Music Perception

Papers
(The median citation count of Music Perception is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-11-01 to 2025-11-01.)
ArticleCitations
Japanese Version of the Experience of Groove Questionnaire (EGQ-JA)31
Music Exposure and Maternal Musicality Predict Vocabulary Development in Children with Cochlear Implants16
Continuous Response to Perceived Affective Intentions in Music Listening14
Is Absolute Pitch Learnable? Implicit and Explicit Absolute Pitch13
Perceived and Induced Affective Responses to Musical Sounds11
Musical Advantage in Lexical Tone Perception Hinges on Musical Instrument11
Metric Accent Affects Perception of Key Center in Pop-Music Chord Loops9
Timbre Semantic Associations Vary Both Between and Within Instruments9
Slower Response Time When Brake Lights Align with Musical Beats9
Musician Advantage for Segregation of Competing Speech in Native Tonal Language Speakers8
Editorial8
Sandra Trehub (1938–2023)8
Yorùbá Speech Surrogacy with the Dùndún Talking Drum8
Beat Perception and Production in Musicians and Dancers7
The Associations Between Music Training, Musical Working Memory, and Visuospatial Working Memory7
Perception of Musicality and Emotion in Signed Songs6
Instrument Timbre Combinations Influence the Relative Prominence of Perceptual Layers in Orchestral Music6
The Activated Singer6
Marching to Your Own Beat6
The Idiosyncrasy of Involuntary Musical Imagery Repetition (IMIR) Experiences6
Rapid Learning and Long-term Memory in the Speech-to-song Illusion5
The Effects of Local and Global Key Consistency on Musical Tension5
Neuroscience in Music Research5
No Heightened Musical Pitch Weighting For Tone Language Speakers in Early Childhood4
Italian Validation of the Barcelona Music Reward Questionnaire4
Popular Music Excerpts Are Rated As More Memorable And Salient If They Involve Vocals, Compound Hooks, and Choruses4
From Bach to Pélog4
The Processes and Relationships in Composers Scale3
Consonance Dissonance and Cadences3
Music’s Familiar Flow3
Learning and Recalling Melodies3
Effect of Timbre on Goodness-of-Fit Ratings of Short Chord Sequences3
Appreciation of Form in Bach’s Well-Tempered Clavier3
Unraveling the Filled Duration Illusion and its Stability in Repeated Measurements3
Rhythm and Reading Abilities2
From Commitment to Action2
Audience’s Perceived Expectancy and Authenticity of Classical Music Performance by Digital Musical Instrument Mobile Apps2
Exploring Melodic Contour2
Influence of Regular Rhythmic Versus Textural Sound Sequences on Semantic and Conceptual Processing2
The Vocal Advantage in Memory for Melodies is Based on Contour2
Processing Components in Song Attunement2
Reassessing Syntax-Related ERP Components Using Popular Music Chord Sequences2
Real-Time Modulation Perception in Western Classical Music2
Cognitive Mechanisms in Temporally Controlled Rhythm Reading2
Contrasts of Register Underlie the Perception of Musical Humor2
Cultural Accounts of Consonance Perception. A Lakatosian Approach to Save Pythagoras2
Perception of Thematic Structure in Music Over Short and Long Timescales1
Stroop-like Effects in Pitch Identification Training and Generalization to Untrained Timbres1
Reopening the Conversation Between Music Psychology and Music Therapy1
Investigating the Shared Meaning of Metaphorical Sound Attributes1
Jazz Piano Training Modulates Neural Oscillations and Executive Functions in Older Adults1
Perceived Motor Synchrony With the Beat is More Strongly Related to Groove Than Measured Synchrony1
Musicians Can Reliably Discriminate Between String Register Locations on the Violoncello1
Saxophone Players’ Self-Perceptions About Body Movement in Music Performing and Learning1
Just Can’t Get You Out of My Head1
The Relationship of Musical Expertise, Working Memory, and Intelligence1
The Effect of Subjective Fatigue on Auditory Processing in Musicians and Nonmusicians1
Move Your Body! Low-frequency Amplitude and Syncopation Increase Groove Perception in House Music1
Do Picardy Thirds Smile? Tonal Hierarchy and Tonal Valence1
Modeling and Perception of Melodic Contour Families1
Violinists Employ More Expressive Gesture and Timing Around Global Musical Resolutions1
The Effect of Aural and Visual Presentation Formats on Categorical and Dimensional Judgements of Emotion for Sung and Spoken Expressive Performances1
Audience Members’ Attentional Focus in a Live Concert Setting is Shaped by the Performers’ Sonic and Temporal Relationships1
Constructing the Live Experience at Pop Music Concerts1
The Music of Perfume1
Testing Rhythmic Abilities in Developmental Dyslexia1
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