Shaw-The Journal of Bernard Shaw Studies

Papers
(The TQCC of Shaw-The Journal of Bernard Shaw Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-08-01 to 2025-08-01.)
ArticleCitations
David Staller in Conversation: A Look Into the New York World of David Staller1
Introduction1
INTERNATIONAL SHAW SOCIETY1
A CONTINUING CHECKLIST OF SHAVIANA0
Shaw Abroad—Art Without Dragons (Bernard Shaw and the Spanish-Speaking World)0
Producing Mrs. Warren’s Profession in São Paulo, Brazil0
Two Translations of a Cockney Girl in Shaw’s Pygmalion: The Works of Julio Broutá and Floreal Mazía0
Irish Übermenschen (Nietzsche and Irish Modernism)0
Bernard Shaw: Book Critic0
GBS Illustrated: Adrien Barrère: Shaw the Court Jester0
Mr. Bernard Shaw on Syndicalism: Advises People to Treat It Very Politely0
Finding Shaw Among His Irish and Chinese Contemporaries (The Chinese May Fourth Generation and the Irish Literary Revival: Writers and Fighters)0
Loosening the Stays: Victorian Shaw0
Shaw the Fighter (Bernard Shaw and the Censors. Fights and Failures, Stage and Screen)0
Introduction0
Sigh No More (Coward the Dramatist: Morals and Manners)0
Introduction to Shaw, Journalist0
The Joy of Taxes0
“Tomfoolery” That Deserves Our Attention (Playlets)0
An Introduction to Bernard Shaw's “On the Municipal Gallery”0
A Continuing Checklist of Shaviana0
A CONTINUING CHECKLIST OF SHAVIANA0
“Whole Play Complete, Only Waiting to Be Filled Out”: The Postmodern Hybrid of Why She Would Not by Bernard Shaw and Lionel Britton0
INTERNATIONAL SHAW SOCIETY0
Bernard Shaw + Richard Rorty = Two Dialectical Peas in a Jesusian Pragmatist Pod0
Pygmalion in Paris0
The Apple Cart & On the Rocks: Is Bernard Shaw a Supporter of Reformative Dictatorship?0
Shaw in America (Bernard Shaw on the American Stage: A Chronicle of Premieres and Notable Revivals)0
Political Extravaganzas and a Jonsonian Comedy0
“Built on the Money”: The Financialization of Capitalism and the Sense of History in Josie Rourke’s Stage Production of Shaw’s Saint Joan0
Shaw Among the Utopians (Utopian Drama: In Search of a Genre)0
A Selected Bibliography of Writings by Bernard Shaw on Americans and the United States0
On Translating Bernard Shaw’s Arms and the Man in Bulgarian0
World Bettering Partnerships (Sidney and Beatrice Webb: An Academic Biography)0
Revisiting Mander and Mitchenson’s Companion (Theatrical Companion to SHAW: A Pictorial Record of First Performances of the Plays of G. B. S. with Synopses, Casts and Detailed Notes0
Adaptation, Litigation, and Petrifaction: Bernard Shaw and That “loathsome plagiarism” The Chocolate Soldier0
Philip Hagemann—a Shavian Composer?0
Mr. Bernard Shaw, Special Interview0
Pygmalion in Ricoeurian Colors: Bernard Shaw, Paul Ricoeur, and the Shared Nexus between the Capable Human Being and Mutual Recognition0
War, Pandemic, and Immortality: 1918 and the Drama of Eternal Life0
“To Your Tents, Oh Israel!”0
Shaw Disarms the Man: War, Colonialism, and Theater in the 1890s (Arms and the Man, The Devil’s Disciple, and Caesar and Cleopatra)0
George Eliot, Bernard Shaw, and Their Doctors’ Dilemmas0
INTERNATIONAL SHAW SOCIETY0
Was Shaw a Victorian? We Need to Ask Another Question0
Bernard Shaw and the Charles Macdona Partnership: Part II0
Unions, Strikes, Shaw (Unions, Strikes, Shaw: “The Capitalism of the Proletariat.”)0
Water Supply and the Hygiene of the Poorest in G. B. Shaw’s Pygmalion0
Ghosts, Part 2 or Getting Married: Shaw’s Emendation of the Ibsenian New Woman0
The Sewing Machine and Spectral Presences: Connolly, Shaw, and O’Casey0
INTERNATIONAL SHAW SOCIETY0
Pygmalion and the Technologies of Global English0
Mrs Shaw Herself (Stage Version)0
Bernard Shaw as Political Writer0
NOTICES0
An Introduction to “Mr. Bernard Shaw on Syndicalism”0
Miss Baxter and Mrs. Warren0
Introduction0
Shaw’s Proposal and Churchill’s Hope0
