OOIR: Observatory of International Research

Papers

(The TQCC of Historical Journal of Film Radio and Television is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)

Article	Citations
The digital Double Blind: Change and stasis in the Middle East	4
Decontextualisations in German Überläufer Comedies: The Reception and Political Aesthetic of Die Fledermaus ( The Bat , 1946)	3
Broadcasting the ‘Voice of Science’ on America’s Town Meeting of the Air: Public Education, Popular Entertainment, and Post-World War II Scientific Ambivalence	3
John Feeney at the National Film Board of Canada: Scripting Inuit Modern Art	2
Offensive Screens: The Italy-China Diplomatic Agreement (1936–37) and the Transnational Censorship of Films	2
Schools and Screens: A Watchful History	2
Preserving the Imperial Project: Documenting Film Censorship Practices in the Gold Coast (Ghana)	2
Southern Censorship against Hollywood in Better Films Committees and Local Censorship Boards: Film Control as a Woman’s Political Weapon	2
Correction	2
The Endless End of Cinema: A History of Crisis and Survival in Hollywood	2
Chronology of the Birth of Cinema 1833-1896	2
Play Time: Jacques Tati and Comedic Modernism	2
Gold Dust on the Air: Television Anthology Drama and Midcentury American Culture	1
Material Lives of Cold War Radio Pasts in India	1
Cuts and Controversy in Pre-Code Hollywood Horror: The Case of James Whale’s Frankenstein and The Bride of Frankenstein	1
Campbeltown Speaks: Small-Town Cinema and the Coming of Sound	1
Video, Feminism and Television: A Trajectory of the Brazilian Feminist Collective Lilith Video, 1983–1988	1
Columbo: Make Me a Perfect Murder	1
Asta Nielsen, the Film Star System and the Introduction of the Long Feature Film	1
The Political Thriller in Contemporary American Cinema: Hollywood, D.C	1
Franchising a Classic: Stanley Kubrick, Arthur C. Clarke, MGM and the Exploitation of 2001: A Space Odyssey	1
Lost in Translation	1
Hollywood’s Unofficial Film Corps: American Jewish Moviemakers and the War Effort	1
Experimental Filmmaking and Punk: Feminist Audio Visual Culture in the 1970s and 1980s	1
Scripting Empire: Broadcasting, the BBC, and the Black Atlantic	1

Old West, New Audiences: Wildlife Documentaries, Non-Theatrical Exhibition, and the Us Wilderness Culture Industry, 1928–1930	1
The History of German Literature on Film	1
Emergence of Colour Film Laboratories in Bombay: A Historical Narrative of Technological Dependence, Redesign and Inordinate Delay of Colour Cinema	1
SceneWriting: The Missing Manual for Screenwriters SceneWriting: The Missing Manual for Screenwriters CHRIS PERRY and ERIC HENRY SANDERS, 2022New York, NY, Bloomsbury Ac	0
Love Wars: Television romantic comedy	0
Buster Keaton: A Filmmaker’s Life	0
‘THE DELIGHT of REAL BOYS’: MALE ROLE MODELS IN THE SILENT-ERA BOYS’ CINEMA WEEKLY FAN PAPER	0
The Popes on Air: The History of Vatican Radio from Its Origins to World War II	0
The Myth of Stalin and the Death of Hitler: André Bazin and The Fall of Berlin ’s Transnational Travels	0
Cinematic Guerrillas: Propaganda, Projectionists, and Audiences in Socialist China	0
Clandestine Documentary Film V. Apartheid: Phela-Ndaba/End of The Dialogue (1970), Last Grave at Dimbaza (1974) and The South African Gove	0
Film Curatorship: Archives, Museums, and the Digital Marketplace, 2nd Edition	0
Steven Spielberg’s Children	0
Exotic Cinema: Encounters with Cultural Difference in Contemporary Transnational film	0
Julie Dash: Interviews	0
Announcement	0
‘Shrink to the Stars’: Exploring Therapeutic Broadcast Talk on BBC Radio 4’s In The Psychiatrist’s Chair	0
Australian Radio Listeners and Television Viewers. Historical Perspectives	0
‘No experiments’? Reprises and Remakes in 1950s West German Cinema	0
New Perspectives on Early Cinema History: concepts, approaches, audiences	0
Steve McQueen: Interviews (Conversations with Filmmakers Series)	0
Gaza on Screen	0
