OOIR: Observatory of International Research

Papers

(The median citation count of Revue Francaise d'Etudes Americaines is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)

Article	Citations
A Tangent to this Sphere	2
Bénédicte Deschamps	1
Dire et traduire l’identité noire en France et aux États-Unis : questions raciales, enjeux linguistiques, perspectives scientifiques	1
The West in Construction: Texas and Indian Territory at the Vanguard of American Imperial Expansion	1
Intertextuality and Doubles in Two Black Bohemian Novels of the Harlem Renaissance	1
Robert D. Richardson	1
Énonciation des pronoms et subjectivités militantes dans l’activisme étatsunien contemporain	1
Hélène Quanquin	1
Anticolonialism in the Era of the American Revolution. An Essay Contest at the Académie de Lyon in the 1780s	1
Traduire les références à la couleur noire dans le doublage de The Fresh Prince of Bel-Air	1
Anatomie d’une alliance improbable : la première Coalition Arc-en-ciel de Chicago ou comment redéfinir la solidarité interraciale radicale (1968-1976)	1
Resistance under the Influence? “Subliminal Rebellion” in My Year of Rest and Relaxation by Ottessa Moshfegh	0
Nudity in Digital Performance: Reappraising the Early Online Works of Annie Sprinkle and Frank Moore	0
Architecture and/as Hospitality: Thoreau and Adorno	0
Empowering to Better Crush Martha Mitchell: Gaslit (StarzPlay, 2022), a Revisionist Take on Watergate	0
“Don’t Take the Bait:” The Role of Marshals in the Regulation of New York City Protests	0
Lines of Erasure: How the Survey of William Penn’s Settlement Design Redefined Lenape Sovereignty in the Delaware Valley	0
Claire Cazajous-Augé	0
Sylvie Bauer, Nawelle Lechevalier-Bekadar et Florian Tréguer, dir.	0
Architecture and/as Hospitality: Thoreau and Adorno	0
Mathilde Arrivé	0
“I, too, dislike it”: Ben Lerner’s Poetic Filiation with Marianne Moore	0
The Promise of a Personal Relevance: an Interview with Beth Blum	0
Subversions : Jazz , revue d’exil grivoise (Paris, 1924-1927)	0
Lara Langer Cohen	0

Earth and Heaven in American Poetry: An Essay in Astrocriticism	0
What About Juvenile Delinquency? (1955)	0
The South, the Nation, and Regional Identity in New England’s Federalists’ Writings: Jedidiah Morse’s American Geographies	0
Yohanna Alimi-Levy	0
The First French “Americanists” of the 1770s and 1780s, the American Revolution and Atlantic History: Beyond Mirages in the West	0
“I, too, dislike it”: Ben Lerner’s Poetic Filiation with Marianne Moore	0
From Democratic to Restless America 1815-1860: A Paradigm Shift	0
The Case of Scotland in the Constitutional Debate on the American Colonies: Benjamin Franklin’s and Adam Smith’s Visions of Empire (1754-1776)	0
Yasna Bozhkova	0
Entre fonction et symbole : Lewis Mumford, penseur de l’architecture	0
“The fear that the experiment in freedom may fail”: an Interview with John Lauritz Larson	0
“People Who Don’t Drink Wilkins Coffee Just Blow up Sometimes”: Advertising Power and Puppet Punishment in Jim Henson’s Commercials	0
To Give a Language: A Study of Storytelling in Colson Whitehead’s The Nickel Boys	0
“Don’t Take the Bait:” The Role of Marshals in the Regulation of New York City Protests	0
“It’s Called Intersectionality, Bitch” Reboot Politics in Queer as Folk (Peacock, 2022)	0
Intertextuality and Doubles in Two Black Bohemian Novels of the Harlem Renaissance	0
(Ré-)incarner la souffrance de l’autre : la circulation intermédiale de l’image-choc The Scourged Back , de la photographie au podcast S-Town	0
« Hoʻoulu Lāhui » : alliances et indigénéité à Hawai`i, 1792-1850	0
« To redpill a normie » : les stratégies de communication de l’ alt-right et la voix politique d’extrême droite sur Internet	0
Confronting the “Good War”: The Policies of the Radical Left in the United States	0
The Front Line in American War Literature	0
Vincent Broqua	0
Introduction	0
The West in Construction: Texas and Indian Territory at the Vanguard of American Imperial Expansion	0
Claude McKay and Early Jazz, from “The Negro Dancers” to Home to Harlem (1919-1928)	0
La Frustration	0
Olivier Zunz	0
Cody Marrs	0
