New Theatre Quarterly

Papers
(The TQCC of New Theatre Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-05-01 to 2024-05-01.)
ArticleCitations
‘The Most Traditional and the Most Pioneering’: New Concept Kun Opera4
The Potentials and Challenges of Zoom Live Theatre during Coronavirus Lockdown: Pandemic Therapy and Corona Chicken (Part Two)3
Playwriting Manuals, 1888–1925: Jerome K. Jerome, Alfred Hennequin, Agnes Platt, and Moses Malevinsky2
The Staging of Ciudad Juárez’s Feminicides: Àlex Rigola and Angélica Liddell Speak for the Victims2
Revisiting the Absurd: Posthuman Affects in Samuel Beckett’s Theatre2
Simon McBurney, Theatrical Soundscapes, and Postdigital Communities2
The Translation of Protest: The Worldwide Readings Project of Andrei Kureichyk’s Insulted. Belarus1
Pests and People in Stef Smith’s Human Animals1
Simon Trussler: Man of Letters1
Ecological Adaptation in Montana: Timon of Athens to Timon of Anaconda1
‘A Single Purpose: The Conquest of the Foreign Art Markets’: Theatre and Cultural Diplomacy in Mussolini’s Italy (1919–1927)1
Covid Conversations 2: Anne Bogart1
Representing the Unrepresentable in South Korean Activist Performances1
Empathetic Exchange of Censored Scenes: Southeast Asian Theatre’s Bold Experiment1
Ajax in America, or Catharsis in the Time of Terrorism1
Covid Conversations 1: Peter Sellars1
Tennessee Williams’s Creative Frisson, Censorship, and the Queering of Theatre1
Reviving al-Nabi Musa: Performance, Politics, and Indigenous Sufi Culture in Palestine1
Ballroom Frenzy and the Clodoche Quadrille1
Epic Cruelty: On Post-Pandemic Performance1
Trying Again, Failing Again: Samuel Beckett and the Sequel Play1
Flexible Characterization: Herstorical Performance in Heritage Sites1
Dialogue for Empowerment: Jana Sanskriti’s Experiment with the Method of the Theatre of the Oppressed in Rural Bengal1
Covid Conversations 4: Stacy Klein1
Risky Hitchhiking, and Other Stories about the Theatre of the Eighth Day1
Tribunal Theatre in Spain: Jauría and the La Manada Gang Rape1
Covid Conversations 5: Robert Wilson1
Simon in the Life of NTQ0
Maria Shevtsova Rediscovering Stanislavsky Cambridge: Cambridge University Press, 2020. 306 p. £26.99. ISBN: 978-1-10702-339-0.0
NTQ volume 38 issue 3 Cover and Back matter0
NTQ volume 37 issue 1 Cover and Front matter0
Feminist Rereading of Shabih’khani in Iran0
Shimella Community Theatre of Israeli-Ethiopian Jews0
Fintan Walsh, ed. Theatres of Contagion: Transmitting Early Modern to Contemporary Performance London: Bloomsbury Methuen, 2020. 216 p. £67.50. ISBN: 978-1-350-08598-5.0
NTQ volume 38 issue 4 Cover and Front matter0
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Caoimhe McAvinchey Applied Theatre: Women and the Criminal Justice System London: Bloomsbury Methuen Drama, 2020. 247 p. £75.00. ISBN: 978-1-4742-6255-2.0
What is ISTA (International School of Theatre Anthropology)?0
Celebration or Critique? Performing Peer Gynt in the Heart of Norway0
NTQ volume 38 issue 1 Cover and Front matter0
Exploring Ibn ‘Arabi’s Metaphysics of Time and Space in Sufi Ritual: the ‘Issawiya Dhikr of Sidi Bou-Sa‘id0
Lisa Stead Reframing Vivien Leigh: Stardom, Gender, and the Archive New York: Oxford University Press, 2021. 250 p. £25.99. ISBN 978-0-19-00651-1.0
SoloSIRENs Collective’s Cessair: Feminist Performed Ethnography0