Murder, She Wrote	0
Mobilising Music in Wartime British Film	0
The Cinema of Extractions: Film Materials and Their Forms	0
‘Grands Enfants’, or Potential Rebels? Newsreel Censorship in the Belgian Congo (1952–56)	0
Black America and Hollywood’s Korean War: The Steel Helmet (1951) and Pork Chop Hill (1959)	0
Hidden in Plain Sight: Attending to Women’s Amateur Filmmaking Histories at the Irish Film Archive	0
The Media History and Local Practices of Early Amateur Cinema in China (1926–1937)	0
Infrastructures of Influence: The British Federation of Film Societies and the Circulation of Soft Power, 1960–2000	0
The Aesthetics of Early Sound Film: Media Change around 1930	0
The Iamhist-Routledge Best Article Prizes for 2022	0
Playing the Percentages: How Film Distribution Made the Hollywood Studio System	0
Correction	0
The Richard Dyer Reader	0
Sergio Leone: Cinema as Political Fable	0
Cold War Children’s Television: Philadelphia as a Case Study	0
The Story of British Propaganda Film	0
The Americans (TV Milestones) The Americans (TV Milestones) LINDA MIZEJEWSKI, 2022Detroit, Wayne State University Press pp. 124, bibliography, $19.95 (paperback)	0
Our Blessed Rebel Queen: Essays on Carrie Fisher and Princess LeiaOur Blessed Rebel Queen: Essays on Carrie Fisher and Princess LeiaLINDA MIZEJEWSKI and TANYA D. ZUK (eds.), 2021Detroit, Wayne State U	0
For No Reason at All: The Changing Narrative of the First World War in American film	0
Towards a Film Theory from Below: Archival Film and the Aesthetics of the Crack-Up	0
Early Cinema and Optical Media: An Index to Print Anthologies and Exhibition Catalogues – Part 3	0
James Bond will return: Critical perspectives on the 007 film franchise	0
In Tune with Changing Times: Radio’s Role in Colonisation and Decolonisation in British West Africa, 1935–1960	0
Some Like It Hot	0
Transnational Television Caricature: The Global Spread of Spitting Image 1984–1994	0
Policing Show Business: J. Edgar Hoover, the Hollywood Blacklist, and Cold War Movies	0
Market positioning and reception of Bad Education (Pedro Almodóvar, 2004) in Spain and the USA	0
Rockstar Games and American History: Promotional Materials and the Construction of Authenticity	0

Studio Restructuring Without the Paramount Decree: Japanese Film Industry and Oligopoly after the 1960s	0
The Enchanting Kinora: Domesticating Moving Images in Edwardian Britain	0
Radio’s Legacy in Popular Culture: The Sounds of British Broadcasting Over the Decades	0
The Ascent of the Nazis and the Downfall of the Catholic Company, Leo-Film AG	0
Miryam de Flores: The Woman of the Port. The Legacy of a Female TV Auteur From the Colombian Caribbean Region	0
What Did the Haji Jawa See in Mecca? A film from 1928 as Primary Source	0
Rated A: Soft-Porn Cinema and Mediations of Desire in India	0
Collective Joy and Mild Rebellion: Children’s Matinees at the Odeon Cronulla	0
A New Genre for Television? Creativity in Historical Drama Documentary	0
Unspooled: How the Cassette Made Music Shareable	0
It’s all in the Delivery: Pregnancy in American Film and Television Comedy	0
Perpetuating Fascism: Propaganda and the Temporality of Phonography	0
Wire Exorcism: Radio Berlin Persian Service and the Making of Wireless Modernity in Iran	0
Adult Themes: British Cinema and the X Certificate in the Long 1960 s	0
Miami Studios and Early Film Production in South Florida	0
Film Noir and Los Angeles: Urban History and the Dark ImaginaryFilm Noir and Los Angeles: Urban History and the Dark ImaginarySEAN W. MAHER, 2022New York, Routledge Press pp. vi + 211 + index, $52.95	0
Interwar Romanies in the British Pathé (1922–1939)	0
The Red Shoes	0
Slavery before Roots : Television, the Civil Rights Movement, and History TV in the 1960s	0
Documentary Film and the Volga Famine: Save the Children Fund’S Famine (1922)	0
The Shadow of Oru Palace: Contending narratives at a national monument site	0
Revisiting the Weaver Years at NBC	0
