New Theatre Quarterly

Article	Citations
Tracy C. Davis and Peter W. Marx, eds. The Routledge Companion to Theatre and Performance Historiography Abingdon: Routledge, 2021. 518 p. £190.00. ISBN 978-1-138-57551-6.	3
Antonio Bibbò Irish Literature in Italy in the Era of the World Wars Cham: Palgrave Macmillan, 2022. 304 p. £89.99. ISBN: 978-3-030-83585-9.	2
LIFT and the London 2012 Olympics: Spectacular Experiences	2
NTQ volume 40 issue 4 Cover and Front matter	1
NTQ volume 39 issue 2 Cover and Front matter	1
NTQ volume 40 issue 2 Cover and Back matter	1
Adam Alston Staging Decadence: Theatre, Performance, and the Ends of Capitalism London: Methuen Drama, 2023. 248 p. £76.50. ISBN: 978-1-350-23704-9.	1
Revisiting the Absurd: Posthuman Affects in Samuel Beckett’s Theatre	1
NTQ volume 39 issue 3 Cover and Front matter	1
Risky Hitchhiking, and Other Stories about the Theatre of the Eighth Day	1
Aesthetic Breakthrough and Cultural Intervention in the Productions of Two Modern Kunqu Plays	1
The Rock Musical: From Creation to Curation (2015–2020)	1
NTQ volume 39 issue 4 Cover and Front matter	1
Contemporary Censorship Debates in Germany	1
Nicosia Shakes Women’s Activist Theatre in Jamaica and South Africa: Gender, Race, and Performance Space Urbana, Chicago, and Springfield: University of Illinois Press, 2023. 212 p. £23.99. ISBN: 978-	1
Jon Venn Madness in Contemporary British Theatre: Resistances and Representations Cham: Palgrave Macmillan, 2021. 222 p. £47.99. ISBN: 978-3-030-79782-9.	0
Documentary and Community Theatre with Young People in Madrid: The Creative Process of Mundo Quinta	0
Unspoken Indigenous History on the Stage: The Postcolonial Plays of Jack Davis	0
SoloSIRENs Collective’s Cessair: Feminist Performed Ethnography	0
Covid Conversations 5: Robert Wilson	0
Trying Again, Failing Again: Samuel Beckett and the Sequel Play	0
Dialogue: The Role of the Editor	0
NTQ volume 38 issue 4 Cover and Back matter	0
Artaud’s Civil War: ‘Theatre and the Plague’ in the Time of Covid-19	0
The Nazi Occupation of Theaterwissenschaft	0

Playwriting Manuals, 1888–1925: Jerome K. Jerome, Alfred Hennequin, Agnes Platt, and Moses Malevinsky	0
Decolonization and Theatre History	0
Burning Hope: Staging Queer Ecology in a Time of Wildfire	0
NTQ volume 40 issue 3 Cover and Front matter	0
Covid Conversations 3: Elizabeth LeCompte and Kate Valk	0
BITEF Before and After 1989: Representation to Deconstruction of Social and Cultural Paradigms	0
NTQ volume 37 issue 4 Cover and Back matter	0
Stanislavsky’s Failed Bildungsroman	0
The Sense of an Ending: Contemporary Visions of Medea	0
Open Letter	0
NGOs and the Neo-Liberalization of Political Theatre in Pakistan: Ajoka’s Surrender to the Politics of Rights	0
Hidden Identities, Forgotten Histories: Female Provincial Touring Artists in Britain, 1887–1900	0
SITI Training: Viewpoints and the Suzuki Method for Cross-Cultural Collaboration	0
‘A Single Purpose: The Conquest of the Foreign Art Markets’: Theatre and Cultural Diplomacy in Mussolini’s Italy (1919–1927)	0
Democratic Performance with the Jana Natya Manch in India	0
Elisabeth Angel-Perez and Aloysia Rousseau, eds. The New Wave of British Women Playwrights: 2008–2021 Berlin: De Gruyter, 2023. 262 p. £82. ISBN: 978-3-110-79622-3.	0
Traditional Rituals as Conduits for Political Ascendancy: The Pang Lhabsol Festival of Sikkim, India	0
John Freedman, ed. A Dictionary of Emotions in a Time of War: Twenty Short Works by Ukrainian Playwrights Chapel Hill, North Carolina: Laertes Press, 2023. 299 p. £20.00. ISBN 978-1-942281-44-3.	0
