Journal of Popular Film and Television

Papers
(The TQCC of Journal of Popular Film and Television is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-04-01 to 2025-04-01.)
ArticleCitations
BLOOD ON THE LENS: TRAUMA AND ANXIETY IN AMERICAN FOUND FOOTAGE HORROR CINEMA. By Shellie McMurdo. Edinburgh: Edinburgh University Press, 2022. 256 pp. $110.00 hardcover and ebook.4
POVERTY IN AMERICAN POPULAR CULTURE. Ed. Wylie Lenz. McFarland, 2020. 274 pp. including index. $55.00 paper.4
Noir and Exilic Cinema: Fritz Lang’sFury, Trauma, and the German Critique3
50 Years of “First Frame” Fundamentals: Remembering a Half-Century of Editing The Journal of Popular Film and Television3
To the Truth, to the Light: Genericity and Historicity in Babylon Berlin3
Melancholic Grief and the Psychic Experience of Reproductive Loss in Emma Tammi’s The Wind (2018)2
CRIME IN TV, THE NEWS, AND FILM: MISCONCEPTIONS, MISCHARACTERIZATIONS, AND MISINFORMATION By Beth E. Adubato, Nicole M. Sachs, Donald F. Fizzinoglia, and John M. Swiderski. Lexington Books, 2022. 232 2
BLACK WOMEN AND THE CHANGING TELEVISION LANDSCAPE By Lisa M. Anderson. Bloomsbury Academic, 2023. 165 pp. $20.65 paperbackBLACK WOMEN AND THE CHANGING TELEVISION LANDSCAPE By Lisa M. Anderson. Bloomsb2
Recreating 1969 Los Angeles in Once Upon a Time… in Hollywood2
Reframing the Dowager: Nostalgia in Downton Abbey2
James Cameron’sAvatarand the Filmic Legacy of the White Hunter1
Mapping Imperialist Movement in Postmodern Horror Film Midsommar1
THE BIONIC WOMAN AND FEMINIST ETHICS: AN ANALYSIS OF THE 1970s TELEVISION SERIES By David Greven. McFarland, 2020. 178 pp. $39.95 softcover.1
The Geri-Actions of the Aging Amitabh Bachchan1
TOO OLD FOR THIS SH*T: Aged Action Heroes, Affect, and “the Economy of Exertion”1
Viral Representations in Pose (2018–2021)0
The Appeal of WIP-ped Flesh: Jess Franco’s99 Women(1968) at the Box Office0
QUEER HORROR FILM AND TELEVISION: SEXUALITY AND MASCULINITY AT THE MARGINS. By Darren Elliott-Smith. London: Bloomsbury Academic, 2022. 252 pp. £28.99. Paperback.0
WOMEN MAKE HORROR: FILMMAKING, FEMINISM, GENRE. Edited by Alison Peirse. Rutgers UP, 2020. 270 pp. $29.95 paper.0
Making It So: A Memoir0
Disney Does Disney: Re-Releasing, Remaking, and Retelling Animated Films for a New Generation0
HOLLYWOOD AT THE RACES: FILM’S LOVE AFFAIR WITH THE TURF. By Alan Shuback. UP of Kentucky, 2019. 278pp. $34.36 softcover.0
The Dead Don’t Die: Genre, Parody, and the Failure of the American Zombie as an Agent of Social Change0
Time-travel Tragedy: Netflix’s Dark and Athenian Drama0
WOMEN IN THE WESTERN Ed. Sue Matheson. Edinburgh: Edinburgh UP, 2020. 360 pp. $110.00 hardcover.0
Stranger Teens: Eleven Transforms the Monstrous Symbolism of Adolescence through a Contemporary Narrative Arc0
Geriaction Cinema: Introduction0
EXPLORING STAR TREK: VOYAGER: CRITICAL ESSAYS Ed. Robert L. Lively. McFarland, 2020. 278 pp. $39.95 paper.0
RAPE IN PERIOD DRAMA TELEVISION: CONSENT, MYTH, AND FANTASY. By Katherine Byrne and Julie Anne Taddeo. Lexington Books, 2022. 134 pp. $95.00 hardback, $45.00 ebook.0
The Empire of Effects: Industrial Light & Magic and the Rendering of Realism0
Bearing Children, Burying Childhood: An Allegory of Reproductive Rights in The Wizard of Oz (1939)0
