Canadian Theatre Review

Papers
(The TQCC of Canadian Theatre Review is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)
ArticleCitations
Tiny Houses, Treesits, and Housing on the Front Lines of the TMX Pipeline Resistance3
O’kosi2
Improv Walk: Nature Is a Part of Me2
Equitable Freedom beyond Proscenium Stages2
An Account of Durational and Distributed Encounters with Corpus CTR1
Team Dramaturgy: Audiences Playing (and Caring) Together1
Relational Perspectives on Change: The Theory, Stories, and Practice of Postmarginality1
A New Day Has Dawned1
Editorial: Black Futures and Freedoms1
Reading the TRC Summary Report Together: Collective Durational Practice1
Imaginative Complicity, Interactive Tech, and the Challenges of Making Theatre in a New Digital Age1
How I Learned to Stop Worrying and Love the AI: AI as Muse, Disruptor, and the Future of Theatre1
Trans Glitching in Social Virtual Reality1
In a Strange Place1
4inXchange1
Louise Lapointe, a Driving Force for Puppet Theatre in Quebec1
Old McDonald Had a Farm: 01000101 01001001 01000101 01001001 01001111: Ecoscenography for an Intractable Future Past1
Lightly Casting a Light on Casting; or, A Note on Auditions by an Actor-Director1
The Antigone Play1
Reconsidering the Black Archive: It’s About Time and Black Dance in Canada0
Within Bated Breath: Waiting for the Pause0
“What Is Still to Be Sustained?”: Performing Climate Justice through Staging Transnational Sustainability from Canada to the Philippines0
The Trials and Triumphs of a Tar Baby0
“Leave a Mark More Permanent than the Moment Itself”0
Voice Coaching at the Stratford Festival: A Vocation of Service0
this space is for you: Performing Site through Mixed Reality and Volumetric Capture0
The Evolution of Themes, Networks, and Intersections in Canadian Theatre Review0
Editorial: Sites and Sensibilities0
Welcome to the Department of Utopian Arts and Letters0
The River Clyde Pageant: Inventing and Reinventing the Conditions for Planetary Performance0
Montreal in Carte Blanche, 19740
Explorations of Camille Turner’s Unmapped0
Editorial0
The Conscious-Casting Conundrum0
The Survivance Collective: Exploration of Our Intersectionality as Black, Women, Deaf in Canada0
Critical Community-Engaged Scholarship: An Antidote to the Representation and Interpretation of Young People’s Experiences in Socially Engaged Theatre?0
Reaching Toward: Seeding Connection within the Matriarchs Uprising Festival0
Performing Demands: Wages for Housework in the Archive and Beyond0
Extending Voice Work0
In the Blink of an Eye0
Pam Hall as House: A Conversation0
Toni’s Fridge—Playing with Care0
Writers and Race: Why Playwrights of Colour Should Write Themselves into Their Plays0
One Size Fits One: A Proposal for Board Governance0
Telling It Back Different but the Same0
Decolonizing the Canada Council for the Arts: A Historical Perspective0
Trust in Performance: Vulnerability as Key Requirement in Acting and Live Journalism0
“The Biggest Mistake You Ever Made Was Thinking That Nobody Cared about Me”: The Representation of Black Lives in Our Fathers, Sons, Lovers and Little Brothers0
Rehearsing Re-existence0
Inside The Blacktor’s Studio0
Smile with Me: Discovering Care in Performance0
HGTV’sHouse Huntersand the Right to Coziness0
Provenance and Performance: The Archive in the Old Red Trunk0
A Proposed Guide to Witnessing: Dialoguing with Streaming Life: Storying the 94 as a Site for Call-and-Response0
Lessons from the Road: Indigenous Creative Spaces Project0
Canadian Theatre Crossroads: Reaffirming Who We Are0
Moccasins on the Ground: Rerooting the Indigenous Performing Body0
From Stage to Aural Streaming: Adaptation through a Slow Ethic of Care0
