OOIR: Observatory of International Research

Papers

(The TQCC of Historical Journal of Film Radio and Television is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-04-01 to 2025-04-01.)

Article	Citations
Unacceptable Matters: The Hays Code, Family, Film Noir and RKO Radio Pictures	3
Recovering the past: the national archives of Zimbabwe and the Central African Film Unit (1948 to 1963)	3
Mainstream Maverick: John Hughes and New Hollywood Cinema	3
Broadcasting the ‘Voice of Science’ on America’s Town Meeting of the Air: Public Education, Popular Entertainment, and Post-World War II Scientific Ambivalence	2
When Life Imitates Art: Éric Rohmer’s Triple Agent (2004) As a Primer for Real-Life Politics	2
Columbo: Paying Attention 24/7	1
Preserving the Imperial Project: Documenting Film Censorship Practices in the Gold Coast (Ghana)	1
American Cinema and Cultural Diplomacy. The Fragmented Kaleidoscope	1
Batman: the animated series	1
Early Cinema and Optical Media: An Index to Print Anthologies and Exhibition Catalogues – Part 1	1
Transnational Television Caricature: The Global Spread of Spitting Image 1984–1994	1
Poetry FM: American Poetry and Radio Counterculture	1
The Victory Banner over the Reichstag: Film, Document, and Ritual in Russia’s Contested Memory of World War II	1
Hollywood in San Francisco: Location Shooting and the Aesthetics of Urban Decline	1
Ballymena, Bangor and Belfast: Hyper-Localism, Regional Decision-Making and Local Film Censorship in Northern Ireland	1
The Middle Ages and the Movies: Eight Key Films	1
The process genre: Cinema and the aesthetic of labor	1
A Wonderful (After) Life: Public Domain Works and Television Discourse	1
Dr. No: The First James Bond Film	1
Documenting Africa on Film and Nkrumah’s Legacy in Pan-Africanist Africa	1
When Ships Don’t Come Ashore – a Yugoslav cinema club production’s dissent in-between the personal and the political	1
Provenance and Early Cinema	1
Werner Herzog: Ecstatic Truth and Other Useless Conquests	1
The Aesthetics of Early Sound Film: Media Change around 1930	1
Radio’s Legacy in Popular Culture: The Sounds of British Broadcasting Over the Decades	0

Revisiting the Women’s Movement in India (1970s–80s) Through the Women’s Programme	0
The IAMHIST-Routledge best article prizes for 2020	0
The English Hollywood that wasn’t: shadow history and Esher’s unbuilt film studios	0
Media and the Constitution of the Political: South Asia and Beyond Media and The Constitution of the Political: South Asia and Beyond RAVI VASUDEVAN (ed.), 2022New Delhi	0
Adapting Performance between Stage and Screen	0
Making the Best Years of Our Lives: The Hollywood Classic that Inspired a Nation Making The Best Years of Our Lives: the Hollywood Classic that Inspired a Nation ALISON	0
Offensive Screens: The Italy-China Diplomatic Agreement (1936–37) and the Transnational Censorship of Films	0
Revisiting the Weaver Years at NBC	0
THE Anxiety of Authenticity: THE Historical Reception of Broken Blossoms (1919), Shanghai Express (1932) and The Good Earth (1937) in China	0
‘Islands of Sound in the Silent Flow of Film’: German Part-Talkies Around 1930 as a Hybrid Medium	0
Rewind, Replay: Britain and the Video Boom, 1978–92 Rewind, Replay: Britain and the Video Boom, 1978–92 JOHNNY WALKER, 2022 Edinburgh, UK, Edinburgh University Press pp.	0
Exploring Cinema Memory	0
Urban regeneration and stakeholder dynamics in the formation, growth and maintenance of the Sheffield International Documentary Festival in the 1990s	0
Buster Keaton: A Filmmaker’s Life	0
