Psychology of Music

Papers
(The TQCC of Psychology of Music is 4. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-07-01 to 2025-07-01.)
ArticleCitations
Calling the tune in maladaptive daydreaming: The impact of music on the experience of compulsive fantasizing45
Syncopation levels, but not movement, are associated with pleasantness while listening to rhythmic music26
A moderated mediation study of music engagement, adaptive music listening, and dreaming24
Effects of amateur choir experience on forced-attention dichotic listening in older adults22
Predicting anxiety, depression, and wellbeing in professional and nonprofessional musicians19
Concurrent musical pitch height biases judgment of visual brightness18
Audiences’ emotional response to choir singing by people living with mental health conditions18
Self-efficacy and music performance: A meta-analysis18
Emotional and musical factors combined with song-specific age predict the subjective autobiographical saliency of music in older adults16
Effects of attention focus instructions on amateur piano performance16
The effect of chord duration on the relative salience of chord-type and voicing changes16
Music engagement for stress and anxiety in adults during the COVID-19 pandemic: A systematic review15
The effects of prosocial lyrics music on attentional bias13
Please don’t stop the music! A new look at the performance anxiety of musicians with the model of excellencism and perfectionism12
Exploring relations between Big Five personality traits and musical emotions embodied in spontaneous dance12
Identity formation and possible selves of early career instrumental music teachers: A qualitative study12
Effects of two modalities of practice on the learning of piano pieces under the deprivation of auditory feedback12
Hearing loss and mental health issues in amateur and professional musicians11
Musical mood induction: The relative influences of music type and the importance of music preference11
Cultivating meaning and self-transcendence to increase positive emotions and decrease anxiety in music performance10
Exploring intra-contextual influences in music emotion perception10
Inside the piano studio: What teachers say about performance training, perfectionism, and performance anxiety9
Are we all anxious about the same thing? A comparison of lay definitions of music making and performance in the context of music participation9
The relationship between extracurricular music activity participation and music and Chinese language academic achievements of primary school students in China9
Harmonic expectancy violations: Testing the effects of familiarity, lead-in time, and ecological validity9
Environmental factors affecting classical music concert experience8
The important role of self in cross-cultural investigations of affective experiences with music8
Book Review: Honing, H, The evolving animal orchestra: In search of what makes us musical8
Development and validation of the Singing Voice Function Self-Efficacy Scale (Singing-VoSES)8
Burning out, fading away, and the sophomore slump: Critics’ versus fans’ ratings of music artists’ album quality over time8
Situational belonging in high school band ensembles and high schools8
Beat perception in polyrhythms is influenced by spontaneous motor tempo, musicianship, and played musical style8
Effect of specific melodic scales of Indian music in reducing state and trait anxiety: A randomized clinical trial7
Does genre make a difference? Classical orchestra/popular band musicians’ motivation, self-efficacy, and practice experiences’ effects on deliberate practice7
Higher empathy is associated with stronger social bonding when moving together with music7
Embodiment of emotions in adolescents’ musical expression7
Book Review: Oscar Odena Musical creativity revisited: Educational foundations, practices and research7
Changes in mood, oxytocin, and cortisol following group and individual singing: A pilot study7
The effect of background music on the aesthetic experience of a visual artwork in a naturalistic environment7
How does music contribute to well-being? Perspectives from homeless young adults with problematic psychoactive substance use7
Alpha oscillations related to self-other integration and distinction during live orchestral performance: A naturalistic case study7
Just noticeable differences in sound intensity of piano tones in non-musicians and experienced pianists7
Psychometric properties of a scale of attitudes toward musical genres linked to social groups in Peru7
University musicians’ use of component cognitive skills in practice: A self-report study7
“Love lies”: A content analysis of romantic attachment style in popular music6
How Australian singers experienced disruption to choir participation caused by pandemic lockdowns: A thematic analysis6
Music preference, social identity, and collective self-esteem6
Personal strength and coping during the COVID-19 pandemic: A study of cultural workers in the music sector6
A cross-cultural study in Chinese and Western music: Cultural advantages in recognition of emotions6
Comparing the emotional effects of semantic content and vocal expression of lyrics6
Spiralling Engagement Experiences of Creativity (SEEC): A process of research-led arts creation for facilitating experiences of flourishing in participants’ lives6
Predicting academic achievement in music in secondary schools: The role of personality and self-theories of musicality6
French adaptation of a film music stimulus set: Normative emotional ratings of valence and arousal prompted by music excerpts5
Attention deficit hyperactivity disorder (ADHD) and musical behaviour: The significance of context5
Immediacy, ensemble setup, and classroom space: A quasi-experimental study among secondary instrumental teachers and students5
Predicting singing ability from parents’ parental support and openness in high school students: Using a self-adjusted Goldsmiths Musical Sophistication Index Inventory5
Perception and identification of tones in different timbres: Using pupil diameter to investigate absolute pitch ability5
Making sense of background music listening habits: An arousal and task-complexity account5
Shared musical activity and perceptions of relationship commitment5
Song popularity and processing fluency of lyrics5
Very low association between multidimensional musical environment exposure and musical perception skills among children: Evidence from a large multilevel cross-sectional study5
Meter without rhythmic pattern repetitions increases pre-attentive processing5
Meditation as a tool to counteract music performance anxiety from the experts’ perspective5
Validation of the Music Empathizing inventory in China5
The cognitive and emotional content of music-evoked autobiographical memories in older adults5
Positive musical performance feedback facilitates general self-efficacy and choice of solo performance5
Experience and performance type modify anticipatory stress in musicians5
Understanding the lived music listening experiences of adults on the autism spectrum5
Augmented visual-feedback of airflow: Immediate effects on voice-source characteristics of students of singing5
The MISE method: A new communicative approach for evaluating and training singing through mental imagery—Executive implications5
Comparing effects of sad melody versus sad lyrics on mood5
Popular music lyrics and the COVID-19 pandemic5
“The music gets through”: Experiences of classical composers and observations of hospitalized adolescents in a music-based intervention5
Reminiscence bump invariance with respect to genre, age, and country5
Putting practice under the microscope: The perceived uses and limitations of slow instrumental music practice4
Music therapeutic emotional processing (MEP): Expression, awareness, and pain predict therapeutic outcome4
“A space to be myself ”: Music and self-determination in the lives of autistic adults4
Do emotions evoked by music modulate visuospatial working memory capacity? A physiological study4
Undergraduate students with musical training report less conflict in interpersonal relationships4
Meta-analysis on the effects of music participation on social and emotional measures across the lifespan4
Mind wandering and musical creativity in jazz improvisation4
What elicits music-evoked nostalgia? An exploratory study among college students4
Distinguishing between musical excerpts learned by novices individually or in pairs4
An investigation of earworms and obsessive–compulsive traits using experience sampling and retrospective methods4
Music listening as a coping resource in domestic and international university students4
Treatments for performance anxiety in musicians across the lifespan: A systematic review and meta-analysis4
Student-perceived social interactions in university musical ensembles predicted group identification4
The sound of social class: Do music preferences signal status?4
Musical interpretative practices as a way to improve the relationship between the flow theory and musical performance4
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