International Journal of Music Education

Papers
(The median citation count of International Journal of Music Education is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-04-01 to 2025-04-01.)
ArticleCitations
Beyond musical repertory: Euro-Americentric ways of knowing in the International Baccalaureate high school music curriculum framework19
Teaching the whole singer: An examination of methods used to address student wellness in the collegiate voice studio18
Collaborative untangling of positionality, ownership, and answerability as white researchers in indigenous spaces16
‘We hear with our eyes!’ Unlocking tacit knowledge about multisensory music performing13
The potential role of an activity-based guitar program on the anxiety and fulfillment levels of younger relatives of cancer patients: A pilot study12
Music teacher identity: Reassessing perceptions during a global pandemic12
Interview ready: A student-led artistic project as an authentic experience to support pre-service music teachers’ pathways to employment10
Mentoring in the context of music teacher education: A systematic review10
Uncovering children’s experiences of emergent learning difficulties in the instrumental music studio9
The ‘professional digital competence’: Exploring the perspective of primary music teachers in Spain9
Work-based placements in European higher music education institutions9
Pre-college piano teaching practice in China and the United States: An international comparative study from the piano teachers’ perspectives8
Guided listening as meaningful learning: A study of Israeli secular Jewish High School music programs8
Investigating the moderating role of coping style on music performance anxiety and perfectionism7
Negotiating queer voices: How five south African queer music educators negotiate their professional identity7
Exploring the career development issues of young musicians through participation in music festivals: A case study of the Youth Music Culture Guangdong Festival6
Oboe educators’ perspectives on playing-related injury, Part II: Barriers, solutions, and teaching practices6
Expanding models of music composition: Exploring the value of collaboration6
Music-related wellbeing as a teaching objective? A critical interpretive synthesis6
The Music Practice Motivation Scale: An exploration of secondary instrumental music students’ motivation to practice5
A Yin-Yang approach: Investigating students’ beliefs about teaching and learning in music among college students in Macau, China5
Exploring synergy in a mobile learning model for piano playing ornaments exercise with local musical heritage5
High-pressure in music education: Understanding the phenomenon and empowering students5
Mind, body, and soul: The effects of bodily movement on listeners’ perceptions of choral performances5
Adapting music education to pandemic regulations: Conceptualizing the school demands-resource theoretical innovation through autoethnography5
Incorporation of informal music learning practices in a primary classroom in Cyprus5
Norm-disruptive learning and music teacher competency development: A thematic synthesis5
Music literacy in higher education in Mexico: Current conceptions and teaching practices5
Seeking alternatives in music education: The effects of mobile technologies on students’ achievement in basic music theory5
Unlocking sound: New trends and innovations in intonation education over the past decade4
The effects of cognitive-emotional music listening in ear training on acquired knowledge and liking of the lessons4
Understanding music teachers’ formative assessment intention and implementation: A Chinese Mainland context4
Didactic transposition in music education: Exploring didactical suitability in three Navarrese schools4
Bibliometric study of scientific production in music education from 2000 to 20224
Perceptions and experiences of preservice music educators working with students with disabilities: A mixed methods inquiry of online field experiences within a music for special education course4
The effects of the pandemic on music teaching in schools in Quebec (Canada) in the spring and fall of 20204
Music education undergraduates’ construction of music teacher role-identity4
Moving beyond data collection: Fostering community engagement in community music schools4
Effect of music education based on Edwin E. Gordon’s Theory on children’s developmental music aptitude and social emotional learning skills4
The inhibition of musicality: Perspectives of piano teachers in Malaysia and Singapore4
Perceptions of improvements in piano performance following a Body Mapping workshop3
Fishers of song: Music education and community in Andavadoaka, Madagascar3
Music education instructors’ perceptions about pre-service music teacher education in Spain3
“It’s your body, it’s part of who you are!”: Influences upon collegiate vocalists’ performance self-efficacy beliefs3
Music education at the primary level in Syria, before and during the current crisis3
Effects of straw phonation on choral acoustic and perceptual measures after an acclimation period3
Children’s feelings about piano performances across a year of study3
Music majors’ self-regulated learning (SRL) of music practice in China: Two case studies based on the SRL microanalysis3
