OOIR: Observatory of International Research

Papers

(The TQCC of Historical Journal of Film Radio and Television is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-12-01 to 2025-12-01.)

Article	Citations
The digital Double Blind: Change and stasis in the Middle East	4
Decontextualisations in German Überläufer Comedies: The Reception and Political Aesthetic of Die Fledermaus ( The Bat , 1946)	3
Broadcasting the ‘Voice of Science’ on America’s Town Meeting of the Air: Public Education, Popular Entertainment, and Post-World War II Scientific Ambivalence	3
John Feeney at the National Film Board of Canada: Scripting Inuit Modern Art	3
Southern Censorship against Hollywood in Better Films Committees and Local Censorship Boards: Film Control as a Woman’s Political Weapon	2
Schools and Screens: A Watchful History	2
The Endless End of Cinema: A History of Crisis and Survival in Hollywood	2
Chronology of the Birth of Cinema 1833-1896	2
Preserving the Imperial Project: Documenting Film Censorship Practices in the Gold Coast (Ghana)	2
Asta Nielsen, the Film Star System and the Introduction of the Long Feature Film	1
Porridge: BFI Classics	1
Material Lives of Cold War Radio Pasts in India	1
‘I Read My Dickens’: Agatha Christie’s Unproduced Film Adaptation of Bleak House	1
Scripting Empire: Broadcasting, the BBC, and the Black Atlantic	1
Play Time: Jacques Tati and Comedic Modernism	1
Offensive Screens: The Italy-China Diplomatic Agreement (1936–37) and the Transnational Censorship of Films	1
Sex, Politics, and Comedy: the Transnational Cinema of Ernst Lubitsch	1
Campbeltown Speaks: Small-Town Cinema and the Coming of Sound	1
The lost honour of katharina blum	1
Experimental Filmmaking and Punk: Feminist Audio Visual Culture in the 1970s and 1980s	1
Cuts and Controversy in Pre-Code Hollywood Horror: The Case of James Whale’s Frankenstein and The Bride of Frankenstein	1
Old West, New Audiences: Wildlife Documentaries, Non-Theatrical Exhibition, and the Us Wilderness Culture Industry, 1928–1930	1
Revisiting the Weaver Years at NBC	1
Correction	1
Wire Exorcism: Radio Berlin Persian Service and the Making of Wireless Modernity in Iran	0

Translating Radio Productions into Television Programmes: The Post-War Career of BBC Writer/Producer Nesta Pain	0
Jia Zhangke on Jia Zhangke	0
Murakami Haruki on Film	0
The Ascent of the Nazis and the Downfall of the Catholic Company, Leo-Film AG	0
A Clockwork Orange on stage	0
The International Reception of Downfall (Der Untergang, 2004)	0
The Big Picture: The Cold War on the Small Screen	0
James Bond’s Socialist Rivals: Television Spy Heroes and Popular Culture in the Cold War East	0
TV Snapshots – An Archive of Everyday LifeTV Snapshots – An Archive of Everyday LifeLYNN SPIGEL, 2022Durham and London, Duke University Press pp. ix + 315, illus., $107.95 (cloth), $28.95 (paper)	0
‘Our Film Orgy’: the Institute for Sex Research, Cinemages, Herman Weinberg, and George Eastman House, 1958–1963	0
Feminism and the Cinema of Experience	0
Art Bell’s Open Forum: Conspiracy Talk on Coast to Coast AM and its Legacy in the Internet Age	0
Fate in Film: A Deterministic Approach to Cinema	0
SceneWriting: The Missing Manual for Screenwriters SceneWriting: The Missing Manual for Screenwriters CHRIS PERRY and ERIC HENRY SANDERS, 2022New York, NY, Bloomsbury Ac	0
The Eyes of Power: Intellectual Vision in Contemporary Chinese Local Film Censorship	0
Picturegoing: A Critical Anthology of Eyewitness Experiences Picturegoing: A Critical Anthology of Eyewitness Experiences LUKE MCKERNAN, 2022Exeter, University of Exeter	0
The BBC German Service during the Second World War: Broadcasting to the Enemy	0
The Story of British Propaganda Film	0
The Myth of Stalin and the Death of Hitler: André Bazin and The Fall of Berlin ’s Transnational Travels	0
The City on Screen: Modern Strangers of Cinematic Istanbul	0
‘The Delight of Real Boys’: Male Role Models in the Silent-Era Boys’ Cinema Weekly Fan Paper	0
