Sculpture Review

Papers
(The median citation count of Sculpture Review is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)
ArticleCitations
National Sculpture Society2
Sculpting Together1
From the Editors: The Changing Perspective1
Illuminating the Night: Sculpture at Brookgreen Gardens During Nights of a Thousand Candles1
The Daniel Chester French Study Collections Gallery at Chesterwood1
Richard Blake, FNSS: The Medal of Honor Recipient of the National Sculpture Society0
Coming Attractions: At American Museums By The Editors0
Our NSS Texas and Oklahoma Community0
0
A Closer Look: The 88th Annual Medal Winners0
National Sculpture Society’s 90th Annual Awards Exhibition at Brookgreen Gardens, SC0
Sculpture, Monuments, and Open Space0
Medals of the Year0
Sculpture Studios and Workspaces: My Studio By The Bay0
0
Letter from the National Sculpture Society0
Letter from the National Sculpture Society0
Artificial Intelligence: Its Growing Shadows and Its Potential Impact on the Arts0
A Studio Visit with Sculptor Warren King0
0
Passion with a Purpose: Ed Fraughton on His Life's Work0
Passages: In Memoriam 20230
Location is Everything0
Passages0
Whose Iconoclasm? The Controversies Over Public Sculpture0
The Fourth Plinth: Dynamic Installations in Trafalgar Square0
Foundry Services & Foundry Estimates0
Anish Kapoor: Another Shiny Surface0
0
From the Editors: Empty Pedestals0
0
Letter from the National Sculpture Society0
From the Editors: The Fourth Plinth—Trafalgar Square0
Luisa Granero: A Feminine Force0
Mind, Hand, and Eye: Creating Marble Sculpture0
From the Editors: Culture at Risk0
A Sculptor's Realm0
Sculpture Studios & Workspaces: A “Marvellous” Studio0
Young Sculptors New Directions0
Sculpture Studios and Workspaces0
Becoming Carter: “If I Could Sculpt Like That…”0
From the Editors: Public Sculpture—A Continuing Need for Discussion0
Notes from the Awards Committee0
The Ambassador Program0
Sculpture Studios and Workspaces0
The Importance of Small Realistic Sculpture in the Post Modern Abstract Art World0
NSS Utah Community: Building the Traditions of the Past and Embracing the Creativity of the Future0
Releasing Sculpture from Stone0
0
The Piccirilli Family: A Stone Carving Dynasty0
Sculpture Studios and Workspaces: Classic Workspace in Philadelphia0
Sculptura Virtual Events0
Sculpture Studios and Workspaces0
0
Prominent Sculptors Who Have Continued To Exhibit In The Prix West Annual Weekend Celebration Over Many Years0
Creating the NSS Southern California Ambassador Community0
Flying Off the Walls0
From the Editors: Beyond the City Centers0
Doug Erion on Collecting Art Publicly and Privately0
Letter from the National Sculpture Society0
Scratching the Surface0
National Sculpture Society's 2022 Alex J. Ettl Grant Recipient Elizabeth N. Jordan0
Medal Winners of the National Sculpture Society: 89th Annual Awards Exhibition0
Letter from the National Sculpture Society0
Molding the West: The Sculptors of Prix de West0
The Northern California Ambassador Community of the NSS0
Sculpture Conservation: (Part Science…Part Elbow Grease)0
Exhibitions‐Current and Upcoming: National Sculpture Society, 6 East 39th Street, Suite 903 New York, NY 10016, (212) 764‐56450
The Intersection of Art + Technology in Texas0
Southeastern Wildlife Exposition: Celebrating sculpture, and sculptors, for 40 years0
The Hercules of Bronze: Chad Fisher at the Lyme Academy of Fine Arts0
Harriet Tubman: The Subject of Two Recent Traveling Exhibits0
Three‐D Imaging as a Sculpture Tool0
From the Editors: Destruction In Ukraine0
Letter from the National Sculpture Society0
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