Journal of Popular Film and Television

Papers
(The TQCC of Journal of Popular Film and Television is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-08-01 to 2025-08-01.)
ArticleCitations
The Female Avenger, Women’s Anger and Rape-Revenge Film and Television5
WOMEN IN THE WESTERN Ed. Sue Matheson. Edinburgh: Edinburgh UP, 2020. 360 pp. $110.00 hardcover.4
SEE! HEAR! CUT! KILL! EXPERIENCING FRIDAY THE 13TH By Wickham Clayton. Jackson: U Mississippi P, 2020. 238 pp. $30.00 paper.3
SINGLE LIVES: MODERN WOMEN IN LITERATURE, CULTURE, AND FILM. Edited by Katherine Fama and Jorie Lagerwey. Rutgers UP, 2022. 240 pp. including bibliography and index. $36.95 softbound.3
Chinese Film in the Twenty-First Century: Movements, Genres, Intermedia2
THE BRITISH TRAUMA FILM: PSYCHOANALYSIS AND POPULAR BRITISH CINEMA IN THE IMMEDIATE AFTERMATH OF THE SECOND WORLD WAR. By Adam Plummer. Bloomsbury Academic, 2023. 240 pp. $108 hardcover.THE BRITISH TR2
The Clothes Make the Woman: How Fashion Informs the Comedic Identity of Schitt’s Creek ’s Moira Rose1
Hollywood’s Monstrous Moms: Vilifying Mental Illness in Horror Films The Sinful Maternal: Motherhood in Possession Films1
50 Years of “First Frame” Fundamentals: Remembering a Half-Century of Editing The Journal of Popular Film and Television1
The Cinematic Boogeyman: From The Fairytale To The Slasher Film1
Staying Human: Jon Batiste as Acousmêtre on The Late Show with Stephen Colbert1
To the Truth, to the Light: Genericity and Historicity in Babylon Berlin1
Derivative Media: How Wall Street Devours Culture1
Uncomfortable Television1
Abandon All Hope Ye Who Enter…High School? Dante's Commedia and Buffy the Vampire Slayer1
Transcultural Comedy in Man Like Mobeen (2017-2023): How the BBC is Merging “Us”/“Them.”0
HBO’s Watchmen and Generic Revision in a Genre of Adaptation0
THE STREAMING OF HILL HOUSE: ESSAYS ON THE HAUNTING NETFLIX ADAPTATION Ed. Kevin J. Wetmore, Jr. Jefferson: Mcfarland & Company, 2020. 282 pp. $39.95 paper.0
Hong Kong Crime Films: Criminal Realism, Censorship, and Society, 1947–19860
From Mrs. G. to Marmee:The Facts of LifeandLittle Women0
Watching Game of Thrones : How Audiences Engage with Dark Television0
WOMEN MAKE HORROR: FILMMAKING, FEMINISM, GENRE. Edited by Alison Peirse. Rutgers UP, 2020. 270 pp. $29.95 paper.0
American Television’s Live Coverage of the 9/11 Attacks: Journalism on the Screen0
Dark Shadows: Monster Culture on Daytime Television0
Reframing the Dowager: Nostalgia in Downton Abbey0
Failed dreams, fresh beginnings: A conversation with Jason Karman on Golden Delicious0
Whose Century? Narrative Power in Streaming Alternate-History Television0
THE BLOOMSBURY COMPANION TO STANLEY KUBRICK. Edited by I. Q. Hunter and Nathan Abrams. Bloomsbury Academic, 2022. 396 pp. $39.95 paperback.0
HORRIBLE WHITE PEOPLE: GENDER, GENRE, AND TELEVISION’S PRECARIOUS WHITENESS. By Taylor Nygaard and Jorie Lagerwey. New York University Press, 2020. 272 pp. $89.00 cloth.0
RAPE IN PERIOD DRAMA TELEVISION: CONSENT, MYTH, AND FANTASY. By Katherine Byrne and Julie Anne Taddeo. Lexington Books, 2022. 134 pp. $95.00 hardback, $45.00 ebook.0
Forgettable Tales of a Forgotten War: Narrative, Memory, and the Erasure of the Korean War in American Cinema0
