiii + 270, illus. and index, £95 (hardback) and £	0
Cinema of crisis. Film and contemporary Europe	0
Everyday Movies: Portability and the Transformation of American Culture	0
Fedor Bondarchuk: Stalingrad Fedor Bondarchuk: Stalingrad STEPHEN M. NORRIS, 2022 Bristol, UK, INTELLECT pp. 180, illus., bibliography, $30,35 (paperback)	0
Ghastly Results: The Banning of Children of The Wasteland (1953) and The Stellar Rise and Demise of Its Maker The Boy Bishop	0
Werner Herzog: Ecstatic Truth and Other Useless Conquests	0
Castan’s Panopticum: Ein Medium wird besichtigt	0
Celluloid Colony: Locating History and Ethnography in Early Dutch Colonial Films of Indonesia	0
The Illustrated Cameraman: Labor, Industry, and Technological Change in the Cartoons of Glenn Kershner, A.S.C	0
Luchino visconti and the fabric of cinema	0
Film, Hot War Traces and Cold War Spaces Film, Hot War Traces and Cold War Spaces MAURIZIO CINQUEGRANI, 2022Edinburgh, Edinburgh University Press pp. ix + 203, illus.,	0
A Clockwork Orange on stage	0
Engineering the ‘Sense of Being There’: Electronovision and the Invention of the Stage Performance Documentary	0
Structural Failure: The Steve Canyon Television Series (1958–59)	0
Paris in the Dark: Going to the Movies in the City of Light, 1930–1950 ERIC SMOODIN, 2020	0
Scenarios III	0
Film Noir and Los Angeles: Urban History and the Dark ImaginaryFilm Noir and Los Angeles: Urban History and the Dark ImaginarySEAN W. MAHER, 2022New York, Routledge Press pp. vi + 211 + index, $52.95	0
Persistent images: Encountering film history in contemporary cinema	0
The twilight zone	0
Cinema off screen: moviegoing in socialist China	0
Women in the Irish film industry: Stories and storytellers	0
Mainstream Maverick: John Hughes and New Hollywood Cinema	0
Stars and silhouettes: the history of the cameo role in hollywood	0
CONFLICT, COMMUNITY AND THE ‘NATIONAL’ AUDIENCE: REMEMBERING TURKISH CYPRIOT CINEMAGOING IN 1950s NICOSIA	0
Harold Pinter’s Early BBC Roles: Between Tradition and Innovation	0
The Brothers Mankiewicz: Hope, Heartbreak, and Hollywood Classics	0
Anton Walbrook: A Life of Masks and Mirrors	0
Dreams of Flight: The Great Escape in American Film and Culture *Dreams of Flight: The Great Escape* in Am**	0
Film as embodied art: Bodily meaning in the cinema of stanley kubrick	0
Voicing the cinema: Film music and the integrated soundtrack	0
Beyond The Movie Theater: Sites, Sponsors, Uses, Audiences Beyond The Movie Theater: Sites, Sponsors, Uses, Audiences GREGORY A. WALLER, 2023, Oakland, California, Unive	0
The Routledge companion to urban media and communication	0
Legion Condor - Karl ritter’s lost 1939 feature film	0
Saving the Children: Humanitarianism, Internationalism, and Empire	0
‘Zapata is Fighting the Enemy Here’: Defanging a Rebel in Pre-revolutionary Iran	0
Campbeltown Speaks: Small-Town Cinema and the Coming of Sound	0
Her Stories: Daytime Soap Opera & US Television History ELANA LEVINE, 2020	0
Art Bell’s Open Forum: Conspiracy Talk on Coast to Coast AM and its Legacy in the Internet Age	0
Bette Davis Black and White Bette Davis Black and White JULIA A. STERN, 2021 Chicago and London, The University of Chicago Press pp. 266, illus., notes and index, $95 (c	0
Alien Invasion Films: Imperialism, Race and Gender in the American Security State 1950-2020 Alien Invasion Films: Imperialism, Race and Gender in the American Security State 1950-2020	0
Film Finances and Golden Rendezvous (1977): Financial Mismanagement, Personal Tensions and Political Scandal	0
When Ships Don’t Come Ashore – a Yugoslav cinema club production’s dissent in-between the personal and the political	0
Utopia Gone Wrong: Mirages of Communist Totalitarianism in the Clockwork Mirror	0
From Socialist Hero to Capitalist Icon: The Cultural Transfer of the East German Children’S Television Programme Unser Sandmännchen to Sweden in the Early 1970S	0
Bette Davis Black and White Bette Davis Black and White JULIA A. STERN, 2021Chicago and London, The University of Chicago Presspp. 266, illus., notes and index, $95 (clo	0
‘Were Our Ideas of Maintaining Control Mythical?’: Film Policy at Hampton Court Palace, 1911–1989	0
Cold war II: Hollywood’s Renewed Obsession with Russia	0
Where histories reside: India as filmed space	0
