Theater

Papers
(The TQCC of Theater is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-12-01 to 2025-12-01.)
ArticleCitations
Panel: Sound & Color1
Interview: Are Our Deaths Worthy of Dignity?1
Deviant Devising0
Institutional Repair0
Crip Curation as Care0
Democracy (The Video Game)0
Writing after Truth (excerpts)0
Trans Synecdoche0
Interview: Trial and Error0
Decentering Molière?0
How Much Can a Body Do?0
Roundtable: “Care Is What Fills in the Cracks”0
Of Minds and Machines0
Interview: We Aren’t Flowers0
I Wanna Fuck like Romeo and Juliet0
Queer Spaces for Freedom0
What If “MOLIÈRE” Did Not Exist?0
Creative Company0
Do Nothing. Die Young. End the World.0
The Body Resists the Word0
Learning Republic0
Herd Dramaturgies0
Locations and Dislocations0
The Mufti at Home0
Sending Care from Afar0
Forum0
Westerly Breath0
On René Pollesch (1962–2024)0
Emergence0
Embody 3 Bodies0
Democracy versus Autocracy0
Post-9/11 Theater and Transnational Feminism0
Interview: “To Loosen Enough Screws”0
The Master’s Tools0
Artist's Notebook: A Truth Worth Censoring0
All the Ayas0
The Nosebleed0
Short of Lying (excerpt)0
Learning from Our Survival0
Play Excerpt0
Interview: Complicating Comedy, Engineering Behavior0
Global Queer Stories on the American Stage0
Decentering Disability0
Opacity in Motion0
Rehearsals for an Archaeology of the Future0
A Constellation of Perspectives0
Molière and Mnouchkine0
Sound & Color0
Queer Theater Now0
I’m Learning to Uncensor Myself0
Exhaustion Arroyo: Dancin’ Trees in the Ravine0
Panel0
Stitching the Future with Clues0
Devising a Collective Future0
Roundtable: Truth and Reconciliation in a Post-Truth Era0
Author’s Preface to I Wanna Fuck like Romeo and Juliet0
Cryptic Comic Carvings0
Conversations with Students0
On the Y-Axis0
Play, Image, and Event0
“We Think the — Cat Got It”0
Interviews: Artist Telephone0
The Vienna Declaration0
The Absolute Future0
Le Plateau à l’œuvre0
Interview: “We Are All Unreliable Narrators”0
Three Theatrical Games0
Incubating Incubators0
Interview: “You Can't See What a Fish Sees”0
Acts of Care0
Molière in Constantinople0
Author’s Preface to On the Y-Axis0
Noise of Time0
Jelinek's Noise : Pig Ballet and the Conspiracy Pandemic0
Molière and “Indiennes”0
Hamlet0
Indigiqueer World Building for Theater and Beyond0
Dancin’ through Exhaustion0
Institutionalized Collectivity/Collectives in Institutions in Flanders and the Netherlands0
Melting Pots0
A Theater of the Translocal World0
Disruptive Dramaturgies0
What We Pretend to Be: A Postscript on Post-Truth and Theater0
Milk of Dreams0
Women Playwrights in the Time of Molière0
Radical Hope0
Narrative Reinvention0
Social Outbreak0
Queer Molière?0
Black Theater, under Pressure0
Acting the Rehearsal0
The Trial Against Ourselves (excerpt): An Ever-Evolving Theater Text0
Seattle’s Episodic Companies of Color0
Roundtable: How Does It Live On?0
Interview: “The Stage Was Not the Problem”0
Everything Moves0
A World of Fury and Possibility0
Panel: Sound & Color0
Toward a Street-Level, Postterritory Dramaturgy0
Queer Theater Now0
Maximal Mac0
Forum0
Fractals of the Self0
On Queering Theater in a Time When We Do Not Have the Freedom Not To0
Your Language Is Lying to You0
Dramaturgies of the Bodymind0
Fuck Me0
Decentering Molière0
The Absolute Future0
3 Bodies0
Reviving Jewishness0
Life of a Dog0
Institutional Dramaturgies in German and Danish Theater0
Crip/Mad Archive Dances0
Take This Cord0
Collective Dancing to Stay Alive0
Manifesto and Commentary0
My Mama and the Full-Scale Invasion0
Parafiction and the Potentiality for Unmasking Post-Truth Politics0
Creating Vagrant Institutions for a Multiperspective World0
Laughing at the Absurdity of Horrible Things0
Introduction to Zora Howard’s The Master’s Tools0
What Can We Learn from Tired Institutional Bodies?0
No Soy Unicornio0
Our Year of Hamlet0
Forum: Devised Futures0
Moving Forward: A Foreword0
0.29677295684814