Alexis de Tocqueville dans le « désert » : la poursuite infructueuse de l’Indien « authentique » dans l’Amérique jacksonienne	0
“This Spirit of Persecution Was the Cause of Our Convention”: the National Colored Conventions of the 1830s as an Early Movement for Black Civil Rights	0
Emmanuelle Delanoë-Brun	0
Paroles des sans-voix et silences des pères : traduire Abundance de Jakob Guanzon	0
Denijal Jegić	0
Nakedness: the Empty Signifier of Contemporary Bodies in Performance?	0
Une dignité majuscule ? Nomination de soi et luttes symboliques dans l’histoire africaine-américaine	0
Luke Stewart, ed.	0
Mainstreaming Intersectionality in Contemporary Cinema and Television	0
The Latin Lover Narrator as Cultural Mediator in Jane the Virgin	0
Odes to the Revolution: Alfieri’s L’America libera	0
“People Who Don’t Drink Wilkins Coffee Just Blow up Sometimes”: Advertising Power and Puppet Punishment in Jim Henson’s Commercials	0
“Infinite Subdued Vexation”: Love, Agency, and Frustration in Melville’s Pierre; or the Ambiguities	0
Peter Charles Hoffer, The Brave New World: A History of Early America (third edition) , Baltimore: Johns Hopkins UP, 2023, 616 p.	0
Éliane Elmaleh, Benaouda Lebdai et Delphine Letort	0
Nude Descending a Staircase at the National Endowment for the Arts: A Legal Anatomy of Karen Finley’s Constitutional Challenge	0
Daniel G. Williams, ed., The Werner Sollors Reader: Ethnicity, Cosmopolitanism, and Particularism , Edinburgh: Edinburgh University Press, 2025, 480 p.	0
William Sites	0
Yasna Bozhkova	0
Celeste-Marie Bernier	0
Kelly Ross	0
Loïc Wacquant	0

Daniel Cirera, Guy Groux et Mark Kesselman (dir.)	0
An independent state encircled in the American Union. Ambition et ambiguïté du Kentucky post-révolutionnaire	0
Resistance under the Influence? “Subliminal Rebellion” in My Year of Rest and Relaxation by Ottessa Moshfegh	0
François Doppler-Speranza	0
Anne Crémieux	0
“It Would Take a lot of Wisdom to Say ‘Go slow’”: Faulkner’s Public Sights on Race, the American Press and the Response of the Civil Rights Movement	0
Le lyrisme ténébreux de Jesmyn Ward dans Let Us Descend (2023)	0
“Showing Her Ass Off in Her Iron Cage”: Dis(-re-)membering the Black Female Body in Suzan-Lori Parks’s Venus	0
Leigh Claire La Berge	0
Xavier Kalck	0
Straight Lines and Deviating Paths in Lydia Maria Child’s Hobomok; A Tale of Early Times (1824)	0
“This Spirit of Persecution Was the Cause of Our Convention”: the National Colored Conventions of the 1830s as an Early Movement for Black Civil Rights	0
Une mise en musique de l’urgence et du nihilisme : la naissance du punk hardcore américain	0
Benjamin F. Alexander, Ararat in America: Armenian American Culture and Politics in the Twentieth Century , London: I.B. Tauris, 2024, 264 p.	0
Was it a Good War? Film, Memoir, and the Memory of the American Strategic Bombing Campaign	0
Jason Schwartz, ou la fiction brisée	0
Marjolaine Boutet	0
“Over There”: Making Sense of America’s Partial View of the Second World War. An Interview With Stephen Bourque	0
« There is a sound and alteration » : musicalité, mécanisation sonore et silence dans Adam & Eve & The City (1936) de William Carlos Williams	0
The Front Line in American War Literature	0
Hervé Mayer and David Roche (eds).	0
Les nouvelles républiques américaines et le culte du héros : Bolívar et Jackson	0
Pilar Martínez Benedí and Ralph James Savarese	0
Four Founding Fathers on the Road: New Government Design in the United States and the Netherlands, 1776-1815	0
Pilar Martínez Benedí & Ralph James Savarese	0
Chloé Thomas	0
Arielle Zibrak, Writing Against Reform: Aesthetic Realism in the Progressive Era , Amherst: University of Massachusetts Press, 2024, 280 p.	0
« A kind of Thomas Paine among her sisterhood . » La libre pensée cosmopolite d’Ernestine Rose et les sources hétérodoxes du militantisme pour les droits des femmes aux États-Unis (1830-1860)	0
“Disclosing Burlesque: On the Possibilities of Satire and the (Fe)Male Gaze in Chicago (1926, 1975, 2002)”	0
Thomas Constantinesco	0
“On Performing Burlesque and Nakedness”: An Interview with Lefty Lucy, New York City, April 30th, 2021	0
