Popular Music and Society

Papers
(The TQCC of Popular Music and Society is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)
ArticleCitations
Ton Steine Scherben: A Unique Hybrid of Psychedelic Rock and Battle Song15
“Just Beyond Our Reach”: Reggae, Decolonization, and Ambiguity in Aotearoa New Zealand12
The Institutionalization of Inequality: Female Vocalists’ Struggles in the Chinese Jazz Scene10
Drowning Out Escapism: Performances of Transformative Confinement in the Work of Beyoncé and Harry Styles9
Eluding the State, Reimagining Malaysia: Controversy and Multicultural Heteroglossia in Namewee’s Music Videos8
Rockin’ the Free World! How the Rock & Roll Revolution Changed America and the World8
Rock and Roll, Desegregation Movements, and Racism in the Post-Civil Rights Era: An “Integrated Effort,”7
American Punk and the Rhetoric of “Political Correctness”6
The Law of Averages: The Use and Abuse of Statistics in UK Music Streaming Debates5
Fikret Kızılok’s Songs as an Object of Memory and Protest in Türkiye4
The Furious Women and Victim Men of Turkish Pop Music: A Lyrical Exploration of Turkish Pop Hits of the 2000s4
R. Serge Denisoff Award3
R. Serge Denisoff Award3
Listening to Bob Dylan3
DIY House Shows and Music Venues in the US: Ethnographic Explorations of Place and Community DIY House Shows and Music Venues in the US: Ethnographic Explorations of Place and Community3
Rock and Roll, Desegregation Movements, and Racism in the Post-Civil Rights Era: An “Integrated Effort,” Rock and Roll, Desegregation Movements, and Racism in the Post-Civil Rights Era:3
This City Needs Street Music: Practices, Experiences, and Meanings in the Busking Scene of Hong Kong3
Listening, but Not Being Heard: Young Women, Popular Music, Streaming, and Radio3
Ramsey Lewis (1935-2022)2
Copyright and the Ethics of Sampling: The Lesson of the Czech Music Scene2
“Town’s Dead”: Contemporary Irish Popular Music and Dublin City2
Lesbian Feminist Music and Meaningful Community Work2
Distillation of Sound: Dub and the Creation of Culture2
Rap Music and the Youth in Malawi: Reppin’ the Flames2
Singing a New Technology of Car Riding: Jitney-Bus Songs, 1915-19172
Black Fatherhood, Hip Hop, and Inner Life: Reading Rapsody’s “The Man” and Mama Sol and the N.U.T.S.’s “Manhood”2
How Music Empowers: Listening to Modern Rap and Metal How Music Empowers: Listening to Modern Rap and Metal , Steven Gamble, New York, Routledge, 2021, 188 pp., $48.95 (2
Recording Currently and Formerly Incarcerated Musicians: An Interview with Fury Young of FREER Records1
Aesthetic Tensions in Metal Production: Genre Expectations, Technological Mediation, and Creative Freedom1
Make It Funky for Me: Black British Women’s Explorations of Britishness, Womanhood, and Artistry Through 2000s Music1
One More Turn after the Algorithmic Turn? Spotify’s Colonization of the Online Audio Space1
Digital Man or Jocko Homo: Rush, Devo, and competing visions of the technofuture1
“The Secret Sauce”: Popular Jazz Performances on TikTok1
Presenting the Studio on Record Covers: Changing the Understanding of Swedish Jazz Records1
The Return to Craft: Taylor Swift, Nostalgia, and Covid-191
“More Champion than the Champions”: Female Masculinity in Lālehzari Music and Filmfarsi1
Judith Durham (1943-2022)1
From Innocence to Experience, and Other Transitions in Selected Lyrics of John Prine1
Holographic ABBA: Examining Fan Responses to ABBA’s Virtual “Live” Concert1
Tlaxihuiqui1
Musicians as Workers and the Gig Economy1
The Lo-Fi Lens: Interpretations of Memphis Rap Tape Rips in the Online Mediascape1
Introspecting the History: Rhetorical Constructions in the Interconnectedness of Chinese Folk and Hip-Hop Music1
Women in the Studio: Creativity, Control and Gender in Popular Music Sound Production1
Sad Girls on TikTok: Musical and Multimodal Participatory Practices as Affective Negotiations of Ordinary Feelings and Knowledges in Online Music Cultures1
What was Lo-Fi?1
One Chord Is Fine, Two Chords Are Pushing It, Three Chords and You’re Into Jazz1
“Filipino Seekers of Fortune”: Jazz as Labor in 1920s Colonial Asia1
Rocking the Closet: How Little Richard, Johnnie Ray, Liberace, and Johnny Mathis Queered Pop Music1
Audiencing in China: Foreign Rock Musicians’ Perceptions of Difference and Sameness1
Popular Music Ontology (Taylor’s Version): Re-Recordings, the Rock Ideology, and Taylor Swift1
Mexican Canto Nuevo: Music, Politics, and Resistance1
Managed Hearts: Emotional Labor and Structural Change in the Work of Young Female Music Managers in Hungary1
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