History of Photography

Papers
(The TQCC of History of Photography is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-04-01 to 2025-04-01.)
ArticleCitations
Empire, Early Photography and Spectacle: The Global Career of Showman Daguerreotypist J.W. Newland2
Numbering The Ladies Waldegrave: Questions of Status and Display1
Contact Zones: Photography, Migration, and Cultural Encounters in the United States1
Feminist In/Visibilities: Questions of Consent when Policing Domestic Violence with Photographic Evidence1
Victorian Facebooks: Privacy Concerns at William Notman’s Studio1
Contributors1
What the Police are Not Trained to See: Wisconsin Death Trip and the Blind Spots of Photographic Evidence1
Another Country: British Documentary Photography since 19451
Warring Visions: Photography and Vietnam1
Contributors0
Asserting Photography’s Social Function: Exhibitions of Soviet Photography in Interwar Czechoslovakia0
Somebody’s – Or Nothing: Visual Evidence, Blackness and the Limits of Legal Seeing0
Correction0
Cultural Capital and Photographic Technologies at the Berlin Photographic Company in the USA0
Arresting Optics: Black Femme Witnessing in Protest Photojournalism and the Anti-Black Techniques of Police Vision0
Creative Collaborations: Australian Photomurals and International Expositions 1937–400
Framing the Field : An Intergenerational Conversation about the Making of Photography in US Museums0
Cruising Europe in World War II: Epistemological Challenges of German Vernacular Trophy Photography0
Picturing the Ottoman Armenian World: Photography in Erzurum, Harput, Van and Beyond0
Contributors0
‘The thing will be alive’: Nancy Newhall and a Vision for Photography0
The New Woman Behind the Camera0
‘A Lot of People to Live With’: Dyadic Departures in Mary Ellen Mark’s Pursuit of Faces in Tandem0
Visualising Order: Photography and the Production of the Colonial Police in India0
Thérèse Bonney, the Bonney Service and the Business of Syndicated Photography, 1922–450
The Portrait and the Colonial Imaginary: Photography between France and Africa 1900–19390
From the Gestell to the Reprogestell: Notes on the Technological Continuum0
The Black Panthers of Israel and Ya’akov Shofar’s Musrara Photographs: Taming and Politicisation (1978–83)0
Light Writing on the Lathi Raj: Bombay, 1930–310
Contributors0
Capitalism and the Camera: Essays on Photography and Extraction0
Humanising the Squatter: Photography in the Service of Resettlement in Emergency-era Malaya0
Contributors0
Negative/Positive: A History of Photography0
Deborah Willis with Allison Pappas and Natalie Zelt: Excerpt from Framing the Field Interview Transcript, 8–9 June 20220
Countersurveillance, Photography and Revolution in the Irish War of Independence0
The Brutalised Bodies of a Colonial Conquest Before the Court of Global Opinion: Photography, Media Uses and Emotions during the Italo-Turkish War in Tripolitania (1911–12)0
Electrifying Daguerreotypes: On Correlations Between Electricity and Photography around 18400
Maria Morris Hambourg with Allison Pappas and Natalie Zelt: Excerpt from Framing the Field Interview Transcript, 2–4 May 20220
Learning to Collect Photographs in the 1970s0
Photography and Policing, a Special Issue of History of Photography0
A Lexicon for Positioning ‘The Idea Photography’ in Our Nation’s Art Museum0
A Necropolitical Visual Regime: Banditry in Colombia, 1958–19640
Correction0
American Arcadia? The Shift of the Homoerotic Gaze in Herbert List’s Work0
An African Looks at America: Picturing Racial Integration for Africa, 1956–680
Sandra S. Phillips with Allison Pappas and Natalie Zelt: Excerpt from Framing the Field Interview Transcript, 21–23 March 20220
Photography of Protest and Community: The Radical Collectives of the 1970s0
Photographs and the Practice of History: A Short Primer0
Photography and Early Motor Touring in Britain0
Enfolding History: Identities, Performances and Contexts in an Early Ethnographic Album from Natal, South Africa0
Municipal Law Enforcement and Its Transmissions0