The Role of Film Archives in Creating Canons of Eastern European Cinema	0
From Prison to Censorship: Devil’s Island Films (1926–1940)	0
The International Reception of Downfall (Der Untergang, 2004)	0
Josephine Baker’s Secret War: The African American Star Who Fought for France and Freedom	0
The Battle of Neretva (1969): Production, Exhibition, Reception, Aesthetics, and Historiography	0
The Oxford Handbook of Black Horror Film	0
Socialist China’s Participation in the Asia-Africa Film Festival (1958–1964)	0
The Cinema of Manoel de Oliveira. Modernity, Intermediality and the Uncanny	0
Entertaining Ginnie: Visiting the Cinema and the Theatre, 1939–1945	0
All the President’s Men	0
Picturegoing: A Critical Anthology of Eyewitness Experiences Picturegoing: A Critical Anthology of Eyewitness Experiences LUKE MCKERNAN, 2022Exeter, University of Exeter	0
James Bond’s Socialist Rivals: Television Spy Heroes and Popular Culture in the Cold War East	0
Suitcase of Soundscapes: The London Transcription Service and the Packaging of Wartime Sounds for the BBC’s Global Radio Audience	0
‘Anyone Can Put On Clothes, Right?’: Costume Design and Styling as Women’s Work in Dutch Media Production	0
Global TV Series and the Political Imagination	0
St. Louis by Design in Escape from New York (1981)	0
Unstaged Grief: Musicals and Mourning in Midcentury America	0
Feeling Colour: Chromatic Embodiment in Film Culture (1950s–1960s)	0
The Eyes of Power: Intellectual Vision in Contemporary Chinese Local Film Censorship	0
Women in the Work of Woody Allen	0
The Multimedia Show ‘Congorama’ at Expo 58: The Colonial as Spectacle, the Spectacle as Colonial	0
Correction	0
Rewind, Replay: Britain and the Video Boom, 1978–92 Rewind, Replay: Britain and the Video Boom, 1978–92 JOHNNY WALKER, 2022 Edinburgh, UK, Edinburgh University Press pp.	0
My Place in the Sun: Life in the Golden Age of Hollywood and Washington My Place in the Sun: Life in the Golden Age of Hollywood and Washington GEORGE STEVENS,JR., 2022L	0
The BBC’s Controversy Committee, 1928–1929	0
John Hamrick’s Blue Mouse Cinemas: Independent Exhibition and Influence in the Studio Era	0
Ida Lupino: Multifaceted performer and cinematic pioneer	0
Mission unaccomplished: American War films in the twenty-first century	0
Resurrecting the Black Body: Race and the Digital Afterlife	0
TV Snapshots – An Archive of Everyday LifeTV Snapshots – An Archive of Everyday LifeLYNN SPIGEL, 2022Durham and London, Duke University Press pp. ix + 315, illus., $107.95 (cloth), $28.95 (paper)	0
‘Problems Which Do Not Exist in the Field of Sound Alone’: Policies Against ‘Free Advertisement’ on Early BBC Television	0
Broadcasting a Legend: The Canadian TV Miniseries The Arrow (1997)	0
From Stage to Screen: The Legacy of Traditional Chinese Theatre in Chinese Martial Arts Cinema Soundtracks	0
Esfir Shub: Pioneer of Documentary Filmmaking	0
A Wonderful (After) Life: Public Domain Works and Television Discourse	0
Fighting Without Fighting: Kung Fu Cinema’s Journey to the West	0
Shakespeare on the Radio: A Century of BBC Plays	0
Beyond The Movie Theater: Sites, Sponsors, Uses, Audiences	0
Aesthetics of the In-Between: Traces of Transitional Times in Woman Overboard (W. Staudte, 1945–1952)	0
Hitler Youth Quex: A Guide for the English-Speaking Reader	0
Forecasting the Future Feature: How Film Industry Hierarchies Shaped Trailer Discourse, 1919–1959	0
Die Hard	0
Radiophilia	0
Poetry FM: American Poetry and Radio Counterculture	0
Monstrous Youth: Transgressing the Boundaries of Childhood in the United States Monstrous Youth: Transgressing the Boundaries of Childhood in the United States SARA AUST	0
Reality, Magic, and Other Lies. Fairy-Tale Film Truths	0
The Screen Censorship Companion: Critical explorations in the control of film and screen media	0
‘View’ and ‘Process’: Early British Industrial Films and Visual Culture	0
Columbo: Paying Attention 24/7	0