Shimella Community Theatre of Israeli-Ethiopian Jews	0
Making the Representation Real: The Actor and the Spectator in Milo Rau’s ‘Theatrical Essays’ Mitleid and La Reprise	0
NTQ volume 37 issue 3 Cover and Front matter	0
From Sideshow to Centre Ring: The Historiography of Popular Entertainment	0
NTQ volume 38 issue 3 Cover and Front matter	0
NTQ volume 40 issue 1 Cover and Back matter	0
Locating the Impolitical in American Theatre: Albee’s Who’s Afraid of Virginia Woolf? and Schechner’s Dionysus in 69	0
Lisa Woynarski Ecodramaturgies: Theatre, Performance and Climate Change London: Palgrave Macmillan, 2020. 239 p. £71.50. ISBN: 978-3-030-55853-6.	0
Reviving al-Nabi Musa: Performance, Politics, and Indigenous Sufi Culture in Palestine	0
Hi and Mighty: On the Czech Theatre Showcases	0
Mark Edward and Stephen Farrier, edsContemporary Drag Practices and Performers: Drag in a Changing Scene. Volume 1 London: Methuen Drama, 2020. 209 p. £67.50. ISBN: 978-1-35008-294-6.	0
‘… parents unknown … unheard of …’: Not I and the ‘Mother and Baby Homes Report’	0
NTQ volume 39 issue 2 Cover and Back matter	0
William W. Lewis and Sean Bartley, eds.Experiential Theatres: Praxis-Based Approaches to Training 21st Century Theatre Artists New York: Routledge, 2023. 298 p. £23.99. ISBN: 978-1-032-03603-8.	0
Post Scriptum Budapest: The Tenth International Meeting of Theatre (MITEM)	0
‘Concealment of What is Closed’: Western Necrocivilization in David Greig’s Version of Aeschylus’s The Suppliant Women	0
Empathetic Exchange of Censored Scenes: Southeast Asian Theatre’s Bold Experiment	0
Interview with Laween Palestinian Cooperative: Theatre in the Time of Genocide	0
Covid Conversations 4: Stacy Klein	0
NTQ volume 40 issue 3 Cover and Back matter	0
Aylwyn Walsh Prison Cultures: Performance, Resistance, Desire Bristol: Intellect, 2019. 300 p. £85.00. ISBN 978-1-7893-8105-4.	0
City Women: Managers and Leading Ladies at the City of London Theatre, 1837–1848	0
Othello: A Moor Rorschach Test	0
Teiji Furuhashi’s Lovers: Digital Resuscitations of the Moving Body in Tokyo and New York	0
British Theatre from Agitprop to ‘Primark Playwriting’	0
Beckett’s Wasted Breath	0
Penny Farfan and Lesley Ferris, eds.Critical Perspectives on Contemporary Plays by Women: The Early Twenty-First Century Ann Arbor: University of Michigan Press, 2021. 316 p. $34.95. ISBN: 978-	0
NTQ volume 39 issue 3 Cover and Back matter	0
Documenting Crisis: Artistic Innovation and Institutional Transformations in the German-Speaking Countries and the UK	0
In Interview: On the Development of Video in the Theatre	0
Embodied Gestures of Human Rights: Remorse, Sentiment, and Sympathy in Romantic Regency Drama	0
Nicholas Ridout Scenes from Bourgeois Life Ann Arbor: University of Michigan Press, 2020. 224 p. $70.00 ISBN: 978-0-472-13200-3.	0

Garden Kun Opera and Cultural Tourism	0
NTQ volume 37 issue 3 Cover and Back matter	0
Caoimhe McAvinchey Applied Theatre: Women and the Criminal Justice System London: Bloomsbury Methuen Drama, 2020. 247 p. £75.00. ISBN: 978-1-4742-6255-2.	0
Aleks Sierz Good Nights Out: A History of Popular British Theatre, 1940–2015 London: Methuen, 2020. 228 p. £90. ISBN 978-1-350046-21-4.	0
Willmar Sauter Aesthetics of Presence: Philosophical and Practical Reconsiderations Newcastle-upon-Tyne: Cambridge Scholars Publishing, 2021. 206 p. £61.99. ISBN: 978-1-5275-6206-6.	0
