Canadian Theatre Review

Article	Citations
“The Highest Form of Resistance to Survive”: Basil AlZeri’s The Most Prized of All Closets	3
Tiny Houses, Treesits, and Housing on the Front Lines of the TMX Pipeline Resistance	3
Improv Walk: Nature Is a Part of Me	2
Equitable Freedom beyond Proscenium Stages	2
The Cost of Entry Is a Heartbeat	2
O’kosi	2
Writer-Designer Intersections at MODULE Digital Alchemy Creation Lab: A Conversation between Taylor Marie Graham and Beth Kates	1
Relational Perspectives on Change: The Theory, Stories, and Practice of Postmarginality	1
Old McDonald Had a Farm: 01000101 01001001 01000101 01001001 01001111: Ecoscenography for an Intractable Future Past	1
Trans Glitching in Social Virtual Reality	1
Embracing the Distance: Accessing Dances of Connection	1
Space, Time, and Reactivity: Designing Software for Online Theatre	1
An Account of Durational and Distributed Encounters with Corpus CTR	1
A New Day Has Dawned	1
Editorial: Black Futures and Freedoms	1
The Antigone Play	1
4inXchange	1
How I Learned to Stop Worrying and Love the AI: AI as Muse, Disruptor, and the Future of Theatre	1
Imaginative Complicity, Interactive Tech, and the Challenges of Making Theatre in a New Digital Age	1
Lightly Casting a Light on Casting; or, A Note on Auditions by an Actor-Director	1
Reading the TRC Summary Report Together: Collective Durational Practice	1
Festival Santiago a Mil	0
HGTV’sHouse Huntersand the Right to Coziness	0
Introduction: Casting Calls/Calls for Change	0
A Grown-Up’s Guide to Flying	0

Mixed with Black: A Canadian Theatre Mixed-Race Manifesto	0
Living with/on the Land	0
Stanley Février: Performing the Invisible	0
Disability Theatre in Canada: Working Together and Closing the Gaps in the East	0
Building Possible Worlds in the Arts Through Collective Imagination	0
On How to Live Well: Houses as Theatres of the Good Life in Mexico City	0
Built of Earth: The Casona and Vernacular Earthen Architecture in Oaxaca, Mexico	0
TBD	0
“Working On and Against” Classic Burlesque Conventions in Zyra Lee Vanity’s Irie Love	0
Matriarchal Word Warriors in aPaddle Songfor E. Pauline Johnson Tekahionwake	0
Casting Blackface in Canada: Unmasking the History of ‘White and Black’ Minstrel Shows	0
A Negotiation of Collaborative Play: asses.masses	0
The Trials and Triumphs of a Tar Baby	0
Front Matter	0
On Uncomfortable Theatre and Cozy Revolution	0
Agitprop or a Bunch of Observations from a Leftist about Decolonization	0
A New Ideology on an Old Belief	0
The Theatre of the Oppressed in Tehran: Dilemma of Ethics and Engagement	0
The Funny Thing about Cancer	0
Land-Based and Embodied Performance Practice at the 2023 Bonavista Biennale	0
Looking for Dance in Canadian Theatre Review	0
Living with Drones: An Audience Perspective	0
Journalism Wanderlust: Crisscrossing Disciplines in Search of My Practice	0
“There is no such thing as a gay play”: Canadian Theatre Review and Gay Politics in the 1970s	0
Seeding the Future (This Is Not a Metaphor): Creative Acts of Public Gardening with Yarrow Collective	0
Canadian Theatre Crossroads: Reaffirming Who We Are	0
A Proposed Guide to Witnessing: Dialoguing with Streaming Life: Storying the 94 as a Site for Call-and-Response	0
Redressing the Social Model of Disability: Autopathography, Performance, and the Material Body	0
Some Must Watch While Some Must Sleep	0
How Many Performance Artists Does it Take to Change a Light Bulb (for Martha Wilson)	0
The Survivance Collective: Exploration of Our Intersectionality as Black, Women, Deaf in Canada	0
Utilizing Extended Reality as a Pedagogical and Continuous Learning Tool for the Performing Arts	0
The River Clyde Pageant: Inventing and Reinventing the Conditions for Planetary Performance	0
Looking for Dance in Canadian Theatre Review	0
Women’s Voices Resonating in Public Space: LASTESIS’s A Rapist in Your Path in the Streets of Toronto	0
