OOIR: Observatory of International Research

Papers

(The TQCC of Dance Research is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-01-01 to 2026-01-01.)

Article	Citations
Editorial Introduction	10
Massimiliano Locanto, Stravinsky and the Musical Body: Creative Process and Meaning	4
Dramaturgy of Sexual Violence in the Repertory of Kenneth MacMillan	4
La Ville et la Cour se Mélèrent – Napoleon's Propaganda Quadrilles (1793–1813)	4
Turning Movement into Words: The Technique Writings of Tamara Karsavina and Agrippina Vaganova	3
A Personal Tribute from Margaret’s Husband	2
Margaret as a Reader of French Renaissance Literature	2
Front matter	2
Steve Paxton: Extraordinarily Ordinary and Ordinarily ExtraordinaryA Performance Review	2
Grace Barnes, National Identity and the British Musical	1
Editorial Introduction: Tributes to Margaret McGowan and Clement Crisp	1
Nele Lipp, Dartington Hall 1925–1939. Drehscheibe der Kulturen für eine friedliche Welt	1
Introduction	1
Emilyn Claid, Falling through Dance and Life	1
Developments in Dance Research: The UK Dance Research Matters Programme	1
Joellen A. Meglin, Ruth Page: The Woman in the Work	1
Hyperathletic Artistry: Nathan Chen and Yuzuru Hanyu Performing Asian Masculinities	1
Front matter	1
Balanchine and Constructivism: The Path to Neoclassicism	1
Approaches to Dance (5): Dancing the Other: The Aman Folk Ensemble and the Avaz International Dance Theatre	1
‘It was not Sinai’: Wayfaring with Nijinsky in and around St. Moritz. Some Reflections on Practising Dance History in the Field	1
Leach Glover, ‘Dancing Master to the Royal Family’, Part Two: Teachers of Dancing	1
Back matter	1
Nicole Haitzinger and Alexandra Kolb (eds.), Dancing Europe: Identities, Languages, Institutions	0
Dance Lessons, Mirrors and Minuets: Martin Engelbrecht's Engraving Das Tantzen / La Danse	0

Creativity, Skill, Integrity, Intelligence and Community: A Conversation on the Nature of Practice in Hip Hop	0
Janet Borgerson and Jonathan Schroeder, Designed for Dancing: How Midcentury Records Taught America to Dance	0
‘How can we know the dancer from the dance?’ Perspectives on Musicality in Human Movement	0
Gerald Dowler, The Golden Age: Ballet in Soviet Russia, 1917–1991	0
Front matter	0
Zoa Alonso Fernández and Sarah Olsen (eds), Imprints of Dance in Ancient Greece and Rome	0
Evered Laguerre (1702–1739): The Career of a Forgotten English Dancer	0
The Spider and the Crab: Ways of Being with Practice-as-Research	0
Back matter	0
Bruno Ligore (ed.), Filippo Taglioni, padre del ballo romantico	0
India's Graham: Martha Graham's Impact on Indian Modern Dance	0
Gabriele Klein and Franz Anton Cramer (eds), Materialities in Dance and Performance. Writing, Documenting, Archiving	0
Dance as a Powerful Tool to Advance Disability Inclusion: Reflections from an Interdisciplinary Collaboration	0
Foreword	0
Katy Dymoke, Inclusive Dance: The Story of Touchdown Dance	0
Margaret Morris’s Angkorr (1917): English Modern Dance and Early Twentieth-Century Modernism	0
Sabine Sörgel, Contemporary African Dance Theatre: Phenomenology, Whiteness and the Gaze	0
Archives of the Dance (28): Chisenhale Dance Space	0
Bruce Baird, A History of Butô	0
Front matter	0
The Tangible and Intangible: Dance and the Safeguarding of Intangible Cultural Heritage	0
Improvisation is…	0
Philipa Rothfield, Dance and the Corporeal Uncanny: Philosophy in Motion	0
The Publications of Margaret M. McGowan from 2007–2022	0
Christiane Czymoch, Kate Maguire-Rosier, and Yvonne Schmidt (eds), How Does Disability Performance Travel: Access, Art, and Internationalization	0
Archives of the Dance (31): Victoria and Albert Museum Dance Collections, Part 2, the Ballets Russes Material	0
Skinner Releasing Technique: A Movement and Dance Practice, ed. Manny A. Emslie	0
Margaret as Dance Scholar and Friend	0
Managing a Career at the Paris Opéra: The Negotiations of Émilie Bigottini and Fanny Bias	0
Comprehending Dance through Empathy: A Spectator’s Total Body-Mind Experience of Watching Wind of May (Moon, 2020)	0
Clement Crisp	0
Impact of Dancing on Physical and Mental Health: A Systematic Literature Review	0
Circumscribing a Gesture: War, Breath and Memory in De Keersmaeker’s Staging of Rilke’s Die Weise von Liebe und Tod des Cornets Christoph Rilke	0
Archives of the Dance (27), The Establishment of Beijing Dance School in the First-Hand Report of Soviet Specialist O. A. Il'ina: Introduction, Translation, Notes	0
Sondra Fraleigh and Shannon Rose Riley (eds), Geographies of Us: Ecosomatic Essays and Practice Pages	0
Alexandra Baybutt, Contemporary Dance Festivals in the Former Yugoslav Space. (In)dependent Scenes	0
Back matter	0
Margaret’s Living Legacy for Dance	0
Introduction: Studies in Practice as Research	0
Ecosystemic Practice-Research (for the Benefit of Others)	0
Margaret and the Festival Book: The French Royal Entry in the Renaissance: the Status of the Printed Text	0
Exhibiting Images of Disabled Dancers: Comparison, Reconstruction or Disruption?	0
Front matter	0
Dancing and the Stance: Mapping a Creative Practice in African Dance-Drama	0
Front matter	0
Archives of the Dance (30): Victoria and Albert Museum Dance Collections, Part 1	0
Sampling the Mevlevi Sema: Circulation of a Sufi Practice within a Queer Nightlife Event in Milan	0
An Autoethnographic Analysis of a Space for Belly Dancing Women: Istanbul Educational and Cultural Association of Oriental Dancers	0
Olivia Sabee, Theories of Ballet in the Age of the ‘Encyclopédie’	0
Performing for Napoleon: Production Quarrels at the Paris Opéra	0

