OOIR: Observatory of International Research

Papers

(The median citation count of Revue Francaise d'Etudes Americaines is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-06-01 to 2026-06-01.)

Article	Citations
A Tangent to this Sphere	10
Anticolonialism in the Era of the American Revolution. An Essay Contest at the Académie de Lyon in the 1780s	1
Hélène Quanquin	1
Dire et traduire l’identité noire en France et aux États-Unis : questions raciales, enjeux linguistiques, perspectives scientifiques	1
Robert D. Richardson	1
Intertextuality and Doubles in Two Black Bohemian Novels of the Harlem Renaissance	1
The West in Construction: Texas and Indian Territory at the Vanguard of American Imperial Expansion	1
For the Writing of Books: Paul Auster’s Report from the Interior	1
Bénédicte Deschamps	1
Anatomie d’une alliance improbable : la première Coalition Arc-en-ciel de Chicago ou comment redéfinir la solidarité interraciale radicale (1968-1976)	1
Traduire les références à la couleur noire dans le doublage de The Fresh Prince of Bel-Air	1
“This Spirit of Persecution Was the Cause of Our Convention”: the National Colored Conventions of the 1830s as an Early Movement for Black Civil Rights	0
Déconstruction du droit et à-venir de la justice dans « Benito Cereno » de Herman Melville : à propos de la déposition d’Amasa Delano	0
« Where are the names of our illustrious ones? » . La construction d’un panthéon africain-américain, années 1820-guerre de Sécession	0
Three Volumes from the “ To ” Poetry Series	0
Christen Bryson, Anne Légier, Amélie Ribieras, eds, Womanhoods and Equality in the United States: 20-21 st Century Perspectives , New York: Routledge, 2024, 242 p.	0
Four Founding Fathers on the Road: New Government Design in the United States and the Netherlands, 1776-1815	0
Humanoïdes Associés, Le Sagittaire, and the Race to Publish Charles Bukowski in France in 1977-1978	0
“Over There”: Making Sense of America’s Partial View of the Second World War. An Interview With Stephen Bourque	0
Nude Descending a Staircase at the National Endowment for the Arts: A Legal Anatomy of Karen Finley’s Constitutional Challenge	0
The Front Line in American War Literature	0
Oaths and Anti-Masonry in the Early American Republic	0
Earth and Heaven in American Poetry: An Essay in Astrocriticism	0
The Promise of a Personal Relevance: an Interview with Beth Blum	0
Lionel Larré, ed.	0

“On Performing Burlesque and Nakedness”: An Interview with Lefty Lucy, New York City, April 30th, 2021	0
Chloé Thomas	0
Les systèmes de parcs américains à l’Exposition universelle de Paris de 1900	0
Thinking Architecture in the United States: An Introduction	0
“Stop The War, I Want to Get Out”: DC Comics’ Sgt Rock and Complicating Images of America’s Second World War	0
Marco Malvestio	0
Nicholas Manning	0
« Signifier » les voix souterraines : expérimentations intertextuelles et intermédiales dans les sous-sols de Richard Wright, Ralph Ellison, Richard Saunders et Gordon Parks	0
Jess A. Goldberg, Abolition Time: Grammars of Law, Poetics of Justice , Minneapolis and London: University of Minnesota Press, 2024, 270 p.	0
Beyond Sex: Expanding Uses of Nudity in Twenty-First Century American Theatre	0
Can You Sell an Intersectional Narrative in the Early 2010s? The Case of Dee Rees’s Pariah (2011)	0
Introduction	0
De lecteur à performeur : réflexions méthodologiques pour une enquête sur la lecture à voix haute de poésies plurilingues nord-américaines	0
Entre fonction et symbole : Lewis Mumford, penseur de l’architecture	0
Pauline Peretz	0
Robert D. Richardson	0
Nakedness: the Empty Signifier of Contemporary Bodies in Performance?	0
Lines of Erasure: How the Survey of William Penn’s Settlement Design Redefined Lenape Sovereignty in the Delaware Valley	0
The Latin Lover Narrator as Cultural Mediator in Jane the Virgin	0
Odes to the Revolution: Alfieri’s L’America libera	0
Intersectionality in the Galactic Empire: Foundation and the Politics of “Woke” Sci-Fi	0
Anne Crémieux	0
« To redpill a normie » : les stratégies de communication de l’ alt-right et la voix politique d’extrême droite sur Internet	0