Performing in Public: Ethics of a Site-Specific Theatre Practice	0
Making a CoMotion	0
“Leave a Mark More Permanent than the Moment Itself”	0
A Catalyst for Rethinking and Rescripting Understanding of Disabled Performances	0
Theatrical Collisions in Laurence Dauphinais’s Cyclorama	0
Experimentations in Creative Journalistic Directions	0
Making Change from Within: Political Adaptation as Activism	0
Keeping Good Company	0
Hope, Radicalism, and Performances of Illness in Theatre for Young Audiences	0
Montreal in Carte Blanche, 1974	0
The Scarcity Mindset Has a Death Grip on Casting	0
The Waves	0
Crip, Arts: Community Trajectories and Agendas	0
Canadian Theatre Crossroads: Reaffirming Who We Are	0
Decolonizing the Canada Council for the Arts: A Historical Perspective	0

Vocal Alignment	0
One Size Fits One: A Proposal for Board Governance	0
Hīkoi—It Will be Solved by Walking	0
The Darkness (La Noirceur)	0
Pursuing Universal Accessibility for Everyone: The Linguistic Experience at Partition/Ensemble Conference	0
PXR2020: Re-Seeing the Possibilities of Theatre in Virtual, Augmented, and Mixed Reality	0
Seeing Salome, Seeing Salome, Seeing Seeing: Atom Egoyan’s Salome at the Canadian Opera Company	0
Performing the Lived Experience of Dementia: Revealing Humanity through Evidence-Based Collaborative Creation	0
Inside The Blacktor’s Studio	0
Editorial: Transforming the Carbon World	0
“The Biggest Mistake You Ever Made Was Thinking That Nobody Cared about Me”: The Representation of Black Lives in Our Fathers, Sons, Lovers and Little Brothers	0
Last Conversations	0
Terroir as Territory: Frybread and Fermentation as Critical Settler and Decolonial Practice	0
Reflecting from the Middle: Ethics within an Interactive Theatre Project Working for Social Equity	0
Ministry of Mundane Mysteries	0
Staff of Life: Preserving Yeast, Memory, and Humanity	0
A Reflection on Canadian Theatre Review and Recognizing Innovation and Integrity in Theatre for/by/with Young People	0
Why Us? Why Now?	0
Staging Coyote’s Dream	0
Editorial: Intersections of Allyship, Action and Artistic Access	0
Gather (2021)	0
Bold Moves	0
Augmented Reality ASL for 11:11 at Theatre Passe Muraille	0
A Past-Perfect Future?: Performing the Past as the Future of Theatre in Atlantic Canada	0
Alternate Reality Gaming: Mad and Crip Potentialities in Digital Storytelling	0
Liveness Plus in Political Virtual Reality Performance	0
There’s Something in a Story: Retreating to Re-Treat	0
Making Space: A List Distilled from the Wisdom of Three Creative Placemakers	0
In the Blink of an Eye	0
If Not Democratic	0
Editorial: Acts of Preservation	0
Alone Together	0
Creative Enabling: Relations and Structures of Support for Disabled Artists	0
Soundings	0
Back to “Normal”?	0
Continue without Disabling: Fifty Years of Disability Arts in Canadian Theatre Review	0
Participatory Political Violence: The Sensorial Toll of the Truckers’ Convoy	0
The Politics of an Epic: Why Not Theatre’s Mahabharata at the Shaw Festival	0
Funerally Yours: A Collective Re-Membering of Taking It to the Grave	0
Moral Horizons of Pain	0
Ugly Crying in Virtual Reality: Unpacking Emotional Immersion in Jordan Tannahill’s Draw Me Close	0
“It Comes with Practice”: Pierogi-Making as Preserving and Imagining Polonia	0
Outcast: Limits and Possibilities in Casting Black Performers in the Age of Granular Dramaturgy	0
Voice Coaching at the Stratford Festival: A Vocation of Service	0
“From ‘What Is to What If’”: Thinking and Questioning about Canadian Theatre Review’s Next 200 Issues	0
The Sounds of Rebellion: A Radionovela by and for Migrant Domestic Workers	0
Within Bated Breath: Waiting for the Pause	0
“How Tremendous Are Your Deeds!”: The Reluctant Celebrity and Affective-Feminist Life of Forough Farrokhzad	0
The Future Is Disabled	0
Beyond Liveness, the Living: Designing Decay at the 2022 Rhubarb Festival	0
