Cahiers Elisabethains

Article	Citations
Gender and foreignness in William Davenant's The Siege of Rhodes Parts One and Two (1656–1663)	1
The late- and post-Soviet trials of Hamlet in song, ballet, and opera	1
Book review: Shakespeare, Tragedy and Menopause: The Anxious Womb by Victoria L. McMahon	1
Performance Review: The Winter's Tale by Erica Whyman	0
The politics of jealousy and misogyny of Othello in Omkara	0
Book review: Viral Shakespeare: Performance in the Time of Pandemic by Pascale Aebischer Pascale Aebischer, Viral Shakespeare: Performance in the Time of Pandemic (Cambr	0
Shakespeare emerging from global lockdown: ‘What Country (Friends) is this?’	0
Performance review: Romeo & Juliet by Diane Paulus Romeo & Juliet, directed by Diane Paulus for American Repertory Theater, Cambridge, MA, USA, 20 September 2024	0
Book Review: Shakespeare's Accents: Voicing Identity in Performance by Sonia Massai	0
Performance review: The Changeling by Ricky Dukes	0
Celebrating Cahiers Élisabéthains’ 50th anniversary	0
Book review: Arden of Faversham by Catherine Richardson (ed.)	0
Becoming Lear: Shakespearean adaptation and the memory of performance	0
Book review: Index, A History of the: A Bookish Adventure from Medieval Manuscripts to the Digital Age by Dennis Duncan	0
Performance review: Hamlet by Selina Cadell Hamlet , directed by Selina Cadell for Mick Perrin Worldwide, Westbeth Entertainment, Eleanor	0
Performance review: Hamlet by Greg Hersov	0
The Mariangela Tempera award for Shakespeare on screen (European Shakespeare Research Association / Cahiers Élisabéthains)	0
On being contemporary: Shakespeare, inclusion and states of emergency	0
Performance review: I, Malvolio by Tim Crouch	0
Performance review: Henry V by Max Webster	0
Shakespeare and European geographies: Borders and power	0
Rival monarchs: The two versions of 2 Henry VI and 3 Henry VI	0
Performance review: Macbeth by Sioned Jones Macbeth, directed by Sioned Jones for Shakespeare in the Squares, St Giles Cripplegate Church, London, UK, 27 November 2024,	0
Performance review: Cymbeline by Esther Jun The 2024 Stratford, Ontario, Festival Shakespeare Plays: Cymbeline , directed by Esther Jun, T	0
Book Review: Revived with Care: John Fletcher's Plays on the British Stage by Peter Malin	0

Performance review: Twelfth Night by Owen Horsley Twelfth Night , directed by Owen Horsley for the Open Air Theatre, Regent's Park, London	0
Performance review: Antony and Cleopatra (BSL performance) by Blanche McIntyre Antony and Cleopatra (BSL performance), directed by Blanche	0
Performance review: Hamlet by Kenny Leon	0
Performance review: All's Well That Ends Well by Blanche McIntyre, Todd MacDonald, Hayley Pepler, and John Wyver	0
Survival strategies: Shakespeare and Renaissance truth-telling	0
As You Like It or As You Don’t: Shakespeare's Arden, Thomas More's Utopia, and their discontents	0
Performance review: Love's Labour's Lost by Emily Burns Love's Labour's Lost , directed by Emily Burns for the Royal Shakespeare Company,	0
Performance review: Richard III by Gregory Doran	0
The ‘(De)territorialising’ power of Cleopatra's barge: Plutarch, Shakespeare, and Mankiewicz	0
Editorial introduction: From Paradise to Padua	0
Performance review: King Lear by Kenneth Branagh	0
Book review: From Tudor to Stuart: The Regime Change from Elizabeth I to James I by Susan Doran DoranSusan, From Tudor to Stuart: The Regime Change from Elizabeth I to J	0
Performance review: The Merry Wives of Windsor by Blanche McIntyre The Merry Wives of Windsor , directed by Blanche McIntyre for the Royal	0
The Mariangela Tempera Award for Shakespeare on Screen (European Shakespeare Research Association / Cahiers Élisabéthains)	0
Book Review: Richard II: A Critical Reader by Michael Davies & Andrew Duxfield	0
