OOIR: Observatory of International Research

Papers

(The TQCC of Theatre Research International is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-05-01 to 2024-05-01.)

Article	Citations
Dossier: Climate Change and the Decolonized Future of Theatre	5
Editorial: Between Breaths	3
Post-performance: Pandemic Breach Experiments, Big Theatre Data, and the Ends of Theory	3
Editorial: Presence and Precarity in (Post-)Pandemic Theatre and Performance	3
Digital Performance and Its Discontents (or, Problems of Presence in Pandemic Performance)	3
Mei Lanfang and Stanislavsky: The (De)construction of an Intercultural Myth on the International Stage	2
Intermediality and Queer African American Improvisation: Dianne McIntyre, Sounds in Motion	2
Actants and Fault Lines: Janakaraliya and Theatre for Peace Building in Sri Lanka	2
Unlearning History: Mark Teh and the Spectres of Baling	1
Ibsen and the Repertory System:Peer Gynton the German Stage	1
‘Dying … to Connect’: Postdigital Co-presence in Dead Centre's To Be a Machine (Version 1.0) (2020)	1
Performing for Peace and Social Change in Africa's Great Lakes Region	1
Ghostly Interpellations: Testimonial Inscriptions on the Stage	1
Sounding a Quietening: Breastfeeding Choreographies and the Sonic–Corporeal Dialogue of Maternal Experience	1
‘Purification’ and ‘Hybridization’: (Re)construction and Reception of Theatrical Nationality in Western Tours of the Mei Lanfang and Tsutsui Troupes in 1930	1
Caught in the Anthropocene: Theatres of Trees, Place and Politics	1
Welcome toThe Jungle: Performing Borders and Belonging in Contemporary British Migration Theatre	1
Editorial: Sounding Corporeality	1
‘Close but Far, Human but Square, Normal but Exhausting’: Pandemic Theatre in Poland	1
Dancing the Dharma: Religious and Political Allegory in Japanese Noh Theatre. By Susan Blakeley Klein. Cambridge, MA and London: Harvard University Asia Center, 2021. Pp. 401. £56.95/$70 Hb.	0
Culture, Identity and Actor Training: Indigeneity in New Zealand's National Drama School	0
Dossier—Negotiating Urban Spaces: Access, Care and Confinement in Contemporary Gendered Performance	0
For Phillip: Remembering a Friend	0
Performing the Ramayana Tradition: Enactments, Interpretations, and Arguments. Edited by Paula Richman and Rustom Bharucha. New York: Oxford University Press, 2021. Pp. xviii + 357 + 16 illus. £74/$11	0
Outside Theater: Alliances that Shape Mexico. By Stuart Day. Tucson: The University of Arizona Press, 2017. Pp. viii + 224. $55 Hb.	0

TRI volume 46 issue 2 Cover and Front matter	0
Contemporary Japanese Objects, Manipulators, and Actors in Performance. By Mari Boyd. Tokyo: Sophia University Press, 2020. Pp. iv + 349. ¥3,080 Pb.	0
Epic Performances from the Middle Ages into the Twenty-First Century. Edited by Fiona Macintosh, Justine McConnell, Stephen Harrison and Claire Kenward. Oxford and New York: Oxford University Press, 2	0
On the (Im)possibilities of a Free Theatre: Theatre Against Development in Palestine	0
South Pacific Brownface: Racial Imposture, Global Markets, and National Theatre in Tapu (1903)	0
Dancing Migration, Making Sound: Mediterranean Practices of Listening and Hospitality	0
TRI volume 49 issue 1 Cover and Back matter	0
Queer Exceptions: Solo Performance in Neoliberal Times. By Stephen Greer. Manchester: Manchester University Press, 2019. Pp. 264 + 19 illus. £80/$120 Hb.	0