SCREENING CHARLES DICKENS: A SURVEY OF FILM AND TELEVISION ADAPTATIONS. By William Farina. McFarland, 2022. 235 pp including index. $39.95 paper.SCREENING CHARLES DICKENS: A SURVEY OF FILM AND TELEVIS0
AFFECTIVE INTENSITIES AND EVOLVING HORROR FORMS: FROM FOUND FOOTAGE TO VIRTUAL REALITY By Adam Daniel. Edinburgh: Edinburgh UP, 2020. 232 pp. $105 hardback, $24.95 paper, $27.95 ePub.0
THE BRITISH TRAUMA FILM: PSYCHOANALYSIS AND POPULAR BRITISH CINEMA IN THE IMMEDIATE AFTERMATH OF THE SECOND WORLD WAR. By Adam Plummer. Bloomsbury Academic, 2023. 240 pp. $108 hardcover.THE BRITISH TR0
THE PROXIMITY OF OTHER SKINS: ETHICAL INTIMACY IN GLOBAL CINEMA By Celine Parreñas Shimizu. New York: Oxford University Press, 2020. 264 pp. $39.95 paper.0
The Defenders’ Abortion Case: Revisiting a Television Controversy0
BETTER LIVING THROUGH TV: CONTEMPORARY TV AND MORAL IDENTITY FORMATION. Ed. Steven A. Benko. Lanham, MD: Lexington Books, 2022. 352 pp. $120.00 hardback/$45.00 eBook.0
THE STRUGGLE BEHIND THE SOUNDTRACK: INSIDE THE DISCORDANT NEW WORLD OF FILM SCORING By Stephan Eicke. McFarland, 2019. 227 pp. $45.00 paper.0
The Drive-In: Outdoor Cinema in 1950s America and the Popular Imagination.0
Normal People (2020) and the New Post-Celtic Irish Man0
SINGLE LIVES: MODERN WOMEN IN LITERATURE, CULTURE, AND FILM. Edited by Katherine Fama and Jorie Lagerwey. Rutgers UP, 2022. 240 pp. including bibliography and index. $36.95 softbound.0
Staying Human: Jon Batiste as Acousmêtre on The Late Show with Stephen Colbert0
Algorithmic Intimacy, Prosthetic Memory, and Gamification inBlack Mirror0
Liminality in The Naked Prey and Run for the Sun0
THE BLOOMSBURY COMPANION TO STANLEY KUBRICK. Edited by I. Q. Hunter and Nathan Abrams. Bloomsbury Academic, 2022. 396 pp. $39.95 paperback.0
Forgettable Tales of a Forgotten War: Narrative, Memory, and the Erasure of the Korean War in American Cinema0
AMERICAN BLOCKBUSTER: MOVIES, TECHNOLOGY, AND WONDER By Charles R. Acland. Duke University Press, 2020. 400 pp. $29.95 paper.0
Dark Shadows: Monster Culture on Daytime Television0
Simulating the Past in the Present through Biopics: Queen Elizabeth II on Screen and on TV0
Negative, Nonsensical, and Non-Conformist: The Films of Seijun Suzuki0
Make America Hate Again? The Politics of Vigilante Geriaction0
Casting Black Athenas: Black Representation of Ancient Greek Goddesses in Modern Audiovisual Media and Beyond0
“Guns Go in the Cookie Jar”: Parody, Nostalgia, and the Post-Hardware Heroine0
Autism in Film and Television: On the Island0
“She’s Got Gaps, I’ve Got Gaps”: A Neurodiversity Reading of Rocky (1976)0
The Land of Wolves: Of Wolves, Sheep, and Sheepdogs in Taylor Sheridan’s “Modern American Frontier Trilogy”0
SHOCKING CINEMA OF THE 70S. Eds. Xavier Mendik and Julian Petley. Bloomsbury Academic, 2022. 326 pp. £76.50/$95 hardbackSHOCKING CINEMA OF THE 70S. Eds. Xavier Mendik and Julian Petley. Bloomsbury Aca0
Contemporary Disney Animation: Genre, Gender and Hollywood0
HORRIBLE WHITE PEOPLE: GENDER, GENRE, AND TELEVISION’S PRECARIOUS WHITENESS. By Taylor Nygaard and Jorie Lagerwey. New York University Press, 2020. 272 pp. $89.00 cloth.0
Reflections on Mortality: The Imagery of Mirrors in Clint Eastwood’s Gran Torino0
HBO’s Watchmen and Generic Revision in a Genre of Adaptation0
COLD WAR FILM GENRES Edited by Homer B. Pettey. Edinburgh UP, 2018. 280 pp. $110 hardcover.0
“Sex Had Nothing to Do with It”: Mae West as Mentoring Icon0