Bridging the Digital Divide: Distance music learning among older adult musicians3
Formal, informal, and non-formal learning as analytic categories for research in music education3
Poverty, adolescent males, and singing: A profile of schools in Bogotá, Colombia3
Practitioner–researchers’ views of disability education project for children with severe multiple disabilities: A first-person group study using collaborative autoethnography3
Creating affordances for families with young children: Experiences of music education in social work3
“Mistakes are just information”: A case study of a highly successful violin pedagogue3
Exploring musician-educators’ reflections on a collaborative cross-cultural music making encounter in Singapore3
Flipped Learning in the subject «Music» of E.S.O. [Compulsory Secondary Education] within a rural environment: Impact on students and families3
A survey research study of music education faculty: Demographics as related to indicators of job satisfaction and stress2
Collective and individual practices in popular music: Differences between semi-professionals and professionals in Austria and Germany2
Children’s informal music learning: A phenomenological inquiry2
Music teacher educator growth through Self-Study of Teacher Education Practices (S-STEP) research2
Musical Futures in New Zealand: A study in recontextualisation2
What does research-led teaching mean for music performance programs? Students and educators perspectives from Swedish higher music education2
Inclusive socio-musical spaces for newly arrived migrant children in a Norwegian primary school: Teacher and school leader perspectives2
Gender equality discourse in classical music higher education: Women, individualisation, and change2
Corrigendum to Integrating popular music into urban schools: Assessing the effectiveness of a comprehensive music teacher development program2
Synchronous online instrumental music teaching in cross-cultural learning contexts2
Trauma-sensitive teaching: Supporting refugee students through music education2
Intelligent Interactive Piano Teaching2
Becoming the music teacher: Stories of generalist teaching and teacher education in music2
Engaged pedagogy in teacher education: A literature review2
The development of music education philosophy in mainland China during 1990–2022: A corpus-based thematic review2
Presage: First year music students’ experiences, understandings, expectations and aspirations on entering an undergraduate music program2
Adela and transformative learning: A Freirean perspective on a community music education project in Melbourne, Australia2
Learning collective free music improvisation as a socio-communicative endeavor: Preservice teachers’ journey in a teacher preparation course in Singapore2
Chinese music in Sydney, Australia, and new modes of transmission: The case of a community conservatory2
Creative musical activities in early childhood education: An analysis of teaching practices2
Developing metacognition as an instructional approach for enhancing young pianists’ musical expressivity2
Norwegian schools of music and arts: Local significance and strategies of inclusion2
Music and mathematics: Key components and contributions of an integrated STEAM teaching approach2
Rethinking “musical excellence” from a decolonial perspective: Disruptive autobiographical experiences among doctoral scholars2
Hindrances to recognition in Finnish music schools2
The development of formative assessment rubrics for enhancing students’ performance on Thai percussion instruments2
Playing by ear and the development of music skills at pre-school age2
Collective free improvisation in the Flemish general music classroom: Probing student’s lived experience through flow2
Standardizing “Yikao”: An analysis of the reform in Arts College Entrance Examination (ACEE) in China in 20241
The author and the piano student: The transferability of the creative process in practice1
On the quality of professional development in the United States: Examining music educators’ experiences, sentiments, and emotions1
Music facilitator experiences of working in asylum seeker centres: Complexities, dilemmas and opportunities1
Can the professional study of a musical instrument be associated with the development of cognitive processes? A meta-analytic study1
Innovative and disruptive pedagogies in music education: A systematic review of the literature1
The complexities of meaningful experiential learning: Exploring reflective practice in music performance studies1
Encouraging creativity through music improvisation activities: Pre-service primary general teacher-students’ reflections and beliefs1
Re-positionings and reductions: A case of curriculum evolution in senior secondary music in Victoria, Australia1
Why (not) be a music teacher? Exploring pre-service music teachers’ sources of concern regarding their future profession1
Hidden diversity in the conservatoire: A qualitative enquiry into the experiences of higher education music students with disability1
How composition strategies influence melodic idea generation1
Music education alumni perceptions of undergraduate degree experiences, skills development, and job satisfaction1