Nakedness: the Empty Signifier of Contemporary Bodies in Performance?	0
Stephen E. Ambrose, Patriot and Historian	0
Lign(é)es de chasseurs dans Goat Mountain de David Vann	0
Nicholas Manning	0
Moses Roper, Josiah Henson, Deux récits d’esclaves fugitifs . Traduction, introduction et notes de Simone Chambon, Claire Parfait et Michaël Roy. Mont-Saint-Aignan, Presses universitaires de Rouen et	0
Hyperbole historique : l’Histoire mobilisée dans le débat sur les armes nucléaires au Texas pendant les années 1980	0
Comment dire « blackness » en français ? Construire l’identité noire entre l’hexagone, la Martinique et les États-Unis	0
Untitled Feminist Show : Nudity as Fluidity	0
Pouvoir / Empouvoirement : prises de pouvoir politiques et esthétiques aux États-Unis	0
L’art de la ligne dans As I Lay Dying de William Faulkner : une esthétique de la turbulence	0
Paolo Pitari, The Problem of Free Will in David Foster Wallace , London: Routledge, 2024, 286 p.	0
Thinking Architecture in the United States: An Introduction	0
Untitled Feminist Show : Nudity as Fluidity	0
Approaching the Contours of an American [Man] of Letters : William Gilmore Simms (1806-1870)	0
Thinking Architecture in the United States: An Introduction	0
« Where are the names of our illustrious ones? » . La construction d’un panthéon africain-américain, années 1820-guerre de Sécession	0
“Stop The War, I Want to Get Out”: DC Comics’ Sgt Rock and Complicating Images of America’s Second World War	0
Facing Two Revolutions: Contemporaneous German Public Opinions of the American and French Revolutions	0
Légitimité, autorité, canons : perspectives sur la construction d’une identité étasunienne	0
Incursions dans la Post-Amérique	0
Humanoïdes Associés, Le Sagittaire, and the Race to Publish Charles Bukowski in France in 1977-1978	0
Émeline Jouve, Un siècle d’avant-garde. Essai sur le théâtre étasunien , Montpellier : Éditions Deuxième Époque, 2025, 152 p.	0
Nude Descending a Staircase at the National Endowment for the Arts: A Legal Anatomy of Karen Finley’s Constitutional Challenge	0
Frustrating Facts: Susan Howe’s Special View of History	0
Holland Dames : la place des femmes dans la fabrique des origines néerlandaises de New York au XIX e siècle	0
Michaël Roy	0
Olivier Burtin	0
Concrete Ecologies: Brutalist Architecture in the United States	0
Lionel Larré, ed.	0
Framing Ruins: Impermanence and American Cultural Narratives	0
Les systèmes de parcs américains à l’Exposition universelle de Paris de 1900	0
Mathieu Duplay	0
Leigh Claire La Berge	0
A Tangent to this Sphere	0
Frustrations individuelles et collectives dans In the House in the Dark of the Woods , de Laird Hunt : l’écriture réparatrice ?	0
« Signifier » les voix souterraines : expérimentations intertextuelles et intermédiales dans les sous-sols de Richard Wright, Ralph Ellison, Richard Saunders et Gordon Parks	0
Témoignages pour l’autre et autorités en partage, dans Brother, I’m Dying (2007) d’Edwidge Danticat	0
Beyond Sex: Expanding Uses of Nudity in Twenty-First Century American Theatre	0
“Disclosing Burlesque: On the Possibilities of Satire and the (Fe)Male Gaze in Chicago (1926, 1975, 2002)”	0
Paolo Pitari, The Problem of Free Will in David Foster Wallace , London: Routledge, 2024, 286 p.	0
Jesse McCarthy, The Blue Period: Black Writing in the Early Cold War , Chicago: University of Chicago Press, 2024, 298 pages	0
Christen Bryson, Anne Légier, Amélie Ribieras, eds, Womanhoods and Equality in the United States: 20-21 st Century Perspectives , New York: Routledge, 2024, 242 p.	0
Pauline Peretz	0
Earth and Heaven in American Poetry: An Essay in Astrocriticism	0
Countercultural Environmentalism and Indigenous Religions in the Long Sixties: Empowerment and Appropriation	0
La philosophie pragmatiste à l’épreuve de l’espace architectural urbain : de John Dewey au Frank Lloyd Wright de Broadacre City	0
Florian Tréguer	0
Hugo Bouvard, Gays et lesbiennes en politique. Représenter les minorités sexuelles en France et aux États-Unis , Presses universitaires du Septentrion, Lille, 2024, 375 p.	0
