OOIR: Observatory of International Research

Papers

(The TQCC of Studies in Canadian Literature-Etudes en Litterature Canadienne is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-10-01 to 2025-10-01.)

Article	Citations
Visualizing the Canada-US Border: Comic Adaptations of Wayde Compton’s “The Blue Road” and Thomas King’s “Borders”	5
Negotiating Chinese Canadian Masculinity: Fred Wah’s Diamond Grill	2
Anticipating “What the World Is Waiting For”: Interrogating the Entrepreneurial Spirit in Lisa Moore’s Flannery	2
Trauma and the Ethics of Literary Culture in the Time of Pandemic: Emily St. John Mandel’s Station Eleven and Saleema Nawaz’s Songs for the End of the World	1
Called to Relationship and Reckoning through Story: Reflections on Reading, Teaching, and Writing about Residential School Literatures	1
Queer Bodies	1
Notes on Contributors	1
Indigenous Practices and Performances of Mobility as Resistance and Resurgence	1
Three Riots: A Biotext for Watts, Rodney King, and George Floyd	1
The Sound of a Silenced Letter: Souvankham Thammavongsa and the Kinetic Archive	1
“But How, How to Exist and Not to Belong?”: Hybridity and Trauma in Rawi Hage’s Cockroach	1
Rethinking Liveness through the Digital Real: The Virtual as a Performance Venue in Empirical Theatre Research	1
Notes on Contributors	1
Queer Parenting and the Challenge to Queer Theory	1
“Merely an Independent Public Man”: Joseph Howe’s Public Works	1
Trinidadian/Canadian Food and the Fiction of Belonging in David Chariandy’s Brother	0
Written on the Body: Personal Monumentalization in the Work of David Chariandy and Tessa McWatt	0
Speculative Health Futures: Contemporary Canadian Health Policies and the Planetary Health Commons in Larissa Lai’s The Tiger Flu	0
Two Poems: Dancing with Creation & A Call for Love	0
Anna Minerva Henderson’s Citadel and Gloria Ann Wesley’s To My Someday Child: A Close Reading of Two Maritime Voices	0
Staging Strategies in Canadian Drama and Performing Arts: Where Have We Been and Where Are We Going?	0
Past, Present, and Future Ruptures to the Commons	0
Notes on Contributors	0
Revisionist Narratology in Ruth Ozeki’s A Tale for the Time Being	0
Notes on Contributors	0

Documentary Ethics, Para-Judicial Fantasies, and the Transgressive Desires of Lynn Crosbie’s Paul’s Case	0
“Walking Backwards”: From Truth to Reconciliation	0
Telling Tales: The True Story of The Handmaid’s Tale	0
Mobilizing Affect and Intellect in Erotic Citizenship: or, The Becoming Lover of Erín Moure’s Citizen Trilogy	0
Performing Complaint in Contemporary Canadian Academic Drama	0
Not Who to Blame but in Whose Name	0
Igniting Conciliation and Counting Coup as Redress: Red Reasoning in Tailfeathers, Johnson, and Lindberg	0
Not Yet Alone: Axes of Exclusion in Wayson Choy’s Not Yet: A Memoir of Living and Almost Dying	0
To Carry Pain, to Heal through Ceremony: Indigenous Women’s Standpoint in Indigenous Australian and Canadian Literatures	0
Doubling Back on the Spectre: The Textual Ruptures and Deconstructive Trajectories of Earle Birney’s Revisions to “Can.Lit.”	0
Hugh MacLennan and the Two Solitudes of Hockey	0
Anishinaabemowin in Indianland, The Marrow Thieves, and Crow Winter as a Key to Cultural and Political Resurgence	0
Gun Island and Blaze Island: Improbability, Risk, and Eco-Cosmopolitanism in Two Recent Climate-Change Novels	0
« Ce que tu dois savoir, Julie »	0
Bringing Stories to the Screen and “Out of Silence”: An Interview with Hannah Moscovitch	0
Radical Solidarities in Mercedes Eng’s Hybrid Poetics	0
“To Have a Body / Is a Cruel Joke”: The T.E. Lawrence Poems and Gwendolyn MacEwen’s Shameful Subversion of Cultural Singularity	0
Representing the Refugee Body: Liminality, Precarity, and Alterity in Ahmad Meree’s Suitcase/Adrenaline	0
“And I May Mutate into a Matriarch”: Aging, Crisis, and Speculative Fiction in Margaret Laurence’s The Fire-Dwellers	0
Ice Cod Bell or Stone: Poetry, Canon, Memory	0
Literary Creative Practices as Sites of Redress	0
Naissance et légitimation de la poésie vocale et des chansonniers	0
Pathogen Textures	0
Spin the Tale Inside: Opacity and Respectful Distance in Lee Maracle’s Celia’s Song	0
Reimagining the American Road Trip in Nicole Brossard’s Le désert mauve	0
“Forget What Disney Tells You”: Redressing Popular Culture in Elle-Máijá Tailfeathers’ A Red Girl’s Reasoning	0
“And Whom We Have Become”: Indigenous Women’s Narratives of Redress in Quebec	0
Ruptured Relationships in a Patriarchal Commons: Mother-Daughter Conflict in Priscila Uppal’s Projection: Encounters with My Runaway Mother	0
Wittgenstein’s Dreamer: Skepticism in John Mighton’s Possible Worlds	0
En attente d’identification : applications de rencontre, identité-écran et hétérosomie queer	0
“A book doesn’t need to stand up like a body does”: A Conversation with D.M. Bradford	0
Richesse et pauvreté des portraits de Seth en postures de fan	0
Come Together: Oral Sex as Oral History in Gregory Scofield’s Love Medicine and One Song	0
“Not Longer than Mine”: Anxious Unbelonging in Margaret Laurence’s The Diviners	0
The Weight of Queerness: Reflections on a Digital Storytelling Project	0
“Not Everybody Who’s Peculiar Is Insane”: The Lavender Scare in Girl in the Goldfish Bowl	0
Parodies of Manhood Bent: Ann-Marie MacDonald’s Queer Verona	0
Notes on Contributors	0
Tsawalk: Rupturing Canada’s First World War Origin Story in Redpatch	0
Becoming Fish: Settler Deeds, Salmon Resistance, and Multi-Species Accords in Gail Anderson-Dargatz’s The Spawning Grounds	0
Crossing Lines, Crossing Borders: The Translator’s Role in Subverting Power Structures in Naghmeh Samini’s The Child	0
Eating Cake, Staying Quiet: The Rupture of Many Selves in Shyam Selvadurai’s The Hungry Ghosts	0
“Somehow, a City”: Unsettling Urban Resilience Narratives	0
Notes on Contributors	0
The Work of Reading Sachiko Murakami’s Rebuild: Situating Community-Engaged Learning in the Classroom	0
Reading Poetry and Its Paratexts for Evidence of Fair Dealing	0
Les trois exils de Christian E. ou l’hybridation conte-théâtre dans le monologue acadien	0
Public Health Disruptions in Susanna Moodie’s Roughing It in the Bush and Catharine Parr Traill’s The Backwoods of Canada	0
Struggling toward Identity in George Elliott Clarke’s The Motorcyclist	0
Performing Virtual Intimacy in Landline	0