Interview with Mervyn Millar, director and puppet designer	0
Performance review: As You Like It by Brendan O’Hea As You Like It , directed by Brendan O’Hea for the Royal Shakespeare Company, Holloway	0
Book review: The Works of John Webster: An Old-Spelling Critical Edition, vol. 4, ‘Sir Thomas Wyatt’, ‘Westward Ho, Northward Ho’, ‘The Fair Maid of the Inn’ by David Gunby, David Carnegie, and	0
Book review: Fool: In Search of Henry VIII’s Closest Man by Peter K. Andersson Peter K.Andersson, Fool: In Search of Henry VIII’s Closest Man (Princeton: Princeton Unive	0
Performance review: A Midsummer Night's Dream by Michelle Terry	0
Performance review: Richard III by Elle While Richard III , directed by Elle While for Shakespeare's Globe, London, UK, 19 June 2024, midd	0
The Stratford Festival: Emerging from global lockdown	0
The ‘pre-Shakespearean’ balcony and outdoor spaces from the European sources to Romeo and Juliet	0
Performing The Maid's Metamorphosis , then and now	0
Performance review: Henry VIII by Kazuko Matsuoka	0
Book Review: The Genres of Renaissance Tragedy by Daniel Cadman, Andrew Duxfield and Lisa Hopkins	0
Performance review: A Midsummer Night's Dream by Yevhen Reznichenko	0
Performance review: The Duchess of Malfi by Rachel Bagshaw John Webster, The Duchess of Malfi , directed by Rachel Bagshaw for Shakespeare	0
Book Review: The Merchant of Venice: A Critical Reader by Sarah Hatchuel and Nathalie Vienne-Guerrin	0
Book review: Shakespeare’s Others in 21st-century European Performance: The Merchant of Venice and Othello by Boika Sokolova and Janice Valls-Russell (eds)	0
Performance review: Henry VI: Wars of the Roses by Owen Horsley	0
Guignol parodies Shakespeare: A case study of Guignol et Juliette and Hamlet by Pierre Rousset	0
The liminality of the garden: A comparative study of Shakespeare's Romeo and Juliet and Tang Xianzu's The Peony Pavilion	0
Becoming a good wife: Nature and habits in Paduan medical culture in the age of Shakespeare	0
Timon and Melancholia	0
Performance review: Play On!	0
Performance review: Much Ado about Nothing by Robert Hastie	0
Book review: Milton, Longinus and the Sublime in The Seventeenth Century , Classical Presences Series by Thomas Matthew Vozar ThomasMatthew Vozar, Milton, Longinus and t	0
Shakespeare in the spotlight of Montpellier's National Dramatic Centre	0
Performance review: Tomio to Yuriko (based on Romeo and Juliet) by Suemitsu Kenichi	0
Performance review: Macbeth by Yaël Farber	0
The Lord Mayor's Show for 1621 and 2021: Reconstructing a Triumph	0
Interview with Kimberley Sykes, director of As You Like It (2019) for the Royal Shakespeare Company	0
Performance review: The Taming of the Shrew by Jude Christian The Taming of the Shrew , directed by Jude Christian for Shakespeare's Globe	0
Performance review: A Midsummer Night's Dream by Elle While	0
Utopian corporeality and movement in William Shakespeare's The Rape of Lucrece	0
Book review: II Teatro e la Nazione by Cristiano Ragni	0
Book review: 'Tis Pity She’s a Whore by John Ford John Ford, 'Tis Pity She’s a Whore , edited by Martin White, The Revels Plays (Mancheste	0
Performance review: Othello by Clint Dyer	0
Performance Review: Gallathea by John Lyly	0

Edmund Spenser as Promethean poet: critical issues and the role of magic and Platonism in The Faerie Queene	0
Green plots, hawthorn brakes, and an ass’s nole: Imaginative translation in A Midsummer Night's Dream	0
Book review: The Oxford Handbook of Shakespeare and Dance by Lynsey McCulloch and Brandon Shaw	0
Performance review: As You Like It by Omar Elerian	0
Performance review: Much Ado about Nothing by Sean Holmes Much Ado about Nothing , directed by Sean Holmes for Shakespeare's Globe, London	0
