OOIR: Observatory of International Research

Papers

(The TQCC of Historical Journal of Film Radio and Television is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-06-01 to 2025-06-01.)

Article	Citations
All ‘Shook’ up: Bob Hope, the USO, and How a Night in Greenland Changed Television	4
John Feeney at the National Film Board of Canada: Scripting Inuit Modern Art	3
The digital Double Blind: Change and stasis in the Middle East	3
Decontextualisations in German Überläufer Comedies: The Reception and Political Aesthetic of Die Fledermaus ( The Bat , 1946)	2
Southern Censorship against Hollywood in Better Films Committees and Local Censorship Boards: Film Control as a Woman’s Political Weapon	2
Lost in Translation	1
Old West, New Audiences: Wildlife Documentaries, Non-Theatrical Exhibition, and the Us Wilderness Culture Industry, 1928–1930	1
Correction	1
Experimental Filmmaking and Punk: Feminist Audio Visual Culture in the 1970s and 1980s	1
Broadcasting the ‘Voice of Science’ on America’s Town Meeting of the Air: Public Education, Popular Entertainment, and Post-World War II Scientific Ambivalence	1
Scripting Empire: Broadcasting, the BBC, and the Black Atlantic	1
Sex, Politics, and Comedy: the Transnational Cinema of Ernst Lubitsch	1
The History of German Literature on Film	1
V.F. Perkins on Movies: Collected Shorter Film Criticism	1
Schools and Screens: A Watchful History	1
Preserving the Imperial Project: Documenting Film Censorship Practices in the Gold Coast (Ghana)	1
Asta Nielsen, the Film Star System and the Introduction of the Long Feature Film	1
Video, Feminism and Television: A Trajectory of the Brazilian Feminist Collective Lilith Video, 1983–1988	1
Animated Personalities: Cartoon Characters and Stardom in American Theatrical Shorts	1
‘I Read My Dickens’: Agatha Christie’s Unproduced Film Adaptation of Bleak House	1
The lost honour of katharina blum	1
‘Of a Human Satellite’: Cassius Clay/Muhammad Ali in Cold War Finnish Television Culture, 1960–1965	1
Chronology of the Birth of Cinema 1833-1896	1
The Endless End of Cinema: A History of Crisis and Survival in Hollywood	1
Play Time: Jacques Tati and Comedic Modernism	1

Offensive Screens: The Italy-China Diplomatic Agreement (1936–37) and the Transnational Censorship of Films	1
Screening dissent: the uprising of 17 June 1953 in East German film	0
Jia Zhangke on Jia Zhangke	0
Adapting Performance between Stage and Screen	0
The Myth of Stalin and the Death of Hitler: André Bazin and The Fall of Berlin ’s Transnational Travels	0
A Wonderful (After) Life: Public Domain Works and Television Discourse	0
For No Reason at All: The Changing Narrative of the First World War in American film	0
American Cinema and Cultural Diplomacy. The Fragmented Kaleidoscope	0
The Shared History of Stanley Kubrick’s A Clockwork Orange (1971) and Ken Russell’s The Devils (1971)	0
This Studio is Dangerous! Hazards of Working in British Film Studios in the 1930s and 1940s	0
Cold war II: Hollywood’s Renewed Obsession with Russia	0
Correction	0
Horror Film and Otherness: Film and Culture Horror Film and Otherness: Film and Culture ADAM LOWENSTEIN, 2022New York, NY, Columbia University Press pp. xiii + 229, illu	0
From Propaganda to Attraction: Reassessing the Role of the Public in the Newsreel Jornal Português (1938–1951)	0
Radio’s Legacy in Popular Culture: The Sounds of British Broadcasting Over the Decades	0
Our Blessed Rebel Queen: Essays on Carrie Fisher and Princess LeiaOur Blessed Rebel Queen: Essays on Carrie Fisher and Princess LeiaLINDA MIZEJEWSKI and TANYA D. ZUK (eds.), 2021Detroit, Wayne State U	0
Porridge: BFI Classics	0
The Dark Interval: Film noir, Iconography and Affect The Dark Interval: Film Noir, Iconography and Affect PADRAIC KILLEEN, 2022New York, Bloomsbury pp. 271, $162.00 (clo	0
New Perspectives on Early Cinema History: concepts, approaches, audiences	0
Cold War Children’s Television: Philadelphia as a Case Study	0
‘A Brilliant Meteor Across the Filmic Heavens’: Brigitte Helm in British Film Culture, 1926–33	0
