Shaw-The Journal of Bernard Shaw Studies

Papers
(The median citation count of Shaw-The Journal of Bernard Shaw Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-04-01 to 2025-04-01.)
ArticleCitations
INTERNATIONAL SHAW SOCIETY1
An Introduction to “Mr. Bernard Shaw on Syndicalism”1
Irish Übermenschen (Nietzsche and Irish Modernism)0
A Continuing Checklist of Shaviana0
A Bibliography of Bernard Shaw’s Works in Japanese Translation in Memory of Masahiko Masumoto0
Racism and Shaw0
A CONTINUING CHECKLIST OF SHAVIANA0
GBS Illustrated: Adrien Barrère: Shaw the Court Jester0
NOTICES0
A CONTINUING CHECKLIST OF SHAVIANA0
Mr. Bernard Shaw, Special Interview0
War, Pandemic, and Immortality: 1918 and the Drama of Eternal Life0
Producing Mrs. Warren’s Profession in São Paulo, Brazil0
Eliza Doolittle at Buckingham Palace: An Assessment of Shaw’s Impact in the Twentieth-First Century0
Shaw's Letters to Newspapers0
Bernard Shaw: Book Critic0
Pygmalion in Ricoeurian Colors: Bernard Shaw, Paul Ricoeur, and the Shared Nexus between the Capable Human Being and Mutual Recognition0
Introduction0
The Apple Cart & On the Rocks: Is Bernard Shaw a Supporter of Reformative Dictatorship?0
“To Your Tents, Oh Israel!”0
Water Supply and the Hygiene of the Poorest in G. B. Shaw’s Pygmalion0
Collections of Bernard Shaw's Journalism0
NOTICES0
Conversation and Catering: Bernard Shaw and the Winstens—a Symbiotic Relationshipat Ayot St Lawrence and Beyond0
“Un ‘Pygmalion’ québécois: une victoire”: Éloi de Grandmont’s Translation of Bernard Shaw’s Pygmalion0
Notices0
Was Shaw a Victorian? We Need to Ask Another Question0
International Shaw Society0
Shaw Abroad—Art Without Dragons (Bernard Shaw and the Spanish-Speaking World)0
Introduction0
The Quintessence of Ibsen’s A Doll’s House (Henrik Ibsen’s A Doll’s House)0
International Shaw Society0
“Whole Play Complete, Only Waiting to Be Filled Out”: The Postmodern Hybrid of Why She Would Not by Bernard Shaw and Lionel Britton0
George Eliot, Bernard Shaw, and Their Doctors’ Dilemmas0
Personal and Political Marriages (Bernard Shaw: Reimagining Women and Ireland, 1892–1914)0
20th Anniversary of The International Shaw Society0
Revisiting Mander and Mitchenson’s Companion (Theatrical Companion to SHAW: A Pictorial Record of First Performances of the Plays of G. B. S. with Synopses, Casts and Detailed Notes0
On Vegetarianism by Bernard Shaw0
A Selected Bibliography of Writings by Bernard Shaw on Americans and the United States0
Bernard Shaw and the Charles Macdona Partnership: Part II0
Introduction0
Bernard Shaw's Gnostic Genius0
Shaw’s Criticism and Philosophy Dramatized0
Bernard Shaw's Interior Authors0
Amending Shakespeare: Bernard Shaw’s Displeasure with Cymbeline, Act 5, in the Contexts of Modern Bardolatry and Syncretism0
Miss Baxter and Mrs. Warren0
Political Extravaganzas and a Jonsonian Comedy0
On the Municipal Gallery: Interview with Mr. Bernard Shaw The Danger of Fire The Poor and Pictures Municipal Art Gallery The Bridge Site0
History and Religious Imagination: Bernard Shaw and the Irish Literary Revival—an Overview0
The “Shavian Pattern” of Hallucinatory Experience: Saint Joan and the Problem of the Voices0
Theatrical Marriages0
Operatic Adaptations of Shaw’s Plays The Devil’s Disciple and The Music Cure0
Man and Roboman, or The Secret Co-Author of Man and Superman0
INTERNATIONAL SHAW SOCIETY0
Finding Shaw Among His Irish and Chinese Contemporaries (The Chinese May Fourth Generation and the Irish Literary Revival: Writers and Fighters)0
The Joy of Taxes0
Bernard Shaw at the Brighton School of Art: A Lecture on “Art and Public Money”0
Heroism and Anti-Heroism: From Arms and the Man to Saint Joan0
Three Early Shaw Plays That Interrogate Marriage, the Family, and Women’s Roles (Mrs. Warren’s Profession, Candida, and You Never Can Tell)0
International Shaw Society0