Susan Broadhurst and Sara Price , eds.Digital Bodies: Creativity and Technology in the Arts and Humanities Basingstoke: Palgrave Macmillan, 2017. xxii + 270 p. £99.99. ISBN: 978-1-349-95240-3.	0
NTQ volume 37 issue 4 Cover and Front matter	0
The 2023 Theatre Olympics in Budapest	0
In Interview: Key Features of Contemporary British Drama	0
NTQ volume 40 issue 4 Cover and Back matter	0
Creating Earthquakes	0
Fintan Walsh, ed. Theatres of Contagion: Transmitting Early Modern to Contemporary Performance London: Bloomsbury Methuen, 2020. 216 p. £67.50. ISBN: 978-1-350-08598-5.	0
NTQ volume 38 issue 2 Cover and Front matter	0
Peta Tait Forms of Emotion: Human to Nonhuman in Drama, Theatre, and Contemporary Performance London and New York: Routledge, 2022. 255 p. £96. ISBN 978-0-367-64497-0.	0
‘Everything Now is Lost’: Stanislavsky’s Last Class at the Opera-Dramatic Studio	0
‘Generational Drag’: All-Child Performances in the Seventeenth and Nineteenth Centuries in Britain	0
Moscow’s Golden Mask Festival: The Russian Case (Online, 2021)	0
The Hegemonic Ashkenaziness of Hebrew Theatre	0
Seda Ilter Mediatized Dramaturgy: The Evolution of Plays in the Media Age London: Methuen Drama, 2021. 240 p. £85. ISBN: 978-1-350-03115-9.	0
Kunqu in Europe	0
NTQ volume 40 issue 1 Cover and Front matter	0
Antiquity to Modernity: Mei Lanfang’s Preparatory and Presentational Strategies for his American and Soviet Visits	0
NTQ volume 39 issue 4 Cover and Back matter	0
Empowering Civil Society: The Theatricality of Protest in Malta	0
Marco Galea and Szabolcs Musca , eds.Redefining Theatre Communities: International Perspectives on Community-Conscious Theatre-Making Intellect: Bristol and Chicago, 2019. 262 p. £76.00. ISBN:	0
‘Droughts and Flooding Rains’: Ecology and Australian Theatre in the 1950s	0
Edward Gordon Craig as Teacher-Dictator	0
Shakespeare’s Polar Bears	0
NTQ volume 38 issue 4 Cover and Front matter	0
Amateur Village Drama and Community in England, 1900–1950	0
Maggie B. Gale A Social History of British Performance Cultures 1900–1939: Citizenship, Surveillance and the Body Abingdon, Oxford: Routledge, 2020. xii + 244 p. £34.99. ISBN: 978-1-13-830438-3.	0
Cross-Cultural Dialogue and the German Theatre in St Petersburg	0
Embodied Voice Valery Nikolayevich Galendeyev 12.5.1946 – 24.1.2024	0
What is ISTA (International School of Theatre Anthropology)?	0
The Translation of Protest: The Worldwide Readings Project of Andrei Kureichyk’s Insulted. Belarus	0
Who Saw Her Die? Unfixing the Danse sacrale in Le Sacre du printemps	0
Shakespeare on the Baltic Shore: Jerzy Limon (1950–2021)	0
NTQ volume 38 issue 3 Cover and Back matter	0
Relations between Theatre and Power: The Iranian Quarterly Faslnameh Teatr (1977—)	0
Stanislavsky’s Legacy: From Vasily Toporkov to Oleg Yefremov and Oleg Tabakov	0
NTQ volume 38 issue 1 Cover and Front matter	0
Misinterpretation and Misplacement in Intercultural Theatrical Communications between China and Japan: Ichikawa Sadanji’s and Morita Kanya’s Kabuki Tours in 1920s China	0
Performing Northern Ireland after Brexit: Stephen Rea in David Ireland’s Cyprus Avenue and Clare Dwyer Hogg’s Hard Border	0
Critical Disengagement: The Epistemic and White Supremacist Violence of Theatre Criticism in Canada and the USA	0
Body and Gesture in Derek Walcott’s Theatre - CORRIGENDUM	0
Bergson and the Mechanics of the Bedroom Farce	0
NTQ volume 39 issue 1 Cover and Front matter	0