The Shaw Bot: Creating Literature Bots Using IBM Artificial Intelligence and Cloud Computing Platform0
History and Religious Imagination: Bernard Shaw and the Irish Literary Revival—an Overview0
Introduction0
“I’m a slave now, for all my fine clothes”: Bernard Shaw’s Pygmalion and the Dido Myth0
A CONTINUING CHECKLIST OF SHAVIANA0
Bernard Shaw, Agnes Smedley, and Madame Sun Yat-sen0
Bernard Shaw, New Journalist (1885–1898)0
Translation – Adaptation – Transcreation: Jitta’s Atonement, Translated by Bernard Shaw0
The Rule and the Exception: Katharine Cornell and Peggy Wood Reviving Candida0
Shaw’s Criticism and Philosophy Dramatized0
Conversation and Catering: Bernard Shaw and the Winstens—a Symbiotic Relationshipat Ayot St Lawrence and Beyond0
International Shaw Society0
The “Shavian Pattern” of Hallucinatory Experience: Saint Joan and the Problem of the Voices0
Shaw’s Village Wooing: Love and Language from A to Z0
Remembering The Independent Shavian0
Cosmopolitan versus Parochial Irishness in Bernard Shaw's Music Journalism (1877–1894)0
Collections of Bernard Shaw's Journalism0
Bernard Shaw at the Brighton School of Art: A Lecture on “Art and Public Money”0
Notices0
Operatic Adaptations of Shaw’s Plays The Devil’s Disciple and The Music Cure0
Postcolonial Self-Creation in the Hong Kong Adaptation of Pygmalion0
INTERNATIONAL SHAW SOCIETY0
20th Anniversary of The International Shaw Society0
Introduction0
An Introduction to Bernard Shaw's “Mr. Bernard Shaw, Special Interview”0
From the Shaw Bot to ChatGPT: An Assessment of ChatGPT and Recommendations for Improvement0
Mourning Agnes: The Hidden Impact on Bernard Shaw of the Death of His Sister0
Three Early Shaw Plays That Interrogate Marriage, the Family, and Women’s Roles (Mrs. Warren’s Profession, Candida, and You Never Can Tell)0
Eliza Doolittle at Buckingham Palace: An Assessment of Shaw’s Impact in the Twentieth-First Century0
“Spirited Rebellion”: Theatre Workshop, the Living Theatre, and Bernard Shaw0
AI, Robot Shaw (Bernard Shaw, Automata, Robots, and Artificial Intelligence)0
Remembering a Life in Writing0
Heroism and Anti-Heroism: From Arms and the Man to Saint Joan0
“Mrs Shaw Herself”: An Introduction0
Cultural Hybridity, Discordant Relationships, and Critical Perspectives0
GBS Illustrated: Shaw the Film Star0
International Shaw Society0
Metadrama and Language (Language and Metadrama in Major Barbara and Pygmalion: Shavian Sisters)0
On Vegetarianism by Bernard Shaw0
NOTICES0
“To Thank a Zealous, Slightly Impudent Translator”: Bernard Shaw and Floryan Sobieniowski0
Subverting the Melodramatic in The Devil’s Disciple0
An Introduction to Bernard Shaw's “To Your Tents, Oh Israel!”0
Shaw's Letters to Newspapers0
Growing Up Like Romola: The Spiritual Evolutions of George Eliot and Bernard Shaw0
Introduction: Bernard Shaw and the New Modernist Studies0
The Serbian Shaw0
On the Municipal Gallery: Interview with Mr. Bernard Shaw The Danger of Fire The Poor and Pictures Municipal Art Gallery The Bridge Site0
INTERNATIONAL SHAW SOCIETY0
Personal and Political Marriages (Bernard Shaw: Reimagining Women and Ireland, 1892–1914)0
Insights Deep Within: Layered Lives in Shaw and Woolf (Bernard Shaw’s and Virginia Woolf’s Interior Authors: Censored and Modern)0
The Quintessence of Ibsen’s A Doll’s House (Henrik Ibsen’s A Doll’s House)0
Introduction0
Bernard Shaw and the Charles Macdona Partnership: Part I0
“Un ‘Pygmalion’ québécois: une victoire”: Éloi de Grandmont’s Translation of Bernard Shaw’s Pygmalion0
Amending Shakespeare: Bernard Shaw’s Displeasure with Cymbeline, Act 5, in the Contexts of Modern Bardolatry and Syncretism0
NOTICES0
Shavian Perspectives on the Cusp of Change and War (Pygmalion, Heartbreak House, and St. Joan)0
A Bibliography of Bernard Shaw’s Works in Japanese Translation in Memory of Masahiko Masumoto0
A Superb Resource for Lovers of Shaw0
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