Shaw-The Journal of Bernard Shaw Studies

Papers
(The TQCC of Shaw-The Journal of Bernard Shaw Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-09-01 to 2025-09-01.)
ArticleCitations
INTERNATIONAL SHAW SOCIETY1
David Staller in Conversation: A Look Into the New York World of David Staller1
Introduction1
INTERNATIONAL SHAW SOCIETY0
Water Supply and the Hygiene of the Poorest in G. B. Shaw’s Pygmalion0
Insights Deep Within: Layered Lives in Shaw and Woolf (Bernard Shaw’s and Virginia Woolf’s Interior Authors: Censored and Modern)0
The Quintessence of Ibsen’s A Doll’s House (Henrik Ibsen’s A Doll’s House)0
Pygmalion and the Technologies of Global English0
Bernard Shaw and the Charles Macdona Partnership: Part I0
“Un ‘Pygmalion’ québécois: une victoire”: Éloi de Grandmont’s Translation of Bernard Shaw’s Pygmalion0
An Introduction to “Mr. Bernard Shaw on Syndicalism”0
NOTICES0
Shavian Perspectives on the Cusp of Change and War (Pygmalion, Heartbreak House, and St. Joan)0
The Shaw Bot: Creating Literature Bots Using IBM Artificial Intelligence and Cloud Computing Platform0
A Superb Resource for Lovers of Shaw0
Shaw Abroad—Art Without Dragons (Bernard Shaw and the Spanish-Speaking World)0
Two Translations of a Cockney Girl in Shaw’s Pygmalion: The Works of Julio Broutá and Floreal Mazía0
A CONTINUING CHECKLIST OF SHAVIANA0
Bernard Shaw, Agnes Smedley, and Madame Sun Yat-sen0
GBS Illustrated: Adrien Barrère: Shaw the Court Jester0
Mr. Bernard Shaw on Syndicalism: Advises People to Treat It Very Politely0
Shaw’s Criticism and Philosophy Dramatized0
Irish Übermenschen (Nietzsche and Irish Modernism)0
Shaw the Fighter (Bernard Shaw and the Censors. Fights and Failures, Stage and Screen)0
Introduction0
The “Shavian Pattern” of Hallucinatory Experience: Saint Joan and the Problem of the Voices0
Finding Shaw Among His Irish and Chinese Contemporaries (The Chinese May Fourth Generation and the Irish Literary Revival: Writers and Fighters)0
The Joy of Taxes0
“Tomfoolery” That Deserves Our Attention (Playlets)0
Cosmopolitan versus Parochial Irishness in Bernard Shaw's Music Journalism (1877–1894)0
Sigh No More (Coward the Dramatist: Morals and Manners)0
On Vegetarianism by Bernard Shaw0
“Whole Play Complete, Only Waiting to Be Filled Out”: The Postmodern Hybrid of Why She Would Not by Bernard Shaw and Lionel Britton0
Notices0
An Introduction to Bernard Shaw's “On the Municipal Gallery”0
INTERNATIONAL SHAW SOCIETY0
Bernard Shaw + Richard Rorty = Two Dialectical Peas in a Jesusian Pragmatist Pod0
20th Anniversary of The International Shaw Society0
Pygmalion in Paris0
Shaw in America (Bernard Shaw on the American Stage: A Chronicle of Premieres and Notable Revivals)0
From the Shaw Bot to ChatGPT: An Assessment of ChatGPT and Recommendations for Improvement0
“Built on the Money”: The Financialization of Capitalism and the Sense of History in Josie Rourke’s Stage Production of Shaw’s Saint Joan0
The Apple Cart & On the Rocks: Is Bernard Shaw a Supporter of Reformative Dictatorship?0
Shaw Among the Utopians (Utopian Drama: In Search of a Genre)0
“Spirited Rebellion”: Theatre Workshop, the Living Theatre, and Bernard Shaw0
On Translating Bernard Shaw’s Arms and the Man in Bulgarian0
World Bettering Partnerships (Sidney and Beatrice Webb: An Academic Biography)0
“Mrs Shaw Herself”: An Introduction0
Adaptation, Litigation, and Petrifaction: Bernard Shaw and That “loathsome plagiarism” The Chocolate Soldier0
Philip Hagemann—a Shavian Composer?0
Metadrama and Language (Language and Metadrama in Major Barbara and Pygmalion: Shavian Sisters)0
Pygmalion in Ricoeurian Colors: Bernard Shaw, Paul Ricoeur, and the Shared Nexus between the Capable Human Being and Mutual Recognition0
War, Pandemic, and Immortality: 1918 and the Drama of Eternal Life0
Subverting the Melodramatic in The Devil’s Disciple0