Silent Film Performance: Dramatic Bodies on Screen	0
Correction	0
Provenance and Early Cinema	0
The Last Bohemian: Brian Desmond Hurst, Irish Film, British Cinema	0
Beyond The Movie Theater: Sites, Sponsors, Uses, Audiences	0
Television Directors, Race, and Gender: Written Out of the Story	0
The Shadow of Oru Palace: Contending narratives at a national monument site	0
Filming History from Below: Microhistorical Documentaries	0
The Shared History of Stanley Kubrick’s A Clockwork Orange (1971) and Ken Russell’s The Devils (1971)	0
Reginald rose and the journey of 12 angry men	0
Kill the Documentary: A Letter to Filmmakers, Students, and Scholars Kill the Documentary: A Letter to Filmmakers, Students, and Scholars JILL GODMILOW, 2022New York, Co	0
‘Unmitigated Cad’: The Dual Stardom of George Sanders ¹	0
From Stage to Screen: The Legacy of Traditional Chinese Theatre in Chinese Martial Arts Cinema Soundtracks	0
‘Gumnut-flavoured’ British comedies and the representation of race, sexuality and suburb in Love Thy Neighbour in Australia	0
Desktop Montage: Ethics of Holocaust Footage in the Online Space	0
Resetting the Scene: Classical Hollywood Revisited	0
Shadow of a Doubt	0
June Mathis: The Rise and Fall of a Silent film Visionary	0
Clandestine Documentary Film V. Apartheid: Phela-Ndaba/End of The Dialogue (1970), Last Grave at Dimbaza (1974) and The South African Gove	0
Chinese Film: Realism and Convention from the Silent Era to the Digital Age	0
Early Cinema and Optical Media: An Index to Print Anthologies and Exhibition Catalogues – Part 3	0
Correction	0
‘A Brilliant Meteor Across the Filmic Heavens’: Brigitte Helm in British Film Culture, 1926–33	0
Women in the Work of Woody Allen	0
Monstrous Youth: Transgressing the Boundaries of Childhood in the United States Monstrous Youth: Transgressing the Boundaries of Childhood in the United States SARA AUST	0
Our Blessed Rebel Queen: Essays on Carrie Fisher and Princess LeiaOur Blessed Rebel Queen: Essays on Carrie Fisher and Princess LeiaLINDA MIZEJEWSKI and TANYA D. ZUK (eds.), 2021Detroit, Wayne State U	0
The BBC’s Controversy Committee, 1928–1929	0
Pulses of Abstraction: Episodes from a History of Animation	0
Evading Censorship. Spanish Radio Disobedience During Late Francoism	0

Australian Radio Listeners and Television Viewers. Historical Perspectives	0
The Cinema of Manoel de Oliveira. Modernity, Intermediality and the Uncanny	0
The Empire Symphony Film: Fascist Documentary, Infrastructure, and the Avant-Garde	0
Transnational Television Caricature: The Global Spread of Spitting Image 1984–1994	0
Broadcasting a Legend: The Canadian TV Miniseries The Arrow (1997)	0
Abandoned: Propaganda Films of the Third Reich	0
The English Hollywood that wasn’t: shadow history and Esher’s unbuilt film studios	0
The legacy of A Clockwork Orange in The Great Ecstasy of Robert Carmichael (Thomas Clay, 2005) and Bronson (Nicolas Winding Refn, 2009): ‘all form and no content’?	0
The ‘Horror Serials’ of the 1910s: Episodes in the Construction of a Film Genre	0
On the Phenomenology of Media in the 1930s: Blaustein On Cinema and Radio Experiences	0
The Enchanting Kinora: Domesticating Moving Images in Edwardian Britain	0
Dark Matter: Independent Filmmaking in the 21st Century	0
Hollywood Unions	0
Hawaii Five-O	0
Miami Studios and Early Film Production in South Florida	0
Sergio Leone: Cinema as Political Fable	0
Fighting Without Fighting: Kung Fu Cinema’s Journey to the West	0
Socialist China’s Participation in the Asia-Africa Film Festival (1958–1964)	0
Learning with Light and Shadows: Educational Lantern and Film Projection, 1860–1990	0
‘Were Our Ideas of Maintaining Control Mythical?’: Film Policy at Hampton Court Palace, 1911–1989	0
Miryam de Flores: The Woman of the Port. The Legacy of a Female TV Auteur From the Colombian Caribbean Region	0
Crime Scenery in Postwar Film and Photography	0
Buster Keaton: A Filmmaker’s Life	0
Screen Workers and the Irish Film Industry	0
