History of Photography

Papers
(The TQCC of History of Photography is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)
ArticleCitations
Contact Zones: Photography, Migration, and Cultural Encounters in the United States2
Grievous Images: Working with Photographs of Pain and Defeat2
The Revolution Will (Not?) Be Colourised: Photographs from the Indonesian National Revolution (1945–49) on Social Media2
Photography, Reconstruction and the Cultural History of the Postwar European City1
Picturing the Ottoman Armenian World: Photography in Erzurum, Harput, Van and Beyond1
American Arcadia? The Shift of the Homoerotic Gaze in Herbert List’s Work1
Learning to Collect Photographs in the 1970s1
Weimar Goes East: Lotte Jacobi’s Photographs and Soviet Imperialism in Central Asia1
Contributors0
Persuasion by Projection: Charles Piazzi Smyth and the Performance of Scientific Expertise0
After the Flood: Notes on Photography and the Archive0
Warring Visions: Photography and Vietnam0
‘What’s the Deal, Joe?’ Teaching Photography through an Archival Conversation0
Working Together: Louis Draper and the Kamoinge Workshop0
Vivan Sundaram is Not a Photographer: The Photographic Work of Vivan Sundaram0
Contributors0
The Brutalised Bodies of a Colonial Conquest Before the Court of Global Opinion: Photography, Media Uses and Emotions during the Italo-Turkish War in Tripolitania (1911–12)0
Experimental Self-Portraits in Early French Photography0
Contributors0
Contributors0
‘Working with Grievous Images’, a special issue of History of Photography : Q&A from questions posed by the editors Daniel Foliard and Sean Willcock to authors Pierr0
Maria Morris Hambourg: A Curator Lighthouse for Photography0
Thérèse Bonney, the Bonney Service and the Business of Syndicated Photography, 1922–450
Beyond Sentimentality: The Family as Patron, Subject and Author of Early Photography in Colonial Australia0
Sarah Greenough with Allison Pappas and Natalie Zelt: Excerpt from Framing the Field Interview Transcript, 7–9 March 20220
Victorian Facebooks: Privacy Concerns at William Notman’s Studio0
Inventing Photography – William Henry Fox Talbot in the Bodleian Library0
Photography and Racial Capitalism: A Special Issue of History of Photography0
Imagining a Real Australia: The Documentary Style 1950–19800
Contributors0
The Big Thing: ‘“Day Breaks — Cold, Shrieking and Bloody”’0
Enfolding History: Identities, Performances and Contexts in an Early Ethnographic Album from Natal, South Africa0
Illuminating the Science of Art History: The Advent of the Slide Lecture in France0
Making Modernity in the Islamic Mediterranean0
A Lexicon for Positioning ‘The Idea Photography’ in Our Nation’s Art Museum0
Deborah Willis with Allison Pappas and Natalie Zelt: Excerpt from Framing the Field Interview Transcript, 8–9 June 20220
The Black Panthers of Israel and Ya’akov Shofar’s Musrara Photographs: Taming and Politicisation (1978–83)0
‘The thing will be alive’: Nancy Newhall and a Vision for Photography0
Black and White and Red All Over: Photography Between Race and Class in the American Communist Press, 1928–320
Julia Margaret Cameron: The Colonial Shadows of Victorian Photography0
Women Photographers of the Pacific World, 1857–19300
Negative/Positive: A History of Photography0
Picturing the Western Front: Photography, Practices and Experiences in First World War France0
A Necropolitical Visual Regime: Banditry in Colombia, 1958–19640
Lateness and Longing: On the Afterlife of Photography0
Contributors0
Contributors0
Medium and Message: Interactions between Photography and Modern Printmaking in Republican-era China0
Photography in the Great War: The Ethics of Emerging Medical Collections from the Great War0
Framing the Field : An Intergenerational Conversation about the Making of Photography in US Museums0
