Neohelicon

Article	Citations
Media, genres, facts and truth: revisiting basic categories of narrative diversification	8
Lotman in the context of semiotic literary criticism: Introduction	5
Between writer and militant: Arab realism and the accidental	3
Introduction: The fifty-year history of Neohelicon, Acta Comparationis Litterarum Universarum, and beyond	3
Ephemerality in the digital world: Estonian case studies of digital literature and digital literary heritage projects	3
Metaphors of violence and survival: Primo Levi’s philosophy of chemistry	3
Camus, Roth, Covid-19: the dangers of forgetting	2
Metal cultures, ecocriticism, decolonization, and Tara June Winch’s The Yield	2
From Bildungsroman to historical fiction: the genre variation of the translation of Bronze and Sunflower	2
Paralipsis and intention(ality)	2
On ceremonial paintings by the Yao people (瑤族) and their acculturation from Taoist Shuilu paintings (道教水陆画)	2
The Habsburg monarchy in the long nineteenth century: new directions in censorship research	2
Contingency traps: the role of form in creative processes	2
Virgilio nel Purgatorio di Dante: poesia, politica e morale	2
AI Literature: the disenchantment of word and the enchantment of code	1
Jean-Philippe Toussaint et le taoïsme	1
The cognitive-pragmatic inference in literary translation: a comparative study of Mai Jia’s Jie Mi and its English version	1
Past present: Coal and Hard Times	1
Correction to: Robin Hood and resistance: the spatial ethics of “felaushyp” in A Lytell Gest of Robyn Hode	1
On literary meaning	1
Cosmopolitanism and cosmo-poethics: the cultural migrations of a ‘concept’	1
(Selbst-)Zerstörung der Schuld—Chance der Entschuld(ig)ung: Schuld und Schulden in der Lyrik von Attila József	1
Irony and sentiment in the literary field: Prešeren’s sonnets and the Slovenian alphabet-censorship war	1
Schema and adaptation: a cognitive comparative study of nostalgic themes in the works of Edith Wharton and Eileen Chang	1
Théories littéraires et indéfinition de la littérature : pour une ontologie moindre de la littérature	1

Correction to: Unnatural narrative: A cognitive analysis of parallel and circular structures in flash fiction	1
W. H. Auden’s syllabic poetics within the framework of world literature	1
The pause button on ecophobia: reflections on Pilgrim at Tinker Creek, fifty years in	1
Love and hope: affective labor and posthuman relations in Klara and The Sun	1
Introduction: Ephemerality in the digital age—creating, preserving, and sharing practices across media	1
“Monasteri neri”: letteratura ungherese e italiana e scrittura popolare nella Prima Guerra Mondiale	1
Historical fiction: From historical accuracy to prosthetic memory	1
Correction to: Nation and gender in The eclipse of the crescent moon	1
The implications of Maoist thoughts and the Chinese revolutionary praxis for a British New Left writer—Raymond Williams	1
Transcending the national: on worlding the peripheral literatures	1
Dreary useless centuries of happiness: Cordwainer Smith’s “Under Old Earth” as an ethical critique of our current Emotion AI goals	1
Power and poetics at work: rewriting Mark Twain’s “Cannibalism in the Cars” in Japan and China	1
Critical realism and romanticism: Kálmán Mikszáth in China	1
Time and humanity: anthropocene narratives in Liu Cixin’s The Wandering Earth	1
Masochism, literature, and aesthetic form	0
A comparative study of the body and power between Han Feizi and Michel Foucault	0
Landscape/mindscape/langscape: The ephemerality of the digital and of the real in Marlene Creates’s video-poems for ice and snow	0
Rerooting the core: Cold War anticommunism and North American Influence in Romanian postmodernism	0
Beyond challenging gender norms: empowering female characters in pseudotranslated story of late Qing China	0
The polyphonic principle in the novelistic thinking of Olga Tokarczuk	0
Climate change and migration	0
Adapting David Copperfield for children in China: examining the representation of Christian views	0
Contingencies of localization in literary theory	0
Verbal art across language and culture: poetry as music	0
Memory and identity in the context of Chinese Australian novels	0
Framing, rewriting, and reception in world literature: the case of Wolf Totem	0
Essential (mostly neglected) questions and answers about artificial intelligence	0
Wang Xiaobo: la libération sexuelle contre une société castratrice	0