The Craiova International Shakespeare Festival Celebrates Thirty Years	0
A Conversation on Directing Opera	0
NTQ volume 39 issue 1 Cover and Back matter	0
Kokyu Studio in Wrocław: A Place of Practice	0
Howard Webber Before the Arts Council: Campaigns for State Funding of the Arts in Britain, 1934–1944 London: Bloomsbury, 2021. 264 p. £85. ISBN: 978-1-3501-6793-3.	0
Sound Patterns as Connectors: An Experimental Production of Three Sisters	0
NTQ volume 40 issue 2 Cover and Front matter	0
Political Control, Administrative Simplicity, or Economies of Scale? Four Cases of the Reunification of Nationalized Theatres in Russia, Germany, Austria, and France (1918–45)	0
The Ecological Resonance of Imogen’s Journey in Montana’s Parks	0
Deleuze, Beckett, and the Art of Multiplicity	0
David Linton Nation and Race in West End Revue 1910-1930 Basingstoke: Palgrave Macmillan, 2021. 197 p. £59.99. ISBN: 978-3-030-75211-8.	0
Pier Paolo Pasolini and the Sacred	0
Jan Suk Performing Immanence: Forced Entertainment Berlin, Boston: De Gruyter, 2021. 193 p. £72.50. ISBN: 978-3-11-071095-3.	0
NTQ volume 38 issue 1 Cover and Back matter	0
Shakespeare on the Baltic Shore: Jerzy Limon (1950–2021) – CORRIGENDUM	0
Raging in Delhi and Rajasthan: Post-show Audience Discussions of Medea	0
Dassia N. Posner and Kevin Bartig, with Maria De Simone, eds.Three Loves for Three Oranges: Gozzi, Meyerhold, Prokofiev Bloomington, Indiana: Indiana University Press, 2021. 427 p. £40.00. ISBN	0
Dramatizing Chinese Intellectuals of the Republican Era in Face for Mr. Chiang Kai-shek: Encoding Nostalgia in a Comedy of Ideas	0
Feminist Rereading of Shabih’khani in Iran	0
The Ageing Self through Dramaturgies of Memory Loss and Love: Tristan Bernays’ Old Fools and Nick Payne’s Elegy	0
Jordana Cox Staged News: The Federal Theatre Project’s Living Newspapers in New York Amherst and Boston: University of Massachusetts Press, 2023. 168 p. £29.95. ISBN: 978-1-62534-679-7.	0
Lisa Stead Reframing Vivien Leigh: Stardom, Gender, and the Archive New York: Oxford University Press, 2021. 250 p. £25.99. ISBN 978-0-19-00651-1.	0
Seeing it Feelingly: On Affect and Bodyworld in Performance	0
Philip Auslander In Concert: Performing Musical Persona Ann Arbor: University of Michigan Press, 2021. 294p. £36. ISBN: 978-0-472-05471-8.	0
Mark Edward and Stephen Farrier, eds. Drag Histories, Herstories, and Hairstories: Drag in a Changing Scene Volume 2 London: Methuen Drama, 2021. 215 p. £67.50. ISBN: 978-1-350-10436-5.	0
Mysticism as Transgression in Chista Yasrebi’s Rahil	0
Catherine Hindson Theatre in the Chocolate Factory: Performance at Cadbury’s Bournville 1900–1935 Cambridge: Cambridge University Press, 2023. 248 p. £85. ISBN: 978-1-009-27188-2.	0
A Private Honesty: Torture and Interiority in the Theatre of Sarah Kane	0
‘Je n’ai pas envie de chanter ce soir’: A Re-examination of Samuel Beckett’s Opera Collaboration Krapp, ou La Dernière bande	0
Not Billington, not Zoella, and Definitely not a ‘Fangirl’: Social Distinction within Communities of Amateur Theatre Critics	0
NTQ volume 38 issue 2 Cover and Back matter	0
‘The Best Thing I Ever Did on the Stage’: Edward Gordon Craig and the Purcell Operatic Society	0
The Potentials and Challenges of Zoom Live Theatre during Coronavirus Lockdown: Pandemic Therapy and Corona Chicken (Part Two)	0

In Conversation in Apocalyptic Times	0
Celebration or Critique? Performing Peer Gynt in the Heart of Norway	0
Tribunal Theatre in Spain: Jauría and the La Manada Gang Rape	0