Journal of Popular Film and Television

Papers
(The TQCC of Journal of Popular Film and Television is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-07-01 to 2025-07-01.)
ArticleCitations
The Female Avenger, Women’s Anger and Rape-Revenge Film and Television5
SINGLE LIVES: MODERN WOMEN IN LITERATURE, CULTURE, AND FILM. Edited by Katherine Fama and Jorie Lagerwey. Rutgers UP, 2022. 240 pp. including bibliography and index. $36.95 softbound.4
WOMEN IN THE WESTERN Ed. Sue Matheson. Edinburgh: Edinburgh UP, 2020. 360 pp. $110.00 hardcover.4
THE BRITISH TRAUMA FILM: PSYCHOANALYSIS AND POPULAR BRITISH CINEMA IN THE IMMEDIATE AFTERMATH OF THE SECOND WORLD WAR. By Adam Plummer. Bloomsbury Academic, 2023. 240 pp. $108 hardcover.THE BRITISH TR3
SEE! HEAR! CUT! KILL! EXPERIENCING FRIDAY THE 13TH By Wickham Clayton. Jackson: U Mississippi P, 2020. 238 pp. $30.00 paper.3
Chinese Film in the Twenty-First Century: Movements, Genres, Intermedia3
The Cinematic Boogeyman: From the Fairytale to the Slasher Film2
Derivative Media: How Wall Street Devours Culture2
The Clothes Make the Woman: How Fashion Informs the Comedic Identity of Schitt’s Creek ’s Moira Rose2
Uncomfortable Television1
50 Years of “First Frame” Fundamentals: Remembering a Half-Century of Editing The Journal of Popular Film and Television1
TOO OLD FOR THIS SH*T: Aged Action Heroes, Affect, and “the Economy of Exertion”1
Reflections on Mortality: The Imagery of Mirrors in Clint Eastwood’s Gran Torino1
Abandon All Hope Ye Who Enter…High School? Dante's Commedia and Buffy the Vampire Slayer1
To the Truth, to the Light: Genericity and Historicity in Babylon Berlin1
Staying Human: Jon Batiste as Acousmêtre on The Late Show with Stephen Colbert1
Hollywood’s Monstrous Moms: Vilifying Mental Illness in Horror Films The Sinful Maternal: Motherhood in Possession Films1
The Geri-Actions of the Aging Amitabh Bachchan1
#WokeTV Beyond the Hashtag: One Day at a Time and The Baby-Sitters Club as Woke Classic Television0
COLD WAR FILM GENRES Edited by Homer B. Pettey. Edinburgh UP, 2018. 280 pp. $110 hardcover.0
Television Trends, 2016–2020: Authenticity, Diversity, Sexual Candor, and Retrospection0
All the (West)World’s a Stage: HBO’s Westworld as Metatext—Intertextuality, Genre, Seriality, Format0
BETTER LIVING THROUGH TV: CONTEMPORARY TV AND MORAL IDENTITY FORMATION. Ed. Steven A. Benko. Lanham, MD: Lexington Books, 2022. 352 pp. $120.00 hardback/$45.00 eBook.0
Living “On the Edge”: A Conversation with Matteo Sanders and Tobias Resch0
BLACK WOMEN AND THE CHANGING TELEVISION LANDSCAPE By Lisa M. Anderson. Bloomsbury Academic, 2023. 165 pp. $20.65 paperbackBLACK WOMEN AND THE CHANGING TELEVISION LANDSCAPE By Lisa M. Anderson. Bloomsb0
Hong Kong Crime Films: Criminal Realism, Censorship, and Society, 1947–19860
“Guns Go in the Cookie Jar”: Parody, Nostalgia, and the Post-Hardware Heroine0
Liminality in The Naked Prey and Run for the Sun0
BLOODY WOMEN: WOMEN DIRECTORS OF HORROR Eds. Victoria McCollum and Aislinn Clarke. Lehigh UP and Rowman & Littlefield, 2022. 244 pp. £ 100.00 hardcoverBLOODY WOMEN: WOMEN DIRECTORS OF HORROR. By V0
American Television’s Live Coverage of the 9/11 Attacks: Journalism on the Screen0
