OOIR: Observatory of International Research

Papers

(The TQCC of Journal of Popular Film and Television is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-12-01 to 2025-12-01.)

Article	Citations
“Why, God, Did You Curse Me With This Face?”: A Knight’s Tale (2001)’s Foreshadowing of Diversity and Feminism in Medieval Screen Worlds	8
History as Murder Mystery: The Logic of Gaming in the Historical Narrative of Full River Red	6
SINGLE LIVES: MODERN WOMEN IN LITERATURE, CULTURE, AND FILM. Edited by Katherine Fama and Jorie Lagerwey. Rutgers UP, 2022. 240 pp. including bibliography and index. $36.95 softbound.	3
Chinese Film in the Twenty-First Century: Movements, Genres, Intermedia	2
The Cinematic Boogeyman: From The Fairytale To The Slasher Film	2
THE BRITISH TRAUMA FILM: PSYCHOANALYSIS AND POPULAR BRITISH CINEMA IN THE IMMEDIATE AFTERMATH OF THE SECOND WORLD WAR. By Adam Plummer. Bloomsbury Academic, 2023. 240 pp. $108 hardcover.THE BRITISH TR	2
The Female Avenger, Women’s Anger and Rape-Revenge Film and Television	2
Staying Human: Jon Batiste as Acousmêtre on The Late Show with Stephen Colbert	1
50 Years of “First Frame” Fundamentals: Remembering a Half-Century of Editing The Journal of Popular Film and Television	1
Rough Diamonds: “True Victims” and the Gate-Keeping of Victimization on the Real Housewives	1
The Clothes Make the Woman: How Fashion Informs the Comedic Identity of Schitt’s Creek ’s Moira Rose	1
Hollywood’s Monstrous Moms: Vilifying Mental Illness in Horror Films The Sinful Maternal: Motherhood in Possession Films	1
To the Truth, to the Light: Genericity and Historicity in Babylon Berlin	1
Derivative Media: How Wall Street Devours Culture	1
Uncomfortable Television	1
Vital Moments in Dysfunctional Hollywood	1
60 Songs that Explain the 90s	0
Contemporary Disney Animation: Genre, Gender and Hollywood	0
Daughters of the Dust : Rephrasing the African American Experience in Julie Dash’s Film and Novel of the Same Name	0
The Defenders’ Abortion Case: Revisiting a Television Controversy	0
Disney Does Disney: Re-Releasing, Remaking, and Retelling Animated Films for a New Generation	0
Watching Game of Thrones : How Audiences Engage with Dark Television	0
French Westerns: On the Frontier of Film Genre and French Cinema	0
BLACK WOMEN AND THE CHANGING TELEVISION LANDSCAPE By Lisa M. Anderson. Bloomsbury Academic, 2023. 165 pp. $20.65 paperbackBLACK WOMEN AND THE CHANGING TELEVISION LANDSCAPE By Lisa M. Anderson. Bloomsb	0
The Jurassic Park Book: New Perspectives on the Classic 1990s Blockbuster	0

