Computer Music Journal

Papers
(The TQCC of Computer Music Journal is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-11-01 to 2025-11-01.)
ArticleCitations
Sound Anthology: Program Notes4
Tool or Actor? Expert Improvisers' Evaluation of a Musical AI “Toddler”3
About This Issue3
Composing the Assemblage: Probing Aesthetic and Technical Dimensions of Artistic Creation with Machine Learning2
Products of Interest1
Kari Väkevä: Void: Seven Computer Music Pieces1
An End-to-End Musical Instrument System That Translates Electromyogram Biosignals to Synthesized Sound1
Sound Anthology: Content1
Complementary Roles of Note-Oriented and Mixing-Oriented Software in Student Learning of Computer Science Plus Music1
About This Issue0
Products of Interest0
Exploring the Many Tunings of Balinese Gamelan0
Mapping Out the Origins of Electroacoustic Music Studios in Brazil0
About This Issue0
Automatic Detection of Cue Points for the Emulation of DJ Mixing0
An Electronic Music Dataset and a Multilabel Neural Network for Genre Subcategory Classification0
Bill Vine: Norwich Under the Water0
The Paradox of Creating a Cocreator0
News0
News0
Harnessing Virtualization to Transpose Place-Based Music0
News0
Products of Interest0
Sound Anthology: Content0
About This Issue0
Part of Computer Music History… (Trust Me, Latin America Has Always Been There!)0
Sound Entities: A Practice in Spatial Composition0
Generating Sonic Phantoms with Quadratic Difference Tone Spectrum Synthesis0
News0
About This Issue0
David Borden: Make Way for Mother Mallard: 50 Years of Music Cuneiform Records0
Paisaje Sonoro Social: Socially Engaged Soundscapes in Mexico0
About This Issue0
About This Issue0
From Fiction to Function: Imagining New Instruments through Design Workshops0
Products of Interest0
Thomas DeLio: anti-paysage0
Raging with the Machine in the Uncanny Valley: Human–AI Cocreativity in the Eurovision-Themed AI Song Contest0
Brian Baumbusch: Polytempo Music and Michael J. Schumacher: Living Room Pieces0
The Effects of Convolution Reverberation on the Emotional Characteristics of Musical Instrument Sounds0
Letters0
Sound Anthology: Content0
Mario Diaz De Leon: Spark and Earth0
Editors' Notes0
Products of Interest0
On Developing and Performing with a 4-Foot SpiderHarp Instrument0
Announcements0
News0
Announcements0
Live Coding Machine Learning: Finding the Moments of Intervention in Autonomous Processes0
Carl Stone: Electronic Music from 1972–20220
Sound and Video Anthology: Program Notes0
Stochastic Detuning of a Parallel Comb Oscillator0
An Electronic Bandoneon with a Dynamic Sound Synthesis System Based on Measured Acoustic Parameters0
About This Issue0
Announcements0
Computer Tools for Modeling Swing in a Jazz Ensemble0
Learning from Game Live Streaming: A Model for Networked Music Performance0
An Accessible, Browser-Based Gestural Controller for Web Audio, MIDI, and Open Sound Control0
Richard Barrett: First Light0
Improving Human Connections and Audience Satisfaction in Online Concerts and Music Conferences0
Sound and Video Anthology: Program Notes0
Computer-Aided Composition Using a Sound-Based Notation0
News0
Interview with Jorge Antunes: The Polemical Pioneer of Electroacoustic Music in Brazil0
The Studio PANaroma and Electroacoustic Music in Brazil0
An Analytical Approach to the Scenic Realization of Electroacoustic Music: The Theatricality of Lumínico0
Using Music Features for Managing Revisions and Variants of Musical Scores0
Products of Interest0
News0
Contemporary Noise Ensemble: An Excellent Spiritual Serviceman0
Editors' Notes0
Editors' Notes0
Toward a Symbolic Framework for Offline Algorithmic Audio0
Finite State Machines with Data Paths in Visual Languages for Music0
James Dashow: Soundings in Pure Duration, Volume 20
Products of Interest0
A Networking Framework and Mobile Node Controller for Sound Diffusion with Audience Participation0
Products of Interest0
Rethinking Instrumental Interface Design: The MetaBow0
Cocreative Interaction: Somax2 and the REACH Project0
Reflections on The First International Conference in AI Music Studies0
News0
A Fuzzy Gestural AI Approach for Expressive Interactivity in Multitouch Digital Musical Instruments Based on Laban Descriptors0
Embodying Spatial Sound Synthesis with AI in Two Compositions for Instruments and 3-D Electronics0
A Robotic Flutist Framework for Exploring Acoustics, Human–Instrument Interaction, and Musical Creation0
Edgard Varèse's Poème Électronique: From the Sketches to the Sound Spatialization0
On the Application of Negative Harmony to Melody for Symbolic Music Processing0
Products of Interest0
Encoding Sound: Perspectives on Cultural Bias in Music Software Design0
About This Issue0
Narrative, Activism, and Aesthetics: Composing Electroacoustic Music for Mexicans0
Matthew Burtner: Soundscapes of Restoration: Music, Sonifications & Field Recordings0
Announcements0
Musical Applications of Electromagnetic Field Sensing0
Listening to the Anthropocene: A Queda do Céu0
News0
A Library for Offline Algorithmic Audio Manipulation in Max0
Announcements0
A Retrospective View of Chinese Contributions to Digital Humanities in Computational Guqin Music Research0
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