Connecting the Space between Us: An Interview with Multisensory Artist Salima Punjani	0
XR Techno-Friction	0
Loss, Great Grief, and Preservation: Brandy Leary’s Suspended	0
A Hoarding of Memories: Conversations about Feminist Theatre and Its Documentation in Canada	0
Lessons from the Road: Indigenous Creative Spaces Project	0
Front Matter	0
Ec(h)o-Location: The Story of My Voice as I Know It	0
Introduction: Performance and Pathography	0
On Being a Walking Body: Dramaturgies of Participatory Pandemic Theatre	0
“Transformation Is Imperative”: Play Selection and Casting at Theatre Training Institutions	0
“Let the Breath Drop In”: The Story of Canada’s National Voice Intensive	0
Ownership and Engagement in Performance Art: The Black Drum Signed Musical Theatre Case Study	0
Creation Practices in Participatory Performance	0
Zooming In: The Privilege of Performing Home	0
Front Matter	0
The Designer’s Dilemma 2.0: Visual-ness and Canadian Theatre Review	0
Perdre le nord/Losing the North	0
Where Does Sustainability Belong in the Creative Process?	0
Empathy and Engagement: A Sketch of Theatre Development in the Yukon	0
Experiments in Care as a Reciprocal Act	0
Chapter 21—a Photo Diary: My Journey to Becoming	0
From Stage to Aural Streaming: Adaptation through a Slow Ethic of Care	0
Connecting Climate Change and Canadian Theatre: Reflecting on the Impact of the NAC’s Climate Cycle	0
What Was I Thinking? Rageful Ramblings…	0
Editorial: Sustaining This Stage	0
“How Could WeNotGo to Mosul?”: Empathy,Anagnorisis, and the Politics of Recognition inOrestes in Mosul	0
Summer Magic: Creating a Sense of Welcome Back to Performance	0
A Speculative Manifesto: For the Future of Black Canadian Performance	0
Blackout	0
In PLACE OF SHOUTING	0

Voicing with Code in Public	0
Writers and Race: Why Playwrights of Colour Should Write Themselves into Their Plays	0
Tidelines and Riptides: A Shared Journey	0
Holy Moly	0
Black Boy Fly	0
Transformational Voice Work: Using Theatre-Based Vocal Practice to Support Gender-Diverse Voices	0
Persevering, Preserving, and Sharing Our Mother	0
Accountability. Intervention. Community.: On the Making of a Two-Spirit Music Video for Pride Toronto Summer 2021	0
Verbatim Voices: An Investigation of Housing and Development in Kingston	0
Sakartvelo: A Journey in Foreign Lands	0
The Corporate Side-hustle: Gag or Gift?	0
Editorial: Sites and Sensibilities	0
All around Us: The Unfamiliar Familiar	0
Trust in Performance: Vulnerability as Key Requirement in Acting and Live Journalism	0
Some Must Watch While Some Must Sleep: An Impromptu Text Thread	0
Embrace	0
Co-Writing with Care: Ethics in/as Rehearsal	0
Expanded Quantification: Games and Theatres of Calculation	0
Da Capo! Eternal Recurrence, Clinical Vignettes, Grand Rounds	0
Editorial: Ethics and Socially Engaged Theatre	0
“Letting My Body Take the Lead”: EDAM’s Peter Bingham on Choreographing with Parkinson’s	0
Lucky (An Excerpt)	0
Across Cyberspace and Time Zones: How Ways of Being Explores Performances of Self in Material and Digital Spaces	0
Editorial: The Politics of Performing House: Transnational Perspectives	0
Illness as Inspiration for Creating Theatre	0
In the Land of Olives and Vines: A Conversation about Climate Justice as Political Resistance in Palestine	0
Ça a l’air synthétique bonjour hi	0
Staying with More of the Trouble: Arts and Climate, Again and Always	0
When the Crow Caws: Performance and the Relational Politics of Hospitality in Hurmat Ain and Rabbya Naseer’s Art Practice	0
Decolonization—The Musical: Indigenous Interculturalism as a Way Forward	0
Thinking through Moving Together	0
Walking and Walking About: Reflections on a Repurposed Tool	0
Editorial: On Sustaining Attention and ‘Staying with the Trouble’	0
Inevitable Reckonings, Or, Where Do We Go from Here?	0
Say It Loud: A Round Table of IBPOC Accent Coaches	0
b side	0
A Year in the Life: Canadian Theatre Review, 1988	0
