Anq-A Quarterly Journal of Short Articles Notes and Reviews

Papers
(The median citation count of Anq-A Quarterly Journal of Short Articles Notes and Reviews is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-04-01 to 2025-04-01.)
ArticleCitations
Contrapuntal Capitalism: Alternated Prosperity/failure in E. L. Doctorow’s Welcome to Hard Times2
“Here is the Why-Poem”: Bodily Privacy in Anne Sexton’s “Wanting to Die”2
Richard Aldington’s Allegory of Reading: The Eaten Heart2
Plague Writing and Quarantine in Zijian Chi’s Snow Crow1
Grit , True and Otherwise1
The Silence of Sound: An Acoustic Study of Shakespeare’s Sonnet 1291
A Posthumanist Reading of Geological Agency in “The Domain of Arnheim”1
An Historical Source for the Indian Pre-history in Somerset Maugham’s The Hero1
Relocating the Sacred: Evolving Perceptions of Faith in Don DeLillo’sFalling Man1
The Rise of the Arm Chair and the Fall of the Discipline—Philosophy and Quarantine: An Introduction to the Quarantine Special Issue1
The Influence of Alexandre Dumas in Mark Twain’s Adventures of Huckleberry Finn1
Sixteenth to Eighteenth-Century Underclass Slang: autem mort “Married Woman”1
Roaming Pauses in Cormac McCarthy’s The Road1
Verbal Negative Contraction in Four Most Complete Witnesses to the Old English Bede1
The Political Unconscious of Jackson Mac Low1
Mixed-Race Flâneuse : Identity Quest Through Flânerie in Han Suyin’s The Mountain Is Young1
Another Shaker of Salt: “To Earthward”1
Hamlet Things Thus Unknown1
“That Noisome and Contagious Receptacle”: Quarantine and Horror in Charles Brockden Brown’s “The Man at Home”1
The Plague in Romeo and Juliet: “The Day Is Hot”1
Waugh’s Brideshead Revisited (1945) and Milton’s Areopagitica : The Satirist in Spite of Himself0
A Literary Forerunner to Judge Holden in Cormac McCarthy’s Blood Meridian : S. Behrman in Frank Norris’s The Octopus0
“Mr. Britnell Knew Nothing of It“: The Other Protagonist in M. R. James’s “The Mezzotint”0
Sherman Alexie’s “Green World” and Don Quixote0
Philip Hobsbaum and British Poetry Anthologies at the End of the Twentieth Century0
Decoding Gaudiness in Early Hard-Boiled Fiction0
The Middle English Life of Christina Mirabilis by Thomas of Cantimpre´0
Rewriting the Sexual Contract in Octavia E. Butler’s “Bloodchild”0
“Trac’d upon Vellum or Wild Indian Leaf”:Hyperion, Mediation, and Romantic Materiality0
The Archetype in the Genesis A Adaptation of the Cainite Genealogy0
The Calm of the Wild: Memory, Inversion and Narrative Authority as a Function of Quarantine in Jack London’sThe Scarlet Plague0
A Spatial Narrative Interpretation of The Story of an Hour0
Philip Larkin’s “The Mower” as a Curtal Sonnet0
“Maybe the Symbols Don’t Mean What They Seem To”: Mary Elizabeth Counselman and the Language of Modernism0
Setting the Stage for Self-Determined Identity: Amiri Baraka‘s Dutchman as Political Myth0
The Lordlessness of the Danes in Beowulf0
Sterne’s Eastern Rambles: Melancholy and Imperial Subjectivity in Tristram Shandy0
Atomic Priesthood(s) and the “Knowing Smirk” of the Wandering Jew in A Canticle for Leibowitz0
Sankofa, Pets, and Familiars: How Animal Characters Encourage Interspecies Decolonization, Liberation, and Kinship in Alice Walker’sThe Temple of My Familiar0
Pindar’sIsthmian7.44–47 and Natale Conti’sMythologiae9.4 as the Possible Source Texts ofParadise Lost7.18–190
Hardy’s Intertextual Use of English Drama in The Return of the Native0
“Things in Heaven and Earth”: The Hamlet Allusions in H. G. Wells’s “In the Avu Observatory”0
Two Possible Sources in F. Scott Fitzgerald’s “The Curious Case of Benjamin Button”0
Byron’s the Bride of Abydos: A Tragic Love Poem?0
Uncanny Economies: Philip Larkin’s “Toads” and “Toads Revisited”0
Of Peerie Bairns and Periwinkles0
Literary Studies and Digital Archives: The Curious Case of the Epigraph in Gertrude Stein’s Three Lives0
The Etymology of Dyke and Bull-dyke0
Privileged Empathy in Susan Glaspell’s Trifles0
The Hamlet Wager: Ods A’th Weeker Side0
A Posthumanist Reading of the Dog in The Narrative of Arthur Gordon Pym of Nantucket0
The Origin of the Name Beowulf in a Gutnish *baþolfr “Battle-Wolf”0
Foot Picts: Faerie Lore and the Second Sight0
Architecture, Gender and the Polemic of Taste: 1730s–1750s0
Psychovisualism and Scenography in Russell Atkins’s Poetry-Drama The Corpse0
The First Literary Fictions of the 1587 Roanoke “Lost Colony”0
The Limits of Language and the Fragmentation of the Western Mind in John Burnside’s the Dumb House0
Shakespearean Echoes in Beaumont’s The Knight of the Burning Pestle0
“How Many Trades Have I to Live By”: Women’s Informal Labor in Thomas Heywood’s The Wise-Woman of Hogsdon0
Gissing’s Demos as an Antecedent of Chopin’s “The Story of an Hour”0