Alien Invasion Films: Imperialism, Race and Gender in the American Security State 1950-2020	0
Soupy Sales and the Detroit Experience: Manufacturing a Television Personality	0
Screen Workers and the Irish Film Industry	0
Frequencies of Deceit: How Global Propaganda Wars Shaped the Middle East	0
Frances Kavanaugh and B Westerns’ Women Writers	0
Imitation of Life: Cross-Cultural Reception and Remakes in Turkish Cinema	0
The Documentary Audit: Listening and the Limits of Accountability	0
Correction	0
Feminism and the Cinema of Experience	0

Revisiting the financial interest & syndication rules: A discursive and industrial analysis of U.S. Television production, 1971–1990	0
In Conversation with Women Practitioners	0
The Cinematographic Activities of Charles Rider Noble and John Mackenzie in the Balkans	0
The Offline Maintenance of the First International Film Festival During COVID-19: Institutional Adjustments and Participants’ Response	0
Outsider Cinema: Independent and Amateur Filmmaking in Northern Ireland, 1929-1989	0
On the Phenomenology of Media in the 1930s: Blaustein On Cinema and Radio Experiences	0
The Films of Aleksandr Rou: Father of Soviet Fairy Tale Cinema	0
Bette Davis Black and White	0
Medium Wars: Adapting the Film Narrative of Star Wars for Radio	0
Fate in Film: A Deterministic Approach to Cinema	0
The City on Screen: Modern Strangers of Cinematic Istanbul	0
French Film History, 1895–1946	0
The Intellect Handbook of Adult Film and Media	0
WHEN in ROME: HOLLYWOOD RUNAWAY PRODUCTIONS, THE INTERNATIONAL FILM SERVICE, AND ROME ADVENTURE (1962)	0
From Oral Storytelling to Serial Drama: Intermedial Continuities in Mid-20th-Century Egypt	0
Gender and Genre in 1990s Hollywood: Challenging the Definitions of Sex, Women, and Femininity	0
Ingmar Bergman Out of Focus: Film Cultures and International Reception	0
Announcement	0
Letters from the Pacific: Race in Silent Hollywood’s Transnational Reception	0
Hitchcock’s Number Seventeen (1932) and the British Film Quota	0
Kubrick and race	0
‘Unmitigated Cad’: The Dual Stardom of George Sanders ¹	0
Scratches and Glitches: Observations on Preserving and Exhibiting Cinema in the Early 21st Century	0
It’s a Wonderful Life	0
Starmaker: David O. Selznick and the Production of Stars in the Hollywood Studio System	0
‘A Brilliant Meteor Across the Filmic Heavens’: Brigitte Helm in British Film Culture, 1926–33	0
‘Were Our Ideas of Maintaining Control Mythical?’: Film Policy at Hampton Court Palace, 1911–1989	0
I’d just as soon kiss a wookiee: Uncovering racialized desire in the star wars galaxy	0
Murakami Haruki on Film	0
Bastard Theatres and Human Dregs: Cultures of Illegitimacy on 42 ^nd Street	0
The Art of the Observer: A Personal View of Documentary	0
The Last Bohemian: Brian Desmond Hurst, Irish Film, British Cinema	0
Correction	0
Eleanor Powell: Born to Dance	0
The Passion of Pedro Almodóvar: A Self Portrait in Seven Films	0
‘Our Film Orgy’: the Institute for Sex Research, Cinemages, Herman Weinberg, and George Eastman House, 1958–1963	0
Trailblazing Women of Australian Public Broadcasting, 1945-1975	0
The Politics of the Marvel Cinematic Universe, Volume 2: Into the Multiverse	0
The British Trauma Film: Psychoanalysis and Popular British Cinema in the Immediate Aftermath of the Second World War	0
Silent Film and the Formations of U.S. Literary Culture: Literature in Motion	0
The Dark Interval: Film noir, Iconography and Affect The Dark Interval: Film Noir, Iconography and Affect PADRAIC KILLEEN, 2022New York, Bloomsbury pp. 271, $162.00 (clo	0
Kill the Documentary: A Letter to Filmmakers, Students, and Scholars Kill the Documentary: A Letter to Filmmakers, Students, and Scholars JILL GODMILOW, 2022New York, Co	0
The Sentimental in Chinese Cinema The Sentimental in Chinese Cinema HUIMIAO, 2022Cham, Palgrave Macmillan pp. xvi + 210, $107 (cloth)	0
‘A Strange World of Fantasy’: The Radio Propaganda of the Rhodesian Broadcasting Corporation, 1964–1970. ¹	0
