Computer Music Journal

Papers
(The TQCC of Computer Music Journal is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)
ArticleCitations
About This Issue5
Kari Väkevä: Void: Seven Computer Music Pieces1
Nicolas Collins: Semi Conducting: Rambles Through the Post-Cagean Thicket1
Sound Anthology: Content1
News1
Products of Interest1
An End-to-End Musical Instrument System That Translates Electromyogram Biosignals to Synthesized Sound1
Products of Interest0
Announcements0
A Fuzzy Gestural AI Approach for Expressive Interactivity in Multitouch Digital Musical Instruments Based on Laban Descriptors0
Learning from Game Live Streaming: A Model for Networked Music Performance0
Sound and Video Anthology: Program Notes0
Encoding Sound: Perspectives on Cultural Bias in Music Software Design0
Using Music Features for Managing Revisions and Variants of Musical Scores0
Mario Diaz De Leon: Spark and Earth0
A Networking Framework and Mobile Node Controller for Sound Diffusion with Audience Participation0
Acousmatic Spaces, Lived Places: Holophony and the Embodied Experience of Shared Atmospheres0
Musical Applications of Electromagnetic Field Sensing0
Generating Sonic Phantoms with Quadratic Difference Tone Spectrum Synthesis0
Composing for Performers and Electronics Using a Dynamically Trained Neuron as an Effects Modulator0
A Library for Offline Algorithmic Audio Manipulation in Max0
An Accessible, Browser-Based Gestural Controller for Web Audio, MIDI, and Open Sound Control0
Richard Barrett: First Light0
About This Issue0
The Effects of Convolution Reverberation on the Emotional Characteristics of Musical Instrument Sounds0
News0
About This Issue0
Toward a Symbolic Framework for Offline Algorithmic Audio0
Finite State Machines with Data Paths in Visual Languages for Music0
An Electronic Music Dataset and a Multilabel Neural Network for Genre Subcategory Classification0
Bill Vine: Norwich Under the Water0
Letters0
News0
Carl Stone: Electronic Music from 1972–20220
Editors' Notes0
News0
Edgard Varèse's Poème Électronique: From the Sketches to the Sound Spatialization0
About This Issue0
The Unsettled Soundscape: Field Recordings, Composition, and the Computerized in Ho Chi Minh City0
Sound Anthology: Content0
Computational Network Semantics and Critical Properties of Music Notation Datasets0
A Retrospective View of Chinese Contributions to Digital Humanities in Computational Guqin Music Research0
About This Issue0
Toward Guided Musical Form: Structuring Generative Music with LLMs0
News0
Per Bloland: Shadows of the Electric Moon0
About This Issue0
Three-Dimensional Vision-Based Recognition of Guitar Chords0
The Symbolic Soundscape: Reversing the Roots0
Announcements0
Products of Interest0
Sound and Video Anthology: Program Notes0
The Kolmogorov Complexity of Traditional Irish Dance Music0
Announcements0
About This Issue0
On Developing and Performing with a 4-Foot SpiderHarp Instrument0
Rethinking Instrumental Interface Design: The MetaBow0
Products of Interest0
News0
Tracing Poetic Atmospheres: Multichannel Electroacoustic Soundscapes and Their Cultural Dimensions0
Products of Interest0
News0
Stochastic Detuning of a Parallel Comb Oscillator0
Sound Entities: A Practice in Spatial Composition0
A Robotic Flutist Framework for Exploring Acoustics, Human–Instrument Interaction, and Musical Creation0
On the Application of Negative Harmony to Melody for Symbolic Music Processing0
Products of Interest0
Improving Human Connections and Audience Satisfaction in Online Concerts and Music Conferences0
The Terpsichora Pressure-Sensitive Floors: Design, Implementation, and Refinement from 2015 to 20250
Audio, Vibrotactile, and Visual Augmentation of an Electric Guitar: A Pilot Study0
Exploring the Many Tunings of Balinese Gamelan0
Products of Interest0
Interview with Jorge Antunes: The Polemical Pioneer of Electroacoustic Music in Brazil0
Underwater Extraction as Spatial Curation: Sonic Archaeology, Media Inscription, and the Re-Voicing of Submerged Histories0
David Borden: Make Way for Mother Mallard: 50 Years of Music Cuneiform Records0
Thomas DeLio: anti-paysage0
Raging with the Machine in the Uncanny Valley: Human–AI Cocreativity in the Eurovision-Themed AI Song Contest0
About This Issue0
Harnessing Virtualization to Transpose Place-Based Music0
Computer Tools for Modeling Swing in a Jazz Ensemble0
Stochastic Detuning of a Parallel Comb Oscillator0
The Paradox of Creating a Cocreator0
News0
Products of Interest0
Announcements0
Brian Baumbusch: Polytempo Music and Michael J. Schumacher: Living Room Pieces0
Reflections on The First International Conference in AI Music Studies0
Announcements0
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