Dance Research

Papers
(The TQCC of Dance Research is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-06-01 to 2025-06-01.)
ArticleCitations
Editorial Introduction10
Dramaturgy of Sexual Violence in the Repertory of Kenneth MacMillan4
La Ville et la Cour se Mélèrent – Napoleon's Propaganda Quadrilles (1793–1813)4
Massimiliano Locanto, Stravinsky and the Musical Body: Creative Process and Meaning3
Front matter2
A Personal Tribute from Margaret’s Husband2
Steve Paxton: Extraordinarily Ordinary and Ordinarily ExtraordinaryA Performance Review2
Margaret as a Reader of French Renaissance Literature2
Turning Movement into Words: The Technique Writings of Tamara Karsavina and Agrippina Vaganova2
Kathrina Farrugia-Kriel (ed.), Princess Poutiatine and the Art of Ballet in Malta1
Emilyn Claid, Falling through Dance and Life1
Approaches to Dance (5): Dancing the Other: The Aman Folk Ensemble and the Avaz International Dance Theatre1
Grace Barnes, National Identity and the British Musical1
Balanchine and Constructivism: The Path to Neoclassicism1
Leach Glover, ‘Dancing Master to the Royal Family’, Part Two: Teachers of Dancing1
A Neoliberal Semi-Public Space in the Era of the JDP: Tango in Istanbul1
Front matter1
Introduction1
Hyperathletic Artistry: Nathan Chen and Yuzuru Hanyu Performing Asian Masculinities1
Joellen A. Meglin, Ruth Page: The Woman in the Work1
Back matter0
Kathryn Dickason, Ringleaders of Redemption. How Medieval Dance Became Sacred0
‘Brexit put us in the Fridge, Covid in the Freezer’: The Impact of Covid-19 and Brexit on UK Freelance Dance Artists0
‘How can we know the dancer from the dance?’ Perspectives on Musicality in Human Movement0
Arabella Stanger, Dancing on Violent Ground: Utopia as Dispossession in Euro-American Theater Dance0
Philipa Rothfield, Dance and the Corporeal Uncanny: Philosophy in Motion0
Front matter0
Staging the Folk: Choreographic Issues of National Representation0
Dancing on the Strand: The Adelphi Theatre’s Dance Repertoire, 1840–18600
Margaret’s Living Legacy for Dance0
Margaret as Dance Scholar and Friend0
Margaret in the Community of Renaissance and Early Modern Scholarship0
Creativity, Skill, Integrity, Intelligence and Community: A Conversation on the Nature of Practice in Hip Hop0
Ira Nadel, The Business of Ballet: Diaghilev's Ballets Russes between Profit and the Avant-garde0
Front matter0
Samuel Beckett’s Brush with Ballet0
Spectacular Choreographies of Epic Proportions: Ricki Starr, the Ballet Dancing Wrestler0
Front matter0
Introduction: Studies in Practice as Research0
Diaghilev's Ballets Russes in Spain and its Legacy0
Mark Franko, The Fascist Turn in the Dance of Serge Lifar: Interwar French Ballet and the German Occupation0
Back matter0
Improvisation is…0
The Influence of André Levinson and Arnold Haskell in the Attempts to Develop a Ballet Culture in Catalonia during the First Half of the Twentieth Century0
Foreword0
Janet Borgerson and Jonathan Schroeder, Designed for Dancing: How Midcentury Records Taught America to Dance0
Exhibiting Images of Disabled Dancers: Comparison, Reconstruction or Disruption?0
Dance as Originary Mimesis: Theory and Practice of the Passions in Action Ballet0
Margaret and the Festival Book: The French Royal Entry in the Renaissance: the Status of the Printed Text0
Christel Stalpaert, Guy Cools and Hildegard De Vuyst (eds), The Choreopolitics of Alain Platel's les Ballets C de la B: Emotions, Gesture, Politics0
An Autoethnographic Analysis of a Space for Belly Dancing Women: Istanbul Educational and Cultural Association of Oriental Dancers0
‘It was not Sinai’: Wayfaring with Nijinsky in and around St. Moritz. Some Reflections on Practising Dance History in the Field0
Circumscribing a Gesture: War, Breath and Memory in De Keersmaeker’s Staging of Rilke’s Die Weise von Liebe und Tod des Cornets Christoph Rilke0
‘Where Burns the Artist's Soul’: Tamara Karsavina's Writings on Artistry and Expression0
Archives of the Dance (28): Chisenhale Dance Space0
Billy Cowie, Poetic Dance: A Choreographic Handbook0