See/Saw: Looking at Photographs, Essays 2010–20200
Capitalism and the Camera: Essays on Photography and Extraction0
Correction0
The Resurrection of Raúl Eduardo Mahecha: Allegorical Indexical Realism against the Archival Violence of the United Fruit Company0
Picturing Budapest’s 1956 Uprising: Cold War Politics, News Photography, and Art0
The Stakes of Naming: Claudio Perna’s Anonymous Photography of Venezuela0
Black Bodies, White Gold: Art, Cotton, and Commerce in the Atlantic World0
Napoleon Sarony’s Living Pictures: The Celebrity Photograph in Gilded Age New York0
Cruising Europe in World War II: Epistemological Challenges of German Vernacular Trophy Photography0
Everywhen: Photography and Indigeneity0
Stefano Lecchi: A Photographic Pilgrimage of War0
Demanding Images and Memories of Colonial Violence in Tanzania0
Contributors0
Symbolic Violence: Pacific Islander Labourers and Photography0
Cold War Camera0
The Mechanical against Objectivity: Industrialism and Inoperativity in Eadweard Muybridge’s Animal Locomotion (1887)0
Inventing a Photographic Past for Japan: From A Century of Japanese Photography (1968) to the Construction of the Tokyo Metropolitan Museum of Photography0
An African Looks at America: Picturing Racial Integration for Africa, 1956–680
Latinx Photography in the United States: A Visual History0
Mike Weaver 1937–20240
Humanising the Squatter: Photography in the Service of Resettlement in Emergency-era Malaya0
Intimate Archive: Dayanita Singh, the Photo-book and Feminist Iteration0
Relics of War: The History of a Photograph0
Empire, Early Photography and Spectacle: The Global Career of Showman Daguerreotypist J.W. Newland0
Correction0
Sandra S. Phillips with Allison Pappas and Natalie Zelt: Excerpt from Framing the Field Interview Transcript, 21–23 March 20220
Another Country: British Documentary Photography since 19450
‘Letting the pictures […] do the job’: Sandy Phillips at SFMOMA0
Photographs and the Practice of History: A Short Primer0
Early Armenian Photographic Communities in the Ottoman Empire: The Cases of Abdullah Frères and Yesayi Garabedian0
Photographic Returns: Racial Justice and the Time of Photography0
‘Picturing a Moment’: The Colonial Visions of Newspaper Photography in Early Twentieth-century Korea0
‘A Lot of People to Live With’: Dyadic Departures in Mary Ellen Mark’s Pursuit of Faces in Tandem0
Photography in the Big Frame: Conflicting Media Uses of the 1931 Arrest Photograph of the Scottsboro Nine0
Naomi Savage: Stretching the Limits of Photography0
The Portrait and the Colonial Imaginary: Photography between France and Africa 1900–19390
Anne Wilkes Tucker with Allison Pappas and Natalie Zelt: Excerpt from Framing the Field Interview Transcript, 4–6 April 20220
A Very Strange Comparison0
Accounting Difference: Institutional Avant-Gardism and Class Representation in Mir Seid Ali’s Photographic Archive0
How Photography Changed Philosophy0
Contributors0
Photography and Early Motor Touring in Britain0
Since 1839 … Eleven Essays on Photography0
From Art History Pedagogic Resource to Post-Digital Art Medium: Shifting Cultural Values in a Dismantled Slide Library0
From the Gestell to the Reprogestell: Notes on the Technological Continuum0
Maria Morris Hambourg with Allison Pappas and Natalie Zelt: Excerpt from Framing the Field Interview Transcript, 2–4 May 20220
The Slide Lecture: Introduction to a Special Issue of History of Photography0
Contributors0
The ‘Chok’ of Image ‘Constellations in Themselves’: Reframing Walter Benjamin’s ‘Little History of Photography’ (1931)0
The Institutionalisation of Medical Photography, Public Funding and Medical Reform in Parisian Hospitals (1878–1913)0
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