Theater

Papers
(The TQCC of Theater is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-05-01 to 2024-05-01.)
ArticleCitations
Ghent Manifesto2
COVID-191
Portfolio1
Nine New Fields1
Twilight of the Idols1
Fito0
Opacity in Motion0
Truly, Madly, Sheeply0
I Wanna Fuck like Romeo and Juliet0
The Nosebleed0
Interview: Complicating Comedy, Engineering Behavior0
The talking|dance Series0
The Historical Feeling0
Windows and Walls0
Sound & Color0
A Tale of Truth0
Beginning Again0
Forum0
Discovering the Exhibition by Curating It0
Artist’s Journal0
A World of Fury and Possibility0
Decentering Molière?0
Panel: Sound & Color0
Le Plateau à l’œuvre0
Narrative Reinvention0
A Fallow Year0
Decentering Molière0
The Master’s Tools0
Play with Consequences?0
America’s Postsecular Stages0
A Constellation of Perspectives0
Up Front0
Collective Dancing to Stay Alive0
The Spirit and the System0
Theatre0
Dancin’ through Exhaustion0
Reality Winners0
Milo Rau’s Work as Artistic Director of NTGent0
Introduction to Zora Howard’s The Master’s Tools0
Molière in Constantinople0
Play Excerpt0
Your Language Is Lying to You0
Crip Curation as Care0
Embody 3 Bodies0
Compassion: The History of the Machine Gun0
Suspended in Air0
Locations and Dislocations0
No Soy Unicornio0
Author’s Preface to On the Y-Axis0
Hamlet0
Interview: Are Our Deaths Worthy of Dignity?0
How Do We Repair?0
Call and (Lack of) Response0
Artist’s Journal0
Panel: Sound & Color0
All the Ayas0
Decentering Disability0
Acting the Rehearsal0
A Theater of Documentation0
“We Think the — Cat Got It”0
Melting Pots0
Laughing at the Absurdity of Horrible Things0
What If “MOLIÈRE” Did Not Exist?0
Women Playwrights in the Time of Molière0
3 Bodies0
Paddymania Returns to America (and Poland)0
“More Than a Space”0
Author’s Preface to I Wanna Fuck like Romeo and Juliet0
Time Capsule0
If Only This Mountain Between Us Could Be Ground0
Affective Dynamics of Excitable Speech in Milo Rau’s Breiviks Erklärung and Mitleid0
Milo Rau in Africa0
Democracy versus Autocracy0
Sending Care from Afar0
How Do We Proceed?0
Do Nothing. Die Young. End the World.0
Milo Rau as Influencer0
Everything Moves0
Learning from Our Survival0
Night0
Manifesto and Commentary0
What Is Unst?0
Artist’s Journal0
Pandemic Performances0
Acts of Care0
Train With No Midnight0
Forum0
Post-9/11 Theater and Transnational Feminism0
On the Y-Axis0
Colonialism Rescaled0
Fuck Me0
Maximal Mac0
How Much Can a Body Do?0
On Unmaking Theater in Theatre0
Black Theater, under Pressure0
Reviving Jewishness0
Our Year of Hamlet0
Of Minds and Machines0
Three Theatrical Games0
A Theater of the Translocal World0
Queer Molière?0
Learning Republic0
Cryptic Comic Carvings0
Molière and “Indiennes”0
The Mufti at Home0
Crip/Mad Archive Dances0
Dramaturgies of the Bodymind0
Menu of Dis/Appearance0
Emergence0
Noise of Time0
High Winds0
Soundz at the Back of My Head0
Exhaustion Arroyo: Dancin’ Trees in the Ravine0
Creating Intimacy and Curating Borders0
Forum: “No Longer Just Fiction”0
The Healing Room0
From a Weather Report0
Molière and Mnouchkine0
Milk of Dreams0
Up Front0
Take This Cord0
Stitching the Future with Clues0
Volatility and Precarity in the Rainbow Nation0
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