Kokyu Studio in Wrocław: A Place of Practice0
Empowering Civil Society: The Theatricality of Protest in Malta0
NTQ volume 37 issue 3 Cover and Front matter0
SITI Training: Viewpoints and the Suzuki Method for Cross-Cultural Collaboration0
Staging the Unnatural: Zacky Pastrana and the Animal–Human Divide in the Victorian Melodrama For Ever0
Peta Tait Forms of Emotion: Human to Nonhuman in Drama, Theatre, and Contemporary Performance London and New York: Routledge, 2022. 255 p. £96. ISBN 978-0-367-64497-0.0
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In Conversation in Apocalyptic Times0
The Childhood of Theatre: The Errant Method for an ‘Infant Public’0
Marco Galea and Szabolcs Musca , eds.Redefining Theatre Communities: International Perspectives on Community-Conscious Theatre-Making Intellect: Bristol and Chicago, 2019. 262 p. £76.00. ISBN: 0
Making the Representation Real: The Actor and the Spectator in Milo Rau’s ‘Theatrical Essays’ Mitleid and La Reprise0
Cross-Cultural Dialogue and the German Theatre in St Petersburg0
‘… parents unknown … unheard of …’: Not I and the ‘Mother and Baby Homes Report’0
Human Rights and Theatre Practice in Northern Ireland: A Round-Table Discussion0
NTQ volume 37 issue 3 Cover and Back matter0
LIFT and the London 2012 Olympics: Spectacular Experiences0
Seda Ilter Mediatized Dramaturgy: The Evolution of Plays in the Media Age London: Methuen Drama, 2021. 240 p. £85. ISBN: 978-1-350-03115-9.0
Pier Paolo Pasolini and the Sacred0
The Nazi Occupation of Theaterwissenschaft0
Seeing it Feelingly: On Affect and Bodyworld in Performance0
Improv, Shakespeare, and Drag: A Conversation with Impromptu Shakespeare0
NTQ volume 36 issue 3 Cover and Front matter0
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Vessela Warner and Diana Manole Staging Postcommunism: Alternative Theatre in Eastern and Central Europe after 1989 Iowa City: University of Iowa Press, 2020. 263 p. $90.00. ISBN: 978-1-60938-677-1.0
Staging the Delinquent: Edwardian Theatre and The Hooligan0
Michael Shane Boyle, Matt Cornish, and Brandon Woolf, eds.Postdramatic Theatre and Form London: Methuen, 2019. 280 p. £75. ISBN: 978-1-350-04316-9.0
Susan Bennett Theory for Theatre Studies: Sound London: Bloomsbury Methuen Drama, 2019. 151 p. £12.99. ISBN: 978-1-47424-647-7.0
Catherine Hindson Theatre in the Chocolate Factory: Performance at Cadbury’s Bournville 1900–1935 Cambridge: Cambridge University Press, 2023. 248 p. £85. ISBN: 978-1-009-27188-2.0
Documenting Crisis: Artistic Innovation and Institutional Transformations in the German-Speaking Countries and the UK0
The Rock Musical: From Creation to Curation (2015–2020)0
NTQ volume 38 issue 3 Cover and Front matter0
NTQ volume 36 issue 2 Cover and Front matter0
Nurit Yaari Between Jerusalem and Athens: Israeli Theatre and the Classical Tradition New York: Oxford University Press, 2018. 461 p. $130.00. ISBN: 978-0-19-874667-6.0
Lucía M. Suarez, Amélia Conrado, and Yvonne Daniel Dancing Bahia: Essays on Afro-Brazilian Dance, Education, Memory, and Race Bristol: Intellect, 2018, 228 p. £25.00. ISBN: 978-1-78320-880-7.0
City Women: Managers and Leading Ladies at the City of London Theatre, 1837–18480
Willmar Sauter Aesthetics of Presence: Philosophical and Practical Reconsiderations Newcastle-upon-Tyne: Cambridge Scholars Publishing, 2021. 206 p. £61.99. ISBN: 978-1-5275-6206-6.0