The Empire Symphony Film: Fascist Documentary, Infrastructure, and the Avant-Garde	0
Remapping the Cold War in Asian Cinemas	0
The Screen Censorship Companion: Critical explorations in the control of film and screen media	0
Alien Invasion Films: Imperialism, Race and Gender in the American Security State 1950-2020	0
Esfir Shub: Pioneer of Documentary Filmmaking	0
Early Cinema and Optical Media: An Index to Print Anthologies and Exhibition Catalogues – Part 2	0
Marketing the A Clockwork Orange myth	0
The Americans (TV Milestones) The Americans (TV Milestones) LINDA MIZEJEWSKI, 2022Detroit, Wayne State University Press pp. 124, bibliography, $19.95 (paperback)	0
Emergence of Colour Film Laboratories in Bombay: A Historical Narrative of Technological Dependence, Redesign and Inordinate Delay of Colour Cinema	0
When Ships Don’t Come Ashore – a Yugoslav cinema club production’s dissent in-between the personal and the political	0
Nazi ‘black’ Propaganda to Britain: Secret Radio Stations and British Renegades	0
Bohemians in 1970s New York City: perspectives on Miloš Forman and Ivan Passer’s films	0
Australian Radio Listeners and Television Viewers. Historical Perspectives	0
The stardom film: Creating the Hollywood fairy tale	0
Peace on the Small Screen: UNPROFOR’s Television Unit in 1994–5 and the ‘Media War’ in Former Yugoslavia	0
Making the Best Years of Our Lives: The Hollywood Classic that Inspired a Nation Making The Best Years of Our Lives: the Hollywood Classic that Inspired a Nation ALISON	0
The English Hollywood that wasn’t: shadow history and Esher’s unbuilt film studios	0
The Big Picture: The Cold War on the Small Screen	0
Correction	0
Hawaii Five-O	0
Miami Studios and Early Film Production in South Florida	0
Word, Sound and Music in Radio Drama	0
Revolution in Paradise: Veiled Representations of Jewish Characters in the Cinema of Occupied France	0
Rated A: Soft-Porn Cinema and Mediations of Desire in India	0
The Kinematograph Theatre Arrives: Part III of the London County Council and the Cinematograph	0
The Battle of Neretva (1969): Production, Exhibition, Reception, Aesthetics, and Historiography	0
Structural Failure: The Steve Canyon Television Series (1958–59)	0
Ida Lupino, Filmmaker	0
‘A Strange World of Fantasy’: The Radio Propaganda of the Rhodesian Broadcasting Corporation, 1964–1970. ¹	0

The Cinema of Manoel de Oliveira. Modernity, Intermediality and the Uncanny	0
Gaza on Screen	0
The Oxford Handbook of Radio and Podcasting	0
The Iamhist-Routledge Best Article Prizes for 2022	0
Moulding and Mutilating: Newsreels, the British State, and Yugoslav ‘Exceptional’ Socialism, 1946–1961	0
Russian TV Series in the Era of Transition: Genres, Technologies, Identities	0
Cinema Memories: A People’s History of Cinema-Going in 1960s Britain Cinema Memories: A People’s History of Cinema-Going in 1960s Britain MELVYN STOKES, MATTHEW JONES an	0
Announcement	0
When Life Imitates Art: Éric Rohmer’s Triple Agent (2004) As a Primer for Real-Life Politics	0
All the President’s Men	0
The ‘Horror Serials’ of the 1910s: Episodes in the Construction of a Film Genre	0
‘Zapata is Fighting the Enemy Here’: Defanging a Rebel in Pre-revolutionary Iran	0
Fate in Film: A Deterministic Approach to Cinema	0
Film Curatorship: Archives, Museums, and the Digital Marketplace, 2nd Edition	0
French Film History, 1895–1946	0
Hollis Frampton: Navigating the Infinite Cinema	0
‘Our Film Orgy’: the Institute for Sex Research, Cinemages, Herman Weinberg, and George Eastman House, 1958–1963	0
Women in the Work of Woody Allen	0
WOMEN’S TELEVISION HISTORIES: LOCATING WOMEN’S ROLE in EMERGING AND DEVELOPING INTERNATIONAL TELEVISION	0
Beyond The Movie Theater: Sites, Sponsors, Uses, Audiences	0
Saving the Children: Humanitarianism, Internationalism, and Empire	0
The Eyes of Power: Intellectual Vision in Contemporary Chinese Local Film Censorship	0
Early Cinema and Optical Media: An Index to Print Anthologies and Exhibition Catalogues – Part 1	0
The BBC German Service during the Second World War: Broadcasting to the Enemy	0