Lara Langer Cohen	0
La philosophie pragmatiste à l’épreuve de l’espace architectural urbain : de John Dewey au Frank Lloyd Wright de Broadacre City	0
(Ré-)incarner la souffrance de l’autre : la circulation intermédiale de l’image-choc The Scourged Back , de la photographie au podcast S-Town	0
Olivier Burtin	0
“Disclosing Burlesque: On the Possibilities of Satire and the (Fe)Male Gaze in Chicago (1926, 1975, 2002)”	0
Materiality Without Matter in The Wings of the Dove	0
Incursions dans la Post-Amérique	0
Reading Cather Backward: In Search of a Nonhuman Post-America	0
Untitled Feminist Show : Nudity as Fluidity	0
L’exil du Black Panther Party à Alger (1969-1972) : l’idéal révolutionnaire à l’épreuve de ses limites	0
Michaël Roy	0
“People Who Don’t Drink Wilkins Coffee Just Blow up Sometimes”: Advertising Power and Puppet Punishment in Jim Henson’s Commercials	0
Three Volumes from the “ To ” Poetry Series	0
Frustrations individuelles et collectives dans In the House in the Dark of the Woods , de Laird Hunt : l’écriture réparatrice ?	0
Marie-Jeanne Rossignol	0
Nude Descending a Staircase at the National Endowment for the Arts: A Legal Anatomy of Karen Finley’s Constitutional Challenge	0
À contre-voix : résonances de la note dans Annotations (1995) de John Keene et Ordinary Notes (2023) de Christina Sharpe	0
Leigh Claire La Berge	0
“People Who Don’t Drink Wilkins Coffee Just Blow up Sometimes”: Advertising Power and Puppet Punishment in Jim Henson’s Commercials	0
Hervé Mayer and David Roche (eds).	0
Practical Feminist Politics in Minx (HBO, Starz, 2022-2023): Mainstreaming the Roots of Intersectionality in TV Series	0
Confronting the “Good War”: The Policies of the Radical Left in the United States	0
Une dignité majuscule ? Nomination de soi et luttes symboliques dans l’histoire africaine-américaine	0
“The fear that the experiment in freedom may fail”: an Interview with John Lauritz Larson	0
Paolo Pitari, The Problem of Free Will in David Foster Wallace , London: Routledge, 2024, 286 p.	0
Yasna Bozhkova	0
Arielle Zibrak, Writing Against Reform: Aesthetic Realism in the Progressive Era , Amherst: University of Massachusetts Press, 2024, 280 p.	0

“Infinite Subdued Vexation”: Love, Agency, and Frustration in Melville’s Pierre; or the Ambiguities	0
“On Performing Burlesque and Nakedness”: An Interview with Lefty Lucy, New York City, April 30th, 2021	0
Cody Marrs	0
Énonciation des pronoms et subjectivités militantes dans l’activisme étatsunien contemporain	0
Le postféminisme et la dépolitisation néolibérale de l’identité : d’un féminisme collectif à la célébration de l’individualisme ?	0
Claude McKay and Early Jazz, from “The Negro Dancers” to Home to Harlem (1919-1928)	0
Kelly Ross	0
“Don’t Take the Bait:” The Role of Marshals in the Regulation of New York City Protests	0
A Contested Legacy: The Memory of World War II in the United States	0
Dana Luciano, How the Earth Feels: Geological Fantasy in the Nineteenth-Century United States , Durham: Duke University Press, 2024, 242 pages	0
“Showing Her Ass Off in Her Iron Cage”: Dis(-re-)membering the Black Female Body in Suzan-Lori Parks’s Venus	0
“I, too, dislike it”: Ben Lerner’s Poetic Filiation with Marianne Moore	0
“resonant / beyond escape”: Adrienne Rich’s Fugitive Voice	0
« Text-paintings », « book-paintings » et « code poems » : repenser l’histoire de la confiscation de l’écrit chez trois artistes africains américains, Glenn Ligon, Theaster Gates et Adam Pendleton	0
Lines of Erasure: How the Survey of William Penn’s Settlement Design Redefined Lenape Sovereignty in the Delaware Valley	0
Empowering to Better Crush Martha Mitchell: Gaslit (StarzPlay, 2022), a Revisionist Take on Watergate	0
The Case of Scotland in the Constitutional Debate on the American Colonies: Benjamin Franklin’s and Adam Smith’s Visions of Empire (1754-1776)	0
Paroles des sans-voix et silences des pères : traduire Abundance de Jakob Guanzon	0
François Doppler-Speranza	0
A Tangent to this Sphere	0
“Infinite Subdued Vexation”: Love, Agency, and Frustration in Melville’s Pierre; or the Ambiguities	0
