October

Papers
(The median citation count of October is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-01-01 to 2026-01-01.)
ArticleCitations
Bataille and Eisenstein: In Defense of Michelson's View1
Double Dan1
On Leo Bersani: Ten Texts1
Shapes, Wholes, History: For Benjamin1
Proletarian Feedback: The Mirror of the Soviet Public Sphere1
Visceral Economies, Queer Dialectics: Eisenstein Meets Bataille1
On The Painted Word1
Surface, Material Bodies, and the Avant-Garde in Philosophy of Film1
Anthony Vidler's IAS Mystery0
Angels with Guns: A Memoir on Guy Brett (and David Medalla)0
Ars :: Longa0
Ahlam Shibli's Death and Photography in Arabic: A Letter from a Pillar of Salt0
Sculpture Is a Verb: Remembering Richard0
Modernism in a Non-Melancholic Key0
Counterpublics in Search of Infrastructures: Lessons from German Anti-Antisemitism0
Line as Language, or, What Is Mel Bochner Translating?0
On Walter Benjamin's “Thirteen Theses Against Snobs”0
Eisenstein's Capital Diaries: An Introduction0
Anthony Vidler (1941-2023)0
Letters to the Editor and Other Comment0
It Paints, It Eats0
Certain Aspects of Bourgeois Art: Non-Intervention0
Puppets Pulling Back: Drawing Out Wael Shawky's Histories0
Mel Bochner as Translator: An Aesthetics of Contingency0
The Arts at Risk: A Convening0
Lawrence Weiner's Materialism0
Writing Art History After Occupy0
On Dan Graham: Memories in Alteration0
Points of No Return: Die Neue Sachlichkeit at 1000
Diaspora Modern0
Heartbreak Liberalism, or the Case for Militant Translation0
Siberia: Dissolving Earths0
Anthony Vidler in Reverse0
The Face of Another: Isozaki, Deme, and the Postmodern Turn0
Introduction to Notes for Wavelength0
Art Communities at Risk: On Ukraine0
Squatting Towards Hong Kong0
Organizational Aesthetics: On Certain Practices and Genealogies0
Dada Meets Dixieland: Marcel Duchamp Explains Fountain0
Kasper König (1943-2024)0
Four Texts on Claes Oldenburg0
Women on Walls: Projection, Anonymity, Envy, and Eileen Gray0
A Questionnaire on Global Methods0
Imitate Baldessari: Artists, Teachers, and the Making of Conceptual Art0
Murky Waters: Hans Haacke's Rhine-Water Purification Plant0
Notes on Baudelaire's Parisian Tableaux (1939)0
On Collaboration0
A Questionnaire on Art and Machine Learning0
Notes for Wavelength0
New York Times Interventions0
Flat Depth: Pollock, Mondrian, and Seurat0
Air Conditioner, or Revolutionary Cinema without a Future0
On Bolivia: A Debt to Beauty0
The Spectacular Drone: Contesting Pandemic Lockdowns from Above and Below0
The Madness of the Gaze: for Hubert Damisch, in every light0
Paris Diary0
Collective Reception: Essays in Honor of Benjamin H. D. Buchloh0
Machina Aesthetica: Impressions on Art in and out of the Machine Age0
Tacita Dean and the Air Outside0
Becoming a Film Auteur: Chris Marker's Early Film Criticism0
Period Pieces: On Jean Clay0
Talking to Mel0
“The Object Comes Alive”: A Conversation with Claes Oldenburg0
Handbook of Feelings0
Zoonotic Undemocracy0
A Scheme Transfer for Global Modernism0
A Monochrome at Ukkusissaq: Pia Arke's Home-Rule Earthworks0
The Arts at Risk: A Timeline0
A Conversation with Manuel Borja-Villel0
On Peter Weibel0
Utopianism of the Will0
Six Propositions After Trump's Second Victory0
The Capital Diaries: A New Selection0
The Skull of the Syntax: On Translating Eisenstein's Capital Diaries0
On Werner Schroeter0
The Trace Dance Leaves Is Air: On Steve Paxton (1939–2024)0
Fragments of an Autobiography0
Von … bis, from… to: The Arc of Anthony Vidler's Architecture0
Why Afro Asia0
Architecture, Poetry, and Everyday Life0
Dan Graham: Pedagogue0
Cultural Revolution After Jameson0
On Indiana: A Disorientation Guide0
A Conversation with Dara Birnbaum0
A Conversation with Sergei Loznitsa0
On Meme Work0
The Race for Appropriation: Blackness, Authorship, and Ligon on Mapplethorpe0
Dan Graham: Sunday Painter0
Generative and Adversarial: Art and the Prospects of AI0
The Physiognomy of a Nation0
A Questionnaire on Diaspora and the Modern0
Anti-Manga: Sasaki Maki, Ishiko Junzō, and Avant-Garde Comics in Japan0
Dara Birnbaum (1946–2025)0
Creation and Decreation in Tacita Dean's Antigone0
Broodthaers's Debt0
The Last Sculptures (For Richard Serra)0
Eisenstein's Paris Diary: An Introduction0
Lisette Model: Another Frankfurt School Photographer in New York0
Where Are We Now? M+ and the Uncertain Future of Hong Kong0
Art Communities at Risk: Tbilisi0
The Wavelength Papers0
Radical Pragmatism: A Conversation with Kerry James Marshall0
Theory, Philosophy, Film Studies, and Science: A Response to D. N. Rodowick's Philosophy's Artful Conversation and Murray Smith's Film, Art and the Third Culture0
Serra and Us0
The Transactional University and Student Protest0
Berlin Speech0
The Reflex Republic: Physiologies of Art in the Early Soviet Union0
Plastic Flesh and the Biological Oeuvre0
Cycle and Citation: What Hanne Darboven Calls Thinking0
“Great Historians Are Biological Freaks”: Siegfried Kracauer's Philosophy of History0
Universal Prostitution: Francis Picabia's Diagrams of Proletarianization0
Emotion and Affect in Experimental Film: The Case of Vertov0
Little Golden Age0
Mondrian's Boogie Woogie0
Facing Poland's “New Historical Politics”: A Conversation with Jaroslaw Suchan0
Astonishment, Outrage, Despair0
Gauguin, Nietzsche, Aurier: Notes on Symbolism's Material Inversion0
Atomic Ecology0
My Formative Years0
On Beirut: Art in Search of a Means to a Commons0
Beyond Painting0
The Underneaths of Painting, Redux: For Silke Otto-Knapp, 1970–20220
Between Visual Scenes and Beautiful Lives: A Conversation with Saidiya Hartman0
Ears in the Cloud: Fantasies of Networked Perception0
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