Negotiating identity in the face of the canon: Murray Carlin and Derek Walcott’s use of metadrama in Shakespeare adaptations	0
Introduction to the special cluster “Never really far from us—epidemics and plagues in literature”	0
Winging it with Wittgenstein and Benjamin	0
World literature and the passion of self-defense: on the literary economies of German protectionism	0
Genre ambiguity and (ephemeral) digital epitexts: co-constructing Michael Chabon’s Moonglow	0
Norse burial practices and medieval fear of revenants in the myth of Ragnarök	0
Postmodern philosophy of history and reading its traces in postcolonial (re)writing	0
Intimacy and alienation: Mór Jókai in China	0
The shape of chance: what can stones tell us about artistic creativity and literary theory?	0
The birth of modern Chinese epics: Shi Tang and his Hero of the prairie	0
Sounds national: mediating the ballad in nineteenth-century Scotland and Transylvania	0
Agency in growing up in troubled times: re-presenting the Chinese Cultural Revolution in contemporary international youth literature	0
Rendering the unsayable: unnatural acts of narration in koan literature	0
Reading Julian of Norwich within the context of influence	0
The horror of censorship in fin-de-siècle Hungarian journalism	0
The tragic complexity of Purgatory	0
Fear of body and animality: Freak bodies and minds in Edward Gant’s amazing feats of loneliness	0
“No Place Like Home”: trauma and placelessness in Elizabeth Bowen’s The House in Paris	0
Communal Pleasure in Jean Rhys’s Fiction	0
Jelena Dimitrijević et Pierre Loti : l’Orient et l’Occident en contact	0
The ephemerae of digital literature	0
La lettura schellinghiana della Divina Commedia	0

Herstories in the 21st century	0
Habsburg censorship as a multilevel tool in the emergence of modern social subsystems, ca. 1800	0
Narrating the Holocaust: a focalization reading of Michael Chabon’s The Final Solution	0
The culture and politics of the trash and the trash pickers in Jia Pingwa’s Happy Dreams	0
József Szili (1929-2021)	0
Supernatural heroes and legal consciousness: reconsidering the legal discourse in The journey to the west	0
Literary translation during the Chinese Cultural Revolution	0
Youth solving pandemics: hopeful futures in Maths Claesson’s novel Pandemic	0
Défis et Enjeux d’une historiographie littéraire comparatiste: « Histoire comparée des littératures de langues européennes » et Neohelicon	0
‘By creating plot texts, man learnt to distinguish plots in life and thus to make sense of life’: a discussion of narratology in the work of Juri Lotman	0
Ephemeral identities, blurred geographies, and social media in twenty-first-century French fiction: a reading of Licorne by Nora Sandor and Un amour d’espion by Clément Bénech	0
Virtual museums: interpreting and recreating digital cultural content	0
Overpopulation and cognitive mapping of freedom: Jonathan Franzen’s Freedom	0
Les temporalités dans l’adaptation de L’Etranger par Visconti	0
When disease encounters precepts: healing narratives in the Further biographies of eminent monks (續高僧傳)	0
Secular criticism in Dystopia: Time, Space, and mobility in Boualem’s 2084 La Fin du Monde	0
Introduction to the special issue World literature and the strategies of nation-building	0
The rhetoric of literary fairy tales and their contextual receptions: a case study of “The Little Match Girl” and “The Happy Prince”	0
Orientalism and international relations: a case study of Sino-Vietnamese relations	0
Power imbalance in translaboration: a perspective from Chinese translation history	0
The dis/entanglements of knowledge: transversing matter, subjectivity and identity in VS Naipaul and Igshaan Adams	0
La responsabilité de l’écrivain antillais contemporain de l’exterieur	0
Correction to: Post-trump masculinity in popular romance novels	0
Queering the female writer in screen biofictions: Daphne (2007) and Shirley (2020)	0
The Roman and Viennese indices of prohibited books in Austrian and Bohemian lands under Maria Theresa	0
Alice’s adventures in China: the tourist gaze, the genre of travel writing, and the uncanny	0
Ezra Pound, Chinese culture and the variation theory	0
Censor’s scissors in Croatian literature: Shaping a(n) (inter)national community	0
Creating a national crime fiction through allegory translation: from Sherlock Holmes, the western detective to Relentless Avni, the turkish Sherlock Holmes	0
Strategies for transnational projection through international book fairs	0