“resonant / beyond escape”: Adrienne Rich’s Fugitive Voice	0
“According to Family Legend”: 4 3 2 1 ’s Overture	0
Mainstreaming Intersectionality in Contemporary Cinema and Television	0
Les défis des alliances interraciales aux États-Unis du XIX e au XX e siècle	0
« Caractéristiques de l’expression nègre » : traduire la langue de Zora Neale Hurston	0
Metafiction and Empowerment in Post-Network Television: the Case of GLOW (Netflix, 2017-2019)	0
Beyond the Frontier Line: the Deported Southeastern Indigenous Nations as “Civilizers” of the Great Plains	0
Intimacies of Resistance: Black-Jewish Marriages in the Civil Rights Movement	0
Ben Bascom, Feeling Singular: Queer Masculinities in the Early United States , New York: Oxford University Press, 2024, 280 p.	0
Thomas Constantinesco	0
“Showing Her Ass Off in Her Iron Cage”: Dis(-re-)membering the Black Female Body in Suzan-Lori Parks’s Venus	0
To Give a Language: A Study of Storytelling in Colson Whitehead’s The Nickel Boys	0
Victor Gruen, architecte de l’environnement ?	0
How Can a White Man Sound Black? The Racialization of the Voices of Black Music Disc Jockeys in the U.S. (1950s-1960s)	0
Facing Two Revolutions: Contemporaneous German Public Opinions of the American and French Revolutions	0
The Case of Scotland in the Constitutional Debate on the American Colonies: Benjamin Franklin’s and Adam Smith’s Visions of Empire (1754-1776)	0
Moses Roper, Josiah Henson, Deux récits d’esclaves fugitifs . Traduction, introduction et notes de Simone Chambon, Claire Parfait et Michaël Roy. Mont-Saint-Aignan, Presses universitaires de Rouen et	0
Stéphane Vanderhaeghe	0
Yohanna Alimi-Levy	0
Chant for Siri Chant for Paul	0
Adam Kelly, New Sincerity. American Fiction in the Neoliberal Age , Stanford: Stanford University Press, 2024, 386 p.	0
Home Front Lines: The Telegraphic Ballistics of Emily Dickinson’s Civil War Poetry	0
Holland Dames : la place des femmes dans la fabrique des origines néerlandaises de New York au XIX e siècle	0
Frustrating Facts: Susan Howe’s Special View of History	0
Réception et traduction de l’œuvre de Paul Auster en France	0
L’autorité en question dans The Gold Bug Variations de Richard Powers	0
“The fear that the experiment in freedom may fail”: an Interview with John Lauritz Larson	0
Olivier Zunz	0
Countercultural Environmentalism and Indigenous Religions in the Long Sixties: Empowerment and Appropriation	0
Oaths and Anti-Masonry in the Early American Republic	0
“This Spirit of Persecution Was the Cause of Our Convention”: the National Colored Conventions of the 1830s as an Early Movement for Black Civil Rights	0
« Hoʻoulu Lāhui » : alliances et indigénéité à Hawai`i, 1792-1850	0
« There is a sound and alteration » : musicalité, mécanisation sonore et silence dans Adam & Eve & The City (1936) de William Carlos Williams	0
Laurence Cossu-Beaumont	0
Daniel Cirera, Guy Groux et Mark Kesselman (dir.)	0
Leigh Claire La Berge	0
Home Front Lines: The Telegraphic Ballistics of Emily Dickinson’s Civil War Poetry	0
From Democratic to Restless America 1815-1860: A Paradigm Shift	0
Beyond Sex: Expanding Uses of Nudity in Twenty-First Century American Theatre	0
La Frustration	0
Concrete Ecologies: Brutalist Architecture in the United States	0
A Contested Legacy: The Memory of World War II in the United States	0
“Don’t Take the Bait:” The Role of Marshals in the Regulation of New York City Protests	0
“It Would Take a lot of Wisdom to Say ‘Go slow’”: Faulkner’s Public Sights on Race, the American Press and the Response of the Civil Rights Movement	0
Confronting the “Good War”: The Policies of the Radical Left in the United States	0
Écouter, composer et jouer de la old-time music : pratiques musicales ordinaires et marchandisation de la musique (États-Unis, 1930-1940)	0
Frustrating Facts: Susan Howe’s Special View of History	0
Nudity in Digital Performance: Reappraising the Early Online Works of Annie Sprinkle and Frank Moore	0
The Dharma Gaze of Poet Anne Waldman: an Interview on the Founding of Naropa University and its “Infrastructure Poetics”	0