Back matter0
Front matter0
Leach Glover, ‘Dancing Master to the Royal Family’ Part One: The Professional Dancer in Context0
Zoa Alonso Fernández and Sarah Olsen (eds), Imprints of Dance in Ancient Greece and Rome0
Susan Manning, Janice Ross and Rebecca Schneider (eds), Futures of Dance Studies0
Skinner Releasing Technique: A Movement and Dance Practice, ed. Manny A. Emslie0
Patrizia Veroli and Gianfranco Vinay (eds), Music-Dance: Sound and Motion in Contemporary Discourse0
Margaret's Contribution to Festivals Research0
India's Graham: Martha Graham's Impact on Indian Modern Dance0
Comprehending Dance through Empathy: A Spectator’s Total Body-Mind Experience of Watching Wind of May (Moon, 2020)0
Managing a Career at the Paris Opéra: The Negotiations of Émilie Bigottini and Fanny Bias0
Gabriele Klein and Franz Anton Cramer (eds), Materialities in Dance and Performance. Writing, Documenting, Archiving0
Gerald Dowler, The Golden Age: Ballet in Soviet Russia, 1917–19910
Rebecca L. Farinas and Julie Van Camp (eds.), The Bloomsbury Handbook of Dance and Philosophy0
Impact of Dancing on Physical and Mental Health: A Systematic Literature Review0
Archives of the Dance (27), The Establishment of Beijing Dance School in the First-Hand Report of Soviet Specialist O. A. Il'ina: Introduction, Translation, Notes0
Olivia Sabee, Theories of Ballet in the Age of the ‘Encyclopédie’0
Front matter0
Archives of the Dance (30): Victoria and Albert Museum Dance Collections, Part 10
Archives of the Dance (29): Richard Alston Dance Company Archive at the V&A0
Noyale Colin, Catherine Seago, and Kathryn Stamp (eds), Ethical Agility in Dance, Rethinking Technique in British Contemporary Dance0
Sabine Sörgel, Contemporary African Dance Theatre: Phenomenology, Whiteness and the Gaze0
Alexandra Baybutt, Contemporary Dance Festivals in the Former Yugoslav Space. (In)dependent Scenes0
Katy Dymoke, Inclusive Dance: The Story of Touchdown Dance0
Sarah Woodcock, Dynamo Michael Somes: A Life in the Royal Ballet0
Natalie Zervou, Performing the Greek Crisis. Navigating National Identity in the Age of Austerity0
Back matter0
The Tangible and Intangible: Dance and the Safeguarding of Intangible Cultural Heritage0
Developments in Dance Research: The UK Dance Research Matters Programme0
Back matter0
Back matter0
Decolonising or Recolonising: Struggles on Cultural Heritage0
The Spider and the Crab: Ways of Being with Practice-as-Research0
Nietzsche's Looming Presence in the 1930s Dance Polemics of John Martin and Lincoln Kirstein0
Margaret and the Warburg Institute0
Sondra Fraleigh and Shannon Rose Riley (eds), Geographies of Us: Ecosomatic Essays and Practice Pages0
Nicole Haitzinger and Alexandra Kolb (eds.), Dancing Europe: Identities, Languages, Institutions0
Back matter0
Approaches to Dance (4): Moving, Teaching, Thinking, Writing: A Minor Excavation0
Developing Craft in the Ballet Class0
Performing for Napoleon: Production Quarrels at the Paris Opéra0
The Accidental Giselle: Paris 19240
Clement Crisp0
Christiane Czymoch, Kate Maguire-Rosier, and Yvonne Schmidt (eds), How Does Disability Performance Travel: Access, Art, and Internationalization0
So Revealing: Ballerinas on Antebellum US Stages0
Bruce Baird, A History of Butô0
Angie Hiesl and Roland Kaiser (eds), War schön. Kann weg… Alter(n) in der Darstellenden Kunst0
Dance Lessons, Mirrors and Minuets: Martin Engelbrecht's Engraving Das Tantzen / La Danse0
The Evolving Prospects of Bharatanatyam: An Enquiry on Changing Religious Landscape0
Ecosystemic Practice-Research (for the Benefit of Others)0
The Publications of Margaret M. McGowan from 2007–20220
Sigurd Leeder: A Forgotten Master?0
Dance as a Powerful Tool to Advance Disability Inclusion: Reflections from an Interdisciplinary Collaboration0
Dancing and the Stance: Mapping a Creative Practice in African Dance-Drama0
Editorial Introduction: Tributes to Margaret McGowan and Clement Crisp0
Approaches to Dance (3): Naïveté and Curiosity0
Front matter0
Back matter0
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