Performance review: The Merchant of Venice by Abigail Graham	0
‘A Pope Shut out of Heaven Gates (Thrice)’: Erasmus’ Julius as a tool of anti-Catholic propaganda in early modern England	0
Performance review: The Tragedy of Richard III by Oisín Kearney The Tragedy of Richard III, directed by Oisín Kearney for The Lyric Theatre, Belfast, UK, 10–11 November	0
‘Fairest show’: Dramatic entrapment in Macbeth and Measure for Measure	0
Artifice and animality in The Tempest: Imagining Caliban	0
Performance review: Fat Ham by James Ijames	0
Following Puck virtually in the Royal Shakespeare Company's Dream experiment: Live theatre and high-tech innovations	0
The Maid's Metamorphosis , Directed by Perry Mills for Edward's Boys, Stratford-upon-Avon, UK The Maid's Metamorphosis , directed by Perry Mills for E	0
Book review: Floral Culture and the Tudor and Stuart Courts by Susannah Lyon-Whaley (ed.) SusannahLyon-Whaley (ed.), Floral Culture and the Tudor and Stuart Courts (Amst	0
Performance review: Pericles by Tamara Harvey Pericles , directed by Tamara Harvey for the Royal Shakespeare Company, Swan Theatre, Stratf	0
‘Moving grove’: Dionysian rites of passage in Shakespeare's A Midsummer Night's Dream and Macbeth	0
Shakespearean comedy and Japanese (wo)men's Shakespeare: A refraction for the twenty-first century	0
Book review: The Shakespearean Death Arts: Hamlet Among the Tombs by William E. Engel and Grant Williams (eds)	0
How can we make Shakespeare more accessible in Japan?	0
The Acidale test: Spenser’s jettisoning of Sidney as poetic authoriser	0
Performance review: The Witch of Edmonton by Thomas Dekker, William Rowley, and John Ford	0
Performance review: The Fawn; or Parasitaster by John Marston	0
‘I have aym’d my black shafts at white markes’: Colours in The Queen of Corinth	0
Book review: Spenserian Moments by Gordon Teskey	0
‘When Shakespeare was quarantined because of the plague, he wrote King Lear’: Theatre and Shakespeare in Spain during the Covid-19 crisis	0
Fairies, marionettes, and Shakespeare: The making of Colla's A Midsummer Night's Dream	0
Padua and Venice: The first complete translations of Shakespeare's plays	0
An introduction to the Padua First Folio	0
Performance review: As You Like It by Laurie Sansom	0
Book review: Shakespeare on European Festival Stages by Nicoleta Cinpoeş, Florence March and Paul Prescott (eds)	0
The Stratford Festival: Emerging from global lockdown	0
Book review: Searching for Juliet: The Lives and Deaths of Shakespeare’s First Tragic Heroine by Sophie Duncan DuncanSophie, Searching for Juliet: The Lives and Deaths o	0
The background of The Shrew : Texts and intertexts	0
Shakespeare, national memory, and tourist place: Gyula's Várszínház Festival	0
Performance review: The Comedy of Errors by Phillip Breen	0
Performance review: Galatea by John Lyly	0
Book review: Shakespeare and Disability Studies by Sonya Freeman Loftis	0
Erratum to ‘The theatre of the confused: Tokyo’	0
Performance review: The Merchant of Venice 1936 by Brigid Larmour and Tracy-Ann	0
Titus Andronicus and the wicked streets of Rome	0
Rome's space of plurality	0
Book review: Serial Shakespeare: An Infinite Variety of Appropriations in American TV Drama by Elisabeth Bronfen	0
Book review: King Lear ‘after’ Auschwitz: Shakespeare, Appropriation and Theatres of Catastrophe in Post-War British Drama by Richard Ashby	0
Performance review: Roméo et Juliette Suite by Benjamin Millepied	0
Shylock’s ghosts	0
Performance review: Hamlet by John Haidar	0
Grammatical expressions of time in Macbeth	0
In the peep box of satire: Johann Friedrich Schink's Prinz Hamlet von Dännemark	0
Book exchange and Anglo-Italian relations in the Padua circle of Reginald Pole and Niccolò Leonico Tomeo	0
Performance Review: Romeo and Juliet by Natasha Rickman	0
