Shaw-The Journal of Bernard Shaw Studies

Papers
(The TQCC of Shaw-The Journal of Bernard Shaw Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-05-01 to 2024-05-01.)
ArticleCitations
ELIZA Effects: Pygmalion and the Early Development of Artificial Intelligence9
Common Senselessness about the War: On Shaw's Media Delirium1
Bernard Shaw and the Smallpox Epidemic of 1901–21
Shaw in Mid-Twentieth-Century Iran1
A Bibliography of Bernard Shaw’s Works in Japanese Translation in Memory of Masahiko Masumoto0
Remembering The Independent Shavian0
Shaw Among the Utopians (Utopian Drama: In Search of a Genre)0
“I’m a slave now, for all my fine clothes”: Bernard Shaw’s Pygmalion and the Dido Myth0
The Serbian Shaw0
A Continuing Checklist of Shaviana0
Two Translations of a Cockney Girl in Shaw’s Pygmalion: The Works of Julio Broutá and Floreal Mazía0
“To Your Tents, Oh Israel!”0
Bernard Shaw's Gnostic Genius0
International Shaw Society0
David Staller in Conversation: A Look Into the New York World of David Staller0
Researching Shaw in Performance: An Interview with Aisling Smith0
Mr. Bernard Shaw on Syndicalism: Advises People to Treat It Very Politely0
Introduction0
Introduction to Shaw, Journalist0
Introduction: Bernard Shaw and New Media0
An Introduction to Bernard Shaw's “On the Municipal Gallery”0
History and Religious Imagination: Bernard Shaw and the Irish Literary Revival—an Overview0
From the Shaw Bot to ChatGPT: An Assessment of ChatGPT and Recommendations for Improvement0
“Whole Play Complete, Only Waiting to Be Filled Out”: The Postmodern Hybrid of Why She Would Not by Bernard Shaw and Lionel Britton0
Shaw and Irish Studies0
Cosmopolitan versus Parochial Irishness in Bernard Shaw's Music Journalism (1877–1894)0
Bernard Shaw, New Journalist (1885–1898)0
“When I Am No Longer in Control of the Performing Rights”: Staging and Reception of Saint Joan at the Abbey Theatre during the Celtic Tiger Years0
Introduction0
Irish Übermenschen (Nietzsche and Irish Modernism)0
Producing Mrs. Warren’s Profession in São Paulo, Brazil0
INTERNATIONAL SHAW SOCIETY0
Cultural Hybridity, Discordant Relationships, and Critical Perspectives0
The Dreaded Weintraub0
Notices0
Shaw's High Wire Act0
Mourning Agnes: The Hidden Impact on Bernard Shaw of the Death of His Sister0
Pygmalion and the Technologies of Global English0
The Tangled Tree: A Radical New History of Life0
Remembering a Life in Writing0
Shaw Disarms the Man: War, Colonialism, and Theater in the 1890s (Arms and the Man, The Devil’s Disciple, and Caesar and Cleopatra)0
Bernard Shaw as Political Writer0
World Bettering Partnerships (Sidney and Beatrice Webb: An Academic Biography)0
Notices0
Victorian Masculinity and Mrs Warren's Profession0
INTERNATIONAL SHAW SOCIETY0
On Translating Bernard Shaw’s Arms and the Man in Bulgarian0
Introduction0
Shaw and Legacy: Introduction0
Shaw’s Village Wooing: Love and Language from A to Z0
“True of Voice”: Shaw, Florence Farr, and George J. Lee's The Voice0
International Shaw Society0
Judging Shaw—A Play Extract: Sketches on the Life (and Afterlife) of George Bernard Shaw0
Shavian Perspectives on the Cusp of Change and War (Pygmalion, Heartbreak House, and St. Joan)0
Front Matter0
Unions, Strikes, Shaw (Unions, Strikes, Shaw: “The Capitalism of the Proletariat.”)0
My Dear Loraine: Bernard Shaw's Letters to an Actor0
Ding Xilin's Chinese Translation of The Man of Destiny0
International Shaw Society0
A CONTINUING CHECKLIST OF SHAVIANA0
A Continuing Checklist of Shaviana0
Ghosts, Part 2 or Getting Married: Shaw’s Emendation of the Ibsenian New Woman0