“I’m a slave now, for all my fine clothes”: Bernard Shaw’s Pygmalion and the Dido Myth0
Introduction0
Female Faust in Pygmalion0
A CONTINUING CHECKLIST OF SHAVIANA0
Subverting the Melodramatic in The Devil’s Disciple0
Introduction0
A Tale of Two Prints0
Philip Hagemann—a Shavian Composer?0
Mr. Bernard Shaw on Syndicalism: Advises People to Treat It Very Politely0
Introduction0
Growing Up Like Romola: The Spiritual Evolutions of George Eliot and Bernard Shaw0
Shavian Perspectives on the Cusp of Change and War (Pygmalion, Heartbreak House, and St. Joan)0
Two Translations of a Cockney Girl in Shaw’s Pygmalion: The Works of Julio Broutá and Floreal Mazía0
World Bettering Partnerships (Sidney and Beatrice Webb: An Academic Biography)0
A Superb Resource for Lovers of Shaw0
The Sewing Machine and Spectral Presences: Connolly, Shaw, and O’Casey0
Adaptation, Litigation, and Petrifaction: Bernard Shaw and That “loathsome plagiarism” The Chocolate Soldier0
Resolving the Jangling Discords of Inconsonant Nations0
Introduction0
Introduction to Shaw, Journalist0
Shaw Among the Utopians (Utopian Drama: In Search of a Genre)0
Translation – Adaptation – Transcreation: Jitta’s Atonement, Translated by Bernard Shaw0
Toy Gods0
On Translating Bernard Shaw’s Arms and the Man in Bulgarian0
The Shaw Bot: Creating Literature Bots Using IBM Artificial Intelligence and Cloud Computing Platform0
David Staller in Conversation: A Look Into the New York World of David Staller0
Bernard Shaw + Richard Rorty = Two Dialectical Peas in a Jesusian Pragmatist Pod0
Bernard Shaw as Political Writer0
Remembering a Life in Writing0
Postcolonial Self-Creation in the Hong Kong Adaptation of Pygmalion0
Bernard Shaw and the Charles Macdona Partnership: Part I0
Pygmalion in Paris0
Unions, Strikes, Shaw (Unions, Strikes, Shaw: “The Capitalism of the Proletariat.”)0
An Introduction to Bernard Shaw's “To Your Tents, Oh Israel!”0
Bernard Shaw, New Journalist (1885–1898)0
NOTICES0
An Introduction to Bernard Shaw's “Mr. Bernard Shaw, Special Interview”0
The Rule and the Exception: Katharine Cornell and Peggy Wood Reviving Candida0
Cosmopolitan versus Parochial Irishness in Bernard Shaw's Music Journalism (1877–1894)0
Shaw’s Village Wooing: Love and Language from A to Z0
Shaw and Irish Studies0
INTERNATIONAL SHAW SOCIETY0
Mourning Agnes: The Hidden Impact on Bernard Shaw of the Death of His Sister0
Ding Xilin's Chinese Translation of The Man of Destiny0
Shaw Disarms the Man: War, Colonialism, and Theater in the 1890s (Arms and the Man, The Devil’s Disciple, and Caesar and Cleopatra)0
“Built on the Money”: The Financialization of Capitalism and the Sense of History in Josie Rourke’s Stage Production of Shaw’s Saint Joan0
An Introduction to Bernard Shaw's “On the Municipal Gallery”0
Remembering The Independent Shavian0
INTERNATIONAL SHAW SOCIETY0
From the Shaw Bot to ChatGPT: An Assessment of ChatGPT and Recommendations for Improvement0
Shaw the Fighter (Bernard Shaw and the Censors. Fights and Failures, Stage and Screen)0
Ghosts, Part 2 or Getting Married: Shaw’s Emendation of the Ibsenian New Woman0
Shaw in America (Bernard Shaw on the American Stage: A Chronicle of Premieres and Notable Revivals)0
Loosening the Stays: Victorian Shaw0
Shaw’s Proposal and Churchill’s Hope0
INTERNATIONAL SHAW SOCIETY0
Metadrama and Language (Language and Metadrama in Major Barbara and Pygmalion: Shavian Sisters)0
GBS Illustrated: Shaw the Film Star0
“To Thank a Zealous, Slightly Impudent Translator”: Bernard Shaw and Floryan Sobieniowski0
Cultural Hybridity, Discordant Relationships, and Critical Perspectives0
“Tomfoolery” That Deserves Our Attention (Playlets)0
The Serbian Shaw0
Victorian Masculinity and Mrs Warren's Profession0
Pygmalion and the Technologies of Global English0
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