Chinese farewell poetics in Ezra Pound’s “Taking Leave of a Friend”	0
Tracing ecophobia through bios/zoё dichotomy in Margaret Atwood’s Surfacing	0
From itinerary to map, with “urban villagers” in the Romanian novel. A literary cartography	0
The Gothic aesthetic in Edgar Allan Poe’s “The Fall of the House of Usher” and Thomas Hardy’s A Pair of Blue Eyes	0
L’arte di ogni tempo nel commento visivo di Tom Phillips all’Inferno dantesco	0
Deconstructing master narratives through cognitive games in Hanay Geiogamah’s Body Indian, Foghorn, and 49	0
On Beowulf and Ruodlieb: a folkloric context for Hrothgar’s Sermon	0
The time of data. theoretical thinking, statistical thinking	0
Enhancing translation reception through paratexts: An analysis of Bonnie McDougall’s translation of Mao Zedong’s “Talks at the Yan’an Conference on Literature and Art”	0
Between nation, post-empire, and world-literature	0
Metaphorical conceptualization of beauty in Donna Tartt’s The Secret History: translation perspectives	0
On metaphor of diseases in the classical Chinese novel Liaozhai Zhiyi	0
Confessional text in the light of Yuri Lotman’s semiotic research	0
On some aspects of the binary in the context of the ternary and the plural in Juri Lotman’s semiotics of literature	0
Hungarian writers in the interwar USA: the fiction of József Reményi and Áron Tamási	0
The mushrooms of the Nibelung: how Twitter-paratexts about Friedrich Hebbel’s staging at Rheinisches Landestheater Neuss deal with ephemera	0
The medieval Hero and anti-hero in one and the same person: Huon de Bordeaux deconstructive perspectives on medieval literature	0
Translation as subversion and subjugation: Sándor Petőfi’s “Liberty and Love” in China	0
Topography and mappability in Virgil’s underworld narrative	0
Tense present tense: Nathaniel Rich’s ambivalent temporal rut in Odds against tomorrow	0
Affective cyborgs and other artificial constructs in feminist science fiction: Sideshow and Six Moon Dance by Sheri Tepper	0
« La France est mon sort et ma destinée » : l’œuvre de l’écrivain, journaliste et traducteur André Adorján	0
Burning: silenced rage in Lee and Faulkner	0
Human emotions projected onto androids: a manifestation of internal crisis—human–android interactions in “The Sand-Man” by E.T.A. Hoffmann as example	0
Always needed, always hunted. Witches, female healthcare, and the need for a female history in Ami McKay’s The witches of New York	0
“Arrows are targeted at both the left and the right”: Han Shaogong’s intervention into contemporary Chinese intellectual debate	0
“Give me the blade. Some things are worth spilling blood for.” Madeline Miller’s Circe and the issue of claiming agency	0
Who is at the helm? Mary Wollstonecraft’s contribution to the romantic construct of the imagination	0
Terry Pratchett’s “China” in Interesting Times	0
The post-memory of the Armenian genocide and the myth of origins in Antonia Arslan’s works	0
A study of desires and emotions in Do Androids Dream of Electric Sheep?	0
The well-tempered jade flute: a Chinese turn in early twentieth-century European literature	0
Towards a theory of nonhuman narrative	0
“Christianity is an epidemic”: on Hölderlin and the plague	0
Une construction historique de l’identité nationale: l’image de la Hongrie dans les écrits autobiographiques de François II Rákóczi	0
Narrative theory across borders	0
Narratorless narratives	0
Tethered to the present: time and eco-crises	0
Venezia, i fratelli Zrínyi e la causa magiara: uno sguardo alla politica e alla letteratura ungherese della metà del XVII secolo	0
Patrick White and the agency of literary masks	0
Caribbean legacies and interspecies community: Nalo Hopkinson’s decolonial strategies in Midnight Robber	0
Post-Trump masculinity in popular romance novels	0
Italo Calvino’s Invisible cities as a postmodern parody of The travels of Marco Polo	0
“Writers like Pamuk”: (un)translatability and the unbearable lightness of pigeonholing an author	0
Two perceptions of childhood: Alexander Baron (1917-1999) and Howard Jacobson (1942-)	0
Contesting the man-eater animal(ity): changing paradigms of the colonial-colonised relationship	0
Future present: cli-fi’s representational challenge	0
Alterity and divergence: reflections on interculturality via Levinas and Jullien	0
Do you need foreknowledge about Bulgakov and Woland? Making Juliane Blank’s comics adaptation parameters more flexible	0