Asta Nielsen, the Film Star System and the Introduction of the Long Feature Film	0
Billy Wilder: Dancing on the EdgeBilly Wilder: Dancing on the EdgeJOSEPH McBRIDE, 2021New York, Columbia University Press pp. 658, illus., filmography, notes, index, £35 (hardback)	0
Radiophilia	0
Russian TV Series in the Era of Transition: Genres, Technologies, Identities	0
The BBC German Service during the Second World War: Broadcasting to the Enemy	0
How Documentaries Work	0
Cinema off screen: moviegoing in socialist China	0
Stars and silhouettes: the history of the cameo role in hollywood	0
Fedor Bondarchuk: Stalingrad Fedor Bondarchuk: Stalingrad STEPHEN M. NORRIS, 2022 Bristol, UK, INTELLECT pp. 180, illus., bibliography, $30,35 (paperback)	0
‘A Movie Paralysis’: Defining Cinema during the Polio Epidemic of 1916	0
Miryam de Flores: The Woman of the Port. The Legacy of a Female TV Auteur From the Colombian Caribbean Region	0
Making Hollywood Happen: The Story of Film Finances	0
Our Blessed Rebel Queen: Essays on Carrie Fisher and Princess LeiaOur Blessed Rebel Queen: Essays on Carrie Fisher and Princess LeiaLINDA MIZEJEWSKI and TANYA D. ZUK (eds.), 2021Detroit, Wayne State U	0
Woman Up: Invoking Feminism in Quality Television Woman Up: Invoking Feminism in Quality Television JULIA HAVAS, 2022Detroit, Wayne State University Presspp. viii + 269,	0
Bordering an Industry: KVOS-TV and Canawest Film Productions in the Pacific Northwest	0
The Man Who Invented Motion Pictures. A True Tale of Obsession, Murder and the Movies	0
Horror Film and Otherness: Film and Culture Horror Film and Otherness: Film and Culture ADAM LOWENSTEIN, 2022New York, NY, Columbia University Press pp. xiii + 229, illu	0
Gaza on Screen	0
Imperial Interest, Regional Politics and British Film Quotas in Post-war Hong Kong and Singapore	0
Celluloid Colony: Locating History and Ethnography in Early Dutch Colonial Films of Indonesia	0
Race and Radio: Pioneering Black Broadcasters in New Orleans Race and Radio: Pioneering Black Broadcasters in New Orleans BALA JAMES BAPTIST, 2019Jackson, University Pre	0
Rockstar Games and American History: Promotional Materials and the Construction of Authenticity	0
Suitcase of Soundscapes: The London Transcription Service and the Packaging of Wartime Sounds for the BBC’s Global Radio Audience	0
The studio and the song: synergy and self-mythology in Bohemian Rhapsody (2018) and Mary Poppins Returns (2019)	0
Communicating Europe: Technologies, Information, Events	0
Interactive Documentary: Theory and Debate	0
Unspooled: How the Cassette Made Music Shareable	0
Suzuki Seijun and Postwar Japanese Cinema	0
The Empire Symphony Film: Fascist Documentary, Infrastructure, and the Avant-Garde	0
Introduction: 50 years of A Clockwork Orange (1971)	0
Early Cinema and Optical Media: An Index to Print Anthologies and Exhibition Catalogues – Part 2	0
Black Women and the Changing Television Landscape	0
Decline and Reimagination in Cinematic New York	0
The ‘Horror Serials’ of the 1910s: Episodes in the Construction of a Film Genre	0
Announcement	0
Evading Censorship. Spanish Radio Disobedience During Late Francoism	0

The Americans (TV Milestones) The Americans (TV Milestones) LINDA MIZEJEWSKI, 2022Detroit, Wayne State University Press pp. 124, bibliography, $19.95 (paperback)	0
Labouring on A Clockwork Orange (1971): finding the voices of creative, technical, and administrative workers in the Stanley Kubrick Archive	0
Revolution in Paradise: Veiled Representations of Jewish Characters in the Cinema of Occupied France	0
Frame by Frame: A Materialist Aesthetics of Animated Cartoons	0
