Journal of the Royal Musical Association

Papers
(The TQCC of Journal of the Royal Musical Association is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-05-01 to 2024-05-01.)
ArticleCitations
By Myself but Not Alone. Agency, Creativity and Extended Musical Historicity5
Popular Song and the Poetics of Experience2
Involving Experiences: Audiencing and Co-reception inPleasure Garden2
Treatiseand theTractatus2
Performing Internationalism: The ISCM as a ‘Musical League of Nations’2
Processes, Paradoxes and Illusions: Compositional Strategies in the Music of Hans Abrahamsen1
Round Table: A ‘Musical League of Nations’? Music Institutions and the Politics of Internationalism between the Wars1
Strategies of Conquest and Defence: Encounters with the Object in Twentieth-Century Music1
Maskanda, Umkhosi wokukhahlela and the Articulation of Identity in South Africa1
Bound Together: The Intimacies of Music-Book Collecting in the Early American Republic1
Music and Internationalism in Nazi Germany: Provenance and Post-War Consequences1
Scaramouche, Scaramouche: Sibelius on Stage1
Approaching Incidental Music: ‘Reflexive Performance’ and Meaning in Till Damaskus (III)1
Music in Radio Drama: The Curious Case of the Acousmatic Detective1
Victims of Compromise: The Elizabethan Psalm Tunes1
The Examiner and the Evangelist: Authorities of Music and Empire,c.18941
The Ambiguous Ethics of Music’s Ineffability: A Brief Reflection on the Recent Thought of Michael Gallope and Carolyn Abbate1
Foundations, Market Failures and the Funding of New Music1
The Influence of Narcoculture on Popular Music: A Critical Look at Reggaeton’s Narco-Messages and Narco-Representations1
The Dent Medal0
RMA volume 146 issue 1 Cover and Front matter0
RMA volume 147 issue 2 Cover and Back matter0
Black Opera, Operatic Racism and an ‘Engaged Opera Studies’0
Editorial0
Contributors0
Contributors0
Contributors0
Not in their Minds0
RMA volume 145 issue 1 Cover and Back matter0
Universal Neumes: Chant Theory in Messiaen’s Aesthetics0
RMA volume 146 issue 2 Cover and Back matter0
Post-Première Revision: Guillaume de Machaut and Written Music in the Late Middle Ages0
Beethoven Biography at the 250th Anniversary0
Music, Noise and Conflict: Sociotechnical Imaginaries, Acoustic Agency and Ontological Assumptions about Sound0
Histories of Hearing0
Sibelian Formal Principles in the First Movement of Malcolm Arnold’s Fifth Symphony0
On the Politics of Performing Wagner Outdoors: Open-Air Opera,Gesamtkunstwerkand the Third Reich’s ‘Forest Opera’, 1933–450
Wagner’s ‘Bridal Chorus’ from Lohengrin and its Use as a Wedding March0
RMA volume 146 issue 2 Cover and Front matter0
Variations on the Musical Sublime0
RMA volume 147 issue 2 Cover and Front matter0
‘A Perfectly Self-Contained Tetralogy’: Mahler’s Tragicomic Inspirations0
Re-examining Salon Space: Structuring Audiences and Music at Parisian Receptions0
Conducting Problems and Graphic Issues as Reasons for Revising a Composition0
RMA volume 147 issue 1 Cover and Front matter0
Music and Identity in Paraguay: Expressing National, Racial and Class Identity in Guitar Music Culture0
Worker Internationalism, Local Song and the Politics of Urban Space0
‘Yet another guitar recital filled the Wigmore Hall’: The Popularization of the Classical Guitar in Britain,c.1950–c.19700
Notating Deconstruction: What Can Ethnomusicological Transcription Learn from the Notational Practices of Contemporary Composers?0
Summer’s Gone: Late Style and Popular Music0
‘Der mächtigste Tanzmeister des Kaiserreiches’? Offenbach at 2000
Between Hoffmann and Goethe: The Young Brahms as Reader0
Reconstructing a ‘Special Relationship’ from Scattered Archives: America, Britain, Europe and the ISCM, 1922–450
Was Carlo Gesualdo’s Honour Killing Liturgical?0
Round Table: Score Revisions Post-Première0
Listening to Egyptian and Uyghur Soundscapes: A Review in Letters between Cambridge and Istanbul0
Enter Children, with Childhood0
Difference in Contact: Early Music, Colonialism and the Archive0
One into Three: Context, Method and Motivation in Revising and Reworking Dance Maze for Solo Piano0
‘There shall be no musical servitude’: Towards a Multitudinous Shostakovich in the West0
Microtonal Restraint0
TransubstantiatingMiserere: James MacMillan’s Compositional Theology0
RMA volume 145 issue 1 Cover and Front matter0
‘Remplis l’air d’alegresse pour ce seigneur chery des cieux’: Music in the Entries of Nobility and Other Dignitaries in Late Renaissance France (c.1585–c.1615)0
‘On which they (merely) held drones’: Fugitive Tapes from the Theatre of Eternal Music Archive, 1963–60
From the History of Jazz in Europe towards a European History of Jazz: The International Federation of Hot Clubs (1935–6) and ‘Jazz Internationalism’0
Satire, Empire and Chromaticism in Dargomyzhsky’s Orchestral Fantasias0
RMA volume 147 issue 1 Cover and Back matter0
The Composer’s Catalogue and the ‘Right to be Forgotten’: Hans Werner Henze’s Ein Werkverzeichnis, 1946–19960
RMA volume 146 issue 1 Cover and Back matter0
Amateur Recording on the Phonograph inFin-de-siècleBarcelona: Practices, Repertoires and Performers in the Regordosa-Turull Wax Cylinder Collection0
Possibilities of the Interval: Heidegger and the Reimagining of the Interval in Luigi Nono’s A Carlo Scarpa0
Oh, What a Musical War! A Retrospective after the First World War Centenary0
Alienated Entertainment: Ludwig Berger’s Meistersinger Film Der Meister von Nürnberg (1927)0
Appropriations of Gregorian Chant inFin-de-siècleFrench Opera:Couleur locale– Message-Opera – Allusion?0
The Dent Medal0
Music and Austrofascism: Radio, Pan-Germanism and the Reinvention of the Wiener Symphoniker0
Listening for Realism in Charpentier’s Louise0
Contributors0
Before Pan Awoke: A Quiet Beginning for Mahler’s Third Symphony0
Childhood’s Charms and Nature’s Enchantments: Listening to Enescu’s Impressions d’enfance0
‘Piano ou Clavecin?’ Joaquín Nin’s Feud with Wanda Landowska’s Harpsichord0
Contributors0
Groove in Cuban Son and Salsa Performance0
RMA volume 145 issue 2 Cover and Back matter0
RMA volume 145 issue 2 Cover and Front matter0
Domination over the Risorgimento: Anton Bruckner’s Seventh Symphony in Luchino Visconti’s Senso (1954)0
Constructing the Public Concert Hall0
The Birth of ‘Modern’ Vocalism: The Paradigmatic Case of Enrico Caruso0
Contributors0
The Dent Medal0
‘A crazy clutter of the mediaeval, medical mind’: Ken Russell, Peter Maxwell Davies and Modernist Medievalism in The Devils0
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