Female Faust in Pygmalion0
An Introduction to Bernard Shaw's “To Your Tents, Oh Israel!”0
The Sewing Machine and Spectral Presences: Connolly, Shaw, and O’Casey0
INTERNATIONAL SHAW SOCIETY0
International Shaw Society0
Bernard Shaw + Richard Rorty = Two Dialectical Peas in a Jesusian Pragmatist Pod0
Bernard Shaw: Book Critic0
An Introduction to “Mr. Bernard Shaw on Syndicalism”0
Metadrama and Language (Language and Metadrama in Major Barbara and Pygmalion: Shavian Sisters)0
Translation – Adaptation – Transcreation: Jitta’s Atonement, Translated by Bernard Shaw0
Pygmalion in Paris0
A Tale of Two Prints0
Shaw's Letters to Newspapers0
Conversation and Catering: Bernard Shaw and the Winstens—a Symbiotic Relationshipat Ayot St Lawrence and Beyond0
Bernard Shaw and the Charles Macdona Partnership: Part I0
Mr. Bernard Shaw, Special Interview0
NOTICES0
Shaw in America (Bernard Shaw on the American Stage: A Chronicle of Premieres and Notable Revivals)0
The “Shavian Pattern” of Hallucinatory Experience: Saint Joan and the Problem of the Voices0
Resolving the Jangling Discords of Inconsonant Nations0
Theatrical Marriages0
A CONTINUING CHECKLIST OF SHAVIANA0
Political Extravaganzas and a Jonsonian Comedy0
Shaw Abroad—Art Without Dragons (Bernard Shaw and the Spanish-Speaking World)0
Shaw’s Proposal and Churchill’s Hope0
Shavian Arias and Virtuosity: Patrick Mason on Directing Shaw0
Shaw’s Criticism and Philosophy Dramatized0
“Un ‘Pygmalion’ québécois: une victoire”: Éloi de Grandmont’s Translation of Bernard Shaw’s Pygmalion0
Adaptation, Litigation, and Petrifaction: Bernard Shaw and That “loathsome plagiarism” The Chocolate Soldier0
A Superb Resource for Lovers of Shaw0
Toy Gods0
Judging Shaw: An Exhibition0
Operatic Adaptations of Shaw’s Plays The Devil’s Disciple and The Music Cure0
Directing Bernard Shaw at the Abbey Theatre: Interview with Annabelle Comyn0
Shaw the Fighter (Bernard Shaw and the Censors. Fights and Failures, Stage and Screen)0
Amending Shakespeare: Bernard Shaw’s Displeasure with Cymbeline, Act 5, in the Contexts of Modern Bardolatry and Syncretism0
Can We Still Take Shaw Seriously?0
Shavian Media: The Meaning of “Shavian” after Shaw0
Front Matter0
The Joy of Taxes0
Philip Hagemann—a Shavian Composer?0
“Tomfoolery” That Deserves Our Attention (Playlets)0
Collections of Bernard Shaw's Journalism0
Man and Roboman, or The Secret Co-Author of Man and Superman0
On the Municipal Gallery: Interview with Mr. Bernard Shaw The Danger of Fire The Poor and Pictures Municipal Art Gallery The Bridge Site0
Introduction0
International Shaw Society0
Miss Baxter and Mrs. Warren0
Bernard Shaw at the Brighton School of Art: A Lecture on “Art and Public Money”0
Growing Up Like Romola: The Spiritual Evolutions of George Eliot and Bernard Shaw0
Introduction0
Shaw's Legacy at the National Gallery of Ireland0
Shaw's Photojournalism: The Art of Self-Promotion0
Staging Shaw: An Interview with Colin Murphy0
The Shaw Bot: Creating Literature Bots Using IBM Artificial Intelligence and Cloud Computing Platform0
GBS Illustrated: Adrien Barrère: Shaw the Court Jester0
A Pen Portrait of SHAW's Creative Evolution0
Joan of Arc on the Stage and Her Sisters in Sublime Sanctity0
Three Early Shaw Plays That Interrogate Marriage, the Family, and Women’s Roles (Mrs. Warren’s Profession, Candida, and You Never Can Tell)0
War, Pandemic, and Immortality: 1918 and the Drama of Eternal Life0
An Introduction to Bernard Shaw's “Mr. Bernard Shaw, Special Interview”0
Racism and Shaw0
Bernard Shaw's Interior Authors0
NOTICES0
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