OOIR: Observatory of International Research

Papers

(The median citation count of Nineteenth Century Music is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-09-01 to 2025-09-01.)

Article	Citations
Contributors	2
Rehearing: River Writings: Schubert’s “Am Flusse” and the Liquid Temporality of the Lied	1
A Melody and Its Afterlives in Piano Music by the Schumanns and Brahms	1
Index for Volume 47 (2023–24)	1
Contributors	1
Program Music as Sacramental Prayer: Liszt, Lamartine, and Bénédiction de Dieu dans la solitude	0
Still in Search of Satanilla	0
Contributors	0
Kant, Coleridge, and the “Moonlight” Sonata: Imagination, Fantasy, and Fantasies in Beethoven’s Time	0
Index for Volume 46 (2022–23)	0
Destinies of Manon	0
The Resonance of the Romantic Horn Call in the Reception of Brahms’s Trio, Op. 40	0
Mahler’s Contralto Voice	0
Marie Jaëll: Pioneer of Musical Embodiment Studies	0
Auteurism in Tár	0
Contributors	0
Tarantino’s Auteurist Anachronisms	0
The Exotic in Nineteenth-Century French Opera, Part 2: Plots, Characters, and Musical Devices	0
Directions to Contributors	0
Heroic Narratives and Chopin's Polonaise in Ab Major, Op. 53	0
Directions to Contributors	0
Endless Self: Haydn, Cherubini, and the Sound of the Canon	0
Contributors	0
A Riddle in Chopin’s Preludes, Op. 28	0
INDEX FOR VOLUME 45 (2021-22)	0

Black Musicality and the Invention of Talent: The Case of Thomas Wiggins	0
Contributors	0
“Worthy of a Monument in Artistic History”: Religion and Nation in the Plans for Robert Schumann’s Unrealized Martin Luther Oratorio	0
Class, Courtship, and habitus clivé: Debussy’s mélodies and the Politics of Social Mobility	0
Contributors	0
Index for Volume 48 (2024–25)	0
Canonizing John Williams	0
Living Forever on Earth: Philosophies of Temporal Eternity in Beethoven’s Ops. 110 and 132	0
Introduction	0
Directions to Contributors	0
Gustav Mahler and the Crisis of Jewish Masculinity	0
Beethoven's Rhetoric of Embellishment	0
Directions to Contributors	0
Contributors	0
Robert Heller’s Magical Mystery Tours	0
Contributors	0
Object Lesson: Samsung/Schubert	0
Editor’s Note	0
Directions to Contributors	0
Mahler Making Love: Mengelberg’s Adagietto	0
Mahler and the Exalted Erotic	0
Directions to Contributors	0
Gramophone Voices: Puccini and Madama Butterfly in New York, ca. 1907	0
Directions to Contributors	0
Missing Love-scenes, Evasion, and the Inexpressible in Early Mahler	0
Doubled Figures, Doubled Infinities: Der Mönch, “Der Leiermann,” and the Kantian Mathematical Sublime	0
Remixing Multimovement Works, Classical Music Concept Albums, and Twenty-First-Century Pianists’ Interpretations of the Canon	0
Wagner, Canned	0
Louise: Wagnerism, Realism, Stage, Screen	0
Critiquing Musical Ineffabilism: Rereading Kant’s “Analytic of the Beautiful”	0
Swan Lake Horror	0
Beyond Nature: Subjectivity and the Musical Sublime	0
Directions to Contributors	0
Scoring Heimat	0
Encore Magic	0
Editor’s Note	0
Directions to Contributors	0
Viewpoint: Beyond Musicology: Music and Humanistic Knowledge	0
Korngold’s Hollywood Homecomings	0
Contributors	0
Narcissistic Fiction: Music Theater of the Everyday in Édouard Dujardin’s Les Lauriers sont coupés (1887)	0
Directions to Contributors	0