October

Papers
(The TQCC of October is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-11-01 to 2025-11-01.)
ArticleCitations
Proletarian Feedback: The Mirror of the Soviet Public Sphere1
Shapes, Wholes, History: For Benjamin1
On Leo Bersani: Ten Texts1
Double Dan1
Bataille and Eisenstein: In Defense of Michelson's View1
Surface, Material Bodies, and the Avant-Garde in Philosophy of Film1
Visceral Economies, Queer Dialectics: Eisenstein Meets Bataille1
On The Painted Word1
The Underneaths of Painting, Redux: For Silke Otto-Knapp, 1970–20220
Angels with Guns: A Memoir on Guy Brett (and David Medalla)0
Anti-Manga: Sasaki Maki, Ishiko Junzō, and Avant-Garde Comics in Japan0
Anthony Vidler's IAS Mystery0
Air Conditioner, or Revolutionary Cinema without a Future0
Dan Graham: Sunday Painter0
Creation and Decreation in Tacita Dean's Antigone0
Serra and Us0
The Physiognomy of a Nation0
Machina Aesthetica: Impressions on Art in and out of the Machine Age0
Becoming a Film Auteur: Chris Marker's Early Film Criticism0
Dara Birnbaum (1946–2025)0
Broodthaers's Debt0
It Paints, It Eats0
Writing Art History After Occupy0
A Scheme Transfer for Global Modernism0
Where Are We Now? M+ and the Uncertain Future of Hong Kong0
The Arts at Risk: A Convening0
Heartbreak Liberalism, or the Case for Militant Translation0
The Face of Another: Isozaki, Deme, and the Postmodern Turn0
Counterpublics in Search of Infrastructures: Lessons from German Anti-Antisemitism0
A Conversation with Manuel Borja-Villel0
Introduction to Notes for Wavelength0
Diaspora Modern0
Plastic Flesh and the Biological Oeuvre0
Six Propositions After Trump's Second Victory0
Organizational Aesthetics: On Certain Practices and Genealogies0
Certain Aspects of Bourgeois Art: Non-Intervention0
Facing Poland's “New Historical Politics”: A Conversation with Jaroslaw Suchan0
The Trace Dance Leaves Is Air: On Steve Paxton (1939–2024)0
Four Texts on Claes Oldenburg0
Atomic Ecology0
Architecture, Poetry, and Everyday Life0
Imitate Baldessari: Artists, Teachers, and the Making of Conceptual Art0
Paris Diary0
On Indiana: A Disorientation Guide0
On Collaboration0
Notes on Baudelaire's Parisian Tableaux (1939)0
Generative and Adversarial: Art and the Prospects of AI0
Notes for Wavelength0
Flat Depth: Pollock, Mondrian, and Seurat0
Ahlam Shibli's Death and Photography in Arabic: A Letter from a Pillar of Salt0
A Conversation with Sergei Loznitsa0
The Spectacular Drone: Contesting Pandemic Lockdowns from Above and Below0
The Last Sculptures (For Richard Serra)0
Sculpture Is a Verb: Remembering Richard0
Lisette Model: Another Frankfurt School Photographer in New York0
Art Communities at Risk: Tbilisi0
Collective Reception: Essays in Honor of Benjamin H. D. Buchloh0
Eisenstein's Capital Diaries: An Introduction0
Anthony Vidler (1941-2023)0
Period Pieces: On Jean Clay0
A Monochrome at Ukkusissaq: Pia Arke's Home-Rule Earthworks0
Squatting Towards Hong Kong0
Puppets Pulling Back: Drawing Out Wael Shawky's Histories0
Zoonotic Undemocracy0
Utopianism of the Will0
Fragments of an Autobiography0
On Dan Graham: Memories in Alteration0
Cycle and Citation: What Hanne Darboven Calls Thinking0
The Skull of the Syntax: On Translating Eisenstein's Capital Diaries0
Berlin Speech0
Siberia: Dissolving Earths0
Art Communities at Risk: On Ukraine0
“The Object Comes Alive”: A Conversation with Claes Oldenburg0
Lawrence Weiner's Materialism0
Dada Meets Dixieland: Marcel Duchamp Explains Fountain0
Astonishment, Outrage, Despair0
Dan Graham: Pedagogue0
Women on Walls: Projection, Anonymity, Envy, and Eileen Gray0
My Formative Years0
A Conversation with Dara Birnbaum0
A Questionnaire on Art and Machine Learning0
The Race for Appropriation: Blackness, Authorship, and Ligon on Mapplethorpe0
Murky Waters: Hans Haacke's Rhine-Water Purification Plant0
On Meme Work0
Ears in the Cloud: Fantasies of Networked Perception0
Ars :: Longa0
A Questionnaire on Diaspora and the Modern0
Von … bis, from… to: The Arc of Anthony Vidler's Architecture0
New York Times Interventions0
On Walter Benjamin's “Thirteen Theses Against Snobs”0
Letters to the Editor and Other Comment0
On Bolivia: A Debt to Beauty0
Modernism in a Non-Melancholic Key0
The Madness of the Gaze: for Hubert Damisch, in every light0
Eisenstein's Paris Diary: An Introduction0
Theory, Philosophy, Film Studies, and Science: A Response to D. N. Rodowick's Philosophy's Artful Conversation and Murray Smith's Film, Art and the Third Culture0
Tacita Dean and the Air Outside0
The Wavelength Papers0
The Reflex Republic: Physiologies of Art in the Early Soviet Union0
The Capital Diaries: A New Selection0
Handbook of Feelings0
The Transactional University and Student Protest0
Universal Prostitution: Francis Picabia's Diagrams of Proletarianization0
On Peter Weibel0
The Arts at Risk: A Timeline0
Anthony Vidler in Reverse0
Mondrian's Boogie Woogie0
“Great Historians Are Biological Freaks”: Siegfried Kracauer's Philosophy of History0
On Werner Schroeter0
Emotion and Affect in Experimental Film: The Case of Vertov0
Gauguin, Nietzsche, Aurier: Notes on Symbolism's Material Inversion0
Why Afro Asia0
Kasper König (1943-2024)0
On Beirut: Art in Search of a Means to a Commons0
Beyond Painting0
A Questionnaire on Global Methods0
Between Visual Scenes and Beautiful Lives: A Conversation with Saidiya Hartman0
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