“We are the living archive”: An Interview with El Jones on Abolition and Writing	0
“Wanting Justice . . . Wanting Answers . . . Wanting Change”: Staging Multiple and Diverse Identities in Canadian Theatre for Young Audiences	0
The Gothic Genre and Indigenous Fiction: A Reading of Eden Robinson’s Monkey Beach and Patricia Grace’s Baby No-Eyes	0
Finding a Place for the Subject: Rethinking Place in Early to Modern Canadian Criticism	0
Petrocolonialism, Ecosickness, and Toxic Politics in David Huebert’s “Chemical Valley” Stories	0
Duppy Kno Who Fi Frighten	0
Silenced Resilience: Models of Survival in David Chariandy’s Brother	0
Virtuality and Actuality in Janet Cardiff’s Solo and Collaborative Walking Tours with George Bures Miller	0
Counter-Memorial Documentary and Kincentric Honouring Practices in Marie Clements’s The Unnatural and Accidental Women	0
“i am / virus to the system”: Indigiqueer Abjection and the Queering of Language in Joshua Whitehead’s full-metal indigiqueer and Jonny Appleseed	0
A.B. Walker’s Neith (1903-04) and the Aesthetic Grammars of Black Modernism in Canada	0
“Just Shut Up, You; and Listen”: Cherie Dimaline’s Empire of Wild and the Echoes of Oral Storytelling in Indigenous Audiobooks	0
Understanding David Eastham’s Neuroqueerness	0
Untitled	0
Indigenous Refusal and Settler Complicity: Listening Positionality and Critical Reorientations in Helen Knott’s In My Own Moccasins: A Memoir of Resilience	0
Resurgence of Land-Based Pedagogy in Yvette Nolan’s The Unplugging	0
Scottishness, Humour, and the Aesthetics of Settler Colonialism in Thomas Chandler Haliburton’s The Clockmaker	0
Finding Indigenous Place in Colonial Space: Place-Based Redress in Leanne Simpson’s This Accident of Being Lost	0
Decolonial Poetics and Trans-Subjective Lyric: Jordan Abel’s Un/Inhabited and Injun	0
Habiter le territoire exproprié de Kouchibouguac : étude géopoétique d’Infini de Jean Babineau	0
Descent of the Human: Racialized Animality, Queer Intimacy, and Evolutionary Theory in Larissa Lai’s Salt Fish Girl	0
Penser les relations éthiques dans et avec la littérature des pensionnats : réflexions autour du roman Le vent en parle encore de Michel Jean	0
“Sovereign Storytellers, Sovereign Space”: A Conversation about Indigenous Theatre with Kevin Loring	0
Passing Black Indigeneity: The Forces of Authenticity and Affect in Lawrence Hill’s Black Berry, Sweet Juice	0
Vincent Brault — un auteur québécois à découvrir	0
A Word with an Edge	0
Putting Black Lives Matter into Canadian Literary Studies	0
Le conflit des souverainetés linguistiques au Québec	0
The White Caribou in the Surgical Theatre: Intersex and Whiteness in Kathleen Winter’s Annabel	0