Revolutionary Bodies: Chinese Dance and the Socialist Legacy. By Emily Wilcox. Berkeley: University of California Press, 2018. Pp. 322 + 31 illus. $34.95 Pb.	0
Dossier – Fighting Back: Contemporary Theatre in Brazil: Introduction	0
Drama and Digital Arts Cultures. By David Cameron, Michael Anderson and Rebecca Wotzko. London: Bloomsbury Methuen Drama, 2017. Pp. 332. £75/$102 Hb; £28.99/$39.95 Pb.	0
Real Theatre: Essays in Experience. By Paul Rae. Cambridge: Cambridge University Press, 2019. Pp. xiv + 236. £78.99/$105 Hb; £26.99/$34.99 Pb.	0
Japanese Political Theatre in the Eighteenth Century: Bunraku Puppet Plays in Social Context. By Akihiro Odanaka and Masami Iwai. Abingdon: Routledge, 2021. Pp. 246 + 11 illus. $160 Hb; $48.95 Ebook.	0
Phenomenology and the Actor's Breath: In Memory of Phillip Zarrilli	0
TRI volume 45 issue 3 Cover and Front matter	0
Adapting Western Classics for the Chinese Stage. By Shouhua Qi. New York: Routledge, 2019. Pp. xxiii + 191. $124 Hb.	0
Whose Crisis? Syrian Refugees and the Turkish Stage	0
Whose Crisis? Syrian Refugees and the Turkish Stage – ADDENDUM	0
Female Nudity, Interspecies Sexuality and ‘Horseness’ in Laetitia Dosch's Hate (2018)	0
Books Received	0
Eimuntas Nekrošius's Transnational ‘Voice from Lithuania’: Reinterpreting Polish Classics within Frames of the Theatre of Sensual Metaphors	0
Queer Street Scenes: Interruption, Exception, Orientation	0
‘Try Again. Fail Again. Fail Better’: Adapting Samuel Beckett's Waiting for Godot for the Chinese Stage – Real and Virtual	0
How Does Khashabi Theatre Produce a ‘Dual Presence’ of Palestinian Urbanism? Ghosts and Memory in Its First Season, Haifa, 2015–2016	0
The Feminist Struggle in Performing Arts in Brazil	0
TRI volume 47 issue 3 Cover and Back matter	0
Women and Embodied Mythmaking in Irish Theatre. By Shonagh Hill. Cambridge: Cambridge University Press, 2019. Pp. x + 257. £75 Hb; $84 eBook.	0
Performing Indigenous Identities on the Contemporary Australian Stage. By Susanne Julia Thurow. Abingdon and New York: Routledge, 2020. Pp. 206. AU$201.00 Hb; AU$181.00 eBook.	0
Institutional Theatrics: Performing Arts Policy in Post-Wall Berlin. By Brandon Woolf. Evanston, IL: Northwestern University Press, 2021. Pp. 280 + 23 illus. £89.95/$90.96 Hb; £35/$35 Pb.	0
TRI volume 48 issue 2 Cover and Back matter	0
‘¡No quiero!’ Staging Alfonso Reyes's Ifigenia cruel in Francoist Spain (1958)	0
TRI volume 48 issue 1 Cover and Front matter	0
Shakespeare's Accents: Voicing Identity in Performance. By Sonia Massai. Cambridge: Cambridge University Press, 2020. Pp. 236 + 11 illus. $99.99 Hb.	0
Viral Interstitiality and Unlikely Resources: Gender and Labour in Turkish Public Theatre During the Covid-19 Pandemic	0
Performing Protest and Protesting Performance: The International Circuits of Touring Political Theatre	0
Theatre in Market Economies. By Michael McKinnie. Cambridge: Cambridge University Press, 2021. Pp. x + 203. £75 Hb.	0
TRI volume 48 issue 1 Cover and Back matter	0
Jonathan Burrows: Towards a Minor Dance. By Daniela Perazzo Domm. Cham: Palgrave Macmillan, 2019. Pp. xiii + 232 + 13 illus. £30.99/€36.39 Hb; £19.99/€25.99 Pb.	0
TRI volume 47 issue 2 Cover and Back matter	0
Anne Bean: Self Etc. Edited by Rob La Frenais. Bristol and London: Intellect and Live Art Development Agency, 2019. Pp. 320. £25 Pb. Unlimited Action: The Performance of Extremity in the 1970s. By Do	0
