Music Perception

Papers
(The TQCC of Music Perception is 4. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-04-01 to 2024-04-01.)
ArticleCitations
Interpersonal Entrainment in Music Performance39
Consonance Preferences Within an Unconventional Tuning System17
Phenomenological Differences in Music- and Television-Evoked Autobiographical Memories16
Experience of Groove Questionnaire15
Perceived Motor Synchrony With the Beat is More Strongly Related to Groove Than Measured Synchrony14
The Selectivity of Musical Advantage12
Timing Is Everything…Or Is It? Effects of Instructed Timing Style, Reference, and Pattern on Drum Kit Sound in Groove-Based Performance11
Musical Expertise Facilitates Dissonance Detection On Behavioral, Not On Early Sensory Level10
What Drives Narrative Engagement With Music?10
Comparing Methods for Analyzing Music-Evoked Autobiographical Memories10
The Associations Between Music Training, Musical Working Memory, and Visuospatial Working Memory9
Learning Music From Each Other: Synchronization, Turn-taking, or Imitation?9
Does Timbre Modulate Visual Perception? Exploring Crossmodal Interactions8
Beat Perception and Production in Musicians and Dancers7
Embracing Anti-Racist Practices in the Music Perception and Cognition Community7
Music to Your Ears7
Syncopation and Groove in Polyphonic Music6
Affective and Cognitive Responses to Musical Performances of Early 20th Century Classical Solo Piano Compositions6
Instrument Timbre Enhances Perceptual Segregation in Orchestral Music6
Singing in the Brain6
Establishing the Reliability and Validity of Web-based Singing Research5
Embodied Meter Revisited5
Emotions, Mechanisms, and Individual Differences in Music Listening4
Temporal Perception and Attention in Trained Musicians4
Assessing Music Expertise4
Playing It Straight4
The Need for Composite Models of Music Perception4
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