Hollywood in San Francisco: Location Shooting and the Aesthetics of Urban Decline	0
Star attractions: Twentieth-Century movie magazines and global fandom	0
A Trip Down Market Street: A Century of ‘Eureka’ Moments	0
Miami Studios and Early Film Production in South Florida	0
Black America and Hollywood’s Korean War: The Steel Helmet (1951) and Pork Chop Hill (1959)	0
Preserving the Imperial Project: Documenting Film Censorship Practices in the Gold Coast (Ghana)	0
Play Time: Jacques Tati and Comedic Modernism	0
‘Sadists and Readers of Horror Comics’: British Post-War Identity in Viewer Responses to the BBC’s Nineteen Eighty-Four (1954)	0
Scratches and Glitches: Observations on Preserving and Exhibiting Cinema in the Early 21st Century	0
Decline and Reimagination in Cinematic New York Decline and Reimagination in Cinematic New York CORTLAND RANKIN, 2023London and New York, Routledgepp. viii + 248, illus.	0
The Ascent of the Nazis and the Downfall of the Catholic Company, Leo-Film AG	0
The Cinema in Flux. The Evolution of Motion Picture Technology from the Magic Lantern to the Digital Era The Cinema in Flux. The Evolution of Motion Picture Technology from the Magic La	0
Screening the red army faction: Historical and cultural memory	0
Barriers down. How american power and Free-Flow policies shaped global media	0
Hollywood imagines revolutionary Haiti: the forgotten film Lydia Bailey (1952)	0
Abjection incorporated: Mediating the politics of pleasure and violenceAbjection Incorporated: Mediating the Politics of Pleasure and Violence	0
TV Snapshots – An Archive of Everyday LifeTV Snapshots – An Archive of Everyday LifeLYNN SPIGEL, 2022Durham and London, Duke University Press pp. ix + 315, illus., $107.95 (cloth), $28.95 (paper)	0
Afterimages: on cinema, women and changing times	0
Unacceptable Matters: The Hays Code, Family, Film Noir and RKO Radio Pictures	0
The Cinematic Sublime: Negative Pleasures, Structuring Absences	0
All ‘Shook’ up: Bob Hope, the USO, and How a Night in Greenland Changed Television	0
Monstrous Youth: Transgressing the Boundaries of Childhood in the United States Monstrous Youth: Transgressing the Boundaries of Childhood in the United States SARA AUST	0
Sex, Politics, and Comedy: the Transnational Cinema of Ernst Lubitsch	0
Moulding and Mutilating: Newsreels, the British State, and Yugoslav ‘Exceptional’ Socialism, 1946–1961	0
PIRATE RADIO and ITS ROLE IN THE ESTABLISHMENT OF COMMUNITY RADIO. POLAND, AUSTRIA AND HUNGARY – A COMPARISON	0
Film Curatorship: Archives, Museums, and the Digital Marketplace, 2nd Edition	0
Columbo: Paying Attention 24/7	0
The origins of the film star system: Persona, publicity and economics in early cinema	0
French cinema vs the bomb: Atomic science and a war of images circa 1950	0
The Battle of Neretva (1969): Production, Exhibition, Reception, Aesthetics, and Historiography	0
From Prison to Censorship: Devil’s Island Films (1926–1940)	0
Clocking Out: The Machinery of Life in 1960s Italian Cinema	0
Bigger Than Life: The Close-Up and Scale in the Cinema Bigger Than Life: The Close-Up and Scale in the Cinema MARY ANN DOANE, 2021Durham, NC, Duke University Press pp. x	0
The Kinematograph Theatre Arrives: Part III of the London County Council and the Cinematograph	0
Early Cinema and Optical Media: An Index to Print Anthologies and Exhibition Catalogues – Part 1	0
Crime Scenery in Postwar Film and Photography	0
Pinter as Performer	0
Suitcase of Soundscapes: The London Transcription Service and the Packaging of Wartime Sounds for the BBC’s Global Radio Audience	0
Reginald rose and the journey of 12 angry men	0
Frances Kavanaugh and B Westerns’ Women Writers	0
Our Blessed Rebel Queen: Essays on Carrie Fisher and Princess LeiaOur Blessed Rebel Queen: Essays on Carrie Fisher and Princess LeiaLINDA MIZEJEWSKI and TANYA D. ZUK (eds.), 2021Detroit, Wayne State U	0
Peace on the Small Screen: UNPROFOR’s Television Unit in 1994–5 and the ‘Media War’ in Former Yugoslavia	0
From the Margins to the Mainstream: Women in Film and Television From the Margins to the Mainstream: Women in Film and Television MARIANNE KAC-VERGNE and JULIE ASSOULY (	0
Eric rohmer’s film theory (1948-1953): from ‘école schérer’ to ‘politique des auteurs’	0
Damsels and Divas: European Stardom in Silent Hollywood	0