BLOOD ON THE LENS: TRAUMA AND ANXIETY IN AMERICAN FOUND FOOTAGE HORROR CINEMA. By Shellie McMurdo. Edinburgh: Edinburgh University Press, 2022. 256 pp. $110.00 hardcover and ebook.0
CONTEMPORARY HOLLYWOOD ANIMATION: STYLE, STORYTELLING, CULTURE AND IDEOLOGY SINCE THE 1990S. By Noel Brown. Edinburgh UP, 2021. 232 pp. $100 hardcover, $24.95 paperback (forthcoming).0
Simulating the Past in the Present through Biopics: Queen Elizabeth II on Screen and on TV0
Dark Shadows: Monster Culture on Daytime Television0
French Westerns: On the Frontier of Film Genre and French Cinema0
ALINE MACMAHON: HOLLYWOOD, THE BLACKLIST, AND THE BIRTH OF METHOD ACTING. By John Stangeland. UP of Kentucky, 2022. 340 pp. $40.00 (hardcover).ALINE MACMAHON: HOLLYWOOD, THE BLACKLIST, AND THE BIRTH O0
Toward a Civil Society: Bernarr Cooper and the Bureau of Mass Communications of the New York State Education Department0
The Drive-In: Outdoor Cinema in 1950s America and the Popular Imagination.0
THE GOLDEN AGE MUSICALS OF DARRYL F. ZANUCK: THE GENTLEMAN PREFERRED BLONDES. By Bernard F. Dick. Mississippi UP, 2022. 320 pp. $35.00 clothTHE GOLDEN AGE MUSICALS OF DARRYL F. ZANUCK: THE GENTLEMAN P0
Play and Performance, Perfection and Pessimism: A Reassessment of (the Politics of) Point Break0
Autism in Film and Television: On the Island0
Contemporary Disney Animation: Genre, Gender and Hollywood0
Stranger Teens: Eleven Transforms the Monstrous Symbolism of Adolescence through a Contemporary Narrative Arc0
The Defenders’ Abortion Case: Revisiting a Television Controversy0
AFFECTIVE INTENSITIES AND EVOLVING HORROR FORMS: FROM FOUND FOOTAGE TO VIRTUAL REALITY By Adam Daniel. Edinburgh: Edinburgh UP, 2020. 232 pp. $105 hardback, $24.95 paper, $27.95 ePub.0
The Land of Wolves: Of Wolves, Sheep, and Sheepdogs in Taylor Sheridan’s “Modern American Frontier Trilogy”0
Negative, Nonsensical, and Non-Conformist: The Films of Seijun Suzuki0
What a Desirable Woman Is Like: Hsia Moon and the Cultural Agenda of Leftist Film Companies in Hong Kong, 1951–19660
The Representation of Urban Surface Culture in Asphalt (1929)0
Machines in the Garden: De-Gothicizing the American Pastoral in Tales from the Loop0
Recreating 1969 Los Angeles in Once Upon a Time… in Hollywood0
THE STREAMING OF HILL HOUSE: ESSAYS ON THE HAUNTING NETFLIX ADAPTATION Ed. Kevin J. Wetmore, Jr. Jefferson: Mcfarland & Company, 2020. 282 pp. $39.95 paper.0
SCREENING CHARLES DICKENS: A SURVEY OF FILM AND TELEVISION ADAPTATIONS. By William Farina. McFarland, 2022. 235 pp including index. $39.95 paper.SCREENING CHARLES DICKENS: A SURVEY OF FILM AND TELEVIS0
Dirty Real: Exile on Hollywood and Vine with the Gin Mill Cowboys0
Reframing the Dowager: Nostalgia in Downton Abbey0
Watching Game of Thrones : How Audiences Engage with Dark Television0
Class, Identity, and Finding the Right Wine in Schitt’s Creek : A Place to Love0
QUEER HORROR FILM AND TELEVISION: SEXUALITY AND MASCULINITY AT THE MARGINS. By Darren Elliott-Smith. London: Bloomsbury Academic, 2022. 252 pp. £28.99. Paperback.0
The Empire of Effects: Industrial Light & Magic and the Rendering of Realism0
Heroes Never Sweat the Small Stuff: Fortuna in The CW’sSupernatural0
Failed dreams, fresh beginnings: A conversation with Jason Karman on Golden Delicious0