The Forgotten History of Our Times: Revisiting Utpal Dutt's Titu Mir in Contemporary India	0
Theatre and Its Enchantments	0
Theatre & Everyday Life: An Ethics of Performance. By Alan Read. London: Routledge, 1993. Pp. xii + 260. £33.99/$58.95 Pb.	0
TRI volume 46 issue 1 Cover and Back matter	0
Rethinking Chinese Socialist Theatres of Reform: Performance Practice and Debate in the Mao Era. Edited by Xiaomei Chen, Tarryn Li-Min Chun and Siyuan Liu. Ann Arbor: University of Michigan Press, 202	0
The Players’ Advice to Hamlet: The Rhetorical Acting Method from the Renaissance to the Enlightenment. By David Wiles. Cambridge: Cambridge University Press, 2020. Pp. 378 + 8 illus. £90 Hb.	0
TRI volume 48 issue 3 Cover and Back matter	0
Enacting Lecoq: Movement in Theatre, Cognition, and Life. By Maiya Murphy. London: Palgrave MacMillan, 2019. Pp. 225. €72.79/$84.99 Hb.	0
Made-Up Asians: Yellowface during the Exclusion Era. By Esther Kim Lee. Ann Arbor: University of Michigan Press, 2022. Pp. 262 + 23 figs. $85 Hb; $34.95 Pb.	0
Western Theatre in Global Contexts: Directing and Teaching Culturally Inclusive Drama around the World. Edited by Jillian Campana and Yasmine Marie Jahanmir. New York: Routledge, 2021. Pp. 257 + 18 il	0

Thinking through Theatre and Performance. Edited by Maaike Bleeker, Adrian Kear, Joe Kelleher and Heike Roms. London and New York: Methuen Drama, 2019. Pp. xiv + 322 + 30 illus. £75.99/$102 Hb; £24.99	0
Tennessee Williams in Sweden and France, 1945–1965: Cultural Translations, Sexual Anxieties and Racial Fantasies. By Dirk Gindt. London and New York: Bloomsbury Methuen Drama, 2019. Pp. xiii + 257 + 3	0
The Comic Storytelling of Western Japan: Satire and Social Mobility in Kamigata Rakugo. By M. W. Shores. Cambridge: Cambridge University Press, 2021. Pp. xii + 261. £75/$99.99 Hb.	0
Remembering Thomas Postlewait 1941–2021	0
Dossier–Theatrical Vestiges: Material Remains and Theatre Historiography: Introduction	0
Samuel Beckett and the Theatre of the Witness: Pain in Postwar Francophone Drama. By Hannah Simpson. New York: Oxford University Press, 2022. Pp. xi + 188. $80 Hb.	0
Theatre and the World: Performance and the Politics of Culture. By Rustom Bharucha. London: Routledge, 1993. Pp. 272. £120 Hb; £34.99 Pb.	0
‘Circles of Women’: Feminist Movements in the Choreography of Oona Doherty	0
Feminist Exploration of Material Objects in Anuradha Kapur's Jeevit Ya Mrit	0
Performing Arts in Prisons: Creative Perspectives. Edited by Michael Balfour, Byrdie-Leigh Bartleet, Linda Davey and Huib Schippers. Bristol and Chicago: Intellect, 2019. Pp. xiv + 264. £66.08/$105.00	0
*Transcultural Theater*. By Günther Heeg. London: Routledge, 2023. Pp. 178 + 16 illus. £120/$160 Hb.	0
Staging Tagore Beyond the Spectres of Authority: Suman Mukhopadhyay's Falguni: Suchana (2001)	0
Palestinian Theatre in the West Bank: Our Human Faces. By Gabriel Varghese. Cham: Palgrave Macmillan, 2020. Pp. xi + 166. €72.79 Hb; €58.84 Pb.	0
Archival Practices of Suspicion: Remains in Secret Reports, Self-Documentation and Oral Histories	0
TRI volume 48 issue 3 Cover and Front matter	0
The Matter of Metaphor: Remembering Phillip	0
Reclaiming Public Spaces in Post-pandemic India (Kolkata): Activist Theatre, Gender and a Resurgence of the Marginal	0