Mother of the nation? The German Democratic Republic’s forgotten television star, Agnes Kraus	0
The stardom film: Creating the Hollywood fairy tale	0
404: file not found web archives and the challenges of preserving digital film promotion	0
PIRATE RADIO and ITS ROLE IN THE ESTABLISHMENT OF COMMUNITY RADIO. POLAND, AUSTRIA AND HUNGARY – A COMPARISON	0
Correction	0
‘Our Film Orgy’: the Institute for Sex Research, Cinemages, Herman Weinberg, and George Eastman House, 1958–1963	0
Cinema Memories: A People’s History of Cinema-Going in 1960s Britain Cinema Memories: A People’s History of Cinema-Going in 1960s Britain MELVYN STOKES, MATTHEW JONES an	0
Peter weir interviews	0
SHIN FILMS PRESENTS: THE ‘KOREAN-STYLE’ STUDIO SYSTEM AND THE MODERNIZATION OF THE FILM INDUSTRY In SOUTH KOREA, 1952–1975	0
Audio literature and the holocaust: a study based on the material of public radio stations –– polish radio in warsaw, radio łódź, and radio lublin, 1950–2020	0
Bohemians in 1970s New York City: perspectives on Miloš Forman and Ivan Passer’s films	0
Correction	0
From Stage to Screen: The Legacy of Traditional Chinese Theatre in Chinese Martial Arts Cinema Soundtracks	0
100 American Horror Films. BARRY KEITH GRANT, 2022, London, UK, Bloomsbury for British Film Institute, pp. vi + 217, illus., index, list of illustrations, £19.99 (paper)100 American Horror FilmsBARRY	0
The International Reception of Downfall (Der Untergang, 2004)	0
Branding the Oscarcast: The public relations strategies that established the Academy Awards ceremony as a media spectacle	0
Monstrous Youth: Transgressing the Boundaries of Childhood in the United States Monstrous Youth: Transgressing the Boundaries of Childhood in the United States SARA AUST	0
Cold War Children’s Television: Philadelphia as a Case Study	0
Cinematic Guerrillas: Propaganda, Projectionists, and Audiences in Socialist China	0
Pictures of Poverty: The Works of George R. Sims and Their Screen Adaptations	0
Rated A: Soft-Porn Cinema and Mediations of Desire in India	0
The Middleman of the Movies: US Film Exchanges, 1915-1919	0
Mapping Fairy-Tale Space: Pastiche and Metafiction in Borderless Tales	0
Sesame Street: A Transnational History	0
Filming History from Below: Microhistorical Documentaries	0
This Studio is Dangerous! Hazards of Working in British Film Studios in the 1930s and 1940s	0
Chinese Film: Realism and Convention from the Silent Era to the Digital Age Chinese Film: Realism and Convention from the Silent Era to the Digital Age JASON MCGRATH, 20	0
Southern Censorship against Hollywood in Better Films Committees and Local Censorship Boards: Film Control as a Woman’s Political Weapon	0
‘We’ll Have No More Grapes of Wrath :’ The Origins, Rise and Impact of a Dubious Cinematic Anecdote	0
The Dark Interval: Film noir, Iconography and Affect The Dark Interval: Film Noir, Iconography and Affect PADRAIC KILLEEN, 2022New York, Bloomsbury pp. 271, $162.00 (clo	0
The British Trauma Film: Psychoanalysis and Popular British Cinema in the Immediate Aftermath of the Second World War	0
Black and white bioscope: Making movies in Africa, 1899 to 1925	0
Sport in the French Television Magazine Programme Cinq Colonnes à la Une (1959–1968)	0
The Biopic and Beyond: Celebrities as Characters in Screen Media	0
Australian Radio Listeners and Television Viewers. Historical Perspectives	0
The legacy of A Clockwork Orange in The Great Ecstasy of Robert Carmichael (Thomas Clay, 2005) and Bronson (Nicolas Winding Refn, 2009): ‘all form and no content’?	0
British Cinema in a Divided Nation	0
