OOIR: Observatory of International Research

Papers

(The TQCC of Studies in American Jewish Literature is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-06-01 to 2026-06-01.)

Article	Citations
A Satiric Watchdog of Yiddish Culture: Der groyser kundes (Yiddish, 1908–1927)	2
Ozick’s Idols	2
Estranging Adorno: The Dialectics of Alienation in Leonard Michaels’s “I Would Have Saved Them If I Could”	1
Jennifer Caplan. Funny, You Don’t Look Funny Reviewed by Melissa Weininger	1
David Stromberg, trans. Old Truths and New Clichés: Essays by Isaac Bashevis Singer ; Isaac Bashevis Singer. David Stromberg, trans.	0
“Erase the Jew Part”: Sephardic Diasporic Representation in Rudolfo Anaya’s Alburquerque	0
The Lord of History in Cynthia Ozick’s “Ruth”	0
Yekl to Jake: Reading Cahan with Arendt	0
Zev Eleff. Authentically Orthodox: A Tradition-Bound Faith in American Life	0
Kaufmann Kohler and the Reform Jewish Press: The Jewish Reformer (1886)	0
The Periodical Origins of Jewish American Literature	0
Shana Rosenblatt Mauer. Mordecai Richler’s Imperfect Search for Moral Values	0
Going To and Fro and Walking Up and Down Meets “I Do This, I Do That”: Reconnecting Charles Reznikoff and Frank O’Hara	0
“Love, Alex”: Queering Jonathan Safran Foer’s Everything Is Illuminated	0
Dean Franco. The Border and the Line: Race, Literature and Los Angeles	0
“Devoted to the Interests of Jewish Women”: The American Jewess (1895–1899)	0
Essay as Novel and Fiction as Art: The Evolution of Two Genres in the Oeuvre of Cynthia Ozick	0
Erratum	0
Either War Is Finished or We Are: Why Herman Wouk’s Duology Deserves a Second Look	0
Jacques Berlinerblau. The Philip Roth We Don’t Know: Sex, Race, and Autobiography	0
Is Gravity Jewish?	0
Cynthia Ozick’s “Outcry of Failure”	0
Charles Reznikoff in the Menorah Journal : Cross-National Judaism, “Exile,” and “Zion”	0
Pre/Occupied Longing: Toward a Definition of Postnostalgia in Jonathan Safran Foer’s Everything Is Illuminated	0
Sarah Imhoff. The Lives of Jessie Sampter: Queer, Disabled, Zionist	0

Bashevis Reconsidered: Rereading Singer through Gender and Queer Lenses	0
“A Splendid Anachronism”: The Yiddish Voices of the Family Singer	0
Josh Lambert. The Literary Mafia: Jews, Publishing, and Postwar American Literature	0
The Weight of RBG’s Crown: Jewish Feminism and Its Appropriations	0
The Melodrama of Cynthia Ozick’s Imagination	0
The First Hebrew Rabbinic Periodical in America, or, the Preacher as Journalist: Toldot Yaacov Yosef b’Newyork (Hebrew, 1888/9)	0
The Role of the Periodical in the Organization of the American Orthodox Rabbinate: Beit Va’ad laChachamim (Hebrew, 1902–1903)	0
Toward a Guide to Jewish American Periodicals	0
“Converts Made by Cupid”: Abraham Cahan and Boundary Crossing in Turn-of-the-Twentieth-Century American Journalism	0
A Looking Glass for Early American Zionism: The Maccabaean (1901–1920)	0
Between Granite and Rainbow: Woolfian Literary Speculation in Ozick’s Nonfiction	0
Under “The Mast”: American Hebraism and the Jewish American Periodical Ha’Toren (Hebrew, 1913–1925)	0
Empowering the Literary Essay: Cynthia Ozick and the Search for Authority	0
Sharon Oster. No Place in Time: The Hebraic Myth in Late-Nineteenth-Century American Literature	0
Sheila E. Jelen. Salvage Poetics: Post-Holocaust American Jewish Folk Ethnographies	0
An Outlet for Brave, Serious, Civil, and Accessible Jewish Conversations: Sh’ma: A Journal of Jewish Responsibility (1970–2019)	0
Depicting the Holocaust for American Orthodox Jewish Children in Olomeinu	0
Barbara E. Mann. The Object of Jewish Literature: A Material History	0
A Syrian Sabbath Leaflet Grows in Brooklyn: Congregation “Beth Yosef” (Hebrew, English, Arabic, 1996–current)	0
On the State of American Jewish Literary Studies, 2010–2020	0
Nomadism and Stasis in Transparent	0
Editors’ Introduction: Cynthia Ozick and the Art of Nonfiction	0
Maeera Y. Shreiber. Holy Envy: Writing in the Jewish Christian Borderzone	0
The Limits of Drag: Women, Gender, and the Other in Hayehudim Baim	0
Yentl and Teibele Onstage: Dramatic Adaptations of I. B. Singer’s Work for a 1970s American Audience	0
“The Dark Path Back”: Investigating Holocaust Memory in Sara Paretsky’s Novel Total Recall	0
“Trees of Witness”: Posthuman Representations of the Holocaust in American Poetry	0
Sasha Senderovich. How the Soviet Jew Was Made	0
Indigenous Arrows and “Becom[ing] Again . . . What We Never Were” in Philip Roth’s Nemeses Tetralogy	0
Stuart Charmé. Authentically Jewish: Identity, Culture, and the Struggle for Recognition Reviewed by Jennifer Caplan	0
Introduction	0
Memory and the Exigencies of Literary Form: Anthony Hecht’s “The Book of Yolek”	0
Ozick’s Feminism and the Woman Writer	0
Moloch and Monotheism: Ozick’s Aestheticism	0
“Exiled from Exile Itself”: Jewish Privilege and the Feminist Afterlives of Yiddish in Crazy Ex-Girlfriend and Broad City	0
Poetics, Phantasms, and the Ethics of Holocaust Representation: Isaac Bashevis Singer and American Fiction	0
Midge: A Women of Her Time, but Also of Our Own?	0
Saul N. Zaritt. Jewish American Writing and World Literature: Maybe to Millions, Maybe to Nobody Reviewed by Joseph Ozias	0
Sarah Phillips Casteel. Black Lives Under Nazism: Making History Visible in Literature and Art Reviewed by Naomi Sarah Taub	0
The Marvelous Mrs. Maisel and the Fantasy of Becoming	0
Introduction: Representing the Jewish American Woman in Popular Culture	0
The Jewish Messenger ’s 1865 Hebrew Lincoln Acrostic: Who Wrote It, When, and Why Was It Published?	0
First Steps in Literature: The Early Writings of Yitskhok Bashevis	0
“There is no such thing as Yiddish literature”: Metafictional Doubling in I. B. Singer’s “Vanvild Kava”	0
Ventriloquism in Goray, or How Bashevis Found His Voice as a Dybbuk	0
The Last Black (Jewish) Unicorn: Tiffany Haddish’s Black Mitzvah and the Reframing of Jewish Female Identity	0