“Vatic Lips”: Opening (in) Auster’s Poems	0
Noëlle Cuny and Xavier Kalck (eds.)	0
Jesse McCarthy, The Blue Period: Black Writing in the Early Cold War , Chicago: University of Chicago Press, 2024, 298 pages	0
Bare Broadway Bodies: How Nudity Brought the Gay Community and Broadway Cheek to Cheek	0
The Invention of Solitude: Before the Beginning, After the End	0
What About Juvenile Delinquency? (1955)	0
“These are the last things, she wrote”: Paul Auster’s In the Country of Last Things , Metalepsis and the Problem of Witness	0
“We have to be open to the future”	0
Finding Photographic Recognition in the City: The Chicagoland-in-Pictures Amateur Historical Photography Project	0
A Life of Making Sentences: Paul Auster’s Baumgartner	0

The Dharma Gaze of Poet Anne Waldman: an Interview on the Founding of Naropa University and its “Infrastructure Poetics”	0
L’intersectionnalité au scalpel : interroger les discriminations croisées dans les séries médicales mainstream	0
Marjolaine Boutet	0
Framing Ruins: Impermanence and American Cultural Narratives	0
Introduction	0
The Promise of a Personal Relevance: an Interview with Beth Blum	0
“Over There”: Making Sense of America’s Partial View of the Second World War. An Interview With Stephen Bourque	0
Straight Lines and Deviating Paths in Lydia Maria Child’s Hobomok; A Tale of Early Times (1824)	0
From Democratic to Restless America 1815-1860: A Paradigm Shift	0
Xavier Kalck	0
Pilar Martínez Benedí and Ralph James Savarese	0
Témoignages pour l’autre et autorités en partage, dans Brother, I’m Dying (2007) d’Edwidge Danticat	0
“Stop The War, I Want to Get Out”: DC Comics’ Sgt Rock and Complicating Images of America’s Second World War	0
“Disclosing Burlesque: On the Possibilities of Satire and the (Fe)Male Gaze in Chicago (1926, 1975, 2002)”	0
Xavier Kalck	0
Pouvoir / Empouvoirement : prises de pouvoir politiques et esthétiques aux États-Unis	0
Ezra Pound’s Negative Canon: The Worst Great Poets	0
Nicholas Manning	0
Countercultural Environmentalism and Indigenous Religions in the Long Sixties: Empowerment and Appropriation	0
Approaching the Contours of an American [Man] of Letters : William Gilmore Simms (1806-1870)	0
Noëlle Cuny and Xavier Kalck (eds.)	0
Vincent Broqua	0
Resistance under the Influence? “Subliminal Rebellion” in My Year of Rest and Relaxation by Ottessa Moshfegh	0
Paolo Pitari, The Problem of Free Will in David Foster Wallace , London: Routledge, 2024, 286 p.	0
A New Beginning or the End of Everything? War in Paul Auster’s Man in the Dark	0
Olivier Zunz	0
Subversions : Jazz , revue d’exil grivoise (Paris, 1924-1927)	0
Claire Cazajous-Augé	0
Alexis de Tocqueville dans le « désert » : la poursuite infructueuse de l’Indien « authentique » dans l’Amérique jacksonienne	0
Sylvie Bauer, Nawelle Lechevalier-Bekadar et Florian Tréguer, dir.	0
Intertextuality and Doubles in Two Black Bohemian Novels of the Harlem Renaissance	0
Lign(é)es de chasseurs dans Goat Mountain de David Vann	0
The South, the Nation, and Regional Identity in New England’s Federalists’ Writings: Jedidiah Morse’s American Geographies	0
Nakedness: the Empty Signifier of Contemporary Bodies in Performance?	0
Denis Lacorne, De la race en Amérique , Paris : Gallimard, 2025, 223 p.	0
Luke Stewart, ed.	0
“I, too, dislike it”: Ben Lerner’s Poetic Filiation with Marianne Moore	0
American Heroes: Moon Palace , Invisible , and Growing up in Historical Time	0
L’art de la ligne dans As I Lay Dying de William Faulkner : une esthétique de la turbulence	0
Comment rendre les sens du “ N-word ” ? L’exemple de la traduction française de A Time To Kill de John Grisham	0
Peter Charles Hoffer, The Brave New World: A History of Early America (third edition) , Baltimore: Johns Hopkins UP, 2023, 616 p.	0
Hyperbole historique : l’Histoire mobilisée dans le débat sur les armes nucléaires au Texas pendant les années 1980	0
Framing Ruins: Impermanence and American Cultural Narratives	0
Daniel G. Williams, ed., The Werner Sollors Reader: Ethnicity, Cosmopolitanism, and Particularism , Edinburgh: Edinburgh University Press, 2025, 480 p.	0