Abandon All Hope Ye Who Enter…High School? Dante's Commedia and Buffy the Vampire Slayer0
Machines in the Garden: De-Gothicizing the American Pastoral in Tales from the Loop0
SEE! HEAR! CUT! KILL! EXPERIENCING FRIDAY THE 13TH By Wickham Clayton. Jackson: U Mississippi P, 2020. 238 pp. $30.00 paper.0
Oedipal Anxieties in HBO’s Westworld0
Failed dreams, fresh beginnings: A conversation with Jason Karman on Golden Delicious0
Heroes Never Sweat the Small Stuff: Fortuna in The CW’sSupernatural0
Cuban Television Police Series 1969–1981: A Weapon for the Revolution0
Transcultural Comedy in Man Like Mobeen (2017-2023): How the BBC is Merging “Us”/“Them.”0
The Representation of Urban Surface Culture in Asphalt (1929)0
Whose Century? Narrative Power in Streaming Alternate-History Television0
#WokeTV Beyond the Hashtag: One Day at a Time and The Baby-Sitters Club as Woke Classic Television0
All the (West)World’s a Stage: HBO’s Westworld as Metatext—Intertextuality, Genre, Seriality, Format0
Living “On the Edge”: A Conversation with Matteo Sanders and Tobias Resch0
Measures of Success: Competing Masculinities in Cobra Kai0
Chinese Film in the Twenty-First Century: Movements, Genres, Intermedia0
Introduction: The Ancient Classical World from Film to Television0
YOU’RE NICKED: INVESTIGATING BRITISH TELEVISION POLICE SERIES. By Ben Lamb. Manchester UP, 2020. 232 pp. $120 hardcover.0
HOLLYWOOD HATES HITLER! JEW-BAITING, ANTI-NAZISM AND THE SENATE INVESTIGATION INTO WARMONGERING IN MOTION PICTURES By Chris Yogerst. Jackson: U P of Mississippi, 2020. 208 pp. $25.00 paper.0
American Television’s Live Coverage of the 9/11 Attacks: Journalism on the Screen0
What a Desirable Woman Is Like: Hsia Moon and the Cultural Agenda of Leftist Film Companies in Hong Kong, 1951–19660
Watching Game of Thrones : How Audiences Engage with Dark Television0
Class, Identity, and Finding the Right Wine in Schitt’s Creek : A Place to Love .0
CONTEMPORARY HOLLYWOOD ANIMATION: STYLE, STORYTELLING, CULTURE AND IDEOLOGY SINCE THE 1990S. By Noel Brown. Edinburgh UP, 2021. 232 pp. $100 hardcover, $24.95 paperback (forthcoming).0
ALINE MACMAHON: HOLLYWOOD, THE BLACKLIST, AND THE BIRTH OF METHOD ACTING. By John Stangeland. UP of Kentucky, 2022. 340 pp. $40.00 (hardcover).ALINE MACMAHON: HOLLYWOOD, THE BLACKLIST, AND THE BIRTH O0
BLOODY WOMEN: WOMEN DIRECTORS OF HORROR Eds. Victoria McCollum and Aislinn Clarke. Lehigh UP and Rowman & Littlefield, 2022. 244 pp. £ 100.00 hardcoverBLOODY WOMEN: WOMEN DIRECTORS OF HORROR. By V0
From Mrs. G. to Marmee:The Facts of LifeandLittle Women0
Toward a Civil Society: Bernarr Cooper and the Bureau of Mass Communications of the New York State Education Department0
Dirty Real: Exile on Hollywood and Vine with the Gin Mill Cowboys0
The Clothes Make the Woman: How Fashion Informs the Comedic Identity of Schitt’s Creek ’s Moira Rose0
Television Trends, 2016–2020: Authenticity, Diversity, Sexual Candor, and Retrospection0
THE STREAMING OF HILL HOUSE: ESSAYS ON THE HAUNTING NETFLIX ADAPTATION Ed. Kevin J. Wetmore, Jr. Jefferson: Mcfarland & Company, 2020. 282 pp. $39.95 paper.0
THE GOLDEN AGE MUSICALS OF DARRYL F. ZANUCK: THE GENTLEMAN PREFERRED BLONDES. By Bernard F. Dick. Mississippi UP, 2022. 320 pp. $35.00 clothTHE GOLDEN AGE MUSICALS OF DARRYL F. ZANUCK: THE GENTLEMAN P0
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