Opera Quarterly

Papers
(The median citation count of Opera Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-04-01 to 2025-04-01.)
ArticleCitations
Puccini’s Material Girls: Tensions of the Spiritual Body in Le Villi2
Philip Glass’s Cocteau Trilogy, or the Multiple Ways of Adapting Film into Opera0
The CHEAP Collective’s Magic Flute: An Opera in Six Steps0
What Opera Can Be: Joan La Barbara and Gelsey Bell in Conversation0
Francesca Vella, Networking Operatic Italy0
“To see what lovely Japanese our young people can be”: American Jewish Community Performance, Racial Appropriation, and Gilbert and Sullivan’s Mikado, 1885–19390
From Film to Opera – A Note from the Guest Editors0
“You died yesterday, I’m sorry for your loss”: After Life in Film and Opera0
Axel Körner and Paulo M. Kühl, ed. Italian Opera in Global and Transnational Perspective: Reimagining Italianità in the Long Nineteenth Century0
In Opera, the Close-up Is the Aria0
When Film Becomes Opera: The Challenges of Adaptation on the Verge of Metamorphosis0
Breathe in the World (the problems with you, me, we, they, hear and see)0
The Tense Present0
Jennifer Walshe on Opera, Music Theater, and Collaboration: Interview by Elaine Fitz Gibbon0
Experiments in Opera Today: Opera and Multidisciplinary Art after 2000 – A Note from the Guest Editors0
Hearing Real Magic in …(Iphigenia)0
low intensity conflicts—a mini-opera for non-musicians0
“Whether it has a certain musical form, maybe no one cares, except for some people”: George E. Lewis, Sean Griffin, and Catherine Sullivan talk with Alexander K. Rothe about Afterword, an opera0
Between Exclusivity and Accessibility: An Analysis of Instagram Branding at Two Nordic Opera Companies0
Svadba on the Beach: Opera for the Streaming Age0
Bearing Witness: Critical Reception and Operatic Activism in Beck and Fleischmann’s Another City0
Dallapiccola’s Ulisse in Frankfurt0
Abandoned or Embalmed?: A Semi-Staged Conversation Between Nina Sun Eidsheim and Juliana Snapper0
Afterthoughts on Lost Highway0
Detroit’s Bohème0
Opera and Film in the Loop: Persona Speaking, Persona Singing. A Conversation with Composer Keeril Makan0
My approach is always empathy0
Rehearsing Callas0
Opera Fandom in the Digital Age: A Case Study from the Teatro alla Scala0
Leveling Up in Oper Frankfurt’s Lost Highway (2018)0
Transcribing Disnarration0
Omar at the San Francisco Opera0
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