Bodies and Transformance in Taiwanese Contemporary Theatre. By Peilin Liang. London and New York: Routledge, 2020. Pp. xii + 157. £96.00/$107.77 Hb.	0
Visuality, Sonicity and Corporeality in Installation Art: A Conversation with Jun Nguyen-Hatsushiba	0
Theatre and Indigenous Peoples: Learning to Imagine New Worlds in End Times	0
Editorial: The Muses Roar from the Margin	0
Bulbs Onstage: Theatrical Hygiene and the Electrification of Performance	0
After the Long Silence: The Theater of Brazil's Post-Dictatorship Generation. By Cláudia Tatinge Nascimento. Abingdon: Routledge, 2019. Pp. 255. £120/$160 Hb; £36.99/$48.95 Pb.	0
Minnie Cunningham at the Old Bedford	0
Editorial: On Collaboration	0
The Landscape of Węgajty Theatre	0
TRI volume 46 issue 2 Cover and Back matter	0
TRI volume 45 issue 2 Cover and Front matter	0
Reassembled, Slightly Askew: Immersive Storytelling Through Sound	0
Human No-Go Zones: Theatricalizing Unintentional and Intentional Wildlife Sanctuaries	0
TRI volume 47 issue 1 Cover and Back matter	0
Marginalized: Southern Women Playwrights Confront Race, Region, and Gender. By Casey Kayser. Jackson: University Press of Mississippi, 2021. Pp. xii + 202 + 18 illus. $99.00 Hb; $30.00 Pb.	0
An Archaeology of Sound: A Slightly Curving Place Introduction	0
Prison Theatre and the Global Crisis of Incarceration. By Ashley Lucas. London and New York: Bloomsbury, 2021. Pp. 252. £58.50 Hb.	0
TRI volume 45 issue 3 Cover and Back matter	0
TRI volume 47 issue 1 Cover and Front matter	0
Incapacity and Theatricality: Politics and Aesthetic in Theatre Involving Actors with Intellectual Disabilities. By Tony McCaffrey. London and New York: Routledge, 2019. Pp. 198. £120 Hb.	0
Contemporary African Dance Theatre: Phenomenology, Whiteness, and the Gaze. By Sabine Sörgel. Cham: Palgrave Macmillan, 2020. Pp. v + 174 + 12 illus. €72.79 Hb; €58.84 Pb.	0
Resistance to the Neo-liberal Economy and the Life of a Play: The Jana Natya Manch and Theatre Activism	0
How the Teatro Olimpico and the Drottingholm Slottsteater ‘Perform’ Their Pasts	0
Theory for Theatre Studies: Space. By Kim Solga. London: Bloomsbury Methuen Drama, 2019. Pp. xii + 184. £31.50 Hb; £12.99 Pb.	0
Editorial: What Memory Wants	0
TRI volume 47 issue 3 Cover and Front matter	0
The Dumb Type Reader. Edited by Peter Eckersall, Edward Scheer and Fujii Shintarō. Copenhagen: Museum Tusculanam Press, 2017. Pp. 269. $40.92 Pb.	0
Utopia in Performance: Finding Hope at the Theatre. By Jill Dolan. Ann Arbor: University of Michigan Press, 2005. Pp. 233. $27.95 Pb.	0
‘We Will Teach Them How to Use This Building’: Acts of Accountability from South African Artists	0
A History of Butô. By Bruce Baird. New York: Oxford University Press, 2022. Pp. 272. £81.00/$125.00 Hb; £25.99/$39.95 Pb.	0
Actresses as Working Women: Their Social Identity in Victorian Culture. By Tracy C. Davis. London: Routledge, 1991. Pp. 228. £110/$180 Hb.	0
Patrick White's Theatre: Australian Modernism on Stage, 1960–2018. By Denise Varney. Sydney: University of Sydney Press, 2021. Pp. x + 202. £27.54/$45 Pb.	0
Intercultural Aesthetics in Traditional Chinese Theatre: From 1978 to the Present. By Wei Feng. Cham: Palgrave Macmillan, 2020. Pp. xv + 277. £59.99/$84.99 Hb.	0
Theatre at the Crossroads of Culture. By Patrice Pavis. London and New York: Routledge, 1992. Pp. 219. £96 Hb; £29.59 Pb; £29.59 eBook.	0
