Dance Chronicle

Papers
(The median citation count of Dance Chronicle is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-06-01 to 2025-06-01.)
ArticleCitations
Accounting and Accountability: How the NEA Funded Dance2
Broken Promises: Developing a Practice of Listening and Attuning to Feminists in Breaking2
Can the Structuralist Subject Dance? Trisha Brown, Gilles Deleuze, and the Performative Structure-Object1
Incarnating Black Feminist Politics: Ronya-Lee Anderson’s Black Madonna and Miss Amerika1
Mondays with Merce: A Mercist Project of Space, Time, and Screen1
To Feel and to Move: Tracing the Borders of Dance Studies and Refugee Studies Involuntary Motion: The Somatics of Refugee Performance 1
Journeying Toward Center with the late Nancy Topf1
Illuminating Disdéri’s Cartes-de-Visites and Dancers’ Lives During the French Second Empire1
From Harming to Healing: Multifaceted Perspectives on Ballet1
Dramaturgies of the Moving Body: Musical Theatre Dancing1
Ruth Page: An American Original Gets Her Due0
Navigating Multiple Cultures: Tara Rodman on Ito Michio0
The Power of Recollection: A Journey in the Footsteps of Amir Kolben's Via Dolorosa0
Folklore’s Ghosts: Haitian Folkloric Dance and the Hauntings of an Entangled History0
Edinburgh Festivals’ Homogeneity Problems: When a 'Global Platform' Lacks Global Representation0
Dancing Back to the Motherland0
Phoenix – The New Wisdom0
Essentializing Commercial Dance0
Ballet Pedagogy and a “Hard Re-Set”: Perspectives on Equitable and Inclusive Teaching Practices0
Dance as Radical Action: A Riveting Journey through Dance, Activism, and Global Politics0
Global Dance Histories and Contemporary Pedagogies: Alternative Routes0
Choreographing Queer Social Bodies: Chinese Choreographer Hu Shenyuan’s Cross-Stage Practices0
Becoming Al-Sarab: A Dance Education Narrative0
In Memoriam: Naomi Mindlin (1948-2022)0
Dancing Face from Battle Moves to Music Videos0
The Unreconciled Dichotomy: Preservation and (Re)Creation of Dance Heritage in South Korea0
Indian Dance Criticism as Decolonial Post-Performance Performative0
More than Meets the Eye: Towards Critical Institutional Research in Dance Studies0
Dancing as Connecting, to Our Inner Selves and Larger Communities0
Dressage Performances as Infrastructural Critique: Mike Kelley and Yvonne Rainer’s Dancing Horses0
Witnessing Ailey’s Legacy at/of the Edges0
Reimagining Byzantine Dance XOPÓΣ: The Dance of Adam. The Making of Byzantine Chorography, The Anthropology of the Choir of Dance in Byzantium 0
Illuminating Perspectives: The Transnational, Transtemporal, and Transmedial Dynamics of Modern Dance in and beyond China0
Cross-cultural Identities: An Interdisciplinary Analysis of the jota in The Three-Cornered Hat (1919)0
Accenting Dance: A Pedagogical Approach to Caribbean Dance0
Methodologies and Missteps: Reflections on Research as a Generative Praxis Dances of José Limón and Erick Hawkins By James Moreno. 1230
To Inhabit: Dancing Resistance in Puerto Rico0
Dance Education from Different Perspectives0
Reflections on Narrative Techniques and Popularization in Contemporary China’s Main Melody Dance Dramas Only This Green (2021) By The Palace Museum, China Oriental Perfo0
Embodying Flexibility: The Aesthetics and Politics of British South Asian Dance0
Stories, Strategies, and Provocations: NCCAkron Brings an Abundance0
James Baldwin’s Lean: Gratuitous Violence and Black Performativity in Take This Hammer0
Frederick Ashton’s A Month in the Country : An Evocation of Feminist Practices0
Introduction to issue 47.20
Close to Home The Jazz Continuum By LaTasha BarnesThe Kennedy Center, Eisenhower Theater, Washington, DC November 17-18, 20230
Cumbia, Myths, and Resistance in Caribbean Colombia0
Forced Secularization and Postmodern Discourses within Contemporary Performance: Weaponizing Multicultural Rhetoric to Ratify Asymmetries among Dance Practitioners0
Existence as Insistence: Dance Theatre of Harlem Chronicles an Organization’s Prescience0
Participating in Competitions to Go to University: The Discourse of Ballet Competitions in South Korea0
Coming in with the Rain: Celebrating Circum-Caribbean Dance0
Global Viewers’ Votes and the Disciplined Body of Mediated Street Dance0