Crafting Contemporary Documentaries and Docuseries for Global Screens: Docu-mania	0
The musicals of Cole Porter: Broadway, Hollywood, Television	0
Polish Radio Art: The Case of Eugeninsz Rudnik and the Polish Radio Experimental Studio, 1959–2002	0
Music in Orbit: Satellite Radio in the Streaming Space Age	0
Films that spill: The Cinema of Transgression	0
June Mathis: The Rise and Fall of a Silent film Visionary	0
SHIN FILMS PRESENTS: THE ‘KOREAN-STYLE’ STUDIO SYSTEM AND THE MODERNIZATION OF THE FILM INDUSTRY In SOUTH KOREA, 1952–1975	0
Chinese Film: Realism and Convention from the Silent Era to the Digital Age	0
Horror Film and Otherness: Film and Culture Horror Film and Otherness: Film and Culture ADAM LOWENSTEIN, 2022New York, NY, Columbia University Press pp. xiii + 229, illu	0
Provenance and Early Cinema	0
Haunted by Vertigo: Hitchcock’s Masterpiece Then and Now	0
Dr. No: The First James Bond Film	0
‘Well they Weren’t Married!’: The Marriage Bar at Radio/Telefís Éireann 1962–72	0
The Parallax View]	0
Early Cinema and Optical Media: An Index to Print Anthologies and Exhibition Catalogues – Part 2	0
STORM OVER ASIA (1928) and SÜKHBAATAR (1942): Soviet Imagining of Mongolia – From Orientalism to the Cult of Personality	0
Sitcoms and Culture	0
British Cinema in a Divided Nation	0
Remapping the Cold War in Asian Cinemas	0
Replaying Communism: Trauma and Nostalgia in European Cultural Production	0
The Oxford Handbook of Radio and Podcasting	0
The Attraction of the Moving Image: Essays on History, Theory and the Avant-Garde	0
Evading Censorship. Spanish Radio Disobedience During Late Francoism	0
Contemporary Art Cinema Culture in China	0
A Gathering Place for Outlaws: Fugitive Cinema’s Alternative Film Distribution	0
WOMEN’S TELEVISION HISTORIES: LOCATING WOMEN’S ROLE in EMERGING AND DEVELOPING INTERNATIONAL TELEVISION	0
Translating Radio Productions into Television Programmes: The Post-War Career of BBC Writer/Producer Nesta Pain	0
Bigger Than Life: The Close-Up and Scale in the Cinema Bigger Than Life: The Close-Up and Scale in the Cinema MARY ANN DOANE, 2021Durham, NC, Duke University Press pp. x	0
Nazi ‘black’ Propaganda to Britain: Secret Radio Stations and British Renegades	0
The First Movie Studio in Texas: Gaston Méliès’s Star Film Ranch	0
The Empire Symphony Film: Fascist Documentary, Infrastructure, and the Avant-Garde	0
Breaks in the Air: The Birth of Rap Radio in New York City	0
Black Mirror: Allegories for the Atomised	0
Hollywood Unions	0
Cinema Memories: A People’s History of Cinema-Going in 1960s Britain Cinema Memories: A People’s History of Cinema-Going in 1960s Britain MELVYN STOKES, MATTHEW JONES an	0
Film, Hot War Traces and Cold War Spaces Film, Hot War Traces and Cold War Spaces MAURIZIO CINQUEGRANI, 2022Edinburgh, Edinburgh University Press pp. ix + 203, illus.,	0
Shocking Cinema of the 70s	0
Mavericks: Interviews with the world’s iconoclast filmmaker	0
A risky venture: Typhoon Over Nagasaki and the particularity of Franco-Japanese cinematic co-production	0
Filming in European Cities: The Labour of Location	0
Reworking the Eastern European Past through Audiovisual Archival Practices	0
MISSING LINKS: THE AFTERMATH of THE NAZI ERA IN GERMAN AND EUROPEAN FILM HISTORY	0
Silent Film Performance: Dramatic Bodies on Screen	0
Smartphone Filmmaking: Theory and Practice	0
Waves and Radiation: Television Sets and the Fear of Biological Harm in the Cold War	0
Wartime Cinema, Englishness and Propaganda: Michael Powell and the ‘Pressburger Touch’	0
Imperial Interest, Regional Politics and British Film Quotas in Post-war Hong Kong and Singapore	0
The BBC’s Legacy in Africa: Continuities and Change	0
From Private Films to Public Memories: Revisiting the History of the ‘Forgács Archive’	0
Filming History from Below: Microhistorical Documentaries	0
Settler Attachments and Asian Diasporic Film	0