Betwixt and between: Liminality in the translation of Çalıkuşu	0

Between policing and literary criticism: Habsburg censorship of literature in Lombardy-Venetia	0
Images of Chinese in Australian nationalist literature	0
Correction to: Alice’s adventures in China: the tourist gaze, the genre of travel writing, and the uncanny	0
Robin Hood and resistance: the spatial ethics of “felaushyp” in A Lytell Gest of Robyn Hode	0
Towards a hermeneutics of the postmodern transnational space: the case of contemporary Australian literature	0
On human expendability: AI takeover in Clarke’s Odyssey and Stross’s Accelerando	0
A generic mystery: Laura Purcell’s The shape of darkness	0
Unnatural narrative: A cognitive analysis of parallel and circular structures in flash fiction	0
Adventure and contingency in literary theory	0
Le double entre fantastique et folie : Dostoïevski, Nabokov et le cinéma contemporain	0
Post-global and post-digital children’s literature: some users’ legitimation strategies on the Net	0
Negotiation between social structure and personal feelings—An inquiry into the covert progressions in Ian McEwan’s Machines like me	0
“Men separate from women and domesticity”: empire builders, coolie laborers, and the imperialist economy in Joseph Conrad’s “Typhoon”	0
L’Europe des Lumières et les colloques de Mátrafüred	0
Literary theory between contingency and contiguity: Yakov Druskin’s “Law of Heterogeneity”	0
The English-language literary translations of Mihály Babits	0
From rivers to roads: the depiction of the Chinese revolution in East German documentaries	0
Lotman’s semiotics of literature in terms of “space as language”	0
Falling in love with machine: emotive potentials between human and robots in science fiction and reality	0
The Chinese Caribbean diaspora and performative subjectivity in Jan Lowe Shinebourne’s The Last Ship	0
Interfaith marriage goes wrong: Belle Kendrick Abbott’s Leah Mordecai	0
Epic traditions in Balkan world literature	0
Art, politics and identity in de Staël’s Corinne ou l’Italie	0
Distressing sons, anxious fathers and worries about the empire in Charles Dickens’s Dombey and Son	0
“Apotheosis of Poesy”: The blue flower as a Romantic theory of the novel	0
Dialecticizing realism: aesthetics, forms, and the European bildungsroman	0
Debatable genre: comparative poetics in the wild animal stories of Ernest Thompson Seton and Shixi Shen	0
“You are the spawn of Cain!” Grendel’s mother’s literary appropriations	0
Interconnecting public interests with private concerns: biopolitics, female bodies, and guilt in Mo Yan’s Frog and Zola’s fruitfulness	0
La traduction pour la recherche en sinologie : le cas des titres traduits dans Le Siècle des Youên	0
Representations of Istanbul at the intersection of modern Turkish literature and world literature	0
Neohelicon 50: editorial	0
Representing stream of consciousness in comics: definition and categorization	0
Remembering and forgetting in Sara Collins’ The confessions of Frannie Langton	0
Autism, representation and culture in Mark Haddon’s The Curious Incident of the Dog in the Night-Time and Yonghong Hu’s My Running Shadow	0
The rhetoric of factuality and fictionality in Julian Barnes’s the noise of Time and the Man in the Red Coat	0
Endangered at birth: from Paul the Deacon’s Lamissio to Agnellus of Ravenna’s Aistulf	0
Electronic literary creation: dialogues through cultural recycling	0
Evolutionary emotion of AI and subjectivity construction in The Windup Girl	0
Anatomy of the “deathly silence”: Slovenian newspapers in Carniola and the pre-March censorship	0
Une Étude critique de Madame la présidente de Fatou Fanny-Cissé	0
AI emotion in science fiction: An introduction	0
Détonnants voyageurs	0
From sacred geometry to an old man: on the figure of the Father in Dante’s Divine Comedy and in Michelangelo’s Sistine Chapel	0
AIDS and its representation in the works of William S. Burroughs	0
Point of view in Alice Munro's “Runaway”: A cognitive study	0
Pushkin’s Tatiana, read through Shakespeare and Lotman	0
Aristotle’s influence in Dante’s works	0
Storytelling for a republic of childhood: rebranding China’s national images in children’s literature	0
Motion from a fixed point: third-person reference in The education of Henry Adams	0
Worlding in Georgi Gospodinov’s There, where we are not	0
Introduction: theorizing chance, or—How does literary theory deal with contingency?	0
The art of narrative deferral: Madani’s L’histoire peut attendre	0