Popular Music

Papers
(The TQCC of Popular Music is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)
ArticleCitations
PMU volume 42 issue 4 Cover and Back matter15
Raving. By McKenzie Wark. Durham, NC: Duke University Press, 2023, 136 pp. ISBN: 978-1-4780-1938-110
Musical humour and caricatures in The Book of Mormon8
Phonographic Encounters: Mapping Transnational Cultures of Sound, 1890–1945. Edited by Elodie A. Roy and Eva Moreda Rodríguez. London: Routledge, 2021. xv+268 pp. ISBN : 978-1-032-05711-88
Reading Smile: History, Myth and American Identity in Brian Wilson and Van Dyke Parks’ Long-Lost Album. By Dale Carter. London: Routledge, 2021. 166 pp. ISBN: 978-0-367-62286-26
Cinco do Oriente: The Legend and the Legacy of Timor-Leste’s Most Famous Band5
Auto-Tune as instrument: trap music's embrace of a repurposed technology5
Naná Vasconcelos's Saudades. By Daniel B. Sharp. Bloomsbury Academic, 33 1/3 Brazil series, 2021. 272 pp. ISBN: 978-1-501-34570-85
Public revolutionaries, private conservatives: rock performances of leftist political thought5
Living from Music in Salvador: Professional Musicians and the Capital of Afro-Brazil. By Jeff Packman. Middletown, CT: Wesleyan University Press, 2021. 320 pp. ISBN: 978-0-819-58048-15
Creole Soul: Zydeco Lives. By Burt Feintuch. Edited by Jeannie Banks Thomas. With photographs by Gary Samson. Jackson, MI: University Press of Mississippi. 2022. 267pp. ISBN 978-1-4968-4246-65
The lives and work of Bob Dylan5
Sounding Dissent: Rebel Songs, Resistance, and Irish Republicanism. By Stephen R. Millar. Ann Arbor, MI: University of Michigan Press, 2020. 264 pp. ISBN 978-0-472-13194-54
What Do Musicians Think of Digital Platforms?4
The Greatest Rock and Soul Band in the World? The Rolling Stones, genre and race3
‘You Just Haven’t Earned It Yet, Baby’: Authenticating Popular Music Tribute Shows3
Celtic music, Shakespeare and fandom3
SamBop NYC: Brazilian Jazz in New York City during the New Millennium. By Marc Gidal. New York: Oxford University Press, 2024. 253 pp. ISBN 0197619053.3
The Contributors3
Pivot Mixing: Tempo Modulation in Electronic Dance Music2
Mathias Spahlinger. By Neil Thomas Smith. Bristol: Intellect Books 2021. 206 pp. ISBN 978 78938 334 82
The Many Meanings of Mina: Popular Music Stardom in Post-War Italy. By Rachel Haworth. Bristol: Intellect, 2022, 240 pp. ISBN 978-1-78938-560-12
Prosecuting rap: what does the case law tell us?2
PMU volume 42 issue 1 Cover and Back matter2
The Logic of Filtering: How Noise Shapes the Sound of Recorded Music. By Melle Jan Kromhout. Oxford: Oxford University Press, 2021. 167 pp. ISBN 978-0-190-07014-42
Songwriters vs. the recording industry: the use and abuse of statistics in UK streaming debates2
PMU volume 42 issue 4 Cover and Front matter2
Unknown Pleasure: interpretations of the mystery hiss in Feist's 2017 album2
Kardeş Türküler as ‘art action’: The multiple cultural heritages of Anatolia1
Listening to Anohni's variously vibrating voice: studying transfeminine vocality in 21st-century popular music culture through the concept of vocal figurations1
The Social Life of an Optimised Song: Reconstructing the Networked Cycle of Digital Music-Making1
PMU volume 41 issue 3 Cover and Back matter1
Schoolhouse rap1
A place outside the pandemic? An ethnographic study of live music events at St Gallen's cultural venue Palace during the COVID-19 crisis1
Shades of Springsteen: Politics, Love, Sports, and Masculinity. By John Massaro. New Brunswick, NJ: Rutgers University Press, 2021. 255 pp. ISBN 978-1-9788-1616-91
Copping the blame: the role of YouTube videos in the criminalisation of UK drill music1
‘Jazz populism’ in London and the counter-hegemonic mainstream1
Pop Music Education in the UK. By Norton York, 2021. 415pp. RSL. ISBN 978-1-78936-346-31
