Computer Music Journal

Papers
(The TQCC of Computer Music Journal is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-01-01 to 2026-01-01.)
ArticleCitations
Sound Anthology: Program Notes4
Tool or Actor? Expert Improvisers' Evaluation of a Musical AI “Toddler”4
About This Issue3
Composing the Assemblage: Probing Aesthetic and Technical Dimensions of Artistic Creation with Machine Learning2
Sound Anthology: Content2
Nicolas Collins: Semi Conducting: Rambles Through the Post-Cagean Thicket1
Products of Interest1
Complementary Roles of Note-Oriented and Mixing-Oriented Software in Student Learning of Computer Science Plus Music1
An End-to-End Musical Instrument System That Translates Electromyogram Biosignals to Synthesized Sound1
Kari Väkevä: Void: Seven Computer Music Pieces1
Live Coding Machine Learning: Finding the Moments of Intervention in Autonomous Processes1
A Robotic Flutist Framework for Exploring Acoustics, Human–Instrument Interaction, and Musical Creation0
Products of Interest0
Finite State Machines with Data Paths in Visual Languages for Music0
A Retrospective View of Chinese Contributions to Digital Humanities in Computational Guqin Music Research0
About This Issue0
Audio, Vibrotactile, and Visual Augmentation of an Electric Guitar: A Pilot Study0
Encoding Sound: Perspectives on Cultural Bias in Music Software Design0
Sound Entities: A Practice in Spatial Composition0
Composing for Performers and Electronics Using a Dynamically Trained Neuron as an Effects Modulator0
Generating Sonic Phantoms with Quadratic Difference Tone Spectrum Synthesis0
Reflections on The First International Conference in AI Music Studies0
News0
David Borden: Make Way for Mother Mallard: 50 Years of Music Cuneiform Records0
Rethinking Instrumental Interface Design: The MetaBow0
Announcements0
Exploring the Many Tunings of Balinese Gamelan0
Richard Barrett: First Light0
News0
From Fiction to Function: Imagining New Instruments through Design Workshops0
The Kolmogorov Complexity of Traditional Irish Dance Music0
Raging with the Machine in the Uncanny Valley: Human–AI Cocreativity in the Eurovision-Themed AI Song Contest0
Contemporary Noise Ensemble: An Excellent Spiritual Serviceman0
Stochastic Detuning of a Parallel Comb Oscillator0
Announcements0
Letters0
Computer Tools for Modeling Swing in a Jazz Ensemble0
On Developing and Performing with a 4-Foot SpiderHarp Instrument0
Products of Interest0
Sound and Video Anthology: Program Notes0
Cocreative Interaction: Somax2 and the REACH Project0
News0
Sound Anthology: Content0
News0
Announcements0
Part of Computer Music History… (Trust Me, Latin America Has Always Been There!)0
An Electronic Bandoneon with a Dynamic Sound Synthesis System Based on Measured Acoustic Parameters0
About This Issue0
News0
Announcements0
Narrative, Activism, and Aesthetics: Composing Electroacoustic Music for Mexicans0
Toward Guided Musical Form: Structuring Generative Music with LLMs0
Learning from Game Live Streaming: A Model for Networked Music Performance0
News0
An Accessible, Browser-Based Gestural Controller for Web Audio, MIDI, and Open Sound Control0
A Library for Offline Algorithmic Audio Manipulation in Max0
Thomas DeLio: anti-paysage0
Sound and Video Anthology: Program Notes0
The Effects of Convolution Reverberation on the Emotional Characteristics of Musical Instrument Sounds0
About This Issue0
Computer-Aided Composition Using a Sound-Based Notation0
James Dashow: Soundings in Pure Duration, Volume 20
An Analytical Approach to the Scenic Realization of Electroacoustic Music: The Theatricality of Lumínico0
The Studio PANaroma and Electroacoustic Music in Brazil0
Carl Stone: Electronic Music from 1972–20220
Products of Interest0
Listening to the Anthropocene: A Queda do Céu0
Announcements0
Brian Baumbusch: Polytempo Music and Michael J. Schumacher: Living Room Pieces0
Editors' Notes0
Using Music Features for Managing Revisions and Variants of Musical Scores0
Products of Interest0
Editors' Notes0
Stochastic Detuning of a Parallel Comb Oscillator0
Products of Interest0
Harnessing Virtualization to Transpose Place-Based Music0
About This Issue0
About This Issue0
The Paradox of Creating a Cocreator0
Products of Interest0
Embodying Spatial Sound Synthesis with AI in Two Compositions for Instruments and 3-D Electronics0
News0
Edgard Varèse's Poème Électronique: From the Sketches to the Sound Spatialization0
Paisaje Sonoro Social: Socially Engaged Soundscapes in Mexico0
Products of Interest0
On the Application of Negative Harmony to Melody for Symbolic Music Processing0
Interview with Jorge Antunes: The Polemical Pioneer of Electroacoustic Music in Brazil0
About This Issue0
Toward a Symbolic Framework for Offline Algorithmic Audio0
Products of Interest0
About This Issue0
Automatic Detection of Cue Points for the Emulation of DJ Mixing0
A Networking Framework and Mobile Node Controller for Sound Diffusion with Audience Participation0
About This Issue0
Sound Anthology: Content0
An Electronic Music Dataset and a Multilabel Neural Network for Genre Subcategory Classification0
Editors' Notes0
Mario Diaz De Leon: Spark and Earth0
Musical Applications of Electromagnetic Field Sensing0
Products of Interest0
Matthew Burtner: Soundscapes of Restoration: Music, Sonifications & Field Recordings0
News0
Mapping Out the Origins of Electroacoustic Music Studios in Brazil0
News0
Bill Vine: Norwich Under the Water0
About This Issue0
A Fuzzy Gestural AI Approach for Expressive Interactivity in Multitouch Digital Musical Instruments Based on Laban Descriptors0
Improving Human Connections and Audience Satisfaction in Online Concerts and Music Conferences0
News0
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