Who’s Afraid of Cabaret? A Conversation with Dainty Smith and Golboo Amani	0
“There Is No Such Thing as Colour-Blindness”: Artistic Directors on Culturally Specific Casting	0
Review: Canadian Performance Documents and Debates: A Sourcebook	0
Staging Grenfell: The Ethics of Representing Housing Crises in London	0
Breathing New Legacies Forward	0
Lost Together	0
Ungrateful: A Manifesto for Black Freedom in the Face of White Generosity	0
A Generous Incantation: Interdependent Magic: Disability Performance in Canada	0
When in Quarantine: Bringing Theatre Home with Boca del Lupo	0
Interview with Natasha Bacchus, aka Courage (ASL-English Transcript)	0
Speak Durban Memory	0
Explorations of Camille Turner’s Unmapped	0
Reconsidering the Black Archive: It’s About Time and Black Dance in Canada	0
Relational Indigenous Performance Writing	0
Anishinaabe Songs and Dances for the Gtigaan, or, Why I Feel They Can Save the World	0
this space is for you: Performing Site through Mixed Reality and Volumetric Capture	0
Reaching Toward: Seeding Connection within the Matriarchs Uprising Festival	0
Extending Voice Work	0
The Evolution of Themes, Networks, and Intersections in Canadian Theatre Review	0
Encounters with Non/Living Beings: Puppet Artist Brad Brackenridge in Process and Performance	0
Developmentally, Cognitively, and Intellectually Disabled People Are Artists, Not Pet Projects	0
“What Is Still to Be Sustained?”: Performing Climate Justice through Staging Transnational Sustainability from Canada to the Philippines	0
Telling It Back Different but the Same	0
The Conscious-Casting Conundrum	0
The Artist and the Activist	0
Freedom in the Invitation: Lilith & Cie’s Invisible	0
Hourglasses and Hammers: A Reflection on Forty Years of Interculturalism in Canadian Theatre Review	0
Pam Hall as House: A Conversation	0
Welcome to the Department of Utopian Arts and Letters	0
A Round Table Conversation on the State of Hiring and Labour in Theatre and Performance Studies in Canada	0
Five by Five: Big Questions for Past Editors	0
Queering Actor Training and Supporting Gender Dissidence	0
Editorial: Focal Constellations	0
At the Crossroads: Paths Toward Decolonizing Theatre Teaching and Mentorship	0
Editorial	0
Jiimaan, That Teaching Sister: Practices of Archival Care	0
Critical Community-Engaged Scholarship: An Antidote to the Representation and Interpretation of Young People’s Experiences in Socially Engaged Theatre?	0
Community Gathering: How a New Role Made Me Think Differently about Journalism	0
Dancing into Relationality through Reciprocity, Resistance, and Resurgence	0
Finding Hope Within Disruption: Exploring Prairie-Based Theatre in 2040	0
About Some Lilies	0
Glossary	0
Moccasins on the Ground: Rerooting the Indigenous Performing Body	0
Then/Now/Hear/Here: Futurefarmers at MacKinnon’s Brook, Nova Scotia	0
1939 Reflections on Adaptation, Indigenous Theatre, and Shakespeare’s Legacy	0
Montreal in Carte Blanche, 1974	0
Art, Climate Change, and the Three Modes: Adding Precision to an Elusive yet Essential Interaction	0
New in Town: An Interview with Three Creators of a Cabaret for New Canadian Citizens	0
Rehearsing Re-existence	0
On This Path Together: Intergenerational Indigenous Performance Writing in Canadian Theatre Review	0
The Prophetic Place	0
Systemic Issues Need Not Apply: One Artist’s Journey of Existing in the Margins	0
Unexpected Connections between International Studies and Theatre	0
Performing at Home in the Pandemic: Boca del Lupo’s Plays2Perform@Home Collection	0
Tell Us When You’re Uncomfortable: An Anti-Colonial Poetic Script with Mosquito, Lisa, Knowing, Western, Caesarean, Written Word, Marion, Being, Medicine, Sarah, and Other Unruly Characters	0
Humanized Machine, Dehumanized Us: Exploring the Creation of an AI-Collaborated Scene	0
Editorial: Rules of Engagement	0
Interactive Theatre, Advocacy, and the Pursuit of Freedom	0