Camera Obscura

Papers
(The median citation count of Camera Obscura is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-04-01 to 2025-04-01.)
ArticleCitations
Her Body, Her Choice: Tough Girl Affect, Trump Support, and the 2020 Pandemic12
Gift or Weapon? Reproductive Decision, the Phenomenology of Pregnancy, and Alien Language in Denis Villeneuve's Arrival3
Introduction: Late Hammer2
Rewitched: Retextuality and the Queering of Bewitched2
Ephemeral/Material1
Editorial Office Workers’ Statement Regarding the UC System-Wide Strike1
On Carolee1
Self-Suspension in Frames: Hito Steyerl's Lovely Andrea1
Symmetry, Violence, and The Handmaiden's Queer Colonial Intimacies1
Pretty Gross: Dialectics of Desire and Disgust in the Reception of Pipilotti Rist1
Introduction: Future Varda0
Appropriate Feminisms: Ambivalence and Citational Practice in Appropriate Behavior0
The Auto-Tuned Self: Modulating Voice and Gender in Digital Media Ecologies0
Barbara Hammer and Queer|Art: Granting for the Future0
Nonmaterial Overelaboration: Gender, Casting, and Camouflaged Labor in Pat Rocco's Promotional Travelogue0
Facing Death, Choosing Life: Pose's Positive Historiography0
Conjuring Barbara0
Regretting Nothing, or Regretting Everything? Postfeminism, Femininity, and Regret in Miss Austen Regrets0
The Documentaries of Barbara Hammer: Lesbian Creativity, Kinship, and Erotic Pleasure in the Historical Margins0
Calculating Couples: Computing Intimacy and 1980s Romance Software0
Petting the Rabbit: The Favourite (2018), Anti-heritage, and the Search for Lesbians in the Past0
Archiving Feeling in Yvonne Rainer's Journeys from Berlin/19710
Glimpsing Angie Xtravaganza: The Trans Latinx Imaginary of Paris Is Burning0
No Bodies Business: Trapdoor Tactics and the Art of Transgender Disappearance in A Fantastic Woman0
Daughter of Saul, or Saul Leanya: The Gendered Place of Atrocity in László Nemes's Son of Saul0
Carolee Schneemann (1939–2019): Portfolio0
Carolee Schneemann's Sonic Shadow0
Breaking at the Edges: Carolee Schneemann's Desires for Dance0
Passion, Commitment, Compassion: Les Justes au Panthéon by Agnès Varda0
Tumbling Backward: Scrolling, Temporality, and One Direction Fan Narratives on Tumblr0
Continuous Weave: Feminist Experimental Filmmaking Genealogies0
Agnès Varda and Le Collectif 50/50 en 2020: Power and Protest at the Cannes Film Festival0
Temporal Surfacing: Mosori Monika (1970) and Chick Strand's Cross-Cultural Explorations0
“This Is Not a Performance”: Coming-Out Videos, LGBTQ+ Microcelebrity, and the Tenuous Rise of New Queer YouTube0
She Listened: Vardian Self-Portraiture and Auto-Refrains of Sea, Wind, and Sand0
Not New to This: A Genealogical Approach to Black Girls’ Media Production0
“The very palpitation of life!”: “The Leaves Are Stirring” in Context0
Looking for Something New: Antonioni's La notte and Specters of Femininity0
Thoughts on Making Films with Barbara Hammer0
Floating Roots: Agnès Varda's Uncle Yanco0
“Virtual Varda”: Sustainable Legacies, Digital Communities, and Scholarly Postcards0
Sharon Lockhart's Philosophy of the Casual: Toward an Eco-Cinema of Sociability0
Thinking Travesti Tears: Reading Loxoro0
Introduction: Carolee Schneemann (1939–2019)0
How the Computer Taught Us to See0
Maria Hirszbein: An (In)visible Figure of Polish Cinema of the 1920s and 1930s0
Schneemann Sounding: Embodied Sonic Systems0
Archaeological Narrative; or, Nostalgic Fascination with the Obsolete in the South Korean TV Drama Reply 19880