The Contributors1
Sound Fragments: From Field Recording to African Electronic Stories. By Noel Lobley. Middletown Connecticut: Wesleyan University Press. 2022. ISBN 978-0-8195-8077-1.1
Using music streaming data for research: A relational approach1
In Search of Tito's Punks. On the Road in a Country That No Longer Exists. By Barry Phillips. Bristol: Intellect, 2023, 256 pp. ISBN 978-1-78938-731-51
Exploring audience reception and cultural influences: The case of the virtual idol Noonoouri in European popular music0
Anti-populist populism: Musical challenges to Trump's America and Erdoğan's Turkey0
Wings with Strings Attached? Corporate Sponsorship and the Capacity to Aspire in Lebanon’s Alternative Music World0
‘Lost & Found’ or ‘Requiem for the new Mozambican man’: Musicking transition from a socialist single-party to a capitalist multiparty system (1987–1994)0
PMU volume 42 issue 1 Cover and Front matter0
Songs of tractors and submission: on the assembled politicity of popular music and far-right populism in Austria0
The Musicians’ Syndicate and the contradictions of state control over music in Egypt0
Distillation of Sound, Dub and the Creation of Culture. By Eric Abbey. Bristol: Intellect, 2022. 187 pp. ISBN 978-1-78938-539-70
DIY House Shows and Music Venues in the US. Ethnographic Explorations of Place and Community. By David Verbuč. New York, Routledge, 2022, 282 pp. ISBN: 978-1-032-04917-50
Fifty Years of the Concept Album in Popular Music: From the Beatles to Beyoncé. By Mark Wolfson. New York: Bloomsbury Academic, 2024. 264 pp. ISBN 978-1-5013-9180-4.0
Jazz Diaspora: Music and Globalization. By Bruce Johnson. London: Routledge 2020. 208 pp. ISBN: 978-1-138-57755-80
It’s My Party: Tat Ming Pair and the Postcolonial Politics of Popular Music in Hong Kong. By Yiu Fai Chow, Jeroen de Kloet, and Leonie Schmidt. Singapore: Palgrave Macmillan, 2024. 230 pp. ISBN 978-980
Understanding the Representation of Women Electric Guitarists on Instagram0
Hip-Hop Archives: The Politics and Poetics of Knowledge Production. Edited by Mark V. Campbell and Murray Forman. Bristol/Chicago: Intellect Books, 2025. 354 pp. ISBN 97818359510640
PMU volume 43 issue 3 Cover and Back matter0
‘With all praise to your exalted frequencies, consider me your friend’: listening, technology and musicking in the Church of Scientology0
The Vinyl Revival, Gender, and Collecting Aesthetics. By Veronica Skrimsjö. London and New York: Routledge, 2026. 135 pp. ISBN 978-1-032-51046-0.0
PMU volume 42 issue 3 Cover and Front matter0
Alone in the Crowd? Live Music Audiences and Individual Experience0
Review of The Purple One: Prince, Race, Gender, and Everything in Between . Edited By Judson L. Jeffries, Shannon M. Cochran, and Molly Reinhoudt. Missis0
The performance of machine aesthetics: acoustic reimagining of electronic music0
Resisting the criminalisation of rap0
Improvising the Score: Rethinking Modern Film Music through Jazz. By Gretchen L. Carlson. Jackson, MI: University Press of Mississippi, 2022. 224 pp. ISBN: 978-1-496-84084-40
Not your ordinary drone: odes to the Bayraktar in the Russia–Ukraine war0
In Memory of Toru Mitsui (1940–2023)0
PMU volume 42 issue 3 Cover and Back matter0
Introduction by Peter Wicke0
Soundscapes of ecofeminism. Negotiating gender and environment through pop music0
PMU volume 41 issue 2 Cover and Back matter0
The ‘System of National Cooperation’ hit factory: the aesthetic of Hungarian government-commissioned songs between 2010 and 20200
Uncurating Sound: Knowledge with Voice and Hand. By Salomé Voegelin. New York: Bloomsbury Academic Press, 2023. 122 pp. ISBN 978-1-5013-4540-1; Sonic Possible Worlds: Hearing the Continuum of Sound. B0
