History of Photography

Papers
(The median citation count of History of Photography is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)
ArticleCitations
Contact Zones: Photography, Migration, and Cultural Encounters in the United States2
The Revolution Will (Not?) Be Colourised: Photographs from the Indonesian National Revolution (1945–49) on Social Media2
Weimar Goes East: Lotte Jacobi’s Photographs and Soviet Imperialism in Central Asia1
Grievous Images: Working with Photographs of Pain and Defeat1
Picturing the Ottoman Armenian World: Photography in Erzurum, Harput, Van and Beyond1
American Arcadia? The Shift of the Homoerotic Gaze in Herbert List’s Work1
Learning to Collect Photographs in the 1970s1
Anne Wilkes Tucker with Allison Pappas and Natalie Zelt: Excerpt from Framing the Field Interview Transcript, 4–6 April 20220
Forgotten Labour: Women in Photographic Manufacturing at Poland’s Foton Photochemical Plant0
The Brutalised Bodies of a Colonial Conquest Before the Court of Global Opinion: Photography, Media Uses and Emotions during the Italo-Turkish War in Tripolitania (1911–12)0
The Institutionalisation of Medical Photography, Public Funding and Medical Reform in Parisian Hospitals (1878–1913)0
Sandra S. Phillips with Allison Pappas and Natalie Zelt: Excerpt from Framing the Field Interview Transcript, 21–23 March 20220
Naomi Savage: Stretching the Limits of Photography0
After the Flood: Notes on Photography and the Archive0
‘Letting the pictures […] do the job’: Sandy Phillips at SFMOMA0
Correction0
Lateness and Longing: On the Afterlife of Photography0
Picturing Budapest’s 1956 Uprising: Cold War Politics, News Photography, and Art0
‘A Lot of People to Live With’: Dyadic Departures in Mary Ellen Mark’s Pursuit of Faces in Tandem0
Citizens of Photography: The Camera and the Political Imagination0
Illuminating the Science of Art History: The Advent of the Slide Lecture in France0
Sarah Greenough with Allison Pappas and Natalie Zelt: Excerpt from Framing the Field Interview Transcript, 7–9 March 20220
Imagining a Real Australia: The Documentary Style 1950–19800
Contributors0
A Very Strange Comparison0
Photography and Early Motor Touring in Britain0
Vivan Sundaram is Not a Photographer: The Photographic Work of Vivan Sundaram0
Julia Margaret Cameron: The Colonial Shadows of Victorian Photography0
‘What’s the Deal, Joe?’ Teaching Photography through an Archival Conversation0
Demanding Images and Memories of Colonial Violence in Tanzania0
The ‘Chok’ of Image ‘Constellations in Themselves’: Reframing Walter Benjamin’s ‘Little History of Photography’ (1931)0
John Heartfield Un/Masked: Montage as Collective Photographic and Social Practice0
Contributors0
Stereophotography Illustration and Popular Publishing: Lovell Reeve’s Editorial Plan for Charles Piazzi Smyth’s Teneriffe (1858)0
‘It’s capture the world at all costs’: The Polaroid Revolutionary Workers Movement’s Tactics of Refusal0
From the Gestell to the Reprogestell: Notes on the Technological Continuum0
Contributors0
Warring Visions: Photography and Vietnam0
Medium and Message: Interactions between Photography and Modern Printmaking in Republican-era China0
Black and White and Red All Over: Photography Between Race and Class in the American Communist Press, 1928–320
Contributors0
A Necropolitical Visual Regime: Banditry in Colombia, 1958–19640
Negative/Positive: A History of Photography0
Experimental Self-Portraits in Early French Photography0
Inventing Photography – William Henry Fox Talbot in the Bodleian Library0
Early Armenian Photographic Communities in the Ottoman Empire: The Cases of Abdullah Frères and Yesayi Garabedian0
Photography and Racial Capitalism: A Special Issue of History of Photography0
Thérèse Bonney, the Bonney Service and the Business of Syndicated Photography, 1922–450
Black Bodies, White Gold: Art, Cotton, and Commerce in the Atlantic World0
Symbolic Violence: Pacific Islander Labourers and Photography0
The Stakes of Naming: Claudio Perna’s Anonymous Photography of Venezuela0
Victorian Facebooks: Privacy Concerns at William Notman’s Studio0
How Photography Changed Philosophy0
‘Working with Grievous Images’, a special issue of History of Photography : Q&A from questions posed by the editors Daniel Foliard and Sean Willcock to authors Pierr0
Contributors0
Napoleon Sarony’s Living Pictures: The Celebrity Photograph in Gilded Age New York0
Photography, Reconstruction and the Cultural History of the Postwar European City0
A Lexicon for Positioning ‘The Idea Photography’ in Our Nation’s Art Museum0
Making Modernity in the Islamic Mediterranean0
‘The thing will be alive’: Nancy Newhall and a Vision for Photography0
Deborah Willis with Allison Pappas and Natalie Zelt: Excerpt from Framing the Field Interview Transcript, 8–9 June 20220
From Art History Pedagogic Resource to Post-Digital Art Medium: Shifting Cultural Values in a Dismantled Slide Library0
Persuasion by Projection: Charles Piazzi Smyth and the Performance of Scientific Expertise0
Enfolding History: Identities, Performances and Contexts in an Early Ethnographic Album from Natal, South Africa0
Contributors0
Another Country: British Documentary Photography since 19450
Picturing the Western Front: Photography, Practices and Experiences in First World War France0
Photographs and the Practice of History: A Short Primer0
The Slide Lecture: Introduction to a Special Issue of History of Photography0
Contributors0
Maria Morris Hambourg: A Curator Lighthouse for Photography0
Working Together: Louis Draper and the Kamoinge Workshop0
Photographic Returns: Racial Justice and the Time of Photography0
Framing the Field : An Intergenerational Conversation about the Making of Photography in US Museums0
Contributors0
Contributors0
The Resurrection of Raúl Eduardo Mahecha: Allegorical Indexical Realism against the Archival Violence of the United Fruit Company0
Accounting Difference: Institutional Avant-Gardism and Class Representation in Mir Seid Ali’s Photographic Archive0
Maria Morris Hambourg with Allison Pappas and Natalie Zelt: Excerpt from Framing the Field Interview Transcript, 2–4 May 20220
Capitalism and the Camera: Essays on Photography and Extraction0
Everywhen: Photography and Indigeneity0
Since 1839 … Eleven Essays on Photography0
Cruising Europe in World War II: Epistemological Challenges of German Vernacular Trophy Photography0
Correction0
The Big Thing: ‘“Day Breaks — Cold, Shrieking and Bloody”’0
Inventing a Photographic Past for Japan: From A Century of Japanese Photography (1968) to the Construction of the Tokyo Metropolitan Museum of Photography0
Cold War Camera0
The Mechanical against Objectivity: Industrialism and Inoperativity in Eadweard Muybridge’s Animal Locomotion (1887)0
Mike Weaver 1937–20240
An African Looks at America: Picturing Racial Integration for Africa, 1956–680
The Black Panthers of Israel and Ya’akov Shofar’s Musrara Photographs: Taming and Politicisation (1978–83)0
Relics of War: The History of a Photograph0
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