Shakespeare and East Asia. By Alexa Alice Joubin. Oxford: Oxford University Press, 2021. Pp. 272 + 11 illus. £16.99 Pb.	0
Black Shakespeare: Reading and Misreading Race. By Ian Smith. Cambridge: Cambridge University Press, 2022. Pp. 218. £29.99 Hb.	0
Plays from Romania: Dramaturgies of Subversion. By Jozefina Komporaly. London: Methuen, 2021. Pp. x + 341 + 9 illus. £22.49/$41.94 Pb.	0
Australian Theatre, Modernism and Patrick White: Governing Culture. By Denise Varney and Sandra D'Urso. London and New York: Anthem Press, 2018. Pp. viii + 109. £45/$79.95 Hb.	0
TRI volume 45 issue 2 Cover and Back matter	0
Scenes from Bourgeois Life. By Nicholas Ridout. Ann Arbor: University of Michigan Press, 2020. Pp. xi + 211. $70.00.	0
Work and Play: Rolf Hochhuth's The Representative in Tel Aviv (1964)	0
On Being Had: Publishing an Article on a Literary Fake	0
Senior Editor's Note	0
Performing Womanhood and Carefare in Hungary	0
Theatre Exhibitions, Models and the Quest for Anschauung	0
Forensic Architecture in the Theatre and the Gallery: A Reflection on Counterhegemonic Potentials and Pitfalls of Art Institutions	0
The Theatre of the Oppressed in Practice Today: An Introduction to the Work and Principles of Augusto Boal. By Ali Campbell. London: Methuen Bloomsbury, 2019. Pp. 246 + 14 Illus. £35 Hb; £11.89 Pb.	0
Editorial: Climates of Denial	0
In the ‘Display Case’: (Capitalist) Realism and Simon Stone's ‘Zoological’ Ibsen	0
The Caravana of Central American Mothers in Mexico: Performances of Devotional and Saintly Motherhood on a Transnational Stage-in-Motion	0
Performing Silence: Women in the Group Theatre Movement in Bengal. By Trina Nileena Bannerjee. New Delhi: Oxford University Press, 2021. Pp. xxv + 354. ₹1795 Hb.	0
Books Received	0
Black Theatricalities in Revisiting History for the Present	0
Gender in Danger: Transdanger People in Performing Arts in Brazil	0
Brecht and Tragedy: Radicalism, Traditionalism, Eristics. By Martin Revermann. Cambridge: Cambridge University Press, 2022. Pp. xvii + 474. £90/$120 Hb.	0
The Cambridge Companion to Theatre and Science. By Kirsten E. Shepherd-Barr. Cambridge: Cambridge University Press, 2020. Pp. 225. AU$43.95.	0
Scenography of the Unimaginable: Exploring Trauma of Others in 872 days. Voices of the besieged city	0
Staging Theatre Historiography: The Afterlives of Ottoman Armenian Drama in Contemporary Turkish Public Theatre	0
Senior Editor's Note: Academics Dancing	0
Forensic Performances: Searching for Justice in NAKA Dance Theater's BUSCARTE: Duet	0
‘Why Were Our Yemenite Brothers Insulted?’: Love as Strong as Death as a Prequel to Mizrahi Presence in Israeli Theatre	0
The Sense of Brown. By José Esteban Muñoz. Edited and with an introduction by Joshua Chambers-Letson and Tavia Nyong'o. Durham, NC: Duke University Press, 2020. Pp. xxxiii + 185 + 14 illus. $25.95 Pb.	0
Gender, Sex, and Sexuality in Musical Theatre: He/She/They Could Have Danced All Night. Edited by Kelly Kessler. Bristol: Intellect, 2023. Pp. xxvii + 323. £99.95/$134.95 Hb.	0

Unmaking Mimesis: Essays on Feminism and Theatre. By Elin Diamond. Abingdon: Routledge, 1997. Pp. xvi + 226. £96 Hb; £27.99 Pb.	0
Global Youth Citizenry and Radical Hope: Enacting Community-Engaged Research through Performative Methodologies. Edited by Kathleen Gallagher, Dirk J. Rodricks and Kelsey Jacobson. Singapore: Springer	0