About Some Lilies0
On This Path Together: Intergenerational Indigenous Performance Writing in Canadian Theatre Review0
Augmenting Reality, Expanding Community: Transformative Audio in Future Food Visions0
If Not Democratic0
Dancing into Relationality through Reciprocity, Resistance, and Resurgence0
Inside The Maydee Box0
Editorial: Focal Constellations0
Why Us? Why Now?0
Anishinaabe Songs and Dances for the Gtigaan, or, Why I Feel They Can Save the World0
Balancing Act Canada: Reflections on a National Movement to Support Artist Parents and Caregivers in the Arts0
Back to “Normal”?0
The Corporate Side-hustle: Gag or Gift?0
Liveness Plus in Political Virtual Reality Performance0
A Reflection on Canadian Theatre Review and Recognizing Innovation and Integrity in Theatre for/by/with Young People0
Editorial: Theatre and Futurity0
Black Boy Fly0
A Year in the Life: Canadian Theatre Review, 19880
Expanded Quantification: Games and Theatres of Calculation0
Review: Canadian Performance Documents and Debates: A Sourcebook0
The Politics of an Epic: Why Not Theatre’s Mahabharata at the Shaw Festival0
Da Capo! Eternal Recurrence, Clinical Vignettes, Grand Rounds0
Ugly Crying in Virtual Reality: Unpacking Emotional Immersion in Jordan Tannahill’s Draw Me Close0
A Past-Perfect Future?: Performing the Past as the Future of Theatre in Atlantic Canada0
Let’s Start a Cult0
Across Cyberspace and Time Zones: How Ways of Being Explores Performances of Self in Material and Digital Spaces0
Cradling Process, Holding Coburn0
“From ‘What Is to What If’”: Thinking and Questioning about Canadian Theatre Review’s Next 200 Issues0
Moral Horizons of Pain0
“How Tremendous Are Your Deeds!”: The Reluctant Celebrity and Affective-Feminist Life of Forough Farrokhzad0
Montreal in Carte Blanche, 19740
The Balance0
Decolonization—The Musical: Indigenous Interculturalism as a Way Forward0
Living with Drones: An Audience Perspective0
A New Ideology on an Old Belief0
The Crab Apple Tree ( Le Pommetier )0
Dora0
Relational Indigenous Performance Writing0
Say It Loud: A Round Table of IBPOC Accent Coaches0
Front Matter0
Some Must Watch While Some Must Sleep0
A Generous Incantation: Interdependent Magic: Disability Performance in Canada0
Theatrical Collisions in Laurence Dauphinais’s Cyclorama0
Inevitable Reckonings, Or, Where Do We Go from Here?0
The Designer’s Dilemma 2.0: Visual-ness and Canadian Theatre Review0
Breathing New Legacies Forward0
Blackout0
Women’s Voices Resonating in Public Space: LASTESIS’s A Rapist in Your Path in the Streets of Toronto0
The Space That Maketh the Maker: The Co-Evolution of the Puppeteer and Their Workshop0
Wildness in Actor Training0
When the Crow Caws: Performance and the Relational Politics of Hospitality in Hurmat Ain and Rabbya Naseer’s Art Practice0
What Was I Thinking? Rageful Ramblings…0
Editorial: Rules of Engagement0
Community Gathering: How a New Role Made Me Think Differently about Journalism0
Making Change from Within: Political Adaptation as Activism0
“Let the Breath Drop In”: The Story of Canada’s National Voice Intensive0
The Darkness (La Noirceur)0
Materialities0
Simple Acts of Obligation: Puppetry as Situated Scenography0
Looking for Dance in Canadian Theatre Review0
Last Conversations0
The Scarcity Mindset Has a Death Grip on Casting0
Tidelines and Riptides: A Shared Journey0
Outcast: Limits and Possibilities in Casting Black Performers in the Age of Granular Dramaturgy0
Glossary0
Puppets in Archives, Museums, and Your Hands: A Conversation with Puppetmongers0
Playing with the Past: Adapting a Historical Graphic Novel for the Puppet Stage0
Performing at Home in the Pandemic: Boca del Lupo’s Plays2Perform@Home Collection0
