Music Perception

Papers
(The TQCC of Music Perception is 3. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-08-01 to 2025-08-01.)
ArticleCitations
Musical Advantage in Lexical Tone Perception Hinges on Musical Instrument26
Music Exposure and Maternal Musicality Predict Vocabulary Development in Children with Cochlear Implants14
Japanese Version of the Experience of Groove Questionnaire (EGQ-JA): Translation and Validation12
Is Absolute Pitch Learnable? Implicit and Explicit Absolute Pitch12
Perceived and Induced Affective Responses to Musical Sounds12
Metric Accent Affects Perception of Key Center in Pop-Music Chord Loops11
Does Timbre Modulate Visual Perception? Exploring Crossmodal Interactions10
Slower Response Time When Brake Lights Align with Musical Beats9
Timbre Semantic Associations Vary Both Between and Within Instruments8
Sandra Trehub (1938–2023)8
Musician Advantage for Segregation of Competing Speech in Native Tonal Language Speakers7
Beat Perception and Production in Musicians and Dancers7
Editorial6
Yorùbá Speech Surrogacy with the Dùndún Talking Drum6
The Idiosyncrasy of Involuntary Musical Imagery Repetition (IMIR) Experiences6
The Activated Singer5
The Associations Between Music Training, Musical Working Memory, and Visuospatial Working Memory5
The Effects of Local and Global Key Consistency on Musical Tension5
Instrument Timbre Combinations Influence the Relative Prominence of Perceptual Layers in Orchestral Music5
Rapid Learning and Long-term Memory in the Speech-to-song Illusion5
Marching to Your Own Beat: Self-entrainment as a Missing Link Between Rhythm Perception and Synchronization5
Perception of Musicality and Emotion in Signed Songs5
The Perceptual Attraction of Pre-Dominant Chords5
Neuroscience in Music Research5
No Heightened Musical Pitch Weighting For Tone Language Speakers in Early Childhood4
From Bach to Pélog4
Italian Validation of the Barcelona Music Reward Questionnaire4
Effect of Timbre on Goodness-of-Fit Ratings of Short Chord Sequences3
Appreciation of Form in Bach’s Well-Tempered Clavier3
Learning and Recalling Melodies3
Consonance Dissonance and Cadences3
Popular Music Excerpts Are Rated As More Memorable And Salient If They Involve Vocals, Compound Hooks, and Choruses3
Unraveling the Filled Duration Illusion and its Stability in Repeated Measurements3
The Processes and Relationships in Composers Scale3
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