Dreams of Flight: The Great Escape in American Film and Culture	0
Cinema Memories: A People’s History of Cinema-Going in 1960s Britain Cinema Memories: A People’s History of Cinema-Going in 1960s Britain MELVYN STOKES, MATTHEW JONES an	0
From Prison to Censorship: Devil’s Island Films (1926–1940)	0
Crafting Contemporary Documentaries and Docuseries for Global Screens: Docu-mania	0
Suzuki Seijun and Postwar Japanese Cinema	0
Unstaged Grief: Musicals and Mourning in Midcentury America	0
Breaks in the Air: The Birth of Rap Radio in New York City	0
Saving the Children: Humanitarianism, Internationalism, and Empire	0
Adult Themes: British Cinema and the X Certificate in the Long 1960 s	0
The Kinematograph Theatre Arrives: Part III of the London County Council and the Cinematograph	0
The Art of the Observer: A Personal View of Documentary	0
Eleanor Powell: Born to Dance	0
‘Keep ‘em in the East’: Kazan, Kubrick, and the Postwar New York Film Renaissance	0
Text/Author/Audience: Audience Reception of Ingmar Bergman and His Films	0
The Biopic and Beyond: Celebrities as Characters in Screen Media	0
Slavery before Roots : Television, the Civil Rights Movement, and History TV in the 1960s	0
In Conversation with Women Practitioners	0
Announcement	0
Shocking Cinema of the 70s	0
My Place in the Sun: Life in the Golden Age of Hollywood and Washington My Place in the Sun: Life in the Golden Age of Hollywood and Washington GEORGE STEVENS,JR., 2022L	0
Aesthetics of the In-Between: Traces of Transitional Times in Woman Overboard (W. Staudte, 1945–1952)	0
Murder, She Wrote	0
Rewind, Replay: Britain and the Video Boom, 1978–92 Rewind, Replay: Britain and the Video Boom, 1978–92 JOHNNY WALKER, 2022 Edinburgh, UK, Edinburgh University Press pp.	0
Gaza on Screen	0
From Private Films to Public Memories: Revisiting the History of the ‘Forgács Archive’	0
Radiophilia	0
The Screen Censorship Companion: Critical explorations in the control of film and screen media	0
Forecasting the Future Feature: How Film Industry Hierarchies Shaped Trailer Discourse, 1919–1959	0
Alien Invasion Films: Imperialism, Race and Gender in the American Security State 1950-2020	0
Labouring on A Clockwork Orange (1971): finding the voices of creative, technical, and administrative workers in the Stanley Kubrick Archive	0
The Battle of Neretva (1969): Production, Exhibition, Reception, Aesthetics, and Historiography	0
The Cinema of Extractions: Film Materials and Their Forms	0
Feeling Colour: Chromatic Embodiment in Film Culture (1950s–1960s)	0
Suitcase of Soundscapes: The London Transcription Service and the Packaging of Wartime Sounds for the BBC’s Global Radio Audience	0
‘Well they Weren’t Married!’: The Marriage Bar at Radio/Telefís Éireann 1962–72	0
Contemporary Art Cinema Culture in China	0
Kubrick’s clockwork psychopath	0
Hitler Youth Quex: A Guide for the English-Speaking Reader	0
Luchino visconti and the fabric of cinema	0
Cinematic Guerrillas: Propaganda, Projectionists, and Audiences in Socialist China	0
Visioning, Contesting and Revisioning Trinidad’s 1970 Black Power Revolt in Independent Documentary Film	0
For No Reason at All: The Changing Narrative of the First World War in American film	0
Josephine Baker’s Secret War: The African American Star Who Fought for France and Freedom	0
The Popes on Air: The History of Vatican Radio from Its Origins to World War II	0
The Role of Film Archives in Creating Canons of Eastern European Cinema	0
Man’ei film in China 1937–1945: The Ideological Weapon of Japanese Settler Colonialism	0
A Gathering Place for Outlaws: Fugitive Cinema’s Alternative Film Distribution	0
Correction	0
The Politics of Industry and the Wave of Nationalism: Exploring the Shanghai Film Guild, 1927–1930	0
Revisiting the Weaver Years at NBC	0
Haunted by Vertigo: Hitchcock’s Masterpiece Then and Now	0
‘A Strange World of Fantasy’: The Radio Propaganda of the Rhodesian Broadcasting Corporation, 1964–1970. ¹	0