Music diversity in music education: A multiple case study of music teacher training programs in Thailand1
Measures of music teacher expertise in three early career levels in America1
Students’ experiences of their agency in whole-class playing1
Peer tutoring in music education: A literature review1
The music teacher in ‘on-the-spot’ musical interactions: A practitioner research study1
Instrumental music teachers’ development of feedback across the lifespan: A qualitative study1
Music studies as cultural capital accumulation and its impact on music genre preferences1
A systematic literature review of Chinese music education studies during 2007 to 20191
Digital musicianship in post-pandemic popular music education1
A structural equation model of preschool teacher candidates’ self-efficacy beliefs for music teaching: The role of academic and preschool teaching self-efficacy1
The applicability of Anglosphere-based popular music learning culture characterisations to a Malaysian context1
Institutional change in higher music education: A quest for legitimacy1
The conservatory debated from a critical pedagogy perspective1
Effects of focus of attention instructions on listeners’ evaluations of solo instrumental performance1
An investigation of Korean music teachers’ perceptions of technology in music classes1
Collegiate musicians’ experiences with democratic rehearsal procedures1
Sight-reading components across tonal and atonal environments in music: An exploratory analysis of performers’ self-assessed proficiency1
High school music teachers’ attitudes and practices regarding culturally responsive teaching in musical theatre production1
Analyses of titles and authors from 50 years of ISME Research Commission manuscripts 1968 to 20181
Musical communication among parents and their children: An analysis tool to study their interaction1
Creativity, autonomy and Dalcroze Eurhythmics: An arts practice exploration1
The sustainability of multicultural music education in Guizhou Province, China1
A study of rhythmic emergent literacy within an Orff-based program implemented in Israel1
The effect of a practice checklist on performance achievement, practice time, focal practice areas, and practice strategies of collegiate non-music majors enrolled in a beginning “Danso,” Korea1
From theory to practice: Student-centered pedagogical implementation in primary music demonstration lessons in Guangdong, China1
Antiquity in the history of music: A critical review of the music textbooks for secondary education in Spain1
Exploring the low enrolment of music as a subject within Hong Kong senior secondary school education0
Achievements, difficulties, and goals of the Spanish Society for Music Education (SEM-EE): A phenomenological study0
Preservice teachers’ experiences as first-time voice instructors0
The Way I Feel, the Way I Play? The role of affect in goal realization in musical practice0
Teaching artists or live performers? Early careers after a Jazz Master’s graduation in French-speaking Switzerland0
An evaluation of a musical learning exchange: A case study in a U.S. prison0
Teacher expectation effects on vocal and instrumental performance: A focus on student gender0
Investigating the health and wellbeing of music students: Perspectives from schools of music in Switzerland and the UK0
Korean preservice music teachers’ perceptions of blended learning in music education course0
It’s about time: An examination of the importance of timing on positivity of preservice music educators’ teaching reflections0
Designing music education curriculum in a multicultural environment: Vocal training in China0
Teaching free improvisation: European higher music education teachers’ conceptual tools0
“I want to know more about the world”: A case study of international-mindedness as a means of professional development for music teachers in China0
The learning experiences and musical proficiencies of formal and informal popular musicians in Malaysia0
Towards an eco-literate tertiary music education: Notes from a South African context0
Curriculum and training analysis of the music degrees in Colombia0
Technology-enhanced creativity in K-12 music education: A scoping review0
Practice and learning the piano: Motivation and self-regulation0
The problem of secondary school music enrolments: Tensions between relevance, engagement and improving musical skills and knowledge0
Characteristics of expert vocalists’ practice0
Translation and validation of music performance self-efficacy scale into Turkish0
Background music of varying tempi produces differing facial emotional expressions and performance in music-majors and non-majors as they complete a reading comprehension test0
A case study on integrating arts activities with the loose parts in preschool’s in-between spaces0
Improvisation Based on Audience Requests: Pedagogical Possibilities of the Application “Sanka Play” for Performer and Audience Interaction in Elementary School Music Classes0
Understanding music teachers’ perceptions of themselves and their work: An Importance–Confidence Analysis0
Rent-a-crowd! Understanding how applause magnitude impacts music performance appraisal0
Problem-based learning (PBL) in music teacher education0