Transcultural Comedy in Man Like Mobeen (2017-2023): How the BBC is Merging “Us”/“Them.”	0
Dirty Real: Exile on Hollywood and Vine with the Gin Mill Cowboys	0
#WokeTV Beyond the Hashtag: One Day at a Time and The Baby-Sitters Club as Woke Classic Television	0
Making It So: A Memoir	0
Measures of Success: Competing Masculinities in Cobra Kai	0
QUEER HORROR FILM AND TELEVISION: SEXUALITY AND MASCULINITY AT THE MARGINS. By Darren Elliott-Smith. London: Bloomsbury Academic, 2022. 252 pp. £28.99. Paperback.	0
Hong Kong Crime Films: Criminal Realism, Censorship, and Society, 1947–1986	0
CONTEMPORARY HOLLYWOOD ANIMATION: STYLE, STORYTELLING, CULTURE AND IDEOLOGY SINCE THE 1990S. By Noel Brown. Edinburgh UP, 2021. 232 pp. $100 hardcover, $24.95 paperback (forthcoming).	0
Whose Century? Narrative Power in Streaming Alternate-History Television	0
Stirring the Pot: The Politics of Ethnicity in Ratatouille (2007)	0
Abandon All Hope Ye Who Enter…High School? Dante's Commedia and Buffy the Vampire Slayer	0
Normal People (2020) and the New Post-Celtic Irish Man	0
Forgettable Tales of a Forgotten War: Narrative, Memory, and the Erasure of the Korean War in American Cinema	0
SHOCKING CINEMA OF THE 70S. Eds. Xavier Mendik and Julian Petley. Bloomsbury Academic, 2022. 326 pp. £76.50/$95 hardbackSHOCKING CINEMA OF THE 70S. Eds. Xavier Mendik and Julian Petley. Bloomsbury Aca	0
“Sex Had Nothing to Do with It”: Mae West as Mentoring Icon	0
“Guns Go in the Cookie Jar”: Parody, Nostalgia, and the Post-Hardware Heroine	0
Stranger Teens: Eleven Transforms the Monstrous Symbolism of Adolescence through a Contemporary Narrative Arc	0
BLOOD ON THE LENS: TRAUMA AND ANXIETY IN AMERICAN FOUND FOOTAGE HORROR CINEMA. By Shellie McMurdo. Edinburgh: Edinburgh University Press, 2022. 256 pp. $110.00 hardcover and ebook.	0
AFFECTIVE INTENSITIES AND EVOLVING HORROR FORMS: FROM FOUND FOOTAGE TO VIRTUAL REALITY By Adam Daniel. Edinburgh: Edinburgh UP, 2020. 232 pp. $105 hardback, $24.95 paper, $27.95 ePub.	0
“She’s Got Gaps, I’ve Got Gaps”: A Neurodiversity Reading of Rocky (1976)	0
Action Heroines in the 21st Century: Sisters in Arms	0
Television Trends, 2016–2020: Authenticity, Diversity, Sexual Candor, and Retrospection	0
Dismantling the Anthropological Machine: Westworld and the Birth of Posthuman Community	0
What a Desirable Woman Is Like: Hsia Moon and the Cultural Agenda of Leftist Film Companies in Hong Kong, 1951–1966	0
Straight Time and Queer Utopia: Anthony Bridgerton and Kate Sharma’s Disorientating Desire in the Regency	0
RAPE IN PERIOD DRAMA TELEVISION: CONSENT, MYTH, AND FANTASY. By Katherine Byrne and Julie Anne Taddeo. Lexington Books, 2022. 134 pp. $95.00 hardback, $45.00 ebook.	0
Benjamin Howard on Life-Writing, Exorcising Demons, and Crafting Narratives in Riley	0
Cinematic Rupture: The Growing Pains of Superhero Comics Remediation	0
Virginia City vs Bonanza: A Tale of Merging Histories.	0
American Television’s Live Coverage of the 9/11 Attacks: Journalism on the Screen	0
SCREENING CHARLES DICKENS: A SURVEY OF FILM AND TELEVISION ADAPTATIONS. By William Farina. McFarland, 2022. 235 pp including index. $39.95 paper.SCREENING CHARLES DICKENS: A SURVEY OF FILM AND TELEVIS	0
Liminality in The Naked Prey and Run for the Sun	0
Living “On the Edge”: A Conversation with Matteo Sanders and Tobias Resch	0
The Empire of Effects: Industrial Light & Magic and the Rendering of Realism	0
Autism in Film and Television: On the Island	0
Negative, Nonsensical, and Non-Conformist: The Films of Seijun Suzuki	0
Failed dreams, fresh beginnings: A conversation with Jason Karman on Golden Delicious	0
Bearing Children, Burying Childhood: An Allegory of Reproductive Rights in The Wizard of Oz (1939)	0
THE BLOOMSBURY COMPANION TO STANLEY KUBRICK. Edited by I. Q. Hunter and Nathan Abrams. Bloomsbury Academic, 2022. 396 pp. $39.95 paperback.	0
The Drive-In: Outdoor Cinema in 1950s America and the Popular Imagination	0
Dark Shadows: Monster Culture on Daytime Television	0
Viral Representations in Pose (2018–2021)	0
BETTER LIVING THROUGH TV: CONTEMPORARY TV AND MORAL IDENTITY FORMATION. Ed. Steven A. Benko. Lanham, MD: Lexington Books, 2022. 352 pp. $120.00 hardback/$45.00 eBook.	0
Introduction: The Ancient Classical World from Film to Television	0
Melancholic Grief and the Psychic Experience of Reproductive Loss in Emma Tammi’s The Wind (2018)	0
Companions of Extinction: Fantastic Beasts Appropriating the Charisma of Endangered Species in Hollywood Fantasy Films and TV Series	0
Saving Desdemona, Celebrating State Feminism: Othello in Popular Postcolonial Egyptian Cinema	0
Class, Identity, and Finding the Right Wine in Schitt’s Creek : A Place to Love	0
Simulating the Past in the Present through Biopics: Queen Elizabeth II on Screen and on TV	0
Casting Black Athenas: Black Representation of Ancient Greek Goddesses in Modern Audiovisual Media and Beyond	0

