Music Perception

Papers
(The TQCC of Music Perception is 3. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-09-01 to 2025-09-01.)
ArticleCitations
Perceived and Induced Affective Responses to Musical Sounds26
Is Absolute Pitch Learnable? Implicit and Explicit Absolute Pitch14
Music Exposure and Maternal Musicality Predict Vocabulary Development in Children with Cochlear Implants13
Musical Advantage in Lexical Tone Perception Hinges on Musical Instrument12
Japanese Version of the Experience of Groove Questionnaire (EGQ-JA)12
Metric Accent Affects Perception of Key Center in Pop-Music Chord Loops11
Does Timbre Modulate Visual Perception? Exploring Crossmodal Interactions10
Slower Response Time When Brake Lights Align with Musical Beats9
Sandra Trehub (1938–2023)8
Timbre Semantic Associations Vary Both Between and Within Instruments8
Yorùbá Speech Surrogacy with the Dùndún Talking Drum7
Editorial7
Musician Advantage for Segregation of Competing Speech in Native Tonal Language Speakers7
Beat Perception and Production in Musicians and Dancers7
Perception of Musicality and Emotion in Signed Songs6
The Idiosyncrasy of Involuntary Musical Imagery Repetition (IMIR) Experiences6
The Associations Between Music Training, Musical Working Memory, and Visuospatial Working Memory6
Rapid Learning and Long-term Memory in the Speech-to-song Illusion5
Neuroscience in Music Research5
Instrument Timbre Combinations Influence the Relative Prominence of Perceptual Layers in Orchestral Music5
From Bach to Pélog5
The Perceptual Attraction of Pre-Dominant Chords5
The Activated Singer5
No Heightened Musical Pitch Weighting For Tone Language Speakers in Early Childhood5
The Effects of Local and Global Key Consistency on Musical Tension5
Marching to Your Own Beat5
Appreciation of Form in Bach’s Well-Tempered Clavier4
Italian Validation of the Barcelona Music Reward Questionnaire4
Popular Music Excerpts Are Rated As More Memorable And Salient If They Involve Vocals, Compound Hooks, and Choruses4
Cognitive Mechanisms in Temporally Controlled Rhythm Reading3
Unraveling the Filled Duration Illusion and its Stability in Repeated Measurements3
Learning and Recalling Melodies3
From Commitment to Action3
Consonance Dissonance and Cadences3
Effect of Timbre on Goodness-of-Fit Ratings of Short Chord Sequences3
The Processes and Relationships in Composers Scale3
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