Welcome 2 Houston: Hip Hop Heritage in Hustle Town. By Langston Collins Wilkins. Illinois: University of Illinois Press, 2023. 180.pp. ISBN: 9780252087295.0
PMU volume 44 issue 4 Cover and Front matter0
Glasgow: A History (Vol.1 of VI). By The Tenementals. Glasgow: Strength in Numbers Records, 2024. https://strengthinnumbersrecords.bandcamp.com/album/glasgow-a-history-volume-i-of-vi0
Becoming Noise Music: Style, Aesthetics, and History. By Stephen Graham. New York; London: Bloomsbury, 2023. 235 pp. ISBN 978-1-5013-7866-90
Firesign: The Electromagnetic History of Everything as Told on Nine Comedy Albums. By Jeremy Braddock. Oakland, CA: University of California Press, 2024. 320 pp. ISBN 978-0-520-39852-80
Record Cultures: The Transformation of the U.S. Recording Industry. By Kyle Barnett. Ann Arbor: University of Michigan Press, 2020. 320 pp. ISBN 978-0-472-03877-0.0
Media of the Masses: Cassette Culture in Modern Egypt. By Andrew Simon. Stanford, CA: Stanford University Press, 2022. 304 pp. ISBN: 978-150-363-14410
The Contributors0
Posh UK drill and the myth of the respectful parodist0
Exhibitions, Music and the British Empire. By Sarah Kirby. Martelsham: Boydell Press, 2022. 264 pp. ISBN: 978-1-783-27673-80
The people vs. the power bloc? Popular music and populism0
Scary Monsters. Monstrosity, Masculinity and Popular Music. By Mark Duffett and Jon Hackett. New York: Bloomsbury Academic, 2021. ISBN 978-1-501-31337-00
Philip Tagg (22 February 1944–9 May 2024)0
Popular Music Autobiography: The Revolution in Life-Writing by 1960s Musicians and Their Descendants. By Oliver Lovesey. New York: Bloomsbury, 2022. 366 pp. ISBN: 978-15013558370
Negotiating girlhood in rock music: Nandi Bushell, prodigy discourse and adult mentor-fans0
The production of space and the changing character of the recording studio0
PMU volume 43 issue 4 Cover and Back matter0
Music and the Making of Modern Japan: Joining the Global Concert. By Margaret Mehl. Cambridge: Open Book Publishers, 2024. 449 pp. ISBN 978-180064-839-5.0
Live and direct? Censorship and racialised public morality in grime and drill music0
On the de-dichotomisation of the mainstream idea0
Los sentimientos del alma: cultural dialogue and the multiple origins of Panamanian típico0
Sandinista! By Micajah Henley. London: Bloomsbury Academic. 134 pp. ISBN 978-1-5013-9036-40
Independence in 21st-Century Popular Music. Cases from Beyond Anglo-America, edited by Shannon Garland, Pedro Belchior Nunes and Pedro Roxo. New York and London: Bloomsbury Academic, 2025. 342 pp. ISB0
Made in Scotland. Studies in Popular Music. Edited by Simon Frith, Martin Cloonan and John Williamson. New York: Routledge, 2024. 185 pp. ISBN 978-1-032-16197-60
Non-academic writing on popular music in the Czech lands after 19450
A Philosophy of Cover Songs. By P.D. Magnus. Cambridge: Open Book Publishers, 2022. 145 pp. ISBN 978-1-800-64422-90
The 0161 rap gap: the marginalisation of Black rap musicians in Manchester's live music scene0
The Contributors0
Musicians in Crisis: Working and Playing in the Greek Popular Music Industry. By Ioannis Tsioulakis. London: Routledge, 2021. 200 pp., 10 b/w illustrations. ISBN 978-1-138-61544-10
Fantasies of Nina Simone. By Jordan Alexander Stein. Durham and London: Duke University Press, 2024. 307 pp. ISBN 978-1-4780-3070-6.0
Populist performance(s) in contemporary Greek rap music0
The Contributors0
The Contributors0
Shonen Knife's Happy Hour: Food, Gender, Rock and Roll. By Brooke McCorkle Okazaki. New York: Bloomsbury, 2021. 156 pp. ISBN: 97815013479550
PMU volume 43 issue 1 Cover and Front matter0
Emo – How Fans Defined a Subculture. By Judith May Fathallah. Iowa: University of Iowa Press, 2020. 214 pp. ISBN 978-1-609-38724-20
PMU volume 41 issue 4 Cover and Back matter0