Disney Does Disney: Re-Releasing, Remaking, and Retelling Animated Films for a New Generation0
HORRIBLE WHITE PEOPLE: GENDER, GENRE, AND TELEVISION’S PRECARIOUS WHITENESS. By Taylor Nygaard and Jorie Lagerwey. New York University Press, 2020. 272 pp. $89.00 cloth.0
THE BLOOMSBURY COMPANION TO STANLEY KUBRICK. Edited by I. Q. Hunter and Nathan Abrams. Bloomsbury Academic, 2022. 396 pp. $39.95 paperback.0
Forgettable Tales of a Forgotten War: Narrative, Memory, and the Erasure of the Korean War in American Cinema0
RAPE IN PERIOD DRAMA TELEVISION: CONSENT, MYTH, AND FANTASY. By Katherine Byrne and Julie Anne Taddeo. Lexington Books, 2022. 134 pp. $95.00 hardback, $45.00 ebook.0
Whose Century? Narrative Power in Streaming Alternate-History Television0
The Dead Don’t Die: Genre, Parody, and the Failure of the American Zombie as an Agent of Social Change0
“She’s Got Gaps, I’ve Got Gaps”: A Neurodiversity Reading of Rocky (1976)0
Mapping Imperialist Movement in Postmodern Horror Film Midsommar0
Saving Desdemona, Celebrating State Feminism: Othello in Popular Postcolonial Egyptian Cinema0
Companions of Extinction: Fantastic Beasts Appropriating the Charisma of Endangered Species in Hollywood Fantasy Films and TV Series0
Oedipal Anxieties in HBO’s Westworld0
Introduction: The Ancient Classical World from Film to Television0
Cinematic Rupture: The Growing Pains of Superhero Comics Remediation0
Measures of Success: Competing Masculinities in Cobra Kai0
Melancholic Grief and the Psychic Experience of Reproductive Loss in Emma Tammi’s The Wind (2018)0
Making It So: A Memoir0
HBO’s Watchmen and Generic Revision in a Genre of Adaptation0
WOMEN MAKE HORROR: FILMMAKING, FEMINISM, GENRE. Edited by Alison Peirse. Rutgers UP, 2020. 270 pp. $29.95 paper.0
Decline and Reimagination in Cinematic New York0
The Appeal of WIP-ped Flesh: Jess Franco’s99 Women(1968) at the Box Office0
From Mrs. G. to Marmee:The Facts of LifeandLittle Women0
HOLLYWOOD HATES HITLER! JEW-BAITING, ANTI-NAZISM AND THE SENATE INVESTIGATION INTO WARMONGERING IN MOTION PICTURES By Chris Yogerst. Jackson: U P of Mississippi, 2020. 208 pp. $25.00 paper.0
Transcultural Comedy in Man Like Mobeen (2017-2023): How the BBC is Merging “Us”/“Them.”0
CRIME IN TV, THE NEWS, AND FILM: MISCONCEPTIONS, MISCHARACTERIZATIONS, AND MISINFORMATION By Beth E. Adubato, Nicole M. Sachs, Donald F. Fizzinoglia, and John M. Swiderski. Lexington Books, 2022. 232 0
Casting Black Athenas: Black Representation of Ancient Greek Goddesses in Modern Audiovisual Media and Beyond0
“Sex Had Nothing to Do with It”: Mae West as Mentoring Icon0
Normal People (2020) and the New Post-Celtic Irish Man0
Bearing Children, Burying Childhood: An Allegory of Reproductive Rights in The Wizard of Oz (1939)0
SHOCKING CINEMA OF THE 70S. Eds. Xavier Mendik and Julian Petley. Bloomsbury Academic, 2022. 326 pp. £76.50/$95 hardbackSHOCKING CINEMA OF THE 70S. Eds. Xavier Mendik and Julian Petley. Bloomsbury Aca0
Viral Representations in Pose (2018–2021)0
Writing Gender, Writing Violence: Will Seefried on Lilies Not for Me0
Make America Hate Again? The Politics of Vigilante Geriaction0
Time-travel Tragedy: Netflix’s Dark and Athenian Drama0
Geriaction Cinema: Introduction0
60 Songs that Explain the 90s0
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