Race and Radio: Pioneering Black Broadcasters in New Orleans Race and Radio: Pioneering Black Broadcasters in New Orleans BALA JAMES BAPTIST, 2019Jackson, University Pre	0
Nazi ‘black’ Propaganda to Britain: Secret Radio Stations and British Renegades	0
Silent Film and the Formations of U.S. Literary Culture: Literature in Motion	0
Rockstar Games and American History: Promotional Materials and the Construction of Authenticity	0

Mavericks: Interviews with the world’s iconoclast filmmaker	0
Soupy Sales and the Detroit Experience: Manufacturing a Television Personality	0
Requisitioning film studios in wartime Britain	0
Imitation of Life: Cross-Cultural Reception and Remakes in Turkish Cinema	0
Columbo: Paying Attention 24/7	0
Bigger Than Life: The Close-Up and Scale in the Cinema Bigger Than Life: The Close-Up and Scale in the Cinema MARY ANN DOANE, 2021Durham, NC, Duke University Press pp. x	0
Smartphone Filmmaking: Theory and Practice	0
The Offline Maintenance of the First International Film Festival During COVID-19: Institutional Adjustments and Participants’ Response	0
Remapping the Cold War in Asian Cinemas	0
SHIN FILMS PRESENTS: THE ‘KOREAN-STYLE’ STUDIO SYSTEM AND THE MODERNIZATION OF THE FILM INDUSTRY In SOUTH KOREA, 1952–1975	0
Reworking the Eastern European Past through Audiovisual Archival Practices	0
When in Rome: Hollywood Runaway Productions, the International Film Service, and Rome Adventure (1962)	0
New Perspectives on Early Cinema History: concepts, approaches, audiences	0
MISSING LINKS: THE AFTERMATH of THE NAZI ERA IN GERMAN AND EUROPEAN FILM HISTORY	0
Bastard Theatres and Human Dregs: Cultures of Illegitimacy on 42 ^nd Street	0
The Iamhist-Routledge Best Article Prizes for 2022	0
The Richard Dyer Reader	0
‘A Difficult Film to Sell and a Difficult Film to Appreciate’: MGM’s Alfred the Great (1969) and the Challenges of Promoting Historical Epic in the Late-	0
The Red Shoes	0
French Film History, 1895–1946	0
Cold war II: Hollywood’s Renewed Obsession with Russia	0
All the President’s Men	0
WOMEN’S TELEVISION HISTORIES: LOCATING WOMEN’S ROLE in EMERGING AND DEVELOPING INTERNATIONAL TELEVISION	0
STORM OVER ASIA (1928) and SÜKHBAATAR (1942): Soviet Imagining of Mongolia – From Orientalism to the Cult of Personality	0
Imperial Interest, Regional Politics and British Film Quotas in Post-war Hong Kong and Singapore	0
The Iamhist-Routledge Best Article Prizes for 2021	0
It’s a Wonderful Life	0
The Dark Interval: Film noir, Iconography and Affect The Dark Interval: Film Noir, Iconography and Affect PADRAIC KILLEEN, 2022New York, Bloomsbury pp. 271, $162.00 (clo	0
Exotic Cinema: Encounters with Cultural Difference in Contemporary Transnational film	0
It’s all in the Delivery: Pregnancy in American Film and Television Comedy	0
Bohemians in 1970s New York City: perspectives on Miloš Forman and Ivan Passer’s films	0
Entertaining Ginnie: Visiting the Cinema and the Theatre, 1939–1945	0
Hitchcock’s Number Seventeen (1932) and the British Film Quota	0
Announcement	0
Bette Davis Black and White	0
Communicating Europe: Technologies, Information, Events	0
Early Cinema and Optical Media: An Index to Print Anthologies and Exhibition Catalogues – Part 2	0
Starmaker: David O. Selznick and the Production of Stars in the Hollywood Studio System	0
Rated A: Soft-Porn Cinema and Mediations of Desire in India	0
Transcending the Iron Curtain: Foreign Film Weeks and Transnational Film Exchanges in the People’s Republic of China, 1949–1966	0
Trailblazing Women of Australian Public Broadcasting, 1945-1975	0
Film Noir and Los Angeles: Urban History and the Dark ImaginaryFilm Noir and Los Angeles: Urban History and the Dark ImaginarySEAN W. MAHER, 2022New York, Routledge Press pp. vi + 211 + index, $52.95	0
The Sentimental in Chinese Cinema The Sentimental in Chinese Cinema HUIMIAO, 2022Cham, Palgrave Macmillan pp. xvi + 210, $107 (cloth)	0
A Wonderful (After) Life: Public Domain Works and Television Discourse	0
