Music Perception

Papers
(The TQCC of Music Perception is 3. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-06-01 to 2025-06-01.)
ArticleCitations
Musical Advantage in Lexical Tone Perception Hinges on Musical Instrument23
Music Exposure and Maternal Musicality Predict Vocabulary Development in Children with Cochlear Implants21
Japanese Version of the Experience of Groove Questionnaire (EGQ-JA): Translation and Validation14
Metric Accent Affects Perception of Key Center in Pop-Music Chord Loops14
Does Timbre Modulate Visual Perception? Exploring Crossmodal Interactions12
Timbre Semantic Associations Vary Both Between and Within Instruments11
Musician Advantage for Segregation of Competing Speech in Native Tonal Language Speakers11
Sandra Trehub (1938–2023)11
Beat Perception and Production in Musicians and Dancers10
Editorial9
Yorùbá Speech Surrogacy with the Dùndún Talking Drum9
The Associations Between Music Training, Musical Working Memory, and Visuospatial Working Memory8
The Activated Singer8
The Idiosyncrasy of Involuntary Musical Imagery Repetition (IMIR) Experiences8
Perception of Musicality and Emotion in Signed Songs8
Instrument Timbre Combinations Influence the Relative Prominence of Perceptual Layers in Orchestral Music7
Instrument Timbre Enhances Perceptual Segregation in Orchestral Music7
The Perceptual Attraction of Pre-Dominant Chords6
Rapid Learning and Long-term Memory in the Speech-to-song Illusion6
Marching to Your Own Beat: Self-entrainment as a Missing Link Between Rhythm Perception and Synchronization6
Neuroscience in Music Research5
Italian Validation of the Barcelona Music Reward Questionnaire5
From Bach to Pélog5
Appreciation of Form in Bach’s Well-Tempered Clavier5
The Effects of Local and Global Key Consistency on Musical Tension5
No Heightened Musical Pitch Weighting For Tone Language Speakers in Early Childhood5
Learning and Recalling Melodies4
Popular Music Excerpts Are Rated As More Memorable And Salient If They Involve Vocals, Compound Hooks, and Choruses4
What Drives Narrative Engagement With Music?4
Unraveling the Filled Duration Illusion and its Stability in Repeated Measurements3
From Commitment to Action3
Consonance Dissonance and Cadences3
Effect of Timbre on Goodness-of-Fit Ratings of Short Chord Sequences3
The Processes and Relationships in Composers Scale3
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