Journal of the Royal Musical Association

Papers
(The median citation count of Journal of the Royal Musical Association is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-04-01 to 2025-04-01.)
ArticleCitations
The Dent Medal5
On Making a New Realization of Uspud by Erik Satie and J. P. Contamine de Latour2
RMA volume 149 issue 1 Cover and Back matter1
Groove in Cuban Son and Salsa Performance1
RMA volume 147 issue 2 Cover and Front matter1
RMA volume 146 issue 2 Cover and Front matter1
The Influence of Narcoculture on Popular Music: A Critical Look at Reggaeton’s Narco-Messages and Narco-Representations1
Histories of Hearing1
One into Three: Context, Method and Motivation in Revising and Reworking Dance Maze for Solo Piano1
Provenance of the Pauline Gradual of Jasna Góra in Poland from 15961
‘Piano ou Clavecin?’ Joaquín Nin’s Feud with Wanda Landowska’s Harpsichord1
From the History of Jazz in Europe towards a European History of Jazz: The International Federation of Hot Clubs (1935–6) and ‘Jazz Internationalism’1
RMA volume 149 issue 2 Cover and Front matter0
Dr Cooke’s Protest: Benjamin Cooke, Samuel Arnold, and the Directorship of the Academy of Ancient Music0
Round Table: A ‘Musical League of Nations’? Music Institutions and the Politics of Internationalism between the Wars0
Post-Première Revision: Guillaume de Machaut and Written Music in the Late Middle Ages0
Beethoven Biography at the 250th Anniversary0
‘Remplis l’air d’alegresse pour ce seigneur chery des cieux’: Music in the Entries of Nobility and Other Dignitaries in Late Renaissance France (c.1585–c.1615)0
Domination over the Risorgimento: Anton Bruckner’s Seventh Symphony in Luchino Visconti’s Senso (1954)0
RMA volume 146 issue 2 Cover and Back matter0
Worker Internationalism, Local Song and the Politics of Urban Space0
Wrong Notes, Cowpats, and Freak Fests0
Szymanowski’s Third Piano Sonata and First String Quartet and the Artistic Theory and Practice of Stanisław Ignacy Witkiewicz: ‘Pure Form’, Subjectivity, and the Burlesque0
The Dent Medal0
Contributors0
Listening for Realism in Charpentier’s Louise0
Musical Samplers in the Museum of Musical Works: The Nature, Status, and Value of Nineteenth-Century Oxford Degree Exercises0
Music, Noise and Conflict: Sociotechnical Imaginaries, Acoustic Agency and Ontological Assumptions about Sound0
Screening Rites0
Sibelian Formal Principles in the First Movement of Malcolm Arnold’s Fifth Symphony0
Reflections on Women in Music0
Alienated Entertainment: Ludwig Berger’s Meistersinger Film Der Meister von Nürnberg (1927)0
Letting Beethoven’s Hair Down: Dancing and Musicking in Vienna0
A Tale of Two Jubas: Metastasian Opera and Racialized Difference0
RMA volume 146 issue 1 Cover and Back matter0
Contributors0
Music in Radio Drama: The Curious Case of the Acousmatic Detective0
Music History, the Practice Turn, and Maria Yudina’s Journey through the Soviet ‘Thaw’, 1959–630
RMA volume 147 issue 1 Cover and Back matter0
Universal Neumes: Chant Theory in Messiaen’s Aesthetics0
Contributors0
Contributors0
Wagner’s ‘Bridal Chorus’ from Lohengrin and its Use as a Wedding March0
Performing Internationalism: The ISCM as a ‘Musical League of Nations’0
Rationalizing the Revolution: Jazz in Hanns Eisler’s Kampfmusik0
RMA volume 148 issue 1 Cover and Back matter0
Variations on the Musical Sublime0
‘Integrated Tool Competency’: A Conceptual Framework for Understanding the Role of the Absent Tools of Musical Composition0
Music, Language, and Technology in More-Than-Human Sonic Cultures0
The Birth of ‘Modern’ Vocalism: The Paradigmatic Case of Enrico Caruso0
TransubstantiatingMiserere: James MacMillan’s Compositional Theology0
Round Table: Score Revisions Post-Première0
Contributors0
From ‘Sorceress’ to Ambassador: Reading Anna Caroline de Belleville’s Symbiotic Relationships with her Pianos0
‘A crazy clutter of the mediaeval, medical mind’: Ken Russell, Peter Maxwell Davies and Modernist Medievalism in The Devils0
By Myself but Not Alone. Agency, Creativity and Extended Musical Historicity0
Approaching Incidental Music: ‘Reflexive Performance’ and Meaning in Till Damaskus (III)0
Classical Music’s Conflicted Futures: Perspectives on the Industry and Academia from Recent Scholarship0