Dance and the Twilight of Capitalism0
Beth Dean: Aspects of the Work of an Australian “Ethnic Dancer”0
Letting Language Dance0
The Fate of La Feste : An Affective Reading of Maximilien Gardel’s Mirsa Ballets0
Queer Shadows of Balanchine’s Orpheus (1948)0
Making Dance Work in West Africa: Women Artists in a Shifting Landscape of Institutional Patronage0
Sufi Dance, Trance, and Psychophysical Performance: Transcultural Elements in Jerzy Grotowski’s Theater0
Falling Again and Again0
Breaking Tropes: Rewriting Hip-Hop History0
Tapping the Margins : Feminist Research in Tap Dance History0
Universalizing the Specific: Janet Collins’s Spirituals and Genesis0
How “modern” has German Modern Dance Remained?—The Case with the 2022 UNESCO Inscription0
The Imperial Reach of Blackface (and) Minstrelsy0
This Ass is Magic: The Black Feminist Power of Twerking0
Crossing Cultures: The Transnational Career of Ram Gopal0
Mapping as Historiographic Practice: The Ballet Landscape in Interwar Greece0
“La Nijinska: Revealing and Constructing Legacy”0
Christopher Rudd’s Lifted and Gia Kourlas’s Review: Turning a Mirror Towards the White Gaze Lifted By Christopher Rudd, October 29, 2022Da0
Baladi and Beyond Popular Dance and Music in Modern Egypt By Sherifa Zuhur Jefferson, North Carolina: McFarland and Company, 2022. $45.00 paper. ISBN 9781476681993 (prin0
Usable for whom? Reflections on public, political art0
Becoming A Frame0
In the Beginning, There Was Groove0
Social Ghosts and Collective Bodies in Rosemarie Roberts’ Baring Unbearable Sensualities: Hip Hop Dance, Bodies, Race, and Power0
Nothing can ever repeat, it can only start again0
Unruly Choreographies and the Contradictions of Safety0
Muslim Youth in K-pop Dance Practices: Performative Responses against Islamic Norms in Malaysia0
A Game-Changer for Nineteenth-Century Ballet Studies Times of Change: Artistic Perspectives and Cultural Crossings in Nineteenth-Century Dance Edited by Irene Brandenbur0
Interdisciplinary Rewards and Challenges0
Alvin Ailey and Korean Dance: Writing Afro-Asian Relations into Korean Dance History0
She Paradise: Embodying Afro-Barbadian Womanhood0
Expanding Butoh Studies: Now We Have a ChronicleA History of Butô By Bruce Baird. 288 pp. Illustrated. New York: Oxford University Pre0
Memory Transgressed by Female Bodies: Civil Historiography Contrasted with Official Historiography0
Crip Time in Performance0
Strolling from Jazz to Funk0
Embodying Tradition, Imagining Home: Baakisimba Dance and the Ugandan Diaspora0
Introduction to Issue 47.30
The Western Gaze in RRR ’s “Naatu Naatu” and the Global Appeal of Indian Musicals0
An Old Look at the Classics: Five Ballets from Paris and St. Petersburg0
Theater Dance’s Material Underneath0
Why Don’t Choreographers Copyright Their Works?0
Filippo Taglioni: A Major Figure of the Romantic Ballet in Transnational Context0
Embodied Histories: Dancing War by Eiko Otake and Wen Hui0
Status and Salary: Hiring a Ballet Troupe for the Opera Il Farnaspe (Siena, 1750)0
Casting and Inclusivity in the Broadway Musical Broadway Bodies: A Critical History of Conformity By Ryan Donovan. 316 pp. Illustrated. New York: Oxford University Pres0
Medieval Dance: Transmissions and Traces0
Methods and Models: A Compelling Anthology for Researchers and Educators Dance Research Methodologies: Ethics, Orientations, and Practices Edited by Rosemary Candelario 0
Edward Kamau Brathwaite’s Kinetics: A Poetics of Performance0
Steps and Strides: Voices of Dancing Mothers, Dominique Jones , Dancing Motherhood , By Ali Duffy. 188 pp. Illustrated. New York: Routledge, 2023. $22.95 (pbk). ISBN 9780367619275 (pbk), ISBN 97810030
Ordering Movement, Ordering the Past Democracy Moving: Bill T. Jones, Contemporary American Performance, and the Racial Past By Ariel Nereson. 290pp. Illustrated. Ann A0
The Geographies of Us Around Us: 53°31'26.4"N 113°31'11.7"W0
Encounters, Exchanges, and Ruptures: An Exhibition Catalog of Global Artists0
How Blackness Informs Global Filipino Corporeality: The Embodied and Racial Politics of Afro-Filipino Hip-Hop Dance0
Mr. Isaac and his Dances0
Interrogating Histories and Historicizing Dance Studies0