Chronology of the Birth of Cinema 1833-1896	0
All the President’s Men	0
‘“Perfect ladies” are seldom interesting’: locating modernity in Irene Dunne’s early stardom	0
Supporters or Saboteurs: Deviated Experiences of Maoist Film Propaganda in Rural China	0
Marketing the A Clockwork Orange myth	0
Free Churches of the Air: the History of Community Radio in Sweden	0
From the Margins to the Mainstream: Women in Film and Television From the Margins to the Mainstream: Women in Film and Television MARIANNE KAC-VERGNE and JULIE ASSOULY (	0
Pulses of Abstraction: Episodes from a History of Animation	0
Film, Hot War Traces and Cold War Spaces Film, Hot War Traces and Cold War Spaces MAURIZIO CINQUEGRANI, 2022Edinburgh, Edinburgh University Press pp. ix + 203, illus.,	0
The Wrath to Come: Gone with the Wind and the Lies America TellsThe Wrath to Come: Gone with the Wind and the Lies America TellsSARAH CHURCHWELL, 2022London, Head of Zeus pp. 453, illus., $40.00 (clot	0
Translating Radio Productions into Television Programmes: The Post-War Career of BBC Writer/Producer Nesta Pain	0
Clandestine Documentary Film V. Apartheid: Phela-Ndaba/End of The Dialogue (1970), Last Grave at Dimbaza (1974) and The South African Gove	0
Engineering the ‘Sense of Being There’: Electronovision and the Invention of the Stage Performance Documentary	0
For No Reason at All: The Changing Narrative of the First World War in American film	0
Bigger Than Life: The Close-Up and Scale in the Cinema Bigger Than Life: The Close-Up and Scale in the Cinema MARY ANN DOANE, 2021Durham, NC, Duke University Press pp. x	0
Starmaker: David O. Selznick and the Production of Stars in the Hollywood Studio System	0
Imitation of Life: Cross-Cultural Reception and Remakes in Turkish Cinema	0
The Berlin–Tokyo Film Axis and a Troubled Co-Production: The Makers of New Earth/The Samurai’s Daughter (1937)	0
Empire’s Mistress: Starring Isabel Rosario Cooper	0
Bastard Theatres and Human Dregs: Cultures of Illegitimacy on 42 ^nd Street	0
Play Time: Jacques Tati and Comedic Modernism	0
Ida Lupino, Filmmaker	0
My Place in the Sun: Life in the Golden Age of Hollywood and Washington My Place in the Sun: Life in the Golden Age of Hollywood and Washington GEORGE STEVENS,JR., 2022L	0
Méliès Boots: Footwear and Film Manufacturing in Second Industrial Revolution Paris	0
Commemorating the Great War on Film: Veterans, Pilgrimages and Amateur Filmmaking	0
‘Of a Human Satellite’: Cassius Clay/Muhammad Ali in Cold War Finnish Television Culture, 1960–1965	0
Announcement	0
Where histories reside: India as filmed space	0
French Film History, 1895–1946	0
Nazi ‘black’ Propaganda to Britain: Secret Radio Stations and British Renegades	0
New Perspectives on Early Cinema History: concepts, approaches, audiences	0
‘The Greatest Single Force of Our Day’: Father Charles Coughlin’s Audience and The Power of Radio	0
Frances Kavanaugh and B Westerns’ Women Writers	0
Film Finances and Golden Rendezvous (1977): Financial Mismanagement, Personal Tensions and Political Scandal	0
A Cultural Response to a Rural Crisis: Educational Films for Rural Society in INterwar China	0
Studio Restructuring Without the Paramount Decree: Japanese Film Industry and Oligopoly after the 1960s	0
Public Ceremony: The Construction of Nationalism Through Mobile Film Screening Under Jiang Kai-shek’s CNP Government	0
Bette Davis Black and White	0
In Conversation with Women Practitioners	0

The everyman cinema, hampstead: film, art and community in the 1930s	0
Mass producing European cinema: Studiocanal and its work	0