The Anthropocene as Cinematic View: Time, Matter, and Race in Blade Runner 20490
Viola Liuzzo / Heather Heyer: Mediating the Antiracist White Female Martyr0
Hammertime!0
Lock Them Up: The Cold Conservatism of Ang Lee's The Ice Storm0
From Cannes to Cardboard: The Circulation and Promotion of Visages Villages and the Auteur on Instagram0
Anna May Wong and Sessue Hayakawa: Racial Performance, Ornamentalism, and Yellow Voices in Daughter of the Dragon (1931)0
The Perverted Ancestry of the Antiheroine: Bad Mothers and Unruly Daughters in Sharp Objects and Mare of Easttown0
Agnès Varda, Jane Birkin, and Kung-fu Master!0
Imagining Television as a Vital Queer Medium: Riot0
Surviving the Reset: Speedrunning Spyro, Trans Mundanity, and Playing in the Impasse0
From Elif to Esty? Unorthodox and Turkish German Cinema's Captivity Narrative0
Christ, Santa Claus, Doctor Deliverer: For Carolee Schneemann0
Appear to Disappear: Blackness, Affect, and the Political Imaginary0
India's Daughter: It Is Time to Retire the Realist Rape Documentary0
Incestuous Wanderlust: 35 Shots of Rum's Atmospheres of Circulation0
Watching Women: Surveillance and Spectatorship in Early Science Fiction Television0
Becoming User: Oracle, Barbara Gordon, and Representations of the User in Popular Culture0
What's Your Color? Mood Conditioning the Postwar Domestic Interior0
Agnès Varda, Producer0
Female Surrogate Labor and White Corporeal Debt in Singin’ in the Rain0
Making “Women's News”: French Feminists of la Femme nouvelle (1934–36) and the Newsreel Magazine Actualités féminines0
Remixing to Queer the Archives of Diaspora: Qajar Photography and the Persian Carpet0
Varda's Third Life0
The Reserve Army of Affectivity: Unemployed Labor in William Greaves's Psychodramatic Cinéma Vérité0
Reading Border through Desire: Queer Indigenous Theory, Nordic Settler Colonialism, and Trans Aesthetics0
A Problem of Fit: Athina Rachel Tsangari and Greek “Weird Wave” Cinema0
Pleasure Aesthetics: On the Art of Mika Rottenberg0
Their Bodies, Their Selves: Reflexivity and Embodiment in 2010s Women's Autobiographical Author-Performer TV Dramedies0
Chantal Akerman and the Cinéfille0
Toward a Feminist Fourth Cinema: Waru (2017)0
Art on Film at Finch College: Reproductive Labor in the Enrichment Economy0
Pandemic Stasis and Nonlinear Memory in Palestinian Short Films0
The Leaves Are Stirring (1948)0
Castle & Crook: Necroliberalism and Cartographies of Abandonment in Maquilapolis (City of Factories) and Señorita Extraviada (Missing Young Woman)0
American as Apple Pie0
“All Your Faves Are Problematic”: The Performative Spectatorship of Drunk Feminist Films0
Interview with Florrie Burke0
Bodies in Water: Disability Cinemas and Creatures of the Sea0
Just Be There: Ethics and Aesthetics of the Surface in Mike Mills's 20th Century Women0
Agnès Varda: Photography and Early Creative Process0
House Body House0
Cinema, Taliban, and Being a Woman in Today's Afghanistan: An Interview with Sahraa Karimi0
Revisiting Queer and Trans Representation in Junior0
“A More Personal Look at Her Life”: Family Narrative, Gender, and Transnational Memories in The Girl and the Picture0
The Feminist Refusal of I May Destroy You0
Yellowness as Transpacific Technology: Cinematic Regimes of Race between Japan and Brazil0
Aromantic Comedy: The Aro/Ace Aesthetics of Together Together0
Green's Clues, or What's Queer about Clue?0
“Scotch! Scotch! Scotch!”: The Inoperative Domestic Scene in Chantal Akerman's Saute ma ville0
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