‘Letting the pictures […] do the job’: Sandy Phillips at SFMOMA0
Making Modernity in the Islamic Mediterranean0
Contributors0
A Death Squad Dossier: Counterrevolutionary Policing, Photographs of Disappearing Identities and Evidentiary Aesthetics in Postwar Guatemala0
From Art History Pedagogic Resource to Post-Digital Art Medium: Shifting Cultural Values in a Dismantled Slide Library0
Correction0
Artwork Reproductions in Polish Identity Building after World War II0
Panoramic Ambitions: Collecting Rubens’s Oeuvre in Reproduction, 1877–19270
Illuminating the Science of Art History: The Advent of the Slide Lecture in France0
Contributors0
Ungovernable Eye: Photography, Colonial Governmentality and Irish Insurgency0
(W)Archives: Archival Imaginaries, War and Contemporary Art0
Latinx Photography in the United States: A Visual History0
The ‘Chok’ of Image ‘Constellations in Themselves’: Reframing Walter Benjamin’s ‘Little History of Photography’ (1931)0
Lateness and Longing: On the Afterlife of Photography0
The Slide Lecture: Introduction to a Special Issue of History of Photography0
Women Photographers of the Pacific World, 1857–19300
After the Flood: Notes on Photography and the Archive0
Intimate Archive: Dayanita Singh, the Photo-book and Feminist Iteration0
Demanding Images and Memories of Colonial Violence in Tanzania0
The Revolution Will (Not?) Be Colourised: Photographs from the Indonesian National Revolution (1945–49) on Social Media0
Since 1839 … Eleven Essays on Photography0
Mike Weaver 1937–20240
Photography in the Big Frame: Conflicting Media Uses of the 1931 Arrest Photograph of the Scottsboro Nine0
Contributors0
Photography and the 1851 Great Exhibition0
‘Picturing a Moment’: The Colonial Visions of Newspaper Photography in Early Twentieth-century Korea0
The Latin American Colloquia and the Institutionalisation of Brazilian Photography0
Naomi Savage: Stretching the Limits of Photography0
Performing Violence, Displaying Evidence: Photographs of Criminals and Political Inmates in Qajar Iran (1860s–1910s)0
Vivan Sundaram is Not a Photographer: The Photographic Work of Vivan Sundaram0
Maria Morris Hambourg: A Curator Lighthouse for Photography0
Inventing a Photographic Past for Japan: From A Century of Japanese Photography (1968) to the Construction of the Tokyo Metropolitan Museum of Photography0
See/Saw: Looking at Photographs, Essays 2010–20200
Photography, Reconstruction and the Cultural History of the Postwar European City0
Photography in the Great War: The Ethics of Emerging Medical Collections from the Great War0
Persuasion by Projection: Charles Piazzi Smyth and the Performance of Scientific Expertise0
Experimental Self-Portraits in Early French Photography0
Bertillon, Ravachol and the Explosive Potential of Police Portraiture0
Working Together: Louis Draper and the Kamoinge Workshop0
Reproductions, a Special Issue of History of Photography0
Faux Nudes: Body Stockings and Photography at the fin de siècle0
Manet and Photography: Looking at Olympia0
‘Working with Grievous Images’, a special issue of History of Photography : Q&A from questions posed by the editors Daniel Foliard and Sean Willcock to authors Pierr0
‘All we see is dots’: Aerial Objectivity and Mass Surveillance in Baltimore0
Coming into Visibility in the Indian Ocean0
Contributors0
Beyond Sentimentality: The Family as Patron, Subject and Author of Early Photography in Colonial Australia0
The Mechanical against Objectivity: Industrialism and Inoperativity in Eadweard Muybridge’s Animal Locomotion (1887)0
Grievous Images: Working with Photographs of Pain and Defeat0
The Institutionalisation of Medical Photography, Public Funding and Medical Reform in Parisian Hospitals (1878–1913)*0
Stefano Lecchi: A Photographic Pilgrimage of War0
Anne Wilkes Tucker with Allison Pappas and Natalie Zelt: Excerpt from Framing the Field Interview Transcript, 4–6 April 20220
Cold War Camera0
Sarah Greenough with Allison Pappas and Natalie Zelt: Excerpt from Framing the Field Interview Transcript, 7–9 March 20220
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