OOIR: Observatory of International Research

Papers

(The median citation count of Nineteenth Century Music is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-08-01 to 2025-08-01.)

Article	Citations
Contributors	2
Rehearing: River Writings: Schubert’s “Am Flusse” and the Liquid Temporality of the Lied	1
Contributors	1
A Melody and Its Afterlives in Piano Music by the Schumanns and Brahms	1
Canonizing John Williams	0
Living Forever on Earth: Philosophies of Temporal Eternity in Beethoven’s Ops. 110 and 132	0
Introduction	0
Directions to Contributors	0
Gustav Mahler and the Crisis of Jewish Masculinity	0
Beethoven's Rhetoric of Embellishment	0
Directions to Contributors	0
Contributors	0
Directions to Contributors	0
Heroic Narratives and Chopin's Polonaise in Ab Major, Op. 53	0
Object Lesson: Samsung/Schubert	0
Directions to Contributors	0
Directions to Contributors	0
Directions to Contributors	0
Directions to Contributors	0
Mahler and the Exalted Erotic	0
Mahler Making Love: Mengelberg’s Adagietto	0
Gramophone Voices: Puccini and Madama Butterfly in New York, ca. 1907	0
Wagner, Canned	0
Index for Volume 47 (2023–24)	0
Remixing Multimovement Works, Classical Music Concept Albums, and Twenty-First-Century Pianists’ Interpretations of the Canon	0

Index for Volume 48 (2024–25)	0
Louise: Wagnerism, Realism, Stage, Screen	0
Critiquing Musical Ineffabilism: Rereading Kant’s “Analytic of the Beautiful”	0
Swan Lake Horror	0
Beyond Nature: Subjectivity and the Musical Sublime	0
Directions to Contributors	0
Scoring Heimat	0
Encore Magic	0
Editor’s Note	0
Robert Heller’s Magical Mystery Tours	0
The Resonance of the Romantic Horn Call in the Reception of Brahms’s Trio, Op. 40	0
Korngold’s Hollywood Homecomings	0
Contributors	0
“Worthy of a Monument in Artistic History”: Religion and Nation in the Plans for Robert Schumann’s Unrealized Martin Luther Oratorio	0
Narcissistic Fiction: Music Theater of the Everyday in Édouard Dujardin’s Les Lauriers sont coupés (1887)	0
Black Musicality and the Invention of Talent: The Case of Thomas Wiggins	0
Program Music as Sacramental Prayer: Liszt, Lamartine, and Bénédiction de Dieu dans la solitude	0
A Riddle in Chopin’s Preludes, Op. 28	0
Contributors	0
Editor’s Note	0
Directions to Contributors	0
Destinies of Manon	0
Contributors	0
Mahler’s Contralto Voice	0
Marie Jaëll: Pioneer of Musical Embodiment Studies	0
Auteurism in Tár	0
Contributors	0
Tarantino’s Auteurist Anachronisms	0
The Exotic in Nineteenth-Century French Opera, Part 2: Plots, Characters, and Musical Devices	0
Directions to Contributors	0
Endless Self: Haydn, Cherubini, and the Sound of the Canon	0
Missing Love-scenes, Evasion, and the Inexpressible in Early Mahler	0
Viewpoint: Beyond Musicology: Music and Humanistic Knowledge	0
Contributors	0
Kant, Coleridge, and the “Moonlight” Sonata: Imagination, Fantasy, and Fantasies in Beethoven’s Time	0
Doubled Figures, Doubled Infinities: Der Mönch, “Der Leiermann,” and the Kantian Mathematical Sublime	0
INDEX FOR VOLUME 45 (2021-22)	0
Still in Search of Satanilla	0
Contributors	0
Contributors	0
Class, Courtship, and habitus clivé: Debussy’s mélodies and the Politics of Social Mobility	0
Index for Volume 46 (2022–23)	0