Challenging Classical Music’s Genre Conventions: Findings from a Project on Youth Voice in Instrumental Education0
RMA volume 149 issue 1 Cover and Front matter0
Music and Internationalism in Nazi Germany: Provenance and Post-War Consequences0
Contributors0
Music and Identity in Paraguay: Expressing National, Racial and Class Identity in Guitar Music Culture0
Lip-Synching as an Account of Oneself: Digital Music Videos and the Voice–Gesture Relationship0
Listening to Egyptian and Uyghur Soundscapes: A Review in Letters between Cambridge and Istanbul0
Difference in Contact: Early Music, Colonialism and the Archive0
Notating Deconstruction: What Can Ethnomusicological Transcription Learn from the Notational Practices of Contemporary Composers?0
RMA volume 148 issue 2 Cover and Back matter0
Between Hoffmann and Goethe: The Young Brahms as Reader0
RMA volume 147 issue 1 Cover and Front matter0
How Music and Our Faculty for Music Are Made for Each Other0
Constructing the Public Concert Hall0
RMA volume 146 issue 1 Cover and Front matter0
Re-examining Salon Space: Structuring Audiences and Music at Parisian Receptions0
Music and Austrofascism: Radio, Pan-Germanism and the Reinvention of the Wiener Symphoniker0
RMA volume 148 issue 1 Cover and Front matter0
Conducting Problems and Graphic Issues as Reasons for Revising a Composition0
Openness, Phenomenology, Politics: Luciano Berio and the Neoavanguardia in the Early 1960s0
Summer’s Gone: Late Style and Popular Music0
RMA volume 149 issue 2 Cover and Back matter0
RMA volume 148 issue 2 Cover and Front matter0
‘On which they (merely) held drones’: Fugitive Tapes from the Theatre of Eternal Music Archive, 1963–60
‘The Mind is not Limited by the Skin’: The Expert Piano Technician’s Experience of Working on Pianos of Professional Concert Performers0
Quiet Colonialism: Listening to the Cancuc Uprising of 17120
Victims of Compromise: The Elizabethan Psalm Tunes0
Neo-Nazi Imagery and Musical References in Finnish Far-Right Group Soldiers of Odin Online Videos0
Reconstructing a ‘Special Relationship’ from Scattered Archives: America, Britain, Europe and the ISCM, 1922–450
Possibilities of the Interval: Heidegger and the Reimagining of the Interval in Luigi Nono’s A Carlo Scarpa0
Contributors0
Black Opera, Operatic Racism and an ‘Engaged Opera Studies’0
The Melakartas and the ‘République Modale’: Naturalizing Indian Scales in French Musical Modernism0
Foundations, Market Failures and the Funding of New Music0
Writing Joseph Bologne into Musical History vis-à-vis Mozart: The Symphonie Concertante from Paris to Salzburg0
Dragging Music: Towards a Queer Socio-Cultural Semiotics0
Structural Confusion in the Cantigas de Santa Maria: Navigating Unstable Narratives in the Miracles of Castrojeriz0
Children Possessed: Adam Maor and Yonatan Levy’s Opera The Sleeping Thousand (2019)0
RMA volume 147 issue 2 Cover and Back matter0
Donna Elvira and the Dark Places of the Heart0
‘The Most Beautiful Sound’: The Queer Nexus of Listening and Voice in the Early Modern Italian Convent0
Before Pan Awoke: A Quiet Beginning for Mahler’s Third Symphony0
A Matter of Hono[u]r: Editing and Performing Beethoven’s Late Quartets in 1840s London0
Editorial0
Childhood’s Charms and Nature’s Enchantments: Listening to Enescu’s Impressions d’enfance0
Contributors0
Was Carlo Gesualdo’s Honour Killing Liturgical?0
The Dent Medal0
Processes, Paradoxes and Illusions: Compositional Strategies in the Music of Hans Abrahamsen0
Sonic Figurations for the Anthropocene: A Musical Bestiary in the Compositions of Liza Lim0
The Composer’s Catalogue and the ‘Right to be Forgotten’: Hans Werner Henze’s Ein Werkverzeichnis, 1946–19960
I Wish I Knew How it Would Feel to Drive the New Ford Fusion Hybrid: Making Sense of Music in Car Commercials0
‘Yet another guitar recital filled the Wigmore Hall’: The Popularization of the Classical Guitar in Britain,c.1950–c.19700
Enter Children, with Childhood0
Translating Rousseau Between Venice and Istanbul: Enlightenment and Connected History in an Armenian Music Treatise (1812)0
Florentín Giménez’s Folk-Style Songs: A Practical Reading of Paraguayan Cultural Identity0
Singing the ‘Pope’s Dregs’: The Liber Precum Publicarum of 1560 And its Use0
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