OOIR: Observatory of International Research

Papers

(The median citation count of Studies in American Jewish Literature is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-01-01 to 2026-01-01.)

Article	Citations
A Satiric Watchdog of Yiddish Culture: Der groyser kundes (Yiddish, 1908–1927)	2
Estranging Adorno: The Dialectics of Alienation in Leonard Michaels’s “I Would Have Saved Them If I Could”	1
Ozick’s Idols	1
Jennifer Caplan. Funny, You Don’t Look Funny Reviewed by Melissa Weininger	1
Sasha Senderovich. How the Soviet Jew Was Made	1
A Looking Glass for Early American Zionism: The Maccabaean (1901–1920)	0
Cynthia Ozick’s “Outcry of Failure”	0
“Converts Made by Cupid”: Abraham Cahan and Boundary Crossing in Turn-of-the-Twentieth-Century American Journalism	0
Is Gravity Jewish?	0
“Un libro no convencional”: Communities of Response and Finding Jewishness in Alex Appella’s Writing	0
The First Hebrew Rabbinic Periodical in America, or, the Preacher as Journalist: Toldot Yaacov Yosef b’Newyork (Hebrew, 1888/9)	0
Sharon Oster. No Place in Time: The Hebraic Myth in Late-Nineteenth-Century American Literature	0
Depicting the Holocaust for American Orthodox Jewish Children in Olomeinu	0
An Outlet for Brave, Serious, Civil, and Accessible Jewish Conversations: Sh’ma: A Journal of Jewish Responsibility (1970–2019)	0
Book Review	0
Empowering the Literary Essay: Cynthia Ozick and the Search for Authority	0
“Love, Alex”: Queering Jonathan Safran Foer’s Everything Is Illuminated	0
Between Granite and Rainbow: Woolfian Literary Speculation in Ozick’s Nonfiction	0
Charles Reznikoff in the Menorah Journal : Cross-National Judaism, “Exile,” and “Zion”	0
Introduction: Representing the Jewish American Woman in Popular Culture	0
“The Dark Path Back”: Investigating Holocaust Memory in Sara Paretsky’s Novel Total Recall	0
Editors’ Introduction: Cynthia Ozick and the Art of Nonfiction	0
“Erase the Jew Part”: Sephardic Diasporic Representation in Rudolfo Anaya’s Alburquerque	0
David Stromberg, trans. Old Truths and New Clichés: Essays by Isaac Bashevis Singer ; Isaac Bashevis Singer. David Stromberg, trans.	0
Yentl and Teibele Onstage: Dramatic Adaptations of I. B. Singer’s Work for a 1970s American Audience	0

Sarah Imhoff. The Lives of Jessie Sampter: Queer, Disabled, Zionist	0
Josh Lambert. The Literary Mafia: Jews, Publishing, and Postwar American Literature	0
Stuart Charmé. Authentically Jewish: Identity, Culture, and the Struggle for Recognition Reviewed by Jennifer Caplan	0
The Last Black (Jewish) Unicorn: Tiffany Haddish’s Black Mitzvah and the Reframing of Jewish Female Identity	0
Indigenous Arrows and “Becom[ing] Again . . . What We Never Were” in Philip Roth’s Nemeses Tetralogy	0
Shana Rosenblatt Mauer. Mordecai Richler’s Imperfect Search for Moral Values	0
Pre/Occupied Longing: Toward a Definition of Postnostalgia in Jonathan Safran Foer’s Everything Is Illuminated	0
Memory and the Exigencies of Literary Form: Anthony Hecht’s “The Book of Yolek”	0
The Role of the Periodical in the Organization of the American Orthodox Rabbinate: Beit Va’ad laChachamim (Hebrew, 1902–1903)	0
Sarah Phillips Casteel. Black Lives Under Nazism: Making History Visible in Literature and Art Reviewed by Naomi Sarah Taub	0
Midge: A Women of Her Time, but Also of Our Own?	0
Either War Is Finished or We Are: Why Herman Wouk’s Duology Deserves a Second Look	0
The Marvelous Mrs. Maisel and the Fantasy of Becoming	0
Saul N. Zaritt. Jewish American Writing and World Literature: Maybe to Millions, Maybe to Nobody Reviewed by Joseph Ozias	0
Zev Eleff. Authentically Orthodox: A Tradition-Bound Faith in American Life	0
A Syrian Sabbath Leaflet Grows in Brooklyn: Congregation “Beth Yosef” (Hebrew, English, Arabic, 1996–current)	0
Moloch and Monotheism: Ozick’s Aestheticism	0
The Melodrama of Cynthia Ozick’s Imagination	0
Jacques Berlinerblau. The Philip Roth We Don’t Know: Sex, Race, and Autobiography	0
The Weight of RBG’s Crown: Jewish Feminism and Its Appropriations	0
Ventriloquism in Goray, or How Bashevis Found His Voice as a Dybbuk	0
Kaufmann Kohler and the Reform Jewish Press: The Jewish Reformer (1886)	0
“A Splendid Anachronism”: The Yiddish Voices of the Family Singer	0
On the State of American Jewish Literary Studies, 2010–2020	0
“My Father’s Face”: Judaism, God, and Ritual Practice in Philip Roth’sEveryman,Indignation, andNemesis	0
“There is no such thing as Yiddish literature”: Metafictional Doubling in I. B. Singer’s “Vanvild Kava”	0
Bashevis Reconsidered: Rereading Singer through Gender and Queer Lenses	0
Ozick’s Feminism and the Woman Writer	0
Toward a Guide to Jewish American Periodicals	0
The Periodical Origins of Jewish American Literature	0
“Exiled from Exile Itself”: Jewish Privilege and the Feminist Afterlives of Yiddish in Crazy Ex-Girlfriend and Broad City	0
Barbara E. Mann. The Object of Jewish Literature: A Material History	0
First Steps in Literature: The Early Writings of Yitskhok Bashevis	0
“Devoted to the Interests of Jewish Women”: The American Jewess (1895–1899)	0
Book Review	0
Erratum	0
Essay as Novel and Fiction as Art: The Evolution of Two Genres in the Oeuvre of Cynthia Ozick	0
Introduction	0
Poetics, Phantasms, and the Ethics of Holocaust Representation: Isaac Bashevis Singer and American Fiction	0
Dean Franco. The Border and the Line: Race, Literature and Los Angeles	0
Under “The Mast”: American Hebraism and the Jewish American Periodical Ha’Toren (Hebrew, 1913–1925)	0
Sheila E. Jelen. Salvage Poetics: Post-Holocaust American Jewish Folk Ethnographies	0
The Lord of History in Cynthia Ozick’s “Ruth”	0
Going To and Fro and Walking Up and Down Meets “I Do This, I Do That”: Reconnecting Charles Reznikoff and Frank O’Hara	0
Book Review	0
The Limits of Drag: Women, Gender, and the Other in Hayehudim Baim	0
An “Ambiguously Menacing Predicament”: Reading The Plot Against America in the Age of Donald Trump	0
Maeera Y. Shreiber. Holy Envy: Writing in the Jewish Christian Borderzone	0
“Trees of Witness”: Posthuman Representations of the Holocaust in American Poetry	0
The Jewish Messenger ’s 1865 Hebrew Lincoln Acrostic: Who Wrote It, When, and Why Was It Published?	0

Nomadism and Stasis in Transparent	0
Yekl to Jake: Reading Cahan with Arendt	0