‘View’ and ‘Process’: Early British Industrial Films and Visual Culture	0
Marketing the A Clockwork Orange myth	0
Ingmar Bergman Out of Focus: Film Cultures and International Reception	0
Resurrecting the Black Body: Race and the Digital Afterlife	0
The Oxford Handbook of Radio and Podcasting	0
The British Trauma Film: Psychoanalysis and Popular British Cinema in the Immediate Aftermath of the Second World War	0
Black America and Hollywood’s Korean War: The Steel Helmet (1951) and Pork Chop Hill (1959)	0
The Americans (TV Milestones) The Americans (TV Milestones) LINDA MIZEJEWSKI, 2022Detroit, Wayne State University Press pp. 124, bibliography, $19.95 (paperback)	0
The Media History and Local Practices of Early Amateur Cinema in China (1926–1937)	0
Scratches and Glitches: Observations on Preserving and Exhibiting Cinema in the Early 21st Century	0
Music in Orbit: Satellite Radio in the Streaming Space Age	0
Policing Show Business: J. Edgar Hoover, the Hollywood Blacklist, and Cold War Movies	0
Esfir Shub: Pioneer of Documentary Filmmaking	0
‘Problems Which Do Not Exist in the Field of Sound Alone’: Policies Against ‘Free Advertisement’ on Early BBC Television	0
Films that spill: The Cinema of Transgression	0
Russian TV Series in the Era of Transition: Genres, Technologies, Identities	0
Market positioning and reception of Bad Education (Pedro Almodóvar, 2004) in Spain and the USA	0
Motor City Movie Culture, 1916–1925	0
‘Anyone Can Put On Clothes, Right?’: Costume Design and Styling as Women’s Work in Dutch Media Production	0
Horror Film and Otherness: Film and Culture Horror Film and Otherness: Film and Culture ADAM LOWENSTEIN, 2022New York, NY, Columbia University Press pp. xiii + 229, illu	0
Peter weir interviews	0
Dr. No: The First James Bond Film	0
Reality, Magic, and Other Lies. Fairy-Tale Film Truths	0
THOROLD DICKINSON and SECRET PEOPLE (1952): POPULAR FRONT TO COLD WAR AND AFTER	0
‘No experiments’? Reprises and Remakes in 1950s West German Cinema	0
Polish Radio Art: The Case of Eugeninsz Rudnik and the Polish Radio Experimental Studio, 1959–2002	0
Film Curatorship: Archives, Museums, and the Digital Marketplace, 2nd Edition	0
Correction	0
Poetry FM: American Poetry and Radio Counterculture	0
Hidden in Plain Sight: Attending to Women’s Amateur Filmmaking Histories at the Irish Film Archive	0
Closures: Heterosexuality and the American Sitcom	0
Studio Restructuring Without the Paramount Decree: Japanese Film Industry and Oligopoly after the 1960s	0
The Multimedia Show ‘Congorama’ at Expo 58: The Colonial as Spectacle, the Spectacle as Colonial	0
Frances Kavanaugh and B Westerns’ Women Writers	0
Unspooled: How the Cassette Made Music Shareable	0
Gender and Genre in 1990s Hollywood: Challenging the Definitions of Sex, Women, and Femininity	0
Gene Tierney: Star of Hollywood’s Home Front	0
Introduction: 50 years of A Clockwork Orange (1971)	0
The Aesthetics of Early Sound Film: Media Change around 1930	0
What Did the Haji Jawa See in Mecca? A film from 1928 as Primary Source	0
Radio’s Legacy in Popular Culture: The Sounds of British Broadcasting Over the Decades	0
Film, Hot War Traces and Cold War Spaces Film, Hot War Traces and Cold War Spaces MAURIZIO CINQUEGRANI, 2022Edinburgh, Edinburgh University Press pp. ix + 203, illus.,	0
Documentary Film and the Volga Famine: Save the Children Fund’S Famine (1922)	0
Waves and Radiation: Television Sets and the Fear of Biological Harm in the Cold War	0
The Cinematographic Activities of Charles Rider Noble and John Mackenzie in the Balkans	0
Medium Wars: Adapting the Film Narrative of Star Wars for Radio	0
The Films of Aleksandr Rou: Father of Soviet Fairy Tale Cinema	0
A Trip Down Market Street: A Century of ‘Eureka’ Moments	0
British Cinema in a Divided Nation	0
‘Zapata is Fighting the Enemy Here’: Defanging a Rebel in Pre-revolutionary Iran	0
Revisiting the Women’s Movement in India (1970s–80s) Through the Women’s Programme	0