The Dead Don’t Die: Genre, Parody, and the Failure of the American Zombie as an Agent of Social Change0
“Sex Had Nothing to Do with It”: Mae West as Mentoring Icon0
Mapping Imperialist Movement in Postmodern Horror Film Midsommar0
Autism in Film and Television: On the Island0
Daughters of the Dust : Rephrasing the African American Experience in Julie Dash’s Film and Novel of the Same Name0
Saving Desdemona, Celebrating State Feminism: Othello in Popular Postcolonial Egyptian Cinema0
The Empire of Effects: Industrial Light & Magic and the Rendering of Realism0
Introduction: The Ancient Classical World from Film to Television0
Oedipal Anxieties in HBO’s Westworld0
Heroes Never Sweat the Small Stuff: Fortuna in The CW’sSupernatural0
BLOOD ON THE LENS: TRAUMA AND ANXIETY IN AMERICAN FOUND FOOTAGE HORROR CINEMA. By Shellie McMurdo. Edinburgh: Edinburgh University Press, 2022. 256 pp. $110.00 hardcover and ebook.0
Cinematic Rupture: The Growing Pains of Superhero Comics Remediation0
The Representation of Urban Surface Culture in Asphalt (1929)0
“Guns Go in the Cookie Jar”: Parody, Nostalgia, and the Post-Hardware Heroine0
Decline and Reimagination in Cinematic New York0
SCREENING CHARLES DICKENS: A SURVEY OF FILM AND TELEVISION ADAPTATIONS. By William Farina. McFarland, 2022. 235 pp including index. $39.95 paper.SCREENING CHARLES DICKENS: A SURVEY OF FILM AND TELEVIS0
All the (West)World’s a Stage: HBO’s Westworld as Metatext—Intertextuality, Genre, Seriality, Format0
Measures of Success: Competing Masculinities in Cobra Kai0
BLACK WOMEN AND THE CHANGING TELEVISION LANDSCAPE By Lisa M. Anderson. Bloomsbury Academic, 2023. 165 pp. $20.65 paperbackBLACK WOMEN AND THE CHANGING TELEVISION LANDSCAPE By Lisa M. Anderson. Bloomsb0
HOLLYWOOD HATES HITLER! JEW-BAITING, ANTI-NAZISM AND THE SENATE INVESTIGATION INTO WARMONGERING IN MOTION PICTURES By Chris Yogerst. Jackson: U P of Mississippi, 2020. 208 pp. $25.00 paper.0
Living “On the Edge”: A Conversation with Matteo Sanders and Tobias Resch0
Normal People (2020) and the New Post-Celtic Irish Man0
Negative, Nonsensical, and Non-Conformist: The Films of Seijun Suzuki0
SHOCKING CINEMA OF THE 70S. Eds. Xavier Mendik and Julian Petley. Bloomsbury Academic, 2022. 326 pp. £76.50/$95 hardbackSHOCKING CINEMA OF THE 70S. Eds. Xavier Mendik and Julian Petley. Bloomsbury Aca0
Bearing Children, Burying Childhood: An Allegory of Reproductive Rights in The Wizard of Oz (1939)0
Stirring the Pot: The Politics of Ethnicity in Ratatouille (2007)0
Play and Performance, Perfection and Pessimism: A Reassessment of (the Politics of) Point Break0
The Land of Wolves: Of Wolves, Sheep, and Sheepdogs in Taylor Sheridan’s “Modern American Frontier Trilogy”0
Time-travel Tragedy: Netflix’s Dark and Athenian Drama0
60 Songs that Explain the 90s0
“She’s Got Gaps, I’ve Got Gaps”: A Neurodiversity Reading of Rocky (1976)0
Companions of Extinction: Fantastic Beasts Appropriating the Charisma of Endangered Species in Hollywood Fantasy Films and TV Series0
#WokeTV Beyond the Hashtag: One Day at a Time and The Baby-Sitters Club as Woke Classic Television0
French Westerns: On the Frontier of Film Genre and French Cinema0