Performance review: Bosworth Field by John Beaumont	0
Performance review: Much Ado about Nothing by Megan Sandberg-Zakian	0
‘More like a tavern than a school house’: Family strife, religious change, and the founding of Oundle Grammar School, 1556–1578	0
‘ Enter several strange shapes ’ ( The Tempest 3.3.18SD): Puppets in Footsbarn Travelling Theatre’s productions of Shakespeare	0
Erratum to ‘Macbeth’	0
‘The finny subject of the sea’: Thaisa's pregnant embodiment and (non)maternal identity in Pericles	0
Book review: The Book Makers: A History of the Book in 18 Remarkable Lives , The Bodley Head by Adam Smyth AdamSmyth, The Book Makers: A History of the Book in 18 Remark	0
‘Something rich and strange’: Translating Shakespeare's poetry into Japanese	0
Book Review: Performing Early Modern Drama Beyond Shakespeare: Edward's Boys by Harry R. McCarthy	0
Shakespearean playscripts as literary works: A performance edition of King Lear published by the Budapest National Theatre	0
‘Speak of me as […]’: Refashioning geographies of monstrosity in Othello	0
Book review: Shakespeare's Military Spouses and Twenty-First-Century Warfare by Kelsey Ridge	0
Book Review: The Cambridge Companion to Shakespeare on Screen by Russell Jackson	0
Performance review: Much Ado about Nothing by Roy Alexander Weise	0
Performance review: Kiss Me, Kate by Bartlett Sher Kiss Me, Kate , directed by Bartlett Sher for the Barbican Theatre, London, UK, 5 June	0
Performance Review: Romeo and Juliet by Simon Godwin	0
The brightest star: The Meisei Shakespeare Collection	0
Performance review: The Tempest by Tom Littler	0
Performance review: The Merchant of Venice 1936 by Brigid Larmour and Tracy-Ann Oberman	0
‘Of counsel with [m]y mistress’: The mistress–servant alliance in Thomas Middleton and William Rowley's The Changeling (1622)	0
The theatre of the confused: Tokyo	0
Introduction: Performing Shakespeare with puppets	0
Performance review: The Duchess of Malfi by Marc Erlhöfer John Webster, The Duchess of Malfi , directed by Marc Erlhöfer for the Bonn Univ	0
Performance review: The Taming of the Shrew by Christopher V. Edwards	0
The ‘strange and dangerous Poynado’ of Georges Villiers, Duke of Buckingham: Weaponry, propaganda, and political identity	0
Performance review: Michaelmas Term by Thomas Middleton	0
On the staging of Macbeth	0
Performance review: A Midsummer Night’s Dream by Shoichiro Kawai	0
Foreword: The Maid's Metamorphosis : A revival on page and stage	0
Book review: From the Domesday Book to Shakespeare’s Globe: The Legal and Political Heritage of Elizabethan Drama by Dominique Goy-Blanquet Goy-BlanquetDominique, From t	0

Of imaginings, mobility and mapping	0
The artfulness of historical playwriting in Richard III: Shakespeare and English Tacitism	0
Performance review: A Midsummer Night's Dream by Eleanor Rhode A Midsummer Night's Dream , directed by Eleanor Rhode for the Royal Shakesp	0
Performance review: The Winter's Tale by Bryn Boice The Winter's Tale , directed by Bryn Boice for Commonwealth Shakespeare Company, Parkm	0
Book review: Shakespeare and Commemoration by Clara Calvo and Ton Hoenselaars	0
Performance review: The Comedy of Errors by Simon Godwin The Comedy of Errors, directed by Simon Godwin for Shakespeare Theatre Company, Washington, DC, USA, 15 Septembe	0
Performance review: Macbeth by Stephen Maler	0
Performance Review: Romeo and Juliet by John Cranko	0
Shakespeare and sonnet form	0
Performance review: King Lear by Kimberley Rampersad	0
‘Tried and tutord in the world’: Shakespeare, Padua, and the figure of the traveller	0
Book Review: Shakespeare and Crisis: One Hundred Years of Italian Narratives by Silvia Bigliazzi	0
Performance review: Richard III by Elle While Richard III, directed by Elle While for Shakespeare's Globe, London, UK, 3 July 2024, lower	0