Émeline Jouve, Un siècle d’avant-garde. Essai sur le théâtre étasunien , Montpellier : Éditions Deuxième Époque, 2025, 152 p.	0
Stephen E. Ambrose, Patriot and Historian	0
“It’s Called Intersectionality, Bitch” Reboot Politics in Queer as Folk (Peacock, 2022)	0
Thinking Architecture in the United States: An Introduction	0
Scott Fitzgerald « dernière manière » : inachèvement, fragmentation, et mélange des genres dans Le Dernier Nabab	0
Untitled Feminist Show : Nudity as Fluidity	0
Comment dire « blackness » en français ? Construire l’identité noire entre l’hexagone, la Martinique et les États-Unis	0
To Give a Language: A Study of Storytelling in Colson Whitehead’s The Nickel Boys	0
Facing Two Revolutions: Contemporaneous German Public Opinions of the American and French Revolutions	0
Anticolonialism in the Era of the American Revolution. An Essay Contest at the Académie de Lyon in the 1780s	0
Légitimité, autorité, canons : perspectives sur la construction d’une identité étasunienne	0
Nawelle Lechevalier-Bekadar	0
Pilar Martínez Benedí & Ralph James Savarese	0
Jean Kempf	0
“The Most Important Sentence in a Book is the First Sentence”	0
The West in Construction: Texas and Indian Territory at the Vanguard of American Imperial Expansion	0
William Sites	0
Une mise en musique de l’urgence et du nihilisme : la naissance du punk hardcore américain	0
Denijal Jegić	0
Le lyrisme ténébreux de Jesmyn Ward dans Let Us Descend (2023)	0
Metafiction and Empowerment in Post-Network Television: the Case of GLOW (Netflix, 2017-2019)	0
Florian Tréguer	0
Emmanuelle Delanoë-Brun	0
Une Panthère à la conquête du pouvoir : Larry Little, le mouvement noir et l’empouvoirement par les urnes à Winston-Salem en Caroline du Nord (1969-1985)	0
Nudity in Digital Performance: Reappraising the Early Online Works of Annie Sprinkle and Frank Moore	0
Concrete Ecologies: Brutalist Architecture in the United States	0
Was it a Good War? Film, Memoir, and the Memory of the American Strategic Bombing Campaign	0
The Front Line in American War Literature	0
An independent state encircled in the American Union. Ambition et ambiguïté du Kentucky post-révolutionnaire	0
Odes to the Revolution: Alfieri’s L’America libera	0
Beyond the Frontier Line: the Deported Southeastern Indigenous Nations as “Civilizers” of the Great Plains	0
Architecture and/as Hospitality: Thoreau and Adorno	0
Christen Bryson, Anne Légier, Amélie Ribieras, eds, Womanhoods and Equality in the United States: 20-21 st Century Perspectives , New York: Routledge, 2024, 242 p.	0
Global Jim. Translating African American Voices in Mark Twain’s Adventures of Huckleberry Finn Worldwide	0
Stephen E. Ambrose, Patriot and Historian	0
The First French “Americanists” of the 1770s and 1780s, the American Revolution and Atlantic History: Beyond Mirages in the West	0
Resistance under the Influence? “Subliminal Rebellion” in My Year of Rest and Relaxation by Ottessa Moshfegh	0
Hugo Bouvard, Gays et lesbiennes en politique. Représenter les minorités sexuelles en France et aux États-Unis , Presses universitaires du Septentrion, Lille, 2024, 375 p.	0
Hervé Mayer and David Roche (eds).	0
Celeste-Marie Bernier	0
Claude McKay and Early Jazz, from “The Negro Dancers” to Home to Harlem (1919-1928)	0
“Strike till the iron is hot”: Listening to Marianne Moore through Virgil Thomson	0
Jason Schwartz, ou la fiction brisée	0
Kelly Ross	0
Empowering to Better Crush Martha Mitchell: Gaslit (StarzPlay, 2022), a Revisionist Take on Watergate	0
Toujours aussi étrange ? La forme expérimentale de Strange Interlude à l’épreuve du temps	0
Bare Broadway Bodies: How Nudity Brought the Gay Community and Broadway Cheek to Cheek	0
Voix littéraires africaines américaines : (Dé)faire autorité, de la Renaissance de Harlem à aujourd’hui	0
Was it a Good War? Film, Memoir, and the Memory of the American Strategic Bombing Campaign	0
Adam Kelly, New Sincerity. American Fiction in the Neoliberal Age , Stanford: Stanford University Press, 2024, 386 p.	0
Straight Lines and Deviating Paths in Lydia Maria Child’s Hobomok; A Tale of Early Times (1824)	0