Hearing Maskanda: Musical Epistemologies in South Africa. By Barbara Titus. New York: Bloomsbury Publishing, 2022. 280 pp. ISBN 978-1-501-37776-10
Hannibal Lokumbe: Spiritual Soundscapes of Music, Life, and Liberation. By Lauren Coyle Rosen and Hannibal Lokumbe. New York: Columbia University Press, 2024. 255 pp. ISBN 97802312178660
On Loop: Black Sonic Politics in Oakland. By Alex Werth. Oakland, California: University of California Press, 2025. 392 pp. ISBN 978-0-520-41607-90
Made in Finland. Studies in Popular Music. Edited by Toni-Matti Karjalainen and Kimi Kärki. London: Routledge, 2021. 276 pp. ISBN: 978-0-367-22891-00
The structure of the mainstream music in Slovenia: Global hits and local sediments0
Under suspicion: library music and the Musicians’ Union in Britain, 1960–1978 – CORRIGENDUM0
Ban rap and drill lyrics in the courtroom0
Manchester Unspun. Pop, Property and Power in the Original Modern City. By Andy Spinoza. Manchester: Manchester University Press, 2023. pp.365. ISBN 978 1 5261 6845 0.0
Expert or advocate? The role(s) of the expert witness when rap is on trial0
I'll Be Your Plaything. By Anna Szemere and András Rónai. New York: Bloomsbury Academic. 139 pp. ISBN 978-1-501-35443-40
Popular Song in the 19th Century. Edited by Derek Scott. Turnhout: Brepols, 2022. 380 pp. ISBN: 978-2-503-60078-90
PMU volume 41 issue 2 Cover and Front matter0
Krautrock. By Marshall Gu. New York: Bloomsbury Academic, 2024. 168 pp. ISBN: 978-8-7651-0329-6.0
Negotiating Standards and Songwriting Myths in the Age of Platformisation: Sessions, Camps, and Their Functional Rules and (Media) Formats0
The National Symphony Orchestra of Ghana plays Ghanaian Classics: negotiating multiple identities through highlife music0
Rethinking the Eco-Recording Studio: Technologies, Aesthetics, and Discourse in Popular Music Production0
PMU volume 41 issue 3 Cover and Front matter0
PMU volume 44 issue 1 Cover and Back matter0
Sonic Mobilities. Producing Worlds in Southern China. By Adam Kielman. Chicago, IL: The University of Chicago Press, 2022. 216 pp. ISBN 978-0-226-81780-40
PMU volume 44 issue 2 Cover and Front matter0
The regime of style: cover versions, reality TV, and the aesthetic principles of populism in Israel and beyond0
Utopianism, activism and networks: insights into the early work of János Maróthy0
Online musicking for humanity: the role of imagined listening and the moral economies of music sharing on social media0
Caliphate Pop. By Mandus Ridefelt, Hasan Özgür Top and Assem Hendawi. Stockholm: Sarnama Press, 2022. 157pp. ISBN 7-2182-527-91-9780
Taking stock of a discourse: An integrative content analysis of musical structures and cultural stereotypes in top-10 German Schlager songs from 2009 to 20190
Fluid revivals: retouring popular songs to restore a hydrological imaginary in the trans-Danube0
Récital 1961. By David L. Looseley, New York: Bloomsbury Academic, 2023. 113 pp. ISBN 978-1-5013-6210-10
‘People Sing When They're Happy’: Popular Music in 1970s Soviet Comedic Cinema0
Sounds of pleasure and challenge behind the Iron Curtain: on the rise of Bulgarian rock music0
Popular music studies behind the Iron Curtain: the constitution of popular music research in East-Central Europe before 19890
Leonard Cohen: The Mystical Roots of Genius. By Harry Freedman. London: Bloomsbury, 2021. 274 pp. ISBN 978-1-4729-8727-3 - From This Broken Hill I Sing to You. By Marcia Pally. London: T&T Clark, 0
Tradition and the quadruple talent: Intertextuality in the Beatles’ songbook0
Music by Numbers: The Use and Abuse of Statistics in the Music Industries. Edited by Richard Osborne and Dave Laing. Bristol: Intellect, 2021. 270 pp. ISBN 978-1-78938-253-20
The Bastard Instrument: A Cultural History of the Electric Bass. By Brian F. Wright. Ann Arbor: University of Michigan Press. 2024. 392 pp. ISBN: 978-0472056811.0