Afterword: Shakespeare's attitude to puppets	0
Performance review: Macbeth by Max Webster	0
Performance review: The Tempest by Sioned Jones	0
Roman walls in English Renaissance writing	0
On Pulchi Shake and Spear : An interview with Bruno Leone	0
Book review: Household Servants in Early Modern Domestic Tragedy by Iman Sheeha	0
Before Shakespeare, during the Renaissance: John Tiptoft, Earl of Worcester (d. 1470) and the uses of Padua	0
Book review: Richard III’s Bodies From Medieval England to Modernity: Shakespeare and Disability History by Jeffrey R. Wilson	0
Jean Aicard, ‘Molière à Shakespeare’, 1879: Introduction	0
Men's lovesickness in Iberian chivalric romances in English: Anthony Munday's Palmendos (1589) and Primaleon of Greece, Book 1 (1595)	0
Interview with Stephan Wolfert on Shakespeare, trauma, and mapping affective theatre communities	0
Performance review: A Midsummer Night’s Dream by Shoichiro Kawai	0
Performance review: Twelfth Night by Prasanna Puwanarajah Twelfth Night, directed by Prasanna Puwanarajah for the Royal Shakespeare Theatre, Royal Shakespeare Company, S	0
Foreword: Japan and Shakespeare: Acceptance and transformations in the twenty-first century	0
Performance review: The Tempest by Elizabeth Freestone	0
Performance review: Henry VI: Rebellion by Owen Horsley	0
Performance review: Coriolanus by A. Nora Long	0
Performance review: All's Well That Ends Well by Sioned Jones All's Well That Ends Well, directed by Sioned Jones for Shakespeare in the S	0
Book review: Shakespeare, Violence and Early Modern Europe by Andrew Hiscock HiscockAndrew, Shakespeare, Violence and Early Modern Europe (Cambridge: Cambridge Universit	0
Misanthropos in the Anthropocene	0
Mohamed Iffat's Arabic translation of Macbeth (1911)	0
The Japanese preoccupation with Osamu Dazai in the twenty-first century	0
Performance review: All's Well That Ends Well by Sioned Jones All's Well That Ends Well , directed by Sioned Jones for, Shakespeare in the	0
Performance Review: Dream by Robin McNicholas	0
Book Review: Shakespeare, Objects and Phenomenology: Daggers of the Mind by Susan Sachon	0
The Taming of the Shrew , or, on not knowing Italian (and Latin, and Spanish, and French)	0
Book review: Shakespeare on the Ecological Surface by Liz Oakley-Brown LizOakley-Brown, Shakespeare on the Ecological Surface (London: Routledge, 2024), 264 pp., ISBN 97	0
Book review: John Hall, Master of Physicke: A Casebook from Shakespeare’ Stratford by Greg Wells and Paul Edmondson (eds)	0
Shylock as Jew-voice: Rhetorical listening and identifications in The Merchant of Venice	0
Digital Asian Shakespeare Festival, 11th World Shakespeare Congress, Singapore, 18–24 July 2021	0
A gender-fluid Midsummer Night's Dream : Interview with Jean-Michel d’Hoop, stage director and founder of Cie Point Zéro, Brussels	0
Book review: Studying Shakespeare Adaptation: From Restoration Theatre to YouTube by Pamela Bickley and Jenny Stevens	0
Whose tragedy is this? Translating Arden of Faversham	0
Miracles of contingency: Pericles as a drama of possibility	0
Performance review: Cymbeline by Gregory Doran	0
Performance review: Amlet by Guy Cimino	0
Nature's artfulness in Dryden and Davenant’s The Tempest, or The Enchanted Island (1667)	0
The First Folio and the merchants of Venice: A collection of books from the natio Anglica in Padua	0
Book review: Sir Kenelm Digby (1603–1665) by Anne-Laure de Meyer	0
Shakespeare at the Edinburgh Fringe Festival 2024 Shakespeare at the Edinburgh Fringe Festival 2024: Henry V , Ghost Light Players, Space @ Niddrey Street, 13 August 202	0
‘Taking the car engine apart and show[ing] all the bits’: Adapting Shakespeare for the contemporary British puppet stage	0
