Canadian Journal of Film Studies-Revue Canadienne d'Etudes Cinematogra

Papers
(The TQCC of Canadian Journal of Film Studies-Revue Canadienne d'Etudes Cinematogra is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-11-01 to 2025-11-01.)
ArticleCitations
Angry Inuk, Listening to Science, and the Perpetuation of the Climate Crisis in Film3
Excavating Animal Planet’s Lost Tapes: The Unruly Images of a Posthuman Counter-Archive2
Back to the Future: An Ode to 16mm Film1
The Imagination at War: Visionary Poetics in Humphrey Jennings’s “I See London” and London Can Take It!1
Getting the Queer Word Out: Word is Out and 16mm Distribution as Gay and Lesbian Activism1
Soft-Core Sovereignty: Absorbing Canada’s Doukhobors in The Naked Flame (1964)1
The Cinema of Sara Gómez: Reframing Revolution0
David Cronenberg: Interviews0
On the Wings of Hypothesis: Collected Writings on Soviet Cinema0
Salt and Seaweed0
Italian Neorealism: A Cultural History and Neorealist Film Culture, 1945-1954: Rome, Open Cinema0
Bad Blood: Serial Killers, True Crime, and the Racial Imaginary in Shadow of a Doubt0
“Keeping Continuity: Institutional Memory and the FSAC/ACÉC Newsletter”0
Documenting the Anthropocene: The Burtynsky Trilogy0
L’empathie en réalité virtuelle comme posture d’auteur : Une étude québécoise0
Japonisme and the Birth of Cinema0
Promise Motivation: Films with Good News about Climate Change0
Climate Change and Cinema0
Forfaiture de Cecil B. Demille0
The Canadian Travel Film Library: Non-Theatrical Distribution and Tourism Promotion in the Postwar Period0
Moments of Perception: Experimental Film in Canada0
The Two Sides of American Sniper: Reflections on Clint Eastwood’s “Doubleness” Ten Years Later0
“Something to Fall Through”: Grid Forms in The Adventure of Faustus Bidgood (1986)0
The American Girl Goes to War: Women and National Identity in U.S. Silent Film0
Entretien avec la cinéaste kanienkéhà:ka (mohawk), Sonia Bonspille Boileau0
“ What if there were puppets? ” : L’esthétique queer de la franchise transmédiatique Carmilla (2014–2017)0
Reclaiming Popular Documentary0
In Memoriam: Dave Barber0
“Come to Canada”: Wartime Tourism Promotion and the Amateur Film Movement0
Korean Financial Thrillers: Neo-liberal Governmentality in Default and Black Money0
The Northern Story of the “World’s Finest 16mm Camera”: The Ciné-Kodak Special in Canada and Québec0
“Well somebody has to do something!”: First Reformed and Conceptualizing Climate Crisis0
The Films of Denys Arcand0
Mapping the Rockumentary: Images of Sound and Fury. Edited by Gunnar Iversen and Scott MacKenzie0
Boys Don’t Cry. By Chase Joynt and Morgan M. Page0
Originality, Imitation, and Re-indigenization: Kuiba: Z (2011) as a Culturally Hybrid Animated Film0
“See the Big Picture”: Cineplex Entertainment and Branded Cinemagoing0
Ad Astra ou paradoxes et dynamiques intermédiales dans l’œuvre d’Henri Hébert0
The Revisability of Film History0
Construction et déconstruction des mythes de fondation de l’Ouest américain au cinéma. Sur quatre plans iconiques du Western. Stagecoach, The Ox-Bow Incident, The Searchers, On0
La politique du cinéma indépendant en Turquie : Une nouvelle vague nationale a-t-elle jamais existé?0
The Man Who Changed the Climate: Frédéric Back’s Film Adaptation of The Man Who Planted Trees0
Crawley Films and Canada’s Audiovisual Infrastructure for Resource Extraction0
Introduction: 100 Years of 16mm in Canada0
Kill the Documentary: A Letter to Filmmakers, Students, and Scholars0
Figure and Force in Animation Aesthetics0
Closing the Gap: Storytelling in Nonfiction Virtual Reality0
New Media and Revolution: Resistance and Dissent in Pre-uprising Syria0
Resetting the Scene: Classical Hollywood Revisited0
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