Laurence Cossu-Beaumont	0

Materiality Without Matter in The Wings of the Dove	0
David Greven, All the Devils are Here: American Romanticism and Literary Influence , Charlottesville: University of Virginia Press, 2024, 308 pages	0
Was it a Good War? Film, Memoir, and the Memory of the American Strategic Bombing Campaign	0
“The fear that the experiment in freedom may fail”: an Interview with John Lauritz Larson	0
Le postféminisme et la dépolitisation néolibérale de l’identité : d’un féminisme collectif à la célébration de l’individualisme ?	0
The Dharma Gaze of Poet Anne Waldman: an Interview on the Founding of Naropa University and its “Infrastructure Poetics”	0
Nawelle Lechevalier-Bekadar	0
How Can a White Man Sound Black? The Racialization of the Voices of Black Music Disc Jockeys in the U.S. (1950s-1960s)	0
Marie-Jeanne Rossignol	0
The Case of Scotland in the Constitutional Debate on the American Colonies: Benjamin Franklin’s and Adam Smith’s Visions of Empire (1754-1776)	0
Global Jim. Translating African American Voices in Mark Twain’s Adventures of Huckleberry Finn Worldwide	0
Noëlle Cuny and Xavier Kalck (eds.)	0
Toujours aussi étrange ? La forme expérimentale de Strange Interlude à l’épreuve du temps	0
“resonant / beyond escape”: Adrienne Rich’s Fugitive Voice	0
Three Volumes from the “ To ” Poetry Series	0
Quelle alliance interraciale ? La rupture du Student Nonviolent Coordinating Committee en 1966	0
Confronting the “Good War”: The Policies of the Radical Left in the United States	0
“Stop The War, I Want to Get Out”: DC Comics’ Sgt Rock and Complicating Images of America’s Second World War	0
Can You Sell an Intersectional Narrative in the Early 2010s? The Case of Dee Rees’s Pariah (2011)	0
« Caractéristiques de l’expression nègre » : traduire la langue de Zora Neale Hurston	0
Beyond the Frontier Line: the Deported Southeastern Indigenous Nations as “Civilizers” of the Great Plains	0
Bare Broadway Bodies: How Nudity Brought the Gay Community and Broadway Cheek to Cheek	0
L’exil du Black Panther Party à Alger (1969-1972) : l’idéal révolutionnaire à l’épreuve de ses limites	0
Xavier Kalck	0
From Democratic to Restless America 1815-1860: A Paradigm Shift	0
“On Performing Burlesque and Nakedness”: An Interview with Lefty Lucy, New York City, April 30th, 2021	0
Framing Ruins: Impermanence and American Cultural Narratives	0
Home Front Lines: The Telegraphic Ballistics of Emily Dickinson’s Civil War Poetry	0
Reading Cather Backward: In Search of a Nonhuman Post-America	0
Nicholas Manning	0
Ezra Pound’s Negative Canon: The Worst Great Poets	0
Olivier Zunz	0
How Can a White Man Sound Black? The Racialization of the Voices of Black Music Disc Jockeys in the U.S. (1950s-1960s)	0
The Dharma Gaze of Poet Anne Waldman: an Interview on the Founding of Naropa University and its “Infrastructure Poetics”	0
Marco Malvestio	0
Christen Bryson, Anne Légier, Amélie Ribieras, eds, Womanhoods and Equality in the United States: 20-21 st Century Perspectives , New York: Routledge, 2024, 242 p.	0
Comment rendre les sens du “ N-word ” ? L’exemple de la traduction française de A Time To Kill de John Grisham	0
Robert D. Richardson	0
Déconstruction du droit et à-venir de la justice dans « Benito Cereno » de Herman Melville : à propos de la déposition d’Amasa Delano	0
Home Front Lines: The Telegraphic Ballistics of Emily Dickinson’s Civil War Poetry	0
À contre-voix : résonances de la note dans Annotations (1995) de John Keene et Ordinary Notes (2023) de Christina Sharpe	0
De lecteur à performeur : réflexions méthodologiques pour une enquête sur la lecture à voix haute de poésies plurilingues nord-américaines	0
Intimacies of Resistance: Black-Jewish Marriages in the Civil Rights Movement	0
Oaths and Anti-Masonry in the Early American Republic	0
Intersectionality in the Galactic Empire: Foundation and the Politics of “Woke” Sci-Fi	0
Three Volumes from the “ To ” Poetry Series	0
Hervé Mayer and David Roche (eds).	0
Lines of Erasure: How the Survey of William Penn’s Settlement Design Redefined Lenape Sovereignty in the Delaware Valley	0