Simulating the Past in the Present through Biopics: Queen Elizabeth II on Screen and on TV0
Contemporary Disney Animation: Genre, Gender and Hollywood0
Disney Does Disney: Re-Releasing, Remaking, and Retelling Animated Films for a New Generation0
Recreating 1969 Los Angeles in Once Upon a Time… in Hollywood0
BETTER LIVING THROUGH TV: CONTEMPORARY TV AND MORAL IDENTITY FORMATION. Ed. Steven A. Benko. Lanham, MD: Lexington Books, 2022. 352 pp. $120.00 hardback/$45.00 eBook.0
Making It So: A Memoir0
Dirty Real: Exile on Hollywood and Vine with the Gin Mill Cowboys0
BLOODY WOMEN: WOMEN DIRECTORS OF HORROR Eds. Victoria McCollum and Aislinn Clarke. Lehigh UP and Rowman & Littlefield, 2022. 244 pp. £ 100.00 hardcoverBLOODY WOMEN: WOMEN DIRECTORS OF HORROR. By V0
The Appeal of WIP-ped Flesh: Jess Franco’s99 Women(1968) at the Box Office0
QUEER HORROR FILM AND TELEVISION: SEXUALITY AND MASCULINITY AT THE MARGINS. By Darren Elliott-Smith. London: Bloomsbury Academic, 2022. 252 pp. £28.99. Paperback.0
Liminality in The Naked Prey and Run for the Sun0
Writing Gender, Writing Violence: Will Seefried on Lilies Not for Me0
CONTEMPORARY HOLLYWOOD ANIMATION: STYLE, STORYTELLING, CULTURE AND IDEOLOGY SINCE THE 1990S. By Noel Brown. Edinburgh UP, 2021. 232 pp. $100 hardcover, $24.95 paperback (forthcoming).0
Class, Identity, and Finding the Right Wine in Schitt’s Creek : A Place to Love0
Toward a Civil Society: Bernarr Cooper and the Bureau of Mass Communications of the New York State Education Department0
ALINE MACMAHON: HOLLYWOOD, THE BLACKLIST, AND THE BIRTH OF METHOD ACTING. By John Stangeland. UP of Kentucky, 2022. 340 pp. $40.00 (hardcover).ALINE MACMAHON: HOLLYWOOD, THE BLACKLIST, AND THE BIRTH O0
THE GOLDEN AGE MUSICALS OF DARRYL F. ZANUCK: THE GENTLEMAN PREFERRED BLONDES. By Bernard F. Dick. Mississippi UP, 2022. 320 pp. $35.00 clothTHE GOLDEN AGE MUSICALS OF DARRYL F. ZANUCK: THE GENTLEMAN P0
The Drive-In: Outdoor Cinema in 1950s America and the Popular Imagination.0
CRIME IN TV, THE NEWS, AND FILM: MISCONCEPTIONS, MISCHARACTERIZATIONS, AND MISINFORMATION By Beth E. Adubato, Nicole M. Sachs, Donald F. Fizzinoglia, and John M. Swiderski. Lexington Books, 2022. 232 0
Viral Representations in Pose (2018–2021)0
Stranger Teens: Eleven Transforms the Monstrous Symbolism of Adolescence through a Contemporary Narrative Arc0
Melancholic Grief and the Psychic Experience of Reproductive Loss in Emma Tammi’s The Wind (2018)0
AFFECTIVE INTENSITIES AND EVOLVING HORROR FORMS: FROM FOUND FOOTAGE TO VIRTUAL REALITY By Adam Daniel. Edinburgh: Edinburgh UP, 2020. 232 pp. $105 hardback, $24.95 paper, $27.95 ePub.0
The Defenders’ Abortion Case: Revisiting a Television Controversy0
COLD WAR FILM GENRES Edited by Homer B. Pettey. Edinburgh UP, 2018. 280 pp. $110 hardcover.0
Television Trends, 2016–2020: Authenticity, Diversity, Sexual Candor, and Retrospection0
Casting Black Athenas: Black Representation of Ancient Greek Goddesses in Modern Audiovisual Media and Beyond0
Machines in the Garden: De-Gothicizing the American Pastoral in Tales from the Loop0
What a Desirable Woman Is Like: Hsia Moon and the Cultural Agenda of Leftist Film Companies in Hong Kong, 1951–19660
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