‘Where Burns the Artist's Soul’: Tamara Karsavina's Writings on Artistry and Expression	0
Arabella Stanger, Dancing on Violent Ground: Utopia as Dispossession in Euro-American Theater Dance	0
Diaghilev's Ballets Russes in Spain and its Legacy	0
Margaret and the Warburg Institute	0
Back matter	0
Back matter	0
Back matter	0
Margaret's Contribution to Festivals Research	0
Approaches to Dance (4): Moving, Teaching, Thinking, Writing: A Minor Excavation	0
Ira Nadel, The Business of Ballet: Diaghilev's Ballets Russes between Profit and the Avant-garde	0
Angie Hiesl and Roland Kaiser (eds), War schön. Kann weg… Alter(n) in der Darstellenden Kunst	0
Spectacular Choreographies of Epic Proportions: Ricki Starr, the Ballet Dancing Wrestler	0
The Accidental Giselle: Paris 1924	0
Billy Cowie, Poetic Dance: A Choreographic Handbook	0
So Revealing: Ballerinas on Antebellum US Stages	0
Front matter	0
Halifu Osumare, Dancing the Afrofuture: Hula, Hip-Hop, and the Dunham Legacy	0
New Sources and New Perspectives for Dance Research: Extending Archival Horizons	0
Archives of the Dance (29): Richard Alston Dance Company Archive at the V&A	0
Sigurd Leeder: A Forgotten Master?	0
The Influence of André Levinson and Arnold Haskell in the Attempts to Develop a Ballet Culture in Catalonia during the First Half of the Twentieth Century	0
(Un)Teaching the Canon. An Approach to Teaching Dance History in Western Europe	0
Noyale Colin, Catherine Seago, and Kathryn Stamp (eds), Ethical Agility in Dance, Rethinking Technique in British Contemporary Dance	0
‘Brexit put us in the Fridge, Covid in the Freezer’: The Impact of Covid-19 and Brexit on UK Freelance Dance Artists	0
Dance as Originary Mimesis: Theory and Practice of the Passions in Action Ballet	0
Natalie Zervou, Performing the Greek Crisis. Navigating National Identity in the Age of Austerity	0
Rebecca L. Farinas and Julie Van Camp (eds.), The Bloomsbury Handbook of Dance and Philosophy	0
Sarah Woodcock, Dynamo Michael Somes: A Life in the Royal Ballet	0
Back matter	0
The Evolving Prospects of Bharatanatyam: An Enquiry on Changing Religious Landscape	0
Margaret in the Community of Renaissance and Early Modern Scholarship	0
Back matter	0
Front matter	0
Samuel Beckett’s Brush with Ballet	0
Dancing on the Strand: The Adelphi Theatre’s Dance Repertoire, 1840–1860	0