War as Performance: Conflicts in Iraq and Political Theatricality. By Lindsey Mantoan. Cham, Switzerland: Springer, 2018. Pp. vii + 236. $84.99/€72.79 Hb.	0
Abhilash Pillai's Midnight's Children: Performing Politics through Optics	0
L'immagine del Burattino: Percorsi fra teatro, letteratura e cinema. By Federico Pacchioni. Pesaro: Metauro, 2020. Pp. 164. €22.00 Pb.	0
Liveness: Performance in a Mediatized Culture. By Philip Auslander. Abingdon and New York: Routledge, 1999. Pp. 224. £120 Hb; £36 Pb.	0
Unsettling Sound: Some Traces	0
Feeling the Gaze: Image and Affect in Contemporary Argentine and Chilean Performance. By Gail A. Bulman. Chapel Hill, NC: University of North Carolina Press, 2022. Pp. 354 + 13 illus. $4	0
TRI volume 46 issue 3 Cover and Back matter	0
TRI volume 46 issue 1 Cover and Front matter	0
TRI volume 47 issue 2 Cover and Front matter	0
TRI volume 46 issue 3 Cover and Front matter	0
Precarious Bodies: Locating Spectatorship in the National Theatre of Scotland's Scenes for Survival Series	0
Earth Matters on Stage: Ecology and Environment in American Theater. By Theresa J. May. London and New York: Routledge, 2021. Pp. xvi + 294. £120/$160 Hb; £34.99/$44.95 Pb.	0
Brave New Worlds? COVID-19 and Irish-Language Theatre Produced under Lockdown in Northern Ireland	0
(Re)Positioning Site Dance: Local Acts, Global Perspectives. By Karen Barbour, Victoria Hunter and Melanie Kloetzel. Bristol and Chicago: Intellect, 2019. Pp. xii + 323. £74/$98.50 Hb; £60 eBook.	0
Intercultural Actor and Performer Training. Edited by Phillip B. Zarrilli, T. Sasitharan and Anuradha Kapur. London and New York: Routledge, 2019. Pp. 286. £96.00 Hb; £27.99 Pb; £27.99 eBook.	0
Editorial: Collaborate*&˄%!	0
Editorial: On Critical and Convivial Assembly	0
Unto the Next Generations: The Blurring of Binaries and the Re-creation of the Social in Lola Arias's El año en que nací	0
Remains of a Past Production: A Short Film,Theatre(1957)	0
Queering Romeo and Juliet in South Korea: Homonormativity as Gay Utopian Fantasy	0
TRI volume 49 issue 1 Cover and Front matter	0
Voice and the Sleepwalking Body	0
‘Stalin Died but Not Completely’: On the Theatrical Legacy of Totalitarian Catastrophe	0
Dancing Odissi: Paratopic Performances of Gender and State. By Anurima Banerji. Calcutta: Seagull Books, 2019. Pp. xviii + 467. £22/$35/₹799 Pb.	0
‘We Already Carry Out a National Assignment’: Indigenous Performance and the Struggle for a Sámi National Theatre in Sweden	0
Oh, I Know I've Been Changed	0
Performing the Wound: Practicing a Feminist Theatre of Becoming. By Niki Tulk. London and New York: Routledge, 2022. Pp. ix + 182 + 12 illus. £33.29/$48.95 Hb.	0
Towards a Collaborative Ergonomics: From Strangers to Symbiotic Community through Boundary Traversal in Performance	0
TRI volume 48 issue 2 Cover and Front matter	0
Critical Perspectives on Contemporary Plays by Women: The Early Twenty-First Century. Edited by Penny Farfan and Leslie Ferris. Ann Arbor: University of Michigan Press, 2021. Pp. 327. $90.00 Hb; $34.9	0
Unmarked: The Politics of Performance. By Peggy Phelan. London and New York: Routledge, 1993. Pp. xi + 207. £160 Hb; £32.99 Pb.	0
Casting a Movement: The Welcome Table Initiative. Edited by Claire Syler and Daniel Banks. New York: Routledge, 2019. Pp. 266 + 23 illus. $120 Hb; $31.96 Pb.	0
Subway Crush	0
Editorial: Ritual Unions	0