The mystery of discrepancies of piano education for children in China: How social classes affect musical parenting of parents0
Teaching songs from diverse cultures to pre-service teachers using a “Four Step Flipped” method0
Capacity building and professional development in contemporary music careers: An Australian contemporary music case study0
Analysis of cultural heritage in music didactic materials in Galicia0
Atheist public school choir directors and their views on religious music performance0
What and how? Or why and for whom? A content analysis of middle school general music literature0
Creativity, agency, and stability: Perceptions of Canadian musicians working across the cultural domains0
The integration of musical contents in the classroom of the second cycle of early childhood education0
The effects of peer-assisted learning on rhythmic and melodic sight-reading in a middle school chorus0
Perceived preparedness to teach over time: A longitudinal case study of instrumental music teachers0
Instructor experiences with online guitar lessons during the Covid-19 pandemic in Turkey0
Building an evaluation index system of musical collaborative capacity for China’s compulsory music education: Using a combined Delphi method and Analytic Hierarchy Process approach0
Making interdisciplinary connections through music: A systematic review of studies in general schooling context in Turkey0
Music teachers’ labeling accuracy and quality ratings of lesson plans by artificial intelligence (AI) and humans0
Career experiences of rural music teachers in Jilin Province, China0
Musicking in Chinese kindergartens: Case studies in Qingdao0
Inclusive music teacher education: Valuing breadth and diversity through authentic immersive experiences0
Where is Mi Gente? Codeswitching (Afro)Latinidad in the music classroom0
The many ways of Puerto Rican community music0
Maker music education: Towards a post-digital, participatory and empowering music education0
Development and Validation of The Anadolu University Music Perception Test0
Editorial0
Extension of the 3 × 2 achievement goal model to university concert band performance0
Can motivation and intentions of parental support predict musical achievement before the commencement of musical studies at the elementary school level?0
Facing the challenges of the inclusion of visually impaired students: Music teacher’s perceptions0
Exploring music learning needs of working-age individuals in Thailand0
Music education in the digital age: Challenges associated with sound homogenization in music aimed at adolescents0
Ghanaian collegiate music students who play brass instruments’ music education experiences at the pre-tertiary level0
An investigation of pre-service music teachers’ preferences and willingness to teach six ethnic music styles in Taiwan0
Stressors and psychological distress: Music listening as a coping strategy for pre-service kindergarten teachers0
A portrait of self-regulated musical learning behaviors among rock musicians: Applications in music education0
A comparative study of piano performance programs at university-level institutions in China and the United States: From current faculty members’ and students’ perspectives0
Stimulating music educator worldview change through a pedagogy of provocation, critical thinking and peer-review0
Digital competencies of music teachers under the ‘new normal’ in Hong Kong0
Female music educators’ stress and well-being in the height of a global pandemic in the United States0
Working together: Implications of leadership style for the music ensemble0
Developing the music listening skills test (MLST) for pre-school and elementary school teacher candidates0
An analysis of four instructional strategies used by secondary school music teachers in Uganda0
Learner-centered pedagogy and student engagement in a virtual elementary instrumental music program0
The evolution of the method of ‘oral and heart-to-heart teaching’ in contemporary times: Based on the observation of Shandong opera classroom0
Exploring music integration: Early childhood and elementary teacher practices0
Through the looking glass: A researcher’s perspectives on a collaborative music composition project0
Approaches to developing community: A survey of the perspectives of American female undergraduate prospective band directors0
Developing feedback skills in preservice music teachers0
Piano Teaching Within the Framework of the Flipped Classroom Model: Planning, Implementation, and Evaluation0
Music professionalism promoting gerotranscendence: An instrumental case study of healthcare musicians in an eldercare hospital0
The Black Swan: An early childhood music project0
Oboe educators’ perspectives on playing-related injury, Part I: Lived experience and perceptions surrounding injury0
The iron cage of the music teaching profession: A multi-case study on how primary music teachers in Spain understand bureaucracy0
Towards a relational model of musical knowledge: Findings from a Belfast-based case study0
Music performance anxiety: A study of anxiety predictors in higher education music students in Portugal0
The use of video recordings in the formative assessment process of Taksims0
Exploring music performance anxiety among fine arts high school music department students in Turkey0