Responsibility & Reciprocity in Dance Studies Dancing Indigenous Worlds: Choreographies of Relation By Jacqueline Shea Murphy. 408 pp. Illustrated. Minneapolis and L0
Reconsidering Isadora Duncan’s Global Legacy: The Reception of Duncan’s Writing and Dance in China0
“Hold On to That Feeling”: Baker Rogers’s King of Hearts: Drag Kings in the American South0
Memory, Female Agency, and Geometry in African Caribbean Skirt Dances in Trinidad and Tobago0
Connections and Missed Connections: Russian Emigrés Bring Ballet to An American City (Chicago, 1924)0
More Than We Think: A New Approach to Medieval Religious Dance0
Layering Genealogies: Multiple Histories and Agents in Chinese Modern Dance0
Pluriversal Embodiment Tout-Moun by Héla Fattoumi and Éric Lamoureux/ViaDanse Tropiques Atrium, Fort de France, Martinique, October 7, 20230
Friction, Fusion, and Fire Heat and Alterity in Contemporary Dance: South-South Choreographies By Ananya Chatterjea. 289 pp. Illustrated. London: Palgrave Macmillan, 2020
Rooted Jazz Dance: A Path Forward0
Danced by Invisible Forces0
Politics at the Center of Israeli and Palestinian Dance Moving Through Conflict: Dance and Politics in Israel By Dina Roginsky and Henia Rottenberg. 192 pp. Illustrated.0
Reclaiming Dance’s Interdisciplinary Knowledge and Intermediality in the Museum0
Whose Suffering Matters? The Persistence of Abuse and Mistreatment0
Sommerszene 2024: Changing Views0
Making the Museum Dance: Simone Forti’s Huddle (1961) and its Acquisition by the Museum of Modern Art0
Unlocking the Beauty of Screendance: A Journey through History, Curatorial Practice, and Personal Reflections Screendance from Film to Festival: Celebration and Curatorial Practice 0
Remembering Margaret Williams: Experimentation and Legacy - A Conversation between Victoria Marks and Jingqiu Guan0
Right to Refusal: Consent and Rejection in Social Swing Dancing0
Resituating Noverre within Enlightenment Encyclopedias0
Dancing with the Stars and Stripes: Sensation as Spectatorial Choreography in Pope.L’s Trinket0
From Representation to Redistribution: Border Crossings Border Crossings: Exile and American Modern Dance Exhibition at the New York Public Library fo0
Mutually Reinforcing: Blackface Minstrelsy and Expropriation0
Crip Aesthetics and a Choreographic Method of Leakiness0
The Double-Edged Sword of Popular Dance: Visibility and Disavowal Dance in US Popular Culture . Edited by Jennifer Atkins. 358 pp. Illustrated. Abingdon Oxon: Routledge,0
Lady and the Wolf: Origins of the Lead/Follow System in Social Partner Dancing0
Dancing Women: Navigating Uzbekistan's Cultural Crossroads0
Authenticities of K-pop Cover Dance Influencers in/from Bali, Indonesia0
A Window into the Shaping of Dance across East, South, and Southeast Asia0
Beyond the Stage: A Review of Dancing with the Revolution0
Around the Mirror Ball: The Globalization and Glocalization of Disco0
Ariadne’s Thread: A Depth Psychology Exploration of Liminal Immanence in Dance/Movement0
Visibility and Values: A Compelling Analysis of Dancing and Why It Matters Dancing Women: Choreographing Corporeal Histories of Hindi Cinema 0
Introduction Part 2: An Interview with George Dorris0
“Capoeira cannot be played alone”: Dancing Dialogues Around the World and on the Page Capoeira Connections: A Memoir in Motion By Katya Wesolowski. 280pp. Illustrated. 0
A Rave Review Raving By McKenzie Wark. 136 pp. Illustrated. Durham : Duke University Pre0
Transformative Global Expansions of Butoh Dance in BUTOH AMERICA0
Antiracist Approaches for Ballet: Finding Pedagogical Commonalities for Change0
Shaping Modern Chinese Dance in 1985: British and American Instructors of the First Choreography Majors at the Beijing Dance Academy0
A Flashlight in the Dark: Shaping Dance Canons by Kate Mattingly Shaping Dance Canons: Criticism, Aesthetics, and Equity By Kate Mattingly0
How Histories and Pedagogies Intertwine: An Educator’s Purpose0
Conjuring Lines of Flight in a World of Black Social Death0
“My Walking is My Dancing”: The Relationship between Dance and Music in Anne Teresa De Keersmaeker’s Work0
Combatting Anti-Asian Violence Through Chinese Dance in Atlanta We Belong Here: Rising Against Asian Hate Atlanta Chinese Dance Compan0
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