Sports Plays. Edited by Eero Laine and Broderick Chow. Abingdon: Routledge, 2021. Pp. v + 239. £120/$160 Hb; £34.99/$44.95 Pb.	0
Hijacking the Familiar: The Work of Big Telly Theatre Company	0
Books Received	0
How to Catch the Devil? Performance Materiality and Meyerbeer's Robert le Diable	0
‘Burn the Witch’: Decadence and the Occult in Contemporary Feminist Performance	0
Feeling the Gaze: Image and Affect in Contemporary Argentine and Chilean Performance. By Gail Bulman. University of North Carolina Press, 2022. Pp. 354 + 13 figs. $47.86 Pb; $29.99 Ebook.	0
Moving Cage: Vibration, Sonification and the Quanta of Time	0
Beyond Broadway: The Pleasure and Promise of Musical Theatre across America. By Stacy Wolf. New York: Oxford University Press, 2019. Pp. 382. $99 Hb; $29.95 Pb.	0
Casting a Movement: The Welcome Table Initiative. Edited by Claire Syler and Daniel Banks. New York: Routledge, 2019. Pp. 266 + 23 illus. $120 Hb; $31.96 Pb.	0
Editorial: De-normalizing the Normal	0
The Routledge Companion to Butoh Performance. Edited by Bruce Baird and Rosemary Candelario. London and New York: Routledge, 2018. Pp. 558 + 100 illus. £175 Hb; £21 Ebook.	0
Critically Considering Embodied Cognition and Research in Theatre and Performance	0
International Theatre Festivals and 21st-Century Interculturalism. By Ric Knowles. Cambridge: Cambridge University Press, 2022. Pp. xvi + 313. £70.26/$78.79 Hb.	0
Theatres of Contagion: Transmitting Early Modern to Contemporary Performance. Edited by Fintan Walsh. London: Bloomsbury Publishing, 2020. Pp. xii + 216 + 7 illus. £26.99 Pb.	0
The Interdisciplinary Theatre of Ping Chong. By Yuko Kurahashi. Jefferson, NC: McFarland & Company, 2020. Pp. 246 + 31 illus. $65 Pb.	0
Staging Global Theatre History in the Museum: Carl Niessen and the Draft of the Reichstheaterinstitut (1943)	0
Theatre & Knowledge. By David Kornhaber. London: Red Globe Press, 2020. Pp. xii + 78. £6.99/$17.99 Pb.	0
Reusing Props at the National Theatre, London: Considering Theatre Materiality in a Historiographical Context	0
The Cambridge Companion to the Circus. By Gillian Arrighi and Jim Davis. Cambridge: Cambridge University Press, 2021. Pp. xxxv + 292. £75/$80.57/₹7165 Hb; £22.99/$29.99/₹2312 Pb.	0
‘It's Never about Me, It's Always about You’: Generosity in Zarrilli's Training Space	0
Plays by Women in Ireland (1926–33): Feminist Theatres of Freedom and Resistance. Edited by Lisa Fitzpatrick and Shonagh Hill. London: Methuen Drama, 2022. Pp. vii + 254 + 6 illus. £75 Hb; £24.99 Pb.	0
Phillip Zarrilli's Knowledges: ‘About’, ‘In’, ‘For’	0
Performing Commedia dell'Arte: 1570–1630. By Natalie Crohn Schmitt. London and New York: Routledge, 2020. Pp. viii + 112.	0
Masculinities and Manhood in Contemporary Irish Drama: Acting the Man. By Cormac O'Brien. London: Palgrave Macmillan, 2021. Pp. vii + 292. $109.99 Hb; $84.99 Ebook.	0
Theater as Data: Computational Journeys into Theater Research. By Miguel Escobar Varela. Ann Arbor: University of Michigan Press, 2021. Pp. 248. £53.27/$71.95 Hb; £22.17/$29.95 Pb.	0
Freak Performances: Dissidence in Latin American Theater. By Analola Santana. Ann Arbor: University of Michigan Press, 2018. Pp. 226. $75 Hb; $29.95 Pb.	0
‘Looking at the Wider World’: Global Engagement, Political Activism and Polemical Storytelling in Watchlist, Prima Facie and Myth, Propaganda and Disaster in Nazi Germany and Contemporary Am	0
Editorial: On Stormy Contextual Seas	0