Correlation of piano lesson success of music teacher candidates with their piano exam anxiety levels and their opinions on causes of anxiety0
The influences of college life adaptation and career decision self-efficacy on career achievement stress: Focus on students majoring in piano performance in South Korea0
Practice habits and motivation: A qualitative descriptive study of graduate instrumentalists0
Collaborative composing with inclusive music ensembles: What attitude, knowledge and skills do composers need?0
Equity via relations of equality: Bridging the classroom-society divide0
Self-regulation in online string instrument lessons: Motivation, social interaction and learning environment0
A case study: 30 elementary music education majors’ perceptions of preparedness, interest, and comfort teaching choir before and after taking a choral methods course0
An online community of interns: Examining the music student teaching seminar in a virtual setting0
High school learners’ perceptions of value as motivation to choose music as an elective in Gauteng, South Africa0
Finnish music class studies and extracurricular playing in promoting grit and sisu, the inner fortitude: Reconceptualizing sisu as a predecessor of flow, growth and flourishing0
Online music education for sustainable development: Analysis of music learning videos in e-Hakseupteo0
The role of active and passive music engagement in cognitive development: A systematic review0
Nurturing student ethnic identity through culturally responsive music teaching in China0
How popular music pedagogy is integrated in the diverse environment of international school education in China: A case study in Shanghai0
Kayanapussana Satipatthana and the Buddhist practices of Samadhi and Sati as foundational practices in the development of Thai musical skills0
Music teachers’ perceptions of intercultural competence in Spain0
Perspectives of international teaching assistants on working in music disciplines in American higher education0
Emerging critical events in creative processes involving music, dance and mathematics in the school0
Performance anxiety experiences and coping techniques of Turkish music students and their teachers0
Music education in Northern Ireland: A process to achieve social inclusion through segregated education?0
Student-directed learning in popular musicianship: An action research study of university music students0
Seeking best practice: A systematic review of literature on Chinese music teaching and learning in Western classroom contexts0
‘Wayfarers: Confronting the past through traditional music in schools’0
Constructing popular music programs at Higher Music Education Institutions across Europe0
Preservice music educators’ perceived self-efficacy in teaching students with disabilities following special education coursework: A comparative mixed-methods study0
What do music listening tests assess? Applying the Rasch testlet models to the HKDSE data0
The impact of a music education program on meta-musical awareness, logical-mathematical, and notational skills in preschoolers0
Online curriculum marketplaces and music education: A critical analysis of music activities on TeachersPayTeachers.com0
A Music Teacher’s Blended Teaching and Learning Experience during COVID-19: Autoethnography of Resilience0
Structural features in classical and jazz studio lessons0
Shifting frames: Two doctoral students’ identity construction as music teacher educators0
The story of “Beat”: A concert program in kindergartens0
Factors influencing the career intentions of music performance students: An integrated model analysis0
E-learning during the COVID-19 lockdown: An interview study with primary school music teachers in Italy0
Learning strategies of video game music makers: Informal and school-based learning for online publication0
Mobile learning as deep learning: Content analysis of in-service primary school music teachers’ lesson plans in mobile music creation0
Instrument teachers’ practices, beliefs, and barriers regarding musical creativity: Exploring the creative process of interpretation0
The effect of collective sight-singing before melodic dictation: A pilot study0
Exploring the changes in cultural identity of primary school students in a Chinese orchestra0
Autoethnographic narrative as a lens on life-long musician-teacher identity0
Investigating one-to-one instrumental music lessons in relation to a training programme on Paul Harris’ simultaneous learning0
Collaborative learning and persistence in music education: Examining music self-perception as a mediator among adolescent students0
Does length of training period impact the effectiveness of reciprocal peer teaching in university group piano students?0
The ecology for fostering the musical creativity of students with intellectual disabilities0
Intersections of spirituality, relationships, and music education: Applications of lessons from the Pixar film, Soul0
Using a shared research practices paradigm with adult choral singers for the teaching and learning of musical literacy skills0
An exploratory study of pre-college piano students’ practice habits and their teachers’ perceptions in Eastern China0
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