The British Trauma Film: Psychoanalysis and Popular British Cinema in the Immediate Aftermath of the Second World War	0
Broadcasting a Legend: The Canadian TV Miniseries The Arrow (1997)	0
Black America and Hollywood’s Korean War: The Steel Helmet (1951) and Pork Chop Hill (1959)	0
‘“Perfect ladies” are seldom interesting’: locating modernity in Irene Dunne’s early stardom	0
Early Cinema and Optical Media: An Index to Print Anthologies and Exhibition Catalogues – Part 4	0
Labouring on A Clockwork Orange (1971): finding the voices of creative, technical, and administrative workers in the Stanley Kubrick Archive	0
Filming History from Below: Microhistorical Documentaries	0
Shadow of a Doubt	0
Chinese Film: Realism and Convention from the Silent Era to the Digital Age	0
Monstrous Youth: Transgressing the Boundaries of Childhood in the United States Monstrous Youth: Transgressing the Boundaries of Childhood in the United States SARA AUST	0
‘Unmitigated Cad’: The Dual Stardom of George Sanders ¹	0
Cinema against Doublethink: Ethical Encounters with the Lost Pasts of World History	0
Bette Davis Black and White	0
Clandestine Documentary Film V. Apartheid: Phela-Ndaba/End of The Dialogue (1970), Last Grave at Dimbaza (1974) and The South African Gove	0
Castan’s Panopticum und Passage Panoptikum, Berlin. Eine Rekonstruktion aus Programm, Literatur und Wissenschaft	0
Early Cinema and Optical Media: An Index to Print Anthologies and Exhibition Catalogues – Part 3	0
Unspooled: How the Cassette Made Music Shareable	0
Poetry FM: American Poetry and Radio Counterculture	0
Revisiting the Weaver Years at NBC	0
TV Snapshots – An Archive of Everyday LifeTV Snapshots – An Archive of Everyday LifeLYNN SPIGEL, 2022Durham and London, Duke University Press pp. ix + 315, illus., $107.95 (cloth), $28.95 (paper)	0
Luchino visconti and the fabric of cinema	0
Maverick Movies: New Line Cinema and the Transformation of American Film	0
Resetting the Scene: Classical Hollywood Revisited	0
On the Phenomenology of Media in the 1930s: Blaustein On Cinema and Radio Experiences	0
Soupy Sales and the Detroit Experience: Manufacturing a Television Personality	0
Trailblazing Women of Australian Public Broadcasting, 1945-1975	0
‘No experiments’? Reprises and Remakes in 1950s West German Cinema	0
Frances Kavanaugh and B Westerns’ Women Writers	0
‘Anyone Can Put On Clothes, Right?’: Costume Design and Styling as Women’s Work in Dutch Media Production	0
Peter weir interviews	0
Harold Pinter’s Early BBC Roles: Between Tradition and Innovation	0
Screens and Gender: Re(Visiting) the History of Ghana’s Film Industry	0
Studio Restructuring Without the Paramount Decree: Japanese Film Industry and Oligopoly after the 1960s	0
What Did the Haji Jawa See in Mecca? A film from 1928 as Primary Source	0
Hollywood in San Francisco: Location Shooting and the Aesthetics of Urban Decline	0
Supporters or Saboteurs: Deviated Experiences of Maoist Film Propaganda in Rural China	0
The limits of political influence – the limits of creativity: the first 25 years of FAMU	0
Race and Radio: Pioneering Black Broadcasters in New Orleans Race and Radio: Pioneering Black Broadcasters in New Orleans BALA JAMES BAPTIST, 2019Jackson, University Pre	0
‘Blind’ warfare: radio propaganda dynamics in South Africa during the Second World War	0
Imitation of Life: Cross-Cultural Reception and Remakes in Turkish Cinema	0
The Iamhist-Routledge Best Article Prizes for 2021	0
The legacy of A Clockwork Orange in The Great Ecstasy of Robert Carmichael (Thomas Clay, 2005) and Bronson (Nicolas Winding Refn, 2009): ‘all form and no content’?	0
The Sentimental in Chinese Cinema The Sentimental in Chinese Cinema HUIMIAO, 2022Cham, Palgrave Macmillan pp. xvi + 210, $107 (cloth)	0
Documentary Film and the Volga Famine: Save the Children Fund’S Famine (1922)	0
Gene Tierney: Star of Hollywood’s Home Front	0
The Romance Promoter with A Deadline at 11: Rural Exhibitors, Urban Exchanges, and The Emerging Culture of Film Distribution in The United States, 1918–1925	0
