Journal of Cultural Economics

Papers
(The median citation count of Journal of Cultural Economics is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-08-01 to 2025-08-01.)
ArticleCitations
David Challis: foreign currency volatility and the market for French modernist art; studies in the history of collecting & art markets, Vol.12 Brill, Leiden, 202138
Arts, Entrepreneurship, and Innovation21
Empirical evidence of anchoring and loss aversion from art auctions18
The “Bloomington Issue”17
Foreign pop-culture and backlash: the case of non-fan K-pop Subreddits during the pandemic16
Psychological capital, effort costs, and creativity: the trajectories of artistic careers15
The countervailing effects of spatial competition in the performing arts: examining local versus traded market performance9
Student loan debt and the career choices of college graduates with majors in the arts9
The impact of COVID-19 on cultural and arts activities: evidence from a large-scale micro-level survey in South Korea8
The never-ending book: the role of new material and peer feedback in user-generated content production7
International networks in cultural industries: the case of agencies for opera artists in the immediate post-COVID-19 period7
The global impact of public and private funding on cultural and economic movie success: evidence from German film funding6
Live and digital engagement with the visual arts6
The impact of cultural diplomacy on the Eurovision song contest6
Digital piracy in times of Covid-195
Do public libraries help mitigate crime? Evidence from Kansas City, MO5
Misattribution stigma and contagion: How did the art auction market react to Australian “Black art scandals”?5
Elisabetta Lazzaro, Nathalie Moureau, Adriana Turpin (Eds): Researching art markets. Past, present and tools for the future Routledge (Routledge Research in the Creative and Cultural Industries), Oxon5
The valuation of copies for Chinese artworks5
Tales of tails: sales distribution and the role of retail channels in the German book market5
Joke economics: the low profile of comedy in the economics of arts and culture4
Globalization and the rise of action movies in hollywood4
Determinants of technical efficiencies of cultural enterprises in Togo4
Originality, influence, and success: a model of creative style4
Luis César Herrero Prieto, Juan Prieto Rodríguez (Eds.): La Economía de la Cultura. Una disciplina joven: Estudios en homenaje al profesor Víctor Fernández Blanco4
Are authenticity labels effective for local tourism efficiency? A regression discontinuity design approach4
Front row or backstage? Evidence on concert ticket preferences from a discrete choice experiment4
The impact of social media activities on theater demand4
The economics of art history3
The rise and fall and rise again of the contemporary art market3
Linda Essig: creative infrastructures. Artists, money, and entrepreneurial action3
Peter Tschmuck: The economics of music, 2nd edition3
Measuring nepotism and sexism in artistic recognition: the awarding of medals at the Paris Salon, 1850–18803
List of Reviewers2
The moral foundations of public funding for the arts. Michael Rushton. Palgrave MacMillan2
Music preferences as an instrument of emotional self-regulation along the business cycle2
The impact of cultural amenities on inter-urban location: a discrete choice experiment on French students2
Workers’ access to Swedish opera houses and concert halls, 1898–20192
Beyond the big screen: secondary channel releases and their impact on the theatrical market2
More is worse: the evolution of quality of the UNESCO World Heritage List and its determinants2
The spatial dimensions of cultural consumption: how distance influences consumption levels in a spatial setting2
List of Reviewers2
Movie sentiment and home entertainment revenue2
‘Do songs tell stories?’ An empirical analysis of the effect of emotional arcs on success in a national song contest1
“Innovators” by David W. Galenson1
An empirical approach to measure unobserved cultural relations using music trade data1
Why the Impressionists did not create Impressionism1
Valuing European tapestry: from riches to rags1
How Monet became a millionaire: the importance of the artist’s account books1
Returns from rare coins: a machine learning approach1
Women artists: gender, ethnicity, origin and contemporary prices1
Eppur si muove: an evaluation of museum policy reform in Italy1
Knocking on Hell’s door: dismantling hate with cultural consumption1
Cashing in on culture: local employment effects from art and cultural district designation1
Two old masters and a young genius: the creativity of Francis Bacon, Lucian Freud, and Jean-Michel Basquiat1
Revising the canon: how Andy Warhol became the most important American modern artist1
Amy Whitaker: Economics of visual art: market practice and market resistance1
Censorship of U.S. movies in China1
From Bilbao to Bodø: how cultural flagships are transforming local cultural life1
Talent and technology in creative industries: introduction to the special issue1
Identifying outlier scores and outlier jurors to reduce manipulation in classical music competitions1
Uncovering potential barriers of using initial coin offerings to finance artistic projects1
Correction to: Career challenges facing musicians in the United States1
The reel deal? An experimental analysis of perception bias and AI film pitches1
Attracting new audiences to high culture: an analysis of live broadcasted performing arts at cinema theaters1
Economic valuation of becoming a superhero1
The labor market returns of being an artist: evidence from the United States, 2006–20211
New forms of finance and funding in the cultural and creative industries. Introduction to the special issue1
The rule of tome? Longer novels are more likely to win literary awards1
Correction: Core functions, visitor friendliness and digitalisation: a comparative analysis of corporate museums’ performance1
Hans Abbing: The economies of serious and popular art: how they diverged and reunited1
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