Music Perception

Papers
(The TQCC of Music Perception is 3. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-11-01 to 2025-11-01.)
ArticleCitations
Japanese Version of the Experience of Groove Questionnaire (EGQ-JA)31
Music Exposure and Maternal Musicality Predict Vocabulary Development in Children with Cochlear Implants16
Continuous Response to Perceived Affective Intentions in Music Listening14
Is Absolute Pitch Learnable? Implicit and Explicit Absolute Pitch13
Musical Advantage in Lexical Tone Perception Hinges on Musical Instrument11
Perceived and Induced Affective Responses to Musical Sounds11
Slower Response Time When Brake Lights Align with Musical Beats9
Metric Accent Affects Perception of Key Center in Pop-Music Chord Loops9
Timbre Semantic Associations Vary Both Between and Within Instruments9
Yorùbá Speech Surrogacy with the Dùndún Talking Drum8
Musician Advantage for Segregation of Competing Speech in Native Tonal Language Speakers8
Editorial8
Sandra Trehub (1938–2023)8
The Associations Between Music Training, Musical Working Memory, and Visuospatial Working Memory7
Beat Perception and Production in Musicians and Dancers7
The Idiosyncrasy of Involuntary Musical Imagery Repetition (IMIR) Experiences6
Perception of Musicality and Emotion in Signed Songs6
Instrument Timbre Combinations Influence the Relative Prominence of Perceptual Layers in Orchestral Music6
The Activated Singer6
Marching to Your Own Beat6
Neuroscience in Music Research5
Rapid Learning and Long-term Memory in the Speech-to-song Illusion5
The Effects of Local and Global Key Consistency on Musical Tension5
No Heightened Musical Pitch Weighting For Tone Language Speakers in Early Childhood4
Italian Validation of the Barcelona Music Reward Questionnaire4
Popular Music Excerpts Are Rated As More Memorable And Salient If They Involve Vocals, Compound Hooks, and Choruses4
From Bach to Pélog4
The Processes and Relationships in Composers Scale3
Consonance Dissonance and Cadences3
Music’s Familiar Flow3
Learning and Recalling Melodies3
Effect of Timbre on Goodness-of-Fit Ratings of Short Chord Sequences3
Appreciation of Form in Bach’s Well-Tempered Clavier3
Unraveling the Filled Duration Illusion and its Stability in Repeated Measurements3
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