The Shared History of Stanley Kubrick’s A Clockwork Orange (1971) and Ken Russell’s The Devils (1971)	0
Fighting Without Fighting: Kung Fu Cinema’s Journey to the West	0
Ready for their close-up: fan scenarists, Cecil B. DeMille, and the studio system	0
Women in the Work of Woody Allen	0
The Romance Promoter with A Deadline at 11: Rural Exhibitors, Urban Exchanges, and The Emerging Culture of Film Distribution in The United States, 1918–1925	0
Fashioning James Bond: Costume, Gender and Identity in the World of 007	0
Radical mainstream: Independent film, video and television in britain, 1974–90	0
From Russia with Love From Russia with Love LLEWELLA CHAPMAN, 2022London, British Film Institutepp. 112, illus., $15.95 (paperback)	0
The Growth of the Turkish Film Industry and the Death of Suphi Kaner: Articulating a Star’s Suicide to the History of Labour in Cinema	0
Word, Sound and Music in Radio Drama	0
Philosophers on film from Bergson to Badiou	0
Adult Themes: British Cinema and the X Certificate in the Long 1960 s	0
Ardmore Studios, film workers and the Irish state, 1962–1964	0
Harun Farocki: Forms of Intelligence	0
The Cinematographic Activities of Charles Rider Noble and John Mackenzie in the Balkans	0
Chinese Film Classics, 1922–1949	0
Correction	0
The Routledge Companion to Radio and Podcast Studies	0
Cinema against Doublethink: Ethical Encounters with the Lost Pasts of World History	0
Film and the British Atomic Project	0
All ‘Shook’ up: Bob Hope, the USO, and How a Night in Greenland Changed Television	0
From Propaganda to Attraction: Reassessing the Role of the Public in the Newsreel Jornal Português (1938–1951)	0
What Did the Haji Jawa See in Mecca? A film from 1928 as Primary Source	0
Art Bell’s Open Forum: Conspiracy Talk on Coast to Coast AM and its Legacy in the Internet Age	0
A Gathering Place for Outlaws: Fugitive Cinema’s Alternative Film Distribution	0
Sergio Leone: Cinema as Political Fable	0
Early Cinema and Optical Media: An Index to Print Anthologies and Exhibition Catalogues – Part 3	0
Deben Bhattacharya at the BBC, 1949–79: Cultural entrepreneurism, precarity, and the business of post-war folklore collection	0
Soupy Sales and the Detroit Experience: Manufacturing a Television Personality	0
Saving the Children: Humanitarianism, Internationalism, and Empire	0
TV Snapshots – An Archive of Everyday LifeTV Snapshots – An Archive of Everyday LifeLYNN SPIGEL, 2022Durham and London, Duke University Press pp. ix + 315, illus., $107.95 (cloth), $28.95 (paper)	0
The Art of the Observer: A Personal View of Documentary	0
Resetting the Scene: Classical Hollywood Revisited	0
Dark Matter: Independent Filmmaking in the 21st Century	0
Alice ‘Lavender’ Lee, ‘The Pictures Girl’: A ‘Star Search’ Competition of the Late 1910s	0
Channel 4 and the South Series (1991-93): from the Third World to the Global South	0
Alluring Monsters: The Pontianak and Cinemas of Decolonization	0
Cinemagritte: René magritte within the frame of film history, theory, and practice	0
Miami Studios and Early Film Production in South Florida	0
From the BBC’s Shadows? Fledgling AIR Finding Its Feet	0
Visioning, Contesting and Revisioning Trinidad’s 1970 Black Power Revolt in Independent Documentary Film	0
Shadow of a Doubt	0
Polish Radio Art: The Case of Eugeninsz Rudnik and the Polish Radio Experimental Studio, 1959–2002	0
Screening dissent: the uprising of 17 June 1953 in East German film	0
Moulding and Mutilating: Newsreels, the British State, and Yugoslav ‘Exceptional’ Socialism, 1946–1961	0
Motor City Movie Culture, 1916–1925	0
