Music Theory Spectrum

Papers
(The TQCC of Music Theory Spectrum is 2. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-05-01 to 2024-05-01.)
ArticleCitations
Music Theory’s White Racial Frame23
Getting to Count13
Making a Home of The Society for Music Theory, Inc.10
Bang your Head: Construing Beat through Familiar Drum Patterns in Metal Music9
Steve Reich’s Signature Rhythm and an Introduction to Rhythmic Qualities5
A Grid in Flux: Sound and Timing in Electronic Dance Music5
Segmentation, Phrasing, and Meter in Hip-Hop Music5
From Exoticism to Interculturalism: Counterframing the East–West Binary4
Music Theory’s Therapeutic Imperative and the Tyranny of the Normal3
To “Fill Up, Completely, the Whole Capacity of the Mind”: Listening with Attention in Late Eighteenth-Century Scotland3
The Times are A-Changin’: Metric Flexibility and Text Expression in 1960s and 1970s Singer-Songwriter Music3
Naming the Frames that Shape Us3
End-Accented Sentences: Towards a Theory of Phrase-Rhythmic Progression3
Perceiving the Mosaic: Form in the Mashups of DJ Earworm2
Metric Manipulations in Post-Tonal Music2
Materiality of Sonic Imagery: On Analysis of Contemporary Chinese Compositions2
Barbershop’s Cautionary Tale for Academic Music Theory: A Response to Stephen Lett2
Tropological Interaction and Expressive Interpretation in Stravinsky’s Neoclassical Works2
George Balanchine’s Art of Choreographic Musicality in Tschaikovsky Pas de Deux2
Rethinking Sonata Failure: Mendelssohn’s Overture Zum Märchen von der schönen Melusine2
Norms of Textual Scansion and Rhyme in Beatles AABA Forms2
“Musique cannibale”: The Evolving Sound of Indigeneity in Heitor Villa-Lobos’s Tres poêmas indigenas2
Undisciplined2
Abolitionist Music Theory and Marxism: Notes Toward a Reconciliation2
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