The influence of the Noh play Tamura on Akira Kurosawa's Throne of Blood	0
Becoming Cleopatra	0
Performance review: Hamnet by Lolita Chakrabarti	0
Performance review: Hamlet by Sean Mathias	0
Failing, to find the maid: Staging The Maid's Metamorphosis	0
Performance review: Macbeth by Simon Godwin Macbeth , directed by Simon Godwin for Dock X, London, UK, 16 March 2024, front stalls, stage	0
Performance review: The Tempest by Jamie Lloyd The Tempest, directed by Jamie Lloyd for the Theatre Royal Drury Lane, London, UK, 21 January 2025, royal circle.	0
Performance Review: The Duchess of Malfi by John Webster	0
Performance review: King Lear by Helena Kaut-Howson	0
Book review: England’s Insular Imagining: The Elizabethan Erasure of Scotland by Lorna Hutson LornaHutson, England’s Insular Imagining: The Elizabethan Erasure of Scotla	0
Republican friendship and the fall of the Roman Republic in late Elizabethan and early Jacobean drama	0
Performance review: Baby Macbeth by Agnès Limbos Baby Macbeth , directed by Agnès Limbos for the Compagnie Gare Centrale in association wi	0
Performance review: The Duchess of Malfi by John Webster	0
Performance review: Twelfth Night by Sioned Jones	0
Book review: Cowboy Hamlets and Zombie Romeos: Shakespeare in Genre Film by Kinga Földváry	0
Shakespearean bodies in movement: Central and Eastern European and American echoes on dance stages	0
Performance review: Trust Me, I’m a Doctor! Or, Faites-moi Confiance, Je Suis Médecin ! by Perry Mills	0
Shakespeare's Italian place-myths: The Padua–Verona–Mantua nexus	0
Hot Shakespeare, Cool Japan: Editorial introduction	0
Editorial introduction: ‘The art itself is nature’: Shakespeare’s nature | art | politics	0
Making theatre from the debris of The Tempest : La Tempête de Caliban , a monologue for an actor-puppeteer and a foley artist partner	0
Book review: Arden of Faversham: A Critical Reader , Arden Early Modern Drama Guides by Peter Kirwan and Duncan Salkeld (eds) Peter Kirwan and Duncan Salkeld (eds), Arde	0
Macbeth apropos to Rupert Goold's and Gregory Doran's stagecraft: Equivocation, violence, and vulnerability	0
New perspectives on Anglo-Spanish diplomacy in the early modern era	0
Mapping violence onto the body of the ‘other’ in Julie Taymor's Titus (1999)	0
Performance review: Richard III by Antoni Cimolino	0
Prisoners of the womb: Pregnant prisoners in William Shakespeare's The Winter's Tale and Measure for Measure	0
‘Why I should welcome such a guest as grief [?]’: Lodging and dislodging in Shakespeare's Richard II	0
Book review: Thomas Heywood and the Classical Tradition by Tania Demetriou and Janice Valls-Russell	0
Performance review: All’s Well That Ends Well by Chelsea Walker All’s Well That Ends Well, directed by Chelsea Walker for the Sam Wanamaker Playhouse, Shakespeare’s Glob	0
Performance review: Sophonisba by John Marston	0
Fissured legacies in Roysten Abel's In Othello	0
Reinventing Shakespeare in the puppet booth: dramaturgical experiments with glove puppets in Northern Italy	0
Book review: Early Modern Women Writers Engendering Descent: Mary Sidney Herbert, Mary Sidney Wroth, and Their Genealogical Cultures, Routledge Studies in Renaissance Literature and Cul	0
Performance review: Macbeth by Wils Wilson	0
Book review: Shakespeare’s Liminal Spaces: Contesting Authority on the Early Modern Stage by Ben Haworth HaworthBen, Shakespeare’s Liminal Spaces: Contesting Authority o	0
Performance review: Mariam by Elizabeth Cary	0
Shakespeare's wavering geography: Religious topographia in Cymbeline	0
In Memoriam Jean-Marie Maguin (1943–2022)	0
Book Review: Fulke Greville and the Culture of the English Renaissance by Russ Leo, Katrin Röder and Freya Sierhuis	0
Book review: John Heywood: Comedy and Survival in Tudor England by Greg Walker	0