“Infinite Subdued Vexation”: Love, Agency, and Frustration in Melville’s Pierre; or the Ambiguities	0
Facing Two Revolutions: Contemporaneous German Public Opinions of the American and French Revolutions	0
Empowering to Better Crush Martha Mitchell: Gaslit (StarzPlay, 2022), a Revisionist Take on Watergate	0
Countercultural Environmentalism and Indigenous Religions in the Long Sixties: Empowerment and Appropriation	0
Voix littéraires africaines américaines : (Dé)faire autorité, de la Renaissance de Harlem à aujourd’hui	0
Les défis des alliances interraciales aux États-Unis du XIX e au XX e siècle	0
“Strike till the iron is hot”: Listening to Marianne Moore through Virgil Thomson	0
Metafiction and Empowerment in Post-Network Television: the Case of GLOW (Netflix, 2017-2019)	0
Odes to the Revolution: Alfieri’s L’America libera	0
Stephen E. Ambrose, Patriot and Historian	0
“It Would Take a lot of Wisdom to Say ‘Go slow’”: Faulkner’s Public Sights on Race, the American Press and the Response of the Civil Rights Movement	0
Kelly Ross	0
Practical Feminist Politics in Minx (HBO, Starz, 2022-2023): Mainstreaming the Roots of Intersectionality in TV Series	0
“Showing Her Ass Off in Her Iron Cage”: Dis(-re-)membering the Black Female Body in Suzan-Lori Parks’s Venus	0
Adam Kelly, New Sincerity. American Fiction in the Neoliberal Age , Stanford: Stanford University Press, 2024, 386 p.	0
Victor Gruen, architecte de l’environnement ?	0
Anticolonialism in the Era of the American Revolution. An Essay Contest at the Académie de Lyon in the 1780s	0
Noëlle Cuny and Xavier Kalck (eds.)	0
Une Panthère à la conquête du pouvoir : Larry Little, le mouvement noir et l’empouvoirement par les urnes à Winston-Salem en Caroline du Nord (1969-1985)	0
Frustrating Facts: Susan Howe’s Special View of History	0
Stéphane Vanderhaeghe	0
A Contested Legacy: The Memory of World War II in the United States	0
Adam Kelly, New Sincerity. American Fiction in the Neoliberal Age , Stanford: Stanford University Press, 2024, 386 p.	0
Bare Broadway Bodies: How Nudity Brought the Gay Community and Broadway Cheek to Cheek	0
Beyond the Frontier Line: the Deported Southeastern Indigenous Nations as “Civilizers” of the Great Plains	0
L’intersectionnalité au scalpel : interroger les discriminations croisées dans les séries médicales mainstream	0
L’autorité en question dans The Gold Bug Variations de Richard Powers	0
Cody Marrs	0
Dana Luciano, How the Earth Feels: Geological Fantasy in the Nineteenth-Century United States , Durham: Duke University Press, 2024, 242 pages	0
Jean Kempf	0
« Text-paintings », « book-paintings » et « code poems » : repenser l’histoire de la confiscation de l’écrit chez trois artistes africains américains, Glenn Ligon, Theaster Gates et Adam Pendleton	0
Finding Photographic Recognition in the City: The Chicagoland-in-Pictures Amateur Historical Photography Project	0
Claude McKay and Early Jazz, from “The Negro Dancers” to Home to Harlem (1919-1928)	0
Metafiction and Empowerment in Post-Network Television: the Case of GLOW (Netflix, 2017-2019)	0
Scott Fitzgerald « dernière manière » : inachèvement, fragmentation, et mélange des genres dans Le Dernier Nabab	0
Global Jim. Translating African American Voices in Mark Twain’s Adventures of Huckleberry Finn Worldwide	0
Concrete Ecologies: Brutalist Architecture in the United States	0
Introduction	0
“Over There”: Making Sense of America’s Partial View of the Second World War. An Interview With Stephen Bourque	0
To Give a Language: A Study of Storytelling in Colson Whitehead’s The Nickel Boys	0
Beyond Sex: Expanding Uses of Nudity in Twenty-First Century American Theatre	0
The Latin Lover Narrator as Cultural Mediator in Jane the Virgin	0
Nudity in Digital Performance: Reappraising the Early Online Works of Annie Sprinkle and Frank Moore	0
Straight Lines and Deviating Paths in Lydia Maria Child’s Hobomok; A Tale of Early Times (1824)	0
A Contested Legacy: The Memory of World War II in the United States	0
The Promise of a Personal Relevance: an Interview with Beth Blum	0
“resonant / beyond escape”: Adrienne Rich’s Fugitive Voice	0