David Linton Nation and Race in West End Revue 1910-1930 Basingstoke: Palgrave Macmillan, 2021. 197 p. £59.99. ISBN: 978-3-030-75211-8.0
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Susan Broadhurst and Sara Price , eds.Digital Bodies: Creativity and Technology in the Arts and Humanities Basingstoke: Palgrave Macmillan, 2017. xxii + 270 p. £99.99. ISBN: 978-1-349-95240-3.0
NTQ volume 39 issue 1 Cover and Front matter0
Artaud’s Civil War: ‘Theatre and the Plague’ in the Time of Covid-190
Simon Trussler Remembered0
A Conversation on Directing Opera0
NTQ volume 37 issue 2 Cover and Front matter0
Performing Northern Ireland after Brexit: Stephen Rea in David Ireland’s Cyprus Avenue and Clare Dwyer Hogg’s Hard Border0
‘Je n’ai pas envie de chanter ce soir’: A Re-examination of Samuel Beckett’s Opera Collaboration Krapp, ou La Dernière bande0
The Ecological Resonance of Imogen’s Journey in Montana’s Parks0
NTQ volume 39 issue 4 Cover and Back matter0
Body and Gesture in Derek Walcott’s Theatre - CORRIGENDUM0
NTQ volume 36 issue 2 Cover and Back matter0
Birgit E. Wiens, ed.Contemporary Scenography: Practices and Aesthetics in German Theatre, Arts and Design London: Methuen Drama, 2019. 248 p. £75.00. ISBN: 978-1-350-06447-8.0
Contemporary Censorship Debates in Germany0
Lisa Woynarski Ecodramaturgies: Theatre, Performance and Climate Change London: Palgrave Macmillan, 2020. 239 p. £71.50. ISBN: 978-3-030-55853-6.0
Simon Trussler: a Biography0
Catherine M. Cole Performance and the Afterlives of Injustice: Dance and Live Art in South Africa and Beyond Ann Arbor: University of Michigan Press, 2020. 232 p. £85.00. ISBN 978-0-472-07458-7.0
Creating Earthquakes0
NTQ volume 36 issue 3 Cover and Back matter0
Stanislavsky’s Legacy: From Vasily Toporkov to Oleg Yefremov and Oleg Tabakov0
Border Crossings: The First Twenty-Five Years0
NTQ volume 38 issue 2 Cover and Back matter0
Philip Auslander In Concert: Performing Musical Persona Ann Arbor: University of Michigan Press, 2021. 294p. £36. ISBN: 978-0-472-05471-8.0
Jennifer Goodlander Puppets and Cities: Articulating Identities in Southeast Asia London: Methuen Drama, 2019. 206 p. £75.00. ISBN: 978-1-350-04441-8.0
Democratic Performance with the Jana Natya Manch in India0
NGOs and the Neo-Liberalization of Political Theatre in Pakistan: Ajoka’s Surrender to the Politics of Rights0
From State Security to Security State: Performing Control and Claustrophobia in Hungarian Theatre0
Traditional Rituals as Conduits for Political Ascendancy: The Pang Lhabsol Festival of Sikkim, India0
Jordana Cox Staged News: The Federal Theatre Project’s Living Newspapers in New York Amherst and Boston: University of Massachusetts Press, 2023. 168 p. £29.95. ISBN: 978-1-62534-679-7.0
Shakespeare on the Baltic Shore: Jerzy Limon (1950–2021) – CORRIGENDUM0
Decolonization and Theatre History0
Open Letter0
‘Concealment of What is Closed’: Western Necrocivilization in David Greig’s Version of Aeschylus’s The Suppliant Women0
Tributes from Faber and Faber0
Political Control, Administrative Simplicity, or Economies of Scale? Four Cases of the Reunification of Nationalized Theatres in Russia, Germany, Austria, and France (1918–45)0
NTQ volume 36 issue 4 Cover and Front matter0