Shaw Disarms the Man: War, Colonialism, and Theater in the 1890s (Arms and the Man, The Devil’s Disciple, and Caesar and Cleopatra)0
INTERNATIONAL SHAW SOCIETY0
Bernard Shaw and the Charles Macdona Partnership: Part II0
George Eliot, Bernard Shaw, and Their Doctors’ Dilemmas0
The Serbian Shaw0
Ghosts, Part 2 or Getting Married: Shaw’s Emendation of the Ibsenian New Woman0
The Sewing Machine and Spectral Presences: Connolly, Shaw, and O’Casey0
Personal and Political Marriages (Bernard Shaw: Reimagining Women and Ireland, 1892–1914)0
Unions, Strikes, Shaw (Unions, Strikes, Shaw: “The Capitalism of the Proletariat.”)0
Mrs Shaw Herself (Stage Version)0
Bernard Shaw as Political Writer0
Introduction0
INTERNATIONAL SHAW SOCIETY0
An Introduction to Bernard Shaw's “To Your Tents, Oh Israel!”0
Introduction0
Amending Shakespeare: Bernard Shaw’s Displeasure with Cymbeline, Act 5, in the Contexts of Modern Bardolatry and Syncretism0
NOTICES0
A CONTINUING CHECKLIST OF SHAVIANA0
Introduction0
A Bibliography of Bernard Shaw’s Works in Japanese Translation in Memory of Masahiko Masumoto0
Shaw’s Proposal and Churchill’s Hope0
A CONTINUING CHECKLIST OF SHAVIANA0
Producing Mrs. Warren’s Profession in São Paulo, Brazil0
Bernard Shaw, New Journalist (1885–1898)0
“I’m a slave now, for all my fine clothes”: Bernard Shaw’s Pygmalion and the Dido Myth0
The Rule and the Exception: Katharine Cornell and Peggy Wood Reviving Candida0
Bernard Shaw: Book Critic0
Conversation and Catering: Bernard Shaw and the Winstens—a Symbiotic Relationshipat Ayot St Lawrence and Beyond0
Translation – Adaptation – Transcreation: Jitta’s Atonement, Translated by Bernard Shaw0
International Shaw Society0
Loosening the Stays: Victorian Shaw0
Shaw’s Village Wooing: Love and Language from A to Z0
Remembering The Independent Shavian0
Introduction to Shaw, Journalist0
Collections of Bernard Shaw's Journalism0
Bernard Shaw at the Brighton School of Art: A Lecture on “Art and Public Money”0
A Continuing Checklist of Shaviana0
Operatic Adaptations of Shaw’s Plays The Devil’s Disciple and The Music Cure0
INTERNATIONAL SHAW SOCIETY0
Introduction0
Postcolonial Self-Creation in the Hong Kong Adaptation of Pygmalion0
An Introduction to Bernard Shaw's “Mr. Bernard Shaw, Special Interview”0
Mourning Agnes: The Hidden Impact on Bernard Shaw of the Death of His Sister0
Three Early Shaw Plays That Interrogate Marriage, the Family, and Women’s Roles (Mrs. Warren’s Profession, Candida, and You Never Can Tell)0
Political Extravaganzas and a Jonsonian Comedy0
AI, Robot Shaw (Bernard Shaw, Automata, Robots, and Artificial Intelligence)0
Remembering a Life in Writing0
A Selected Bibliography of Writings by Bernard Shaw on Americans and the United States0
Eliza Doolittle at Buckingham Palace: An Assessment of Shaw’s Impact in the Twentieth-First Century0
Cultural Hybridity, Discordant Relationships, and Critical Perspectives0
GBS Illustrated: Shaw the Film Star0
Revisiting Mander and Mitchenson’s Companion (Theatrical Companion to SHAW: A Pictorial Record of First Performances of the Plays of G. B. S. with Synopses, Casts and Detailed Notes0
Heroism and Anti-Heroism: From Arms and the Man to Saint Joan0
Miss Baxter and Mrs. Warren0
NOTICES0
Mr. Bernard Shaw, Special Interview0
International Shaw Society0
History and Religious Imagination: Bernard Shaw and the Irish Literary Revival—an Overview0
Shaw's Letters to Newspapers0
“To Your Tents, Oh Israel!”0
“To Thank a Zealous, Slightly Impudent Translator”: Bernard Shaw and Floryan Sobieniowski0
Introduction: Bernard Shaw and the New Modernist Studies0
Was Shaw a Victorian? We Need to Ask Another Question0
On the Municipal Gallery: Interview with Mr. Bernard Shaw The Danger of Fire The Poor and Pictures Municipal Art Gallery The Bridge Site0
Growing Up Like Romola: The Spiritual Evolutions of George Eliot and Bernard Shaw0
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