Learning with Light and Shadows: Educational Lantern and Film Projection, 1860–1990	0
Chinese Film: Realism and Convention from the Silent Era to the Digital Age	0
Correction	0
Hollywood and the Spanish Civil War: The Hidden Anti-Fascist Ideology of Love Under Fire (1937)	0
Before the Paris Fire: Projecting the Cinematograph in London from 1889-4 ^th May 1997, Part IV of the London County Council and the CinematographBefore the Paris Fir	0
The Eyes of Power: Intellectual Vision in Contemporary Chinese Local Film Censorship	0
Experimental Filmmaking and Punk: Feminist Audio Visual Culture in the 1970s and 1980s	0
Gene Tierney: Star of Hollywood’s Home Front	0
Smartphone Filmmaking: Theory and Practice	0
From Blue Book to White Book: The Hutchins Commission and Llewellyn White’s The American Radio	0
French cinema vs the bomb: Atomic science and a war of images circa 1950	0
The Battle of Neretva (1969): Production, Exhibition, Reception, Aesthetics, and Historiography	0
Jia Zhangke on Jia Zhangke	0
Forecasting the Future Feature: How Film Industry Hierarchies Shaped Trailer Discourse, 1919–1959	0
The Screen Censorship Companion: Critical explorations in the control of film and screen media	0
Dissent and dissidents in central and eastern european film	0
Fate in Film: A Deterministic Approach to Cinema	0
The Politics of Industry and the Wave of Nationalism: Exploring the Shanghai Film Guild, 1927–1930	0
Harold Pinter’s Early BBC Roles: Between Tradition and Innovation	0
Scenarios III	0
Hitler Youth Quex: A Guide for the English-Speaking Reader	0
Esfir Shub: Pioneer of Documentary Filmmaking	0
‘Unmitigated Cad’: The Dual Stardom of George Sanders ¹	0
Documentary Film and the Volga Famine: Save the Children Fund’S Famine (1922)	0
Reality, Magic, and Other Lies. Fairy-Tale Film Truths	0
Film Finances and the Trial (1963): Alexander Salkind, Orson Welles, and European Co-Production in the 1960s	0
Requisitioning film studios in wartime Britain	0
Starring Tom Cruise	0
The limits of political influence – the limits of creativity: the first 25 years of FAMU	0
The DJ Who “Brought Down” The USSR: The Life and Legacy of Seva Novgorodsev	0
The Sentimental in Chinese Cinema The Sentimental in Chinese Cinema HUIMIAO, 2022Cham, Palgrave Macmillan pp. xvi + 210, $107 (cloth)	0
Literati lenses: Wenren landscape in Chinese cinema of the Mao Era	0
Kubrick’s clockwork psychopath	0
Peace on the Small Screen: UNPROFOR’s Television Unit in 1994–5 and the ‘Media War’ in Former Yugoslavia	0
Trailblazing Women of Australian Public Broadcasting, 1945-1975	0
‘Blind’ warfare: radio propaganda dynamics in South Africa during the Second World War	0
‘Anyone Can Put On Clothes, Right?’: Costume Design and Styling as Women’s Work in Dutch Media Production	0
A piece of the action: race and labor in post-civil rights Hollywood	0
Early Cinema and Optical Media: An Index to Print Anthologies and Exhibition Catalogues – Part 4	0
The Iamhist-Routledge Best Article Prizes for 2022	0
The lost honour of katharina blum	0
Picturegoing: A Critical Anthology of Eyewitness Experiences Picturegoing: A Critical Anthology of Eyewitness Experiences LUKE MCKERNAN, 2022Exeter, University of Exeter	0
A Trip Down Market Street: A Century of ‘Eureka’ Moments	0
Reporting the Second World War: The Press and People, 1939-1945	0
‘Keep ‘em in the East’: Kazan, Kubrick, and the Postwar New York Film Renaissance	0
‘A Brilliant Meteor Across the Filmic Heavens’: Brigitte Helm in British Film Culture, 1926–33	0
Haunted by Vertigo: Hitchcock’s Masterpiece Then and Now	0