The ‘Anchoring vi Schema’ and its relation to phrase rhythm in popular music0
Band People: Life and Work in Popular Music. By Franz Nicolay. Austin: University of Texas Press, 2024. 295 pp. ISBN 978-1-4773-2353-3.0
Across the Platform Universe: Introduction0
Sociology of popular music in Czechoslovakia (1948–1989)0
Sex and Gender in Pop/Rock Music: the Blues through The Beatles to Beyoncé. By Walter Everett. London: Bloomsbury, 2023. xii + 260 pp. ISBN: 978-1-5013-4595-10
Our Subversive Voice: The History and Politics of English Protest Songs 1600-2020. By John Street, Oskar Cox Jensen, Alan Finlayson, Angela McShane, and Matthew Worley. London: McGill-Queen’s Universi0
Music, City and the Roma Under Communism. By Anna G. Piotrowska. London: Bloomsbury Academic, 2022. 208 pp. ISBN 978-1-5013-8081-50
PMU volume 41 issue 4 Cover and Front matter0
Disabled DJs and Dance Music Culture0
Sonic agencies of climate change: Kalallissut /Greenlandic popular music of global heating0
Sellout: The Major-Label Feeding Frenzy That Swept Punk, Emo, and Hardcore (1994–2007). By Dan Ozzi. New York: Mariner Books, 2021. 400 pp. ISBN 978-0-358-24430-1 - Cometbus #59: Post-Mortem. By Aaron0
A Band with Built-in Hate: The Who from Pop Art to Punk. By Peter Stanfield. London: Reaktion Books. 2021. 280 pp. ISBN 978-1-789-14277-80
Rude Citizenship: Jamaican Popular Music, Copyright, and the Reverberations of Colonial Power. By Larisa Kingston Mann. Chapel Hill, NC: The University of North Carolina Press, 2022. 242 pp. ISBN: 9780
What's behind the ‘K’? Common audio features of Korean popular music before and after the rise of K-POP0
The Contributors0
The Contributors0
Feenin: R&B Music and the Materiality of BlackFem Voices and Technology. By Alexander Ghedi Weheliye. Durham, NC: Duke University Press, 2023. 304 pp. ISBN 978-1-4780-2521-40
How Music Empowers: Listening to Modern Rap and Metal. By Steven Gamble. Routledge, 2021. 188 pp. ISBN 978-0-367-33955-50
Shnur ‘Against Sincerity’: Aesthetics of Imperfection and Sincerity Anxieties in Twenty-First-Century Pop Culture0
The Punk Rock Politics of Joe Strummer. Radicalism, Resistance and Rebellion. By Gregor Gall. Manchester: Manchester University Press, 2022. 295 pp. ISBN 978-1-52614-898-80
Remastering Music and Cultural Heritage: Case Studies from Iconic Original Recordings to Modern Remasters. By Stephen Bruel. London and New York: Routledge, Perspectives on Music Production, 2024. 1440
Rockin’ the Lord: Religious Identity and Pete Townshend0
Made in Hong Kong. Studies in Popular Music. Edited by Anthony Fung and Alice Chik. London: Routledge, 2020. 234 pp. ISBN 978-0-367-22698-50
Blacksound: Making Race and Popular Music in the United States. By Matthew D. Morrison. Oakland: University of California Press, 2024. 304 pp. ISBN 97805203905910
Live Music in America: A history from Jenny Lind to Beyoncé. By Steve Waksman. 2022. Oxford: Oxford University Press. 677 pp. ISBN: 978-0-19-757053-10
PMU volume 43 issue 1 Cover and Back matter0
The Contributors0
A heroism for the new times in the protest songs of Gerhard Gundermann0
Connan Mockasin as Mr Bostyn: the popular music artist in disguise, the performance of the popular music artist0
Music as professional practice: work profiles of jazz and popular music artists in Barcelona0
PMU volume 43 issue 3 Cover and Front matter0
Annihilating Noise. By Paul Hegarty. New York: Bloomsbury, 2021. 288 pp. ISBN 978-1-5013-3544-00
Music in Portugal and Spain: Experiencing Music, Expressing Culture. By Salwa El-Shawan Castelo-Branco and Susana Moreno Fernández. New York: Oxford University Press, 2018. 160 pp. 978-0-199-92061-70
PMU volume 43 issue 4 Cover and Front matter0