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Emma Cole Postdramatic Tragedies Oxford: Oxford University Press, 2019. 336 p. £75.00. ISBN: 978-0-19881-768-00
Jan Suk Performing Immanence: Forced Entertainment Berlin, Boston: De Gruyter, 2021. 193 p. £72.50. ISBN: 978-3-11-071095-3.0
Archive, Repertory, Supplement: Thinking Theatre through Intersections0
Antonio Bibbò Irish Literature in Italy in the Era of the World Wars Cham: Palgrave Macmillan, 2022. 304 p. £89.99. ISBN: 978-3-030-83585-9.0
Locating the Impolitical in American Theatre: Albee’s Who’s Afraid of Virginia Woolf? and Schechner’s Dionysus in 690
Sherril Dodds, ed.The Bloomsbury Companion to Dance Studies London, New York: Bloomsbury Academic, 2019. 443 p. £130.00. ISBN 978-1-350-02446-5.0
‘Everything Now is Lost’: Stanislavsky’s Last Class at the Opera-Dramatic Studio0
Mark Edward and Stephen Farrier, edsContemporary Drag Practices and Performers: Drag in a Changing Scene. Volume 1 London: Methuen Drama, 2020. 209 p. £67.50. ISBN: 978-1-35008-294-6.0
Christopher B. Balme The Globalization of Theatre 1870–1930 Cambridge: Cambridge University Press, 2020. 276 p. £75.00. ISBN: 978-1-108-48789-40
Performing National Identity in the Interwar Period: The Sarrasani Circus in Germany and Latin America0
Tadashi Suzuki’s The Trojan Women as Cross-Cultural Theatre0
Embodied Voice Valery Nikolayevich Galendeyev 12.5.1946 – 24.1.20240
Theron Schmidt, ed.Agency: A Partial History of Live Art Bristol and London: Intellect and Live Art Development Agency, 2019. 320 p. £25.00. ISBN: 978-1-78320-990-3.0
NTQ volume 39 issue 1 Cover and Back matter0
Tracy C. Davis and Peter W. Marx, eds. The Routledge Companion to Theatre and Performance Historiography Abingdon: Routledge, 2021. 518 p. £190.00. ISBN 978-1-138-57551-6.0
Nicosia Shakes Women’s Activist Theatre in Jamaica and South Africa: Gender, Race, and Performance Space Urbana, Chicago, and Springfield: University of Illinois Press, 2023. 212 p. £23.99. ISBN: 978-0
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Dramatizing Chinese Intellectuals of the Republican Era in Face for Mr. Chiang Kai-shek: Encoding Nostalgia in a Comedy of Ideas0
Mark Edward and Stephen Farrier, eds. Drag Histories, Herstories, and Hairstories: Drag in a Changing Scene Volume 2 London: Methuen Drama, 2021. 215 p. £67.50. ISBN: 978-1-350-10436-5.0
The Hegemonic Ashkenaziness of Hebrew Theatre0
NTQ volume 37 issue 2 Cover and Back matter0
Lech Raczak: In Memoriam0
Dominic Johnson Unlimited Action: The Performance of Extremity in the 1970s Manchester: Manchester University Press, 2019. 232 p. £17.99. ISBN 978-1-5261-3551-3.0
NTQ volume 39 issue 3 Cover and Back matter0
Hidden Identities, Forgotten Histories: Female Provincial Touring Artists in Britain, 1887–19000
NTQ volume 40 issue 1 Cover and Front matter0
Shakespeare on the Baltic Shore: Jerzy Limon (1950–2021)0
Critical Disengagement: The Epistemic and White Supremacist Violence of Theatre Criticism in Canada and the USA0
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The Injustice of Language: Nando Taviani (1942–2020)0
NTQ volume 37 issue 1 Cover and Back matter0
David Calder Street Theatre and the Production of Postindustrial Space: Working Memories Manchester: Manchester University Press, 2019. 216 p. £80.00. ISBN: 978-1-52612-159-2.0