CRIME IN TV, THE NEWS, AND FILM: MISCONCEPTIONS, MISCHARACTERIZATIONS, AND MISINFORMATION By Beth E. Adubato, Nicole M. Sachs, Donald F. Fizzinoglia, and John M. Swiderski. Lexington Books, 2022. 232	0
Oedipal Anxieties in HBO’s Westworld	0
Return of the Western: Refracting Genre, Representing Gender In The, Twenty-First Century	0
Heroes Never Sweat the Small Stuff: Fortuna in The CW’sSupernatural	0
Recreating 1969 Los Angeles in Once Upon a Time… in Hollywood	0
Decline and Reimagination in Cinematic New York	0
Machines in the Garden: De-Gothicizing the American Pastoral in Tales from the Loop	0
The Dead Don’t Die: Genre, Parody, and the Failure of the American Zombie as an Agent of Social Change	0
The Appeal of WIP-ped Flesh: Jess Franco’s99 Women(1968) at the Box Office	0
Reframing the Dowager: Nostalgia in Downton Abbey	0
All the (West)World’s a Stage: HBO’s Westworld as Metatext—Intertextuality, Genre, Seriality, Format	0
Writing Gender, Writing Violence: Will Seefried on Lilies Not for Me	0
ALINE MACMAHON: HOLLYWOOD, THE BLACKLIST, AND THE BIRTH OF METHOD ACTING. By John Stangeland. UP of Kentucky, 2022. 340 pp. $40.00 (hardcover).ALINE MACMAHON: HOLLYWOOD, THE BLACKLIST, AND THE BIRTH O	0
Toward a Civil Society: Bernarr Cooper and the Bureau of Mass Communications of the New York State Education Department	0
HORRIBLE WHITE PEOPLE: GENDER, GENRE, AND TELEVISION’S PRECARIOUS WHITENESS. By Taylor Nygaard and Jorie Lagerwey. New York University Press, 2020. 272 pp. $89.00 cloth.	0
THE GOLDEN AGE MUSICALS OF DARRYL F. ZANUCK: THE GENTLEMAN PREFERRED BLONDES. By Bernard F. Dick. Mississippi UP, 2022. 320 pp. $35.00 clothTHE GOLDEN AGE MUSICALS OF DARRYL F. ZANUCK: THE GENTLEMAN P	0
Play and Performance, Perfection and Pessimism: A Reassessment of (the Politics of) Point Break	0
The Land of Wolves: Of Wolves, Sheep, and Sheepdogs in Taylor Sheridan’s “Modern American Frontier Trilogy”	0
Time-travel Tragedy: Netflix’s Dark and Athenian Drama	0
BLOODY WOMEN: WOMEN DIRECTORS OF HORROR Eds. Victoria McCollum and Aislinn Clarke. Lehigh UP and Rowman & Littlefield, 2022. 244 pp. £ 100.00 hardcoverBLOODY WOMEN: WOMEN DIRECTORS OF HORROR. By V	0