The Identitarian movement and fashwave music: The nostalgia and anger of the new far right in Denmark0
Under suspicion: library music and the Musicians’ Union in Britain, 1960–19780
The World of Leonard Cohen. Edited by David R. Shumway . Cambridge: Cambridge University Press. 2026. 378 pp. ISBN: 978-1-009-35059-40
PMU volume 44 issue 3 Cover and Front matter0
A Women's History of The Beatles. By Christine Feldman-Barrett. New York: Bloomsbury Academic, 2021. 257 pp. ISBN 978-1-5013-7594-10
Vaporwave and Hardvapour: Alternative temporalities, territorialities and identities after our holiday from history0
PMU volume 44 issue 3 Cover and Back matter0
Jarmark. By Kamila Rymajdo. New York and London: Bloomsbury Academic. 33 1/3 Europe series. 2025. 126 pp. ISBN 97987651030670
PMU volume 44 issue 2 Cover and Back matter0
Construction of voice(s): A study on the popular music of Kerala0
PMU volume 44 issue 4 Cover and Back matter0
The Journal of Beatles Studies. Edited by Holly Tessler and Paul Long. Liverpool: Liverpool University Press, 2022. 177 pp. ISBN 978-1-802-07766-70
The Cambridge Companion to Women in Music since 1900. Edited by Laura Hamer. Cambridge: Cambridge University Press, 2021. xxxii + 325 pp. ISBN 978-1-108-45578-70
Ne me quitte pas. A Song by Jacques Brel and Interpreted by Nina Simone and Others. By Maya Angela Smith (Duke University Press, 2025), pp. 144, ISBN: 978-1-4780-3146-80
Lives in Music0
Bridging Sonic Borders: Popular Music in Contemporary Dominican/Dominicanyork Literature. By Sharina Maíllo-Pozo. Austin: University of Texas Press, 2025. 229 pp. ISBN 978-1-4773-3155-2.0
Orchestration in Musical Theatre. By Paul R. Laird and Elizabeth Sallinger. London: Bloomsbury, 2025. 112 pp. ISBN: 978-1-3504-5124-70
PMU volume 43 issue 2 Cover and Front matter0
The Contributors0
Inventing Elvis. An American Icon in a Cold War World. By Mathias Haeussler. New York: Bloomsbury, 2020. 240 pp. ISBN 97813501076700
‘The practice of the twanged instruments’. Evaluating the amateur fretted instrument orchestra in British popular musical life, c.1890–c.19600
Made in NuYoRico: Fania Records, Latin Music, and Salsa’s Nuyorican Meanings. By Marisol Negrón. Durham, NC: Duke University Press, 2024. 328 pp. ISBN 1478026669.0
Flannery at the Grammys. By Irwin H. Streight. Jackson, MS: University Press of Mississippi, 2024. 312 pp. ISBN: 9781496850218.0
The First Days of Berlin: The Sound of Change. By Ulrich Gutmair. Translated by Simon Pare. Cambridge: Polity Press, 2021. 212 pp. ISBN 978-15095473020
From ‘we shall prevail’ to ‘weapon of struggle’: Populism, Chile'sUnidad Populargovernment andNueva Canción0
Adaptation and Optimisation across Audiovisual Platforms: Hot Song Production in the Chinese Music Industry0
The Contributors0
PMU volume 42 issue 2 Cover and Front matter0
Creativity and constraint: Gendered work experiences in the Belgian popular music mainstream0
PMU volume 44 issue 1 Cover and Front matter0
PMU volume 42 issue 2 Cover and Back matter0
Live from the Underground: A History of College Radio. By Katherine Rye Jewell. Chapel Hill, NC: University of North Carolina Press, 2023. 480 pp. ISBN 978-1469676203.0
Musicking assemblages and non-human becomings: Mapping morphogenetic processes and distributed agencies in Wolfgang Buttress’ the Hive0
Playing the Changes. Jazz at an African University and on the Road. By Darius Brubeck and Catherine Brubeck. Pietermaritzburg: University of KwaZulu-Natal Press, 2023. 321 pp. ISBN 978 186914 528 60
Postcolonial paths of pop: a suburban psychogeography of George Michael and Wham!0
PMU volume 43 issue 2 Cover and Back matter0
The Cambridge Companion to Caribbean Music. Edited by Nanette de Jong. Cambridge: Cambridge University Press, 2022. 247 pp. ISBN 978-1-108-42192-80