‘The Best Thing I Ever Did on the Stage’: Edward Gordon Craig and the Purcell Operatic Society0
Amy Skinner, ed.Russian Theatre in Practice: The Director’s Guide London: Methuen Drama, 2019. 296 p. £24.99. ISBN: 978-1-4742-8441-7.0
Dassia N. Posner and Kevin Bartig, with Maria De Simone, eds.Three Loves for Three Oranges: Gozzi, Meyerhold, Prokofiev Bloomington, Indiana: Indiana University Press, 2021. 427 p. £40.00. ISBN0
From Sideshow to Centre Ring: The Historiography of Popular Entertainment0
Aleks Sierz Good Nights Out: A History of Popular British Theatre, 1940–2015 London: Methuen, 2020. 228 p. £90. ISBN 978-1-350046-21-4.0
In Conversation on the Royal Exchange Theatre, Manchester0
Unspoken Indigenous History on the Stage: The Postcolonial Plays of Jack Davis0
‘Generational Drag’: All-Child Performances in the Seventeenth and Nineteenth Centuries in Britain0
‘Droughts and Flooding Rains’: Ecology and Australian Theatre in the 1950s0
Maggie B. Gale A Social History of British Performance Cultures 1900–1939: Citizenship, Surveillance and the Body Abingdon, Oxford: Routledge, 2020. xii + 244 p. £34.99. ISBN: 978-1-13-830438-3.0
Karen Barbour, Victoria Hunter, and Melanie Kloetzel (Re)Positioning Site Dance Bristol, UK and Chicago, USA: Intellect, 2019. 323 p. £74.00. ISBN: 978-1-783-20998-9.0
Antiquity to Modernity: Mei Lanfang’s Preparatory and Presentational Strategies for his American and Soviet Visits0
In Interview: On the Development of Video in the Theatre0
John Freedman, ed. A Dictionary of Emotions in a Time of War: Twenty Short Works by Ukrainian Playwrights Chapel Hill, North Carolina: Laertes Press, 2023. 299 p. £20.00. ISBN 978-1-942281-44-3.0
Sam Haddow Precarious Spectatorship: Theatre and Image in an Age of Emergencies Manchester: Manchester University Press, 2019. 175 p. £80.00. ISBN: 978-1-5261-3841-5.0
Relations between Theatre and Power: The Iranian Quarterly Faslnameh Teatr (1977—)0
NTQ volume 38 issue 2 Cover and Front matter0
Covid Conversations 3: Elizabeth LeCompte and Kate Valk0
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Post Scriptum Budapest: The Tenth International Meeting of Theatre (MITEM)0
Aylwyn Walsh Prison Cultures: Performance, Resistance, Desire Bristol: Intellect, 2019. 300 p. £85.00. ISBN 978-1-7893-8105-4.0
NTQ volume 38 issue 1 Cover and Back matter0
Nicholas Ridout Scenes from Bourgeois Life Ann Arbor: University of Michigan Press, 2020. 224 p. $70.00 ISBN: 978-0-472-13200-3.0
Paige Martin Reynolds Performing Shakespeare’s Women: Playing Dead London: The Arden Shakespeare, Bloomsbury, 2019, 190 p. £75.00. ISBN: 978-1-350-00259-30
The 2023 Theatre Olympics in Budapest0
The Sense of an Ending: Contemporary Visions of Medea0
Body and Gesture in Derek Walcott’s Theatre0
Lorraine Leeson Art: Process: Social Change: Inside a Socially Situated Practice New York and Abingdon: Routledge, 2018. 233 p. £92.00. ISBN: 978-1-138-67063-1.0
Howard Webber Before the Arts Council: Campaigns for State Funding of the Arts in Britain, 1934–1944 London: Bloomsbury, 2021. 264 p. £85. ISBN: 978-1-3501-6793-3.0
Mark Brown Modernism and Scottish Theatre since 1969 London: Palgrave Macmillan, 2019. 254 p. £59.99. ISBN: 978-3-319-98638-8.0
