Sculpture Review

Papers
(The TQCC of Sculpture Review is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-06-01 to 2025-06-01.)
ArticleCitations
National Sculpture Society2
From the Editors: The Changing Perspective1
Sculpting Together1
From the Editors: Destruction In Ukraine0
0
SR Fall 2021 Photo Essay: Sculptors of European Ancestry0
Coming Attractions: At American Museums By The Editors0
Medal Winners of the National Sculpture Society: 89th Annual Awards Exhibition0
Letter from the National Sculpture Society0
Sculpture Basics: Armature, Clay, Tools & Instruction0
Molding the West: The Sculptors of Prix de West0
Escapes to Nature: Pocket Parks and Intimate Green Spaces Around Manhattan0
Notes from the Awards Committee0
0
Whose Iconoclasm? The Controversies Over Public Sculpture0
Sculpture Studios & Workspaces: A “Marvellous” Studio0
From the Editors: 9/11 A Commemoration0
Passion with a Purpose: Ed Fraughton on His Life's Work0
0
Margaret French Cresson at Chesterwood0
0
From the Editors: Thoughts on the Removal and Vandalism of Public Sculpture0
Sculpture Studios and Workspaces: Classic Workspace in Philadelphia0
Recognizing Sculptors: The Alex J. Ettl Grant0
Letter from the National Sculpture Society0
Passages: In Memoriam 20230
From the Editors: Public Sculpture—A Continuing Need for Discussion0
Letter from the National Sculpture Society0
Southeastern Wildlife Exposition: Celebrating sculpture, and sculptors, for 40 years0
From the Editors: Empty Pedestals0
Sculpture Studios and Workspaces0
NSS Utah Community: Building the Traditions of the Past and Embracing the Creativity of the Future0
The Hirshhorn Museum Sculpture Garden Plan Designing in Reverse0
From the Editors: The Fourth Plinth—Trafalgar Square0
From the Editors: Taking Stock!0
Mind, Hand, and Eye: Creating Marble Sculpture0
The Fourth Plinth: Dynamic Installations in Trafalgar Square0
Scratching the Surface0
Sculpting on Site: Field Trips into Deep Africa0
Anish Kapoor: Another Shiny Surface0
Young Sculptors New Directions0
Humor in the Public Space0
Letter from the National Sculpture Society0
Becoming Carter: “If I Could Sculpt Like That…”0
Sculpture Studios and Workspaces0
A Closer Look: The 88th Annual Medal Winners0
Sculpture Studios and Workspaces0
From the Editors: Beyond the City Centers0
From the Editors: Two Steps Forward, One Step Back0
Prominent Sculptors Who Have Continued To Exhibit In The Prix West Annual Weekend Celebration Over Many Years0
Doug Erion on Collecting Art Publicly and Privately0
Letter from the National Sculpture Society0
National Sculpture Society's 2022 Alex J. Ettl Grant Recipient Elizabeth N. Jordan0
Letter from the National Sculpture Society0
Sculpture Conservation: (Part Science…Part Elbow Grease)0
Exhibitions‐Current and Upcoming: National Sculpture Society, 6 East 39th Street, Suite 903 New York, NY 10016, (212) 764‐56450
National Sculpture Society’s 90th Annual Awards Exhibition at Brookgreen Gardens, SC0
The Daniel Chester French Study Collections Gallery at Chesterwood0
From the Offices of the National Sculpture Society0
The NSS 88th Annual Awards Exhibition0
Sculpture Studios and Workspaces0
Artificial Intelligence: Its Growing Shadows and Its Potential Impact on the Arts0
Passages0
Richard Blake, FNSS: The Medal of Honor Recipient of the National Sculpture Society0
Passages: In Memoriam0
Exhibitions 2021 and 20220
Releasing Sculpture from Stone0
Sculptor's Casting Materials: Complete Review of Materials Available0
Book Review: Jock Reynolds’ Biography of Manuel Neri0
Medals of the Year0
0
Sculpture, Monuments, and Open Space0
From the Offices of the National Sculpture Society0
The Piccirilli Family: A Stone Carving Dynasty0
A Studio Visit with Sculptor Warren King0
The Ambassador Program0
Sculptura Virtual Events0
0
Sculpture Studios and Workspaces: My Studio By The Bay0
Harriet Tubman: The Subject of Two Recent Traveling Exhibits0
Art and Anatomy, Part III: Sculpting Outdoors in One Session0
Foundry Services & Foundry Estimates0
0
Letter from the National Sculpture Society0
Luisa Granero: A Feminine Force0
From the Offices of the National Sculpture Society0
Our NSS Texas and Oklahoma Community0
0
Sculpture Studios and Workspaces0
Creating the NSS Southern California Ambassador Community0
The Outside Looking In, The Inside Looking Out0
0
The Hercules of Bronze: Chad Fisher at the Lyme Academy of Fine Arts0
Illuminating the Night: Sculpture at Brookgreen Gardens During Nights of a Thousand Candles0
A Monumental Challenge: Overseeing Thousands of Outdoor Sculptures at Brooklyn's Green‐Wood Cemetery0
Location is Everything0
The Intersection of Art + Technology in Texas0
Three‐D Imaging as a Sculpture Tool0
The Importance of Small Realistic Sculpture in the Post Modern Abstract Art World0
From the Editors: Culture at Risk0
The Northern California Ambassador Community of the NSS0
Art and Anatomy, Part IV: Sculpting Animals in Motion0
African Studies in the Field: Bringing The Work Back to the Studio0
0
0
A Sculptor's Realm0
Sculptor's Mold‐Making Materials: Complete Review of Materials Available0
Flying Off the Walls0
Sculpture Studios and Workspaces0
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