Theater

Papers
(The TQCC of Theater is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)
ArticleCitations
Interview: Are Our Deaths Worthy of Dignity?1
Interview: Trial and Error0
Acting the Rehearsal0
No Soy Unicornio0
Women Playwrights in the Time of Molière0
Roundtable: Truth and Reconciliation in a Post-Truth Era0
Hamlet0
Moving Forward: A Foreword0
My Mama and the Full-Scale Invasion0
What If “MOLIÈRE” Did Not Exist?0
Creative Company0
Institutional Repair: The Long Path Ahead0
Queer Theater Now0
Fractals of the Self: A Conversation0
The Absolute Future0
From WTF to Underworld0
Everything Moves0
Molière in Constantinople0
Women's Impowerment Now!0
I'm Learning to Uncensor Myself0
The Body Resists the Word0
Life of a Dog0
“We Think the — Cat Got It”0
On René Pollesch (1962–2024)0
Ways to Put Words on the Page0
Le Plateau à l’œuvre0
Playacting the Revolution0
Forum0
Panel: Sound & Color0
Interview: “You Can't See What a Fish Sees”0
Jelinek's Noise : Pig Ballet and the Conspiracy Pandemic0
All the Ayas0
Play Excerpt0
Dancin’ through Exhaustion0
Democracy versus Autocracy0
Learning Republic0
Global Queer Stories on the American Stage: The Criminal Queerness Festival0
Artist's Notebook: A Truth Worth Censoring0
Disruptive Dramaturgies0
Molière and Mnouchkine0
Democracy (The Video Game)0
Your Language Is Lying to You0
The Big Chill0
Exhaustion Arroyo: Dancin’ Trees in the Ravine0
Decentering Molière?0
Interview: Complicating Comedy, Engineering Behavior0
Deviant Devising0
Do Nothing. Die Young. End the World.0
Interview: “The Stage Was Not the Problem”0
Opacity in Motion0
Writing after Truth (excerpts)0
Herd Dramaturgies0
Play, Image, and Event0
A Constellation of Perspectives0
The Trial Against Ourselves (excerpt): An Ever-Evolving Theater Text0
Three Theatrical Games0
Fuck Me0
Parafiction and the Potentiality for Unmasking Post-Truth Politics0
Cryptic Comic Carvings0
A World of Fury and Possibility0
Forum0
Melting Pots0
Interview: “We Are All Unreliable Narrators”0
Queer Theater Now: A Presentation0
Everyday Camp0
Indigiqueer World Building for Theater and Beyond0
Post-9/11 Theater and Transnational Feminism0
Belonging Comes in the Form of Home0
Decentering Molière0
Molière and “Indiennes”0
Queer Spaces for Freedom: Perspectives from Eastern Europe0
Panel: Sound & Color0
Westerly Breath: An Opera Lecture Performance Concert Musical Thing In Parts0
What Can We Learn from Tired Institutional Bodies?0
Creating Vagrant Institutions for a Multiperspective World0
On The Five Times I Saw My Father0
A Theater of the Translocal World0
Noise of Time0
Interviews: Artist Telephone0
Love Letter0
Laughing at the Absurdity of Horrible Things0
Catch as Catch Can0
Black Theater, under Pressure0
Sound & Color0
Short of Lying (excerpt)0
Decentering Disability0
Roundtable: How Does It Live On?0
Panel0
What We Pretend to Be: A Postscript on Post-Truth and Theater0
Social Outbreak0
Interview: “To Loosen Enough Screws”0
Toward a Street-Level, Postterritory Dramaturgy0
Radical Hope0
different words for the same thing0
The Vienna Declaration0
Locations and Dislocations0
Queer Molière?0
How Much Can a Body Do?0
Reviving Jewishness0
On Queering Theater in a Time When We Do Not Have the Freedom Not To0
An Invitation to Tender0
Maximal Mac0
Incubating Incubators0
Trans Synecdoche0
The Absolute Future0
Of Minds and Machines0
The Mufti at Home0
Collective Dancing to Stay Alive0
Conversations with Students0
Rehearsals for an Archaeology of the Future0
Devising a Collective Future0
Isabel0
The Nosebleed0
Repetition with a Difference0
Roundtable0
Institutional Dramaturgies in German and Danish Theater0
Institutionalized Collectivity/Collectives in Institutions in Flanders and the Netherlands0
Interview: We Aren’t Flowers0
Forum: Devised Futures0
Our Year of Hamlet0
Manifesto and Commentary0
Narrative Reinvention0
Milk of Dreams0
Seattle’s Episodic Companies of Color0
The Five Times I Saw My Father0
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