A Clockwork Orange on stage	0
Scratches and Glitches: Observations on Preserving and Exhibiting Cinema in the Early 21st Century	0
From Stage to Screen: The Legacy of Traditional Chinese Theatre in Chinese Martial Arts Cinema Soundtracks	0
Kill the Documentary: A Letter to Filmmakers, Students, and Scholars Kill the Documentary: A Letter to Filmmakers, Students, and Scholars JILL GODMILOW, 2022New York, Co	0
Requisitioning film studios in wartime Britain	0
Provenance and Early Cinema	0
From Blue Book to White Book: The Hutchins Commission and Llewellyn White’s The American Radio	0
The Art of the Observer: A Personal View of Documentary	0
‘Gumnut-flavoured’ British comedies and the representation of race, sexuality and suburb in Love Thy Neighbour in Australia	0
British Cinema in a Divided Nation	0

‘A Movie Paralysis’: Defining Cinema during the Polio Epidemic of 1916	0
Aesthetics of the In-Between: Traces of Transitional Times in Woman Overboard (W. Staudte, 1945–1952)	0
Imperial Interest, Regional Politics and British Film Quotas in Post-war Hong Kong and Singapore	0
SceneWriting: The Missing Manual for Screenwriters SceneWriting: The Missing Manual for Screenwriters CHRIS PERRY and ERIC HENRY SANDERS, 2022New York, NY, Bloomsbury Ac	0
Film Noir and Los Angeles: Urban History and the Dark ImaginaryFilm Noir and Los Angeles: Urban History and the Dark ImaginarySEAN W. MAHER, 2022New York, Routledge Press pp. vi + 211 + index, $52.95	0
Cinema off screen: moviegoing in socialist China	0
Announcement	0
Starmaker: David O. Selznick and the Production of Stars in the Hollywood Studio System	0
Text/Author/Audience: Audience Reception of Ingmar Bergman and His Films	0
Entertaining Ginnie: Visiting the Cinema and the Theatre, 1939–1945	0
‘View’ and ‘Process’: Early British Industrial Films and Visual Culture	0
Picturegoing: A Critical Anthology of Eyewitness Experiences Picturegoing: A Critical Anthology of Eyewitness Experiences LUKE MCKERNAN, 2022Exeter, University of Exeter	0
The Middle Ages and the Movies: Eight Key Films	0
‘Keep ‘em in the East’: Kazan, Kubrick, and the Postwar New York Film Renaissance	0
Suitcase of Soundscapes: The London Transcription Service and the Packaging of Wartime Sounds for the BBC’s Global Radio Audience	0
SHIN FILMS PRESENTS: THE ‘KOREAN-STYLE’ STUDIO SYSTEM AND THE MODERNIZATION OF THE FILM INDUSTRY In SOUTH KOREA, 1952–1975	0
Introduction: 50 years of A Clockwork Orange (1971)	0
Everyday Movies: Portability and the Transformation of American Culture	0
Kubrick’s clockwork psychopath	0
The Politics of Industry and the Wave of Nationalism: Exploring the Shanghai Film Guild, 1927–1930	0
Silent Film Performance: Dramatic Bodies on Screen	0
My Place in the Sun: Life in the Golden Age of Hollywood and Washington My Place in the Sun: Life in the Golden Age of Hollywood and Washington GEORGE STEVENS,JR., 2022L	0
Reginald rose and the journey of 12 angry men	0
The Aesthetics of Early Sound Film: Media Change around 1930	0
‘Problems Which Do Not Exist in the Field of Sound Alone’: Policies Against ‘Free Advertisement’ on Early BBC Television	0
Dissent and dissidents in central and eastern european film	0
Rockstar Games and American History: Promotional Materials and the Construction of Authenticity	0
Crime Scenery in Postwar Film and Photography	0
Radiophilia	0
Visioning, Contesting and Revisioning Trinidad’s 1970 Black Power Revolt in Independent Documentary Film	0
Sergio Leone: Cinema as Political Fable	0
Revisiting the Weaver Years at NBC	0
Dr. No: The First James Bond Film	0
Material Lives of Cold War Radio Pasts in India	0
Eleanor Powell: Born to Dance	0
Haunted by Vertigo: Hitchcock’s Masterpiece Then and Now	0
Revisiting the Women’s Movement in India (1970s–80s) Through the Women’s Programme	0
Film and the British Atomic Project	0
Sport in the French Television Magazine Programme Cinq Colonnes à la Une (1959–1968)	0
Transnational Television Caricature: The Global Spread of Spitting Image 1984–1994	0
Campbeltown Speaks: Small-Town Cinema and the Coming of Sound	0