Liesbeth Groot Nibbelink Nomadic Theatre: Mobilizing Theory and Practice on the European Stage London: Methuen, 2019. 224 p. £75.00. ISBN: 978-1-35005-103-4.0
Dorota Sajewska, trans. Simon Włoch Necroperformance: Cultural Reconstructions of the War Body Zurich and Warsaw: Diaphanes and Zbigniew Raszewski Theatre Institute, 2019. 461 p. £38.00. ISBN: 978-3-00
A Private Honesty: Torture and Interiority in the Theatre of Sarah Kane0
The Shtetl in the Hebrew Theatre of Mandatory Palestine during the 1930s0
Jon Venn Madness in Contemporary British Theatre: Resistances and Representations Cham: Palgrave Macmillan, 2021. 222 p. £47.99. ISBN: 978-3-030-79782-9.0
Raging in Delhi and Rajasthan: Post-show Audience Discussions of Medea0
Poppies, Ropes, and Shadow Play: Transcultural Memories of the First World War during Brexit0
Alison Child Tell Me I’m Forgiven: The Story of Forgotten Stars Gwen Farrar and Norah Blaney Wales: Tollington Press, 2019. 335 p. £11.99. ISBN: 978-1-90934-715-1.0
Michelle Granshaw Irish on the Move: Performing Mobility in American Variety Theatre Iowa City: University of Iowa Press, 2019. 285 p. $90.00. ISBN: 978-1-60938-669-6.0
A Dive and a Dance with Kabuki Vaudeville: Taishū Engeki Comes Back!0
Silent Cicadas and Noisy Burrowers: Kafka Inside Out in Thailand0
NTQ volume 37 issue 4 Cover and Back matter0
Who Saw Her Die? Unfixing the Danse sacrale in Le Sacre du printemps0
Amateur Village Drama and Community in England, 1900–19500
In Interview: Key Features of Contemporary British Drama0
Wei Feng Intercultural Aesthetics in Traditional Chinese Theatre From 1978 to the Present London: Palgrave Macmillan, 2020. 277 p. £59.99. ISBN 978-3-030-40634-9.0
Maiya Murphy Enacting Lecoq: Movement in Cognition, Theatre, and Life Basingstoke: Palgrave Macmillan, 2019. 214 p. £59.99. ISBN: 978-3-030-05614-8.0
Beckett’s Wasted Breath0
Sound Patterns as Connectors: An Experimental Production of Three Sisters0
Stanislavsky’s Failed Bildungsroman0
William W. Lewis and Sean Bartley, eds.Experiential Theatres: Praxis-Based Approaches to Training 21st Century Theatre Artists New York: Routledge, 2023. 298 p. £23.99. ISBN: 978-1-032-03603-8.0
BITEF Before and After 1989: Representation to Deconstruction of Social and Cultural Paradigms0
Kim Wiltshire and Billy Cowan, eds.Scenes from the Revolution: Making Political Theatre 1968–2018 London: Pluto Press and Edge Hill University Press, 2018. 242 p. £75.00. ISBN: 978-0-74533-852-0
NTQ volume 39 issue 3 Cover and Front matter0
Deleuze, Beckett, and the Art of Multiplicity0
The Ageing Self through Dramaturgies of Memory Loss and Love: Tristan Bernays’ Old Fools and Nick Payne’s Elegy0
Bertie Ferdman and Jovana Stokic, eds.The Methuen Drama Companion to Performance Art London and New York: Methuen, 2020. 320 p. £130.00. ISBN: 978-1-35005-757-9.0
Penny Farfan and Lesley Ferris, eds.Critical Perspectives on Contemporary Plays by Women: The Early Twenty-First Century Ann Arbor: University of Michigan Press, 2021. 316 p. $34.95. ISBN: 978-0
Teiji Furuhashi’s Lovers: Digital Resuscitations of the Moving Body in Tokyo and New York0
Susan Bennett and Sonia Massai, edsIvo van Hove: From Shakespeare to David Bowie London: Bloomsbury, 2018. 237 p. £85.00. ISBN: 978-1-350-03153-1.0
Moscow’s Golden Mask Festival: The Russian Case (Online, 2021)0
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