October

Papers
(The TQCC of October is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)
ArticleCitations
Visceral Economies, Queer Dialectics: Eisenstein Meets Bataille11
Surface, Material Bodies, and the Avant-Garde in Philosophy of Film2
Bataille and Eisenstein: In Defense of Michelson's View1
Okwui Enwezor's Prehistory of the Present: A Conversation1
Letters to the Editor and Other Comment1
Shapes, Wholes, History: For Benjamin1
Proletarian Feedback: The Mirror of the Soviet Public Sphere1
The Last Sculptures (For Richard Serra)1
On The Painted Word1
Six Propositions After Trump's Second Victory0
Gauguin, Nietzsche, Aurier: Notes on Symbolism's Material Inversion0
Murky Waters: Hans Haacke's Rhine-Water Purification Plant0
The Trace Dance Leaves Is Air: On Steve Paxton (1939–2024)0
New York Real Estate and the Ruin of American Art0
Plastic Flesh and the Biological Oeuvre0
Utopianism of the Will0
Cultural Revolution After Jameson0
Points of No Return: Die Neue Sachlichkeit at 1000
Notes for Wavelength0
Bruegel in Watts0
On Indiana: A Disorientation Guide0
Counterpublics in Search of Infrastructures: Lessons from German Anti-Antisemitism0
The Spectacular Drone: Contesting Pandemic Lockdowns from Above and Below0
Ears in the Cloud: Fantasies of Networked Perception0
Ars :: Longa0
Creation and Decreation in Tacita Dean's Antigone0
A Conversation with Sergei Loznitsa0
Sculpture Is a Verb: Remembering Richard0
A Scheme Transfer for Global Modernism0
On Collaboration0
Collective Reception: Essays in Honor of Benjamin H. D. Buchloh0
Little Golden Age0
Period Pieces: On Jean Clay0
Berlin Speech0
Writing Art History After Occupy0
New York Times Interventions0
Eisenstein's Capital Diaries: An Introduction0
Fragments of an Autobiography0
Mel Bochner as Translator: An Aesthetics of Contingency0
Cycle and Citation: What Hanne Darboven Calls Thinking0
The Skull of the Syntax: On Translating Eisenstein's Capital Diaries0
Anthony Vidler (1941-2023)0
Emotion and Affect in Experimental Film: The Case of Vertov0
Organizational Aesthetics: On Certain Practices and Genealogies0
The Arts at Risk: A Timeline0
Astonishment, Outrage, Despair0
On Beirut: Art in Search of a Means to a Commons0
Why Afro Asia0
A Conversation with Dara Birnbaum0
Paris Diary0
The Wavelength Papers0
Von … bis, from… to: The Arc of Anthony Vidler's Architecture0
A Questionnaire on Diaspora and the Modern0
Generative and Adversarial: Art and the Prospects of AI0
Siberia: Dissolving Earths0
Talking to Mel0
Ahlam Shibli's Death and Photography in Arabic: A Letter from a Pillar of Salt0
A Questionnaire on Art and Machine Learning0
Lisette Model: Another Frankfurt School Photographer in New York0
Notes on Baudelaire's Parisian Tableaux (1939)0
“To Really See This Movie”: Ken Jacobs on Tom, Tom … in 19690
Hating Theory Today0
Anthony Vidler's IAS Mystery0
Eisenstein's Paris Diary: An Introduction0
Radical Pragmatism: A Conversation with Kerry James Marshall0
The Arts at Risk: A Convening0
Diaspora Modern0
Becoming a Film Auteur: Chris Marker's Early Film Criticism0
The Transactional University and Student Protest0
Universal Prostitution: Francis Picabia's Diagrams of Proletarianization0
The Capital Diaries: A New Selection0
The Madness of the Gaze: for Hubert Damisch, in every light0
Anthony Vidler in Reverse0
Mondrian's Boogie Woogie0
Tacita Dean and the Air Outside0
Letter to Ken Jacobs0
Air Conditioner, or Revolutionary Cinema without a Future0
A Monochrome at Ukkusissaq: Pia Arke's Home-Rule Earthworks0
Imitate Baldessari: Artists, Teachers, and the Making of Conceptual Art0
Women on Walls: Projection, Anonymity, Envy, and Eileen Gray0
Kasper König (1943-2024)0
The Race for Appropriation: Blackness, Authorship, and Ligon on Mapplethorpe0
Serra and Us0
Dara Birnbaum (1946–2025)0
Picturing African Americans: A Frankfurt School Film Project0
Modernism in a Non-Melancholic Key0
Flat Depth: Pollock, Mondrian, and Seurat0
On Walter Benjamin's “Thirteen Theses Against Snobs”0
Anti-Manga: Sasaki Maki, Ishiko Junzō, and Avant-Garde Comics in Japan0
The Physiognomy of a Nation0
Certain Aspects of Bourgeois Art: Non-Intervention0
On Meme Work0
Line as Language, or, What Is Mel Bochner Translating?0
Machina Aesthetica: Impressions on Art in and out of the Machine Age0
The Reflex Republic: Physiologies of Art in the Early Soviet Union0
It Paints, It Eats0
MoMA Q&A0
Architecture, Poetry, and Everyday Life0
“Great Historians Are Biological Freaks”: Siegfried Kracauer's Philosophy of History0
Art Communities at Risk: Tbilisi0
A Conversation with Manuel Borja-Villel0
Introduction to Notes for Wavelength0
On Peter Weibel0
Broodthaers's Debt0
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