Listening to Mapuche sound in Illapu0
‘We come from the underground’: grounding Chinese punk in Beijing and Wuhan0
Fight The Power: Law and Policy through Hip-Hop Songs. Edited by Gregory S. Parks and Frank Rudy Cooper. Cambridge: Cambridge University Press, 2022. 300 pp. ISBN: 978-1-009-01153-20
Faire carrière dans le rap au Burkina Faso. Une anthropologie politique de la musique [Rap Careers in Burkina Faso: A Political Anthropology of Music]. By Anna Cuomo. Guichen: Mélanie Seteun, coll. Mu0
Cosmopolitan localism as creative self-discovery: Greek Cypriot popular music in the 21st century0
The Lifetime Soundtrack: Music and Autobiographical Memory. By Lauren Istvandy. Sheffield, UK: Equinox Publishing Ltd, 2019. 156 pp. ISBN: 978-1-78179-629-00
The Contributors0
From the periphery to the mainstream and back. The case of disco polo music in Poland0
Introduction to special issue: Prosecuting and Policing Rap0
Platformed indie : Poptimism in Italian digital music culture0
Music City Melbourne: Urban Culture, History and Policy. By Shane Homan, Seamus O'Hanlon, Catherine Strong and John Tebbutt. New York: Bloomsbury Academic Press, 2022. 213 pp. ISBN 978-1-501-36572-00
Punk Rock and Philosophy: Research and Destroy. Edited by Joshua Heter and Richard Greene. Chicago, IL: Open Universe, Carus Books, 2022. 346 pp. ISBN 978-1-63770-022-80
Stephen Sondheim’s Sweeney Todd. By Rick Pender. United States of America: Bloomsbury Academic, 2025. 251 pp. ISBN 978-1-5381-9644-10
All of the Birds Are Laughing: An Ecofeminist Interpretation of Female Pastoral in Kate Bush’s A Sky of Honey0
Weird American Music. By Dorothea Gail. Universitätsverlag Winter Heidelberg, 2018. 413 pp. ISBN 978-3-8253-6956-90
Freestyling in war and peace: rap and transitional justice in Colombia0
The Cambridge Companion to the Electric Guitar. Edited by Jan-Peter Herbst and Steve Waksman. Cambridge: Cambridge University Press, 2024. 356 pp. ISBN:97810092244510
Musical Models of Democracy. By Robert Adlington. Oxford: Oxford University Press, 2024, 223 pp. ISBN: 978-0-19-765881-90
Serge Gainsbourg. An International Perspective. Edited by Olivier Julien and Olivier Bourderionnet. New York: Bloomsbury, 2024. 259 pp. ISBN 978-1-5103-6566-90
Working Musicians: Labor and Creativity in Film and Television Production. By Timothy Taylor, 2023. Durham, NC: Duke University Press. 254 pp. ISBN: 978-1-4780-1987-90
Niemen Enigmatic. By Mariusz Gradowski and Ewa Mazierska. New York: Bloomsbury Academic, 33 1/3 Europe Series, 2022. 160 pp. ISBN 978-1-501-37266-70
Shaping rhythm: timing and sound in five groove-based genres0
Representing Islam: Hip-hop of the September 11 Generation. By Kamaludeen Mohamed Nasir. Bloomington, IN: Indiana University Press, 2020. 205 pp. ISBN 978-0-253-05304-60
The Contributors0
Hip-hop sampling aesthetics and the legacy ofGrand Upright v. Warner0
How Hip Hop Became Hit Pop. By Amy Coddington. Berkeley, CA: University of California Press, 2023. 226 pp. ISBN 978-0-520-38392-00
The Contributors0
The Politics of Vibration, Music as a Cosmopolitical Practice. By Marcus Boon, Durham, NC: Duke University Press, 2022. 288 pp. ISBN 978-1-4780-1839-10
Coded Lyrics: The Poetics of Argentine Rock under Censorship and Beyond. By Mara Favoretto. Liverpool: Liverpool University Press, 2024. 192 pp. ISBN 9781835532300.0
Fela Anikulapo-Kuti. Afrobeat, Rebellion, and Philosophy. By Adeshina Afolayan and Toyin Falola. New York, London, and Dublin: Bloomsbury Academic, 2022. 290 pp. ISBN 978-1-5013-7475-30
Dissonant Landscapes: Music, Nature, and the Performance of Iceland. By Tore Størvold. Middletown, CT: Wesleyan University Press, 2023. 216 pp. ISBN 978-0-819-50049-60
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