Beyond Liveness, the Living: Designing Decay at the 2022 Rhubarb Festival0
Encounters with Non/Living Beings: Puppet Artist Brad Brackenridge in Process and Performance0
Experimentations in Creative Journalistic Directions0
Finding Hope Within Disruption: Exploring Prairie-Based Theatre in 20400
Zooming In: The Privilege of Performing Home0
Introduction to The Crab Apple Tree ( Le Pommetier )0
Empathy and Engagement: A Sketch of Theatre Development in the Yukon0
All around Us: The Unfamiliar Familiar0
Five by Five: Big Questions for Past Editors0
Introduction: Casting Calls/Calls for Change0
Space, Time, and Reactivity: Designing Software for Online Theatre0
Tell Us When You’re Uncomfortable: An Anti-Colonial Poetic Script with Mosquito, Lisa, Knowing, Western, Caesarean, Written Word, Marion, Being, Medicine, Sarah, and Other Unruly Characters0
Co-Writing with Care: Ethics in/as Rehearsal0
Transformational Voice Work: Using Theatre-Based Vocal Practice to Support Gender-Diverse Voices0
Bold Moves0
Staying with More of the Trouble: Arts and Climate, Again and Always0
Introduction: Performance and Pathography0
Bridging Puppetry and Robotic Swarms with Poetry and Mimesis0
Accountability. Intervention. Community.: On the Making of a Two-Spirit Music Video for Pride Toronto Summer 20210
Making a CoMotion0
Reflecting from the Middle: Ethics within an Interactive Theatre Project Working for Social Equity0
Illness as Inspiration for Creating Theatre0
“How Could WeNotGo to Mosul?”: Empathy,Anagnorisis, and the Politics of Recognition inOrestes in Mosul0
Editorial: On Sustaining Attention and ‘Staying with the Trouble’0
Systemic Issues Need Not Apply: One Artist’s Journey of Existing in the Margins0
Editorial: The Politics of Performing House: Transnational Perspectives0
Unexpected Connections between International Studies and Theatre0
What I Think about When I Think about the Future0
Some Must Watch While Some Must Sleep: An Impromptu Text Thread0
Agitprop or a Bunch of Observations from a Leftist about Decolonization0
The Journey Back to Practical Magic0
The Funny Thing about Cancer0
b side0
Hīkoi—It Will be Solved by Walking0
“There Is No Such Thing as Colour-Blindness”: Artistic Directors on Culturally Specific Casting0
Lucky (An Excerpt)0
Ungrateful: A Manifesto for Black Freedom in the Face of White Generosity0
Living with/on the Land0
Sakartvelo: A Journey in Foreign Lands0
Creative Care: Editorial0
In the Land of Olives and Vines: A Conversation about Climate Justice as Political Resistance in Palestine0
Seeding the Future (This Is Not a Metaphor): Creative Acts of Public Gardening with Yarrow Collective0
On How to Live Well: Houses as Theatres of the Good Life in Mexico City0
“Transformation Is Imperative”: Play Selection and Casting at Theatre Training Institutions0
Built of Earth: The Casona and Vernacular Earthen Architecture in Oaxaca, Mexico0
The Future Is Disabled0
Editorial: Sustaining This Stage0
Clown, Care, and Community: A Conversation0
The Making of Otosan : Ambiguity, Interpretation, and the Poetics of Puppetry0
Performing Archives on the Road0
Mapu : How Shadow Puppetry Let Me inside of the Mapuche Cosmology0
“Letting My Body Take the Lead”: EDAM’s Peter Bingham on Choreographing with Parkinson’s0
Strings of Sustenance: Puppetry Arts and Indigenous Food Sovereignty0
“There is no such thing as a gay play”: Canadian Theatre Review and Gay Politics in the 1970s0
Where Does Sustainability Belong in the Creative Process?0
Experiments in Care as a Reciprocal Act0
Hourglasses and Hammers: A Reflection on Forty Years of Interculturalism in Canadian Theatre Review0
Looking for Dance in Canadian Theatre Review0