Suzuki Seijun and Postwar Japanese Cinema	0
‘Well they Weren’t Married!’: The Marriage Bar at Radio/Telefís Éireann 1962–72	0
Pictures of Poverty: The Works of George R. Sims and Their Screen Adaptations	0
Cinematic Guerrillas: Propaganda, Projectionists, and Audiences in Socialist China	0
Rewind, Replay: Britain and the Video Boom, 1978–92 Rewind, Replay: Britain and the Video Boom, 1978–92 JOHNNY WALKER, 2022 Edinburgh, UK, Edinburgh University Press pp.	0
French cinema vs the bomb: Atomic science and a war of images circa 1950	0
Hitler Youth Quex: A Guide for the English-Speaking Reader	0
Evading Censorship. Spanish Radio Disobedience During Late Francoism	0
The Last Bohemian: Brian Desmond Hurst, Irish Film, British Cinema	0
Polish Radio Art: The Case of Eugeninsz Rudnik and the Polish Radio Experimental Studio, 1959–2002	0
Smartphone Filmmaking: Theory and Practice	0
Film, Hot War Traces and Cold War Spaces Film, Hot War Traces and Cold War Spaces MAURIZIO CINQUEGRANI, 2022Edinburgh, Edinburgh University Press pp. ix + 203, illus.,	0
Pulses of Abstraction: Episodes from a History of Animation	0
Ardmore Studios, film workers and the Irish state, 1962–1964	0
In Conversation with Women Practitioners	0
Columbo: Paying Attention 24/7	0
Correction	0
The Offline Maintenance of the First International Film Festival During COVID-19: Institutional Adjustments and Participants’ Response	0
Closures: Heterosexuality and the American Sitcom	0
Reality, Magic, and Other Lies. Fairy-Tale Film Truths	0
A Gathering Place for Outlaws: Fugitive Cinema’s Alternative Film Distribution	0
From Prison to Censorship: Devil’s Island Films (1926–1940)	0
Breaks in the Air: The Birth of Rap Radio in New York City	0
Motor City Movie Culture, 1916–1925	0
Learning with Light and Shadows: Educational Lantern and Film Projection, 1860–1990	0
The BBC’s Controversy Committee, 1928–1929	0
Art Bell’s Open Forum: Conspiracy Talk on Coast to Coast AM and its Legacy in the Internet Age	0
A Trip Down Market Street: A Century of ‘Eureka’ Moments	0
Translating Radio Productions into Television Programmes: The Post-War Career of BBC Writer/Producer Nesta Pain	0
Fighting Without Fighting: Kung Fu Cinema’s Journey to the West	0
Man’ei film in China 1937–1945: The Ideological Weapon of Japanese Settler Colonialism	0
Waves and Radiation: Television Sets and the Fear of Biological Harm in the Cold War	0
The Cinematographic Activities of Charles Rider Noble and John Mackenzie in the Balkans	0
The Ascent of the Nazis and the Downfall of the Catholic Company, Leo-Film AG	0
Shocking Cinema of the 70s	0
Buster Keaton: A Filmmaker’s Life	0
Bigger Than Life: The Close-Up and Scale in the Cinema Bigger Than Life: The Close-Up and Scale in the Cinema MARY ANN DOANE, 2021Durham, NC, Duke University Press pp. x	0
Hidden in Plain Sight: Attending to Women’s Amateur Filmmaking Histories at the Irish Film Archive	0
Adult Themes: British Cinema and the X Certificate in the Long 1960 s	0
‘Were Our Ideas of Maintaining Control Mythical?’: Film Policy at Hampton Court Palace, 1911–1989	0
Miryam de Flores: The Woman of the Port. The Legacy of a Female TV Auteur From the Colombian Caribbean Region	0
Empire’s Mistress: Starring Isabel Rosario Cooper	0
Murakami Haruki on Film	0
The Biopic and Beyond: Celebrities as Characters in Screen Media	0
Screen Workers and the Irish Film Industry	0
The Berlin–Tokyo Film Axis and a Troubled Co-Production: The Makers of New Earth/The Samurai’s Daughter (1937)	0
Chinese Film Classics, 1922–1949	0
Bastard Theatres and Human Dregs: Cultures of Illegitimacy on 42 ^nd Street	0
Unacceptable Matters: The Hays Code, Family, Film Noir and RKO Radio Pictures	0
Communicating Europe: Technologies, Information, Events	0
Forecasting the Future Feature: How Film Industry Hierarchies Shaped Trailer Discourse, 1919–1959	0
Socialist China’s Participation in the Asia-Africa Film Festival (1958–1964)	0
Dark Matter: Independent Filmmaking in the 21st Century	0
Hitchcock’s Number Seventeen (1932) and the British Film Quota	0