Summer Magic: Creating a Sense of Welcome Back to Performance0
Creation Practices in Participatory Performance0
A Hoarding of Memories: Conversations about Feminist Theatre and Its Documentation in Canada0
The Waves0
Ec(h)o-Location: The Story of My Voice as I Know It0
Voicing with Code in Public0
Redressing the Social Model of Disability: Autopathography, Performance, and the Material Body0
Holy Moly0
Performing in Public: Ethics of a Site-Specific Theatre Practice0
Perdre le nord/Losing the North0
Universal Child Care: A History0
Seeing Salome, Seeing Salome, Seeing Seeing: Atom Egoyan’s Salome at the Canadian Opera Company0
Editorial0
Ownership and Engagement in Performance Art: The Black Drum Signed Musical Theatre Case Study0
The Prophetic Place0
Performance Reflection – Chores as Art as Research as Performance; and Getting Others to Do Some of the Work0
Then/Now/Hear/Here: Futurefarmers at MacKinnon’s Brook, Nova Scotia0
Staging Grenfell: The Ethics of Representing Housing Crises in London0
Open Pit Theatre Opens Up about Creating in the North0
Celebrating the Casteliers Festival at Twenty0
Guesting and Hosting: Reflections on Care and Producing0
When in Quarantine: Bringing Theatre Home with Boca del Lupo0
Speak Durban Memory0
Ça a l’air synthétique bonjour hi0
Chapter 21—a Photo Diary: My Journey to Becoming0
Utilizing Extended Reality as a Pedagogical and Continuous Learning Tool for the Performing Arts0
The Artist and the Activist0
Rewriting Ourselves, Summoning Our Others0
New in Town: An Interview with Three Creators of a Cabaret for New Canadian Citizens0
In the World of Maamawi: Together through the Fire0
Land-Based and Embodied Performance Practice at the 2023 Bonavista Biennale0
A Grown-Up’s Guide to Flying0
A Speculative Manifesto: For the Future of Black Canadian Performance0
Staging Coyote’s Dream0
XR Techno-Friction0
Ministry of Mundane Mysteries0
Editorial: Ethics and Socially Engaged Theatre0
There’s Something in a Story: Retreating to Re-Treat0
Building Possible Worlds in the Arts Through Collective Imagination0
Festival Santiago a Mil0
Interactive Theatre, Advocacy, and the Pursuit of Freedom0
1939 Reflections on Adaptation, Indigenous Theatre, and Shakespeare’s Legacy0
Embrace0
Matriarchal Word Warriors in aPaddle Songfor E. Pauline Johnson Tekahionwake0
Funerally Yours: A Collective Re-Membering of Taking It to the Grave0
Walking and Walking About: Reflections on a Repurposed Tool0
A Negotiation of Collaborative Play: asses.masses0
TBD0
Gather (2021)0
Casting Blackface in Canada: Unmasking the History of ‘White and Black’ Minstrel Shows0
Humanized Machine, Dehumanized Us: Exploring the Creation of an AI-Collaborated Scene0
The Sounds of Rebellion: A Radionovela by and for Migrant Domestic Workers0
Alternate Reality Gaming: Mad and Crip Potentialities in Digital Storytelling0
Acts of Black Mothering0
On Uncomfortable Theatre and Cozy Revolution0
Making Space: A List Distilled from the Wisdom of Three Creative Placemakers0
The Theatre of the Oppressed in Tehran: Dilemma of Ethics and Engagement0
Mixed with Black: A Canadian Theatre Mixed-Race Manifesto0
Journalism Wanderlust: Crisscrossing Disciplines in Search of My Practice0
Alone Together0
Lost Together0
Continue without Disabling: Fifty Years of Disability Arts in Canadian Theatre Review0
Verbatim Voices: An Investigation of Housing and Development in Kingston0
Walking through Ruins: On Dereliction, Beauty, and Civic Love in a Dangerous Time0
If a Place Could Be Made: A Textile Response0
Participatory Political Violence: The Sensorial Toll of the Truckers’ Convoy0
Canadian Theatre Crossroads: Reaffirming Who We Are0
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