Dreaming of Cicero in John Gower’s Cultor in ecclesia0
Edie’s Enigma: Scott’s The Antiquary as a Source for Poe’s “Thou Art the Man”0
The Dialectical You, Representin’ I/i, Signifyin’ We: A Pronouns Primer for Claudia Rankine’s Citizen and the Black Arts Movement’s Grammar of Resistance0
Environmental Horror in the Time of the Ancient Mariner0
The Fall of Troy and Gawain’s Moral Siege: Identity and Vulnerability in Sir Gawain and the Green Knight0
Nietzsche Rethought: Testing Virtue Ethics in John Banville0
The Philosophy of Eating in “Bon-bon”0
Two Norse Literary Analogues of J. R. R. Tolkien’s Beacons of Gondor0
“I Never Make Mistakes”: Reimagining Victorian Heroines Through Lucilla’s Image in Margaret Oliphant’s Miss Marjoribanks (1866)0
George Henry Lewes’ Diary for January–March 18720
Variation and Reconstruction in Chinese Translations of Gulliver’s Travels , 1872-1948: Texts and Paratexts0
Erasing Racial Boundaries in “Hiram Powers’ Greek Slave”0
The Cosmology of Hank Morgan’s Daughter in A Connecticut Yankee0
Falconry in The Battle of Maldon and Kudrun0
The Old English Noun gebyrþen Revisited0
Adaptations of a Cultural Image: The Monkey King in Contemporary Overseas Chinese English Literature0
Reconstructing the Original Beasts and Super-Beasts by “Saki,” or How a Short Story Collection Took Shape0
Allen Ginsberg’s “China Works” and Poetics of “Unobstructed Breath”0
Dander and Dandruff : Etymologies0
Sir Orfeo as the Source for the Medieval Romance Topoi of Abduction and Otherworld Rampant within The Hobbit ’s Mirkwoo0
“I Stink of You”: Queer Sexuality in Sarah Kane’s Blasted0
“The Blind Man Eats Many Flies”: From Folk Remedy to Folk Saying?0
Drag and Drag Queen: Speculations on Origins0
Dickinson’s Non-Holding, “Sumptuous Destitution” and Emerson0
The Empowerment of Transmediation: From Literary Work to Material Culture0
A Detour in English Language: Reading The Joy Luck Club with Rey Chow0
Conflicting Promises in the Book of Joshua and Chaucer’s “Franklin’s Tale”0
On Consideration: Affect in J. M. Barrie’s “The Inconsiderate Waiter”0
Nature as Home Through the Portrait of Goldberry and Tom Bombadil in J.R.R. Tolkien’s Old Forest0
(Post)Feminism in the Vicki Barr Series: A Study of Helen Wells’ Peril over the Airport (1953)0
Cinematic Qualities and Visual Pleasure in John Updike’s “A&P”0
Slime, Gender, and Environment: Misogyny’s Slimic Entanglements with Ecophobia0
Edward Robinson: A Forgotten English Performer on the Continent in 17110
The Theoretical Cornerstone and Central Concept of Ethical Literary Criticism: Ethical Choice0
Twelfth Night : The Servant, the Love Letter, and the Pauline Epistles0
Editor’s Note0
Paradise Lost : Milton’s Last Poem0
Female Spaces and Female Identity in Estela Portillo-Trambley’s The Day of the Swallows0
“A Small Lantern in His Hand”: Evoking Diogenes in H. G. Wells’s “In the Avu Observatory”0
Heremod and the Jutes0
Some Overlooked Extracts from Mary Wollstonecraft’s Writings Published in Britain, 1792–17950
Raymond Chandler’s Gun Play: Chapters 14-16 of The Big Sleep as Three-Act Farce0
Armand Aubigny’s Quest for Legitimacy0
“Punish with Impunity”: The Unreliable Narration in “My Purple Scented Novel”0
Ethics of Narrative0
Cornix and May: Further Parallels in Gower and Chaucer0
Murder of the Eye (I): Disruption of Circumscription in “The Tell-Tale Heart”0
Platonic Soul in Hamlet’s Choral Trio0
The Masculinity Crisis Manifested by Sound and Voices in T. S. Eliot’s Early Poetry0
Dickinson’s Self-Cultivation, Optional Summer and Chinese Aesthetic0
An Unpublished Letter from Thomas Carlyle to His American Publisher Abraham Hart0
Challenging Marginalization: Zitkala-Sa, American Indian Stories , and the Child of Disruption0
The Unrecognized Legacy: The Palimpsestuous Presence of the Little House Books in Linda Sue Park’s SeeSaw Girl0
Playing the Dozens: Etymology Reconsidered0
Intellectual Pleasure: Solitary Leisure of the Jamesian Traveling Self0
Shangri-La and the Imperial Imagination in James Hilton’s Lost Horizon0
She, Not I: Issues of Female Subjectivity in Beckett’s Not I A Study of the 1977 BBC Production of Not I0
Echoes of the Biblical Story of Joseph and His Brothers in Willa Cather’s O Pioneers!0
Emerson and Marti: Kindred Spirits0
Quarantine Then and Now: Reflections on Year of Wonders and COVID-190
“Rouse English Virtue in Each English Heart”: The Role of the Gentleman’s Magazine in the Propaganda War Against the Jacobite Rebellion of 1745–460
Last of the Romans: Boffin, Belisarius, and the Collapse of Historical Distance in Dickens’s Our Mutual Friend0
Suresby and Shallow0
“Old Buggers”: Graham Swift’s Last Orders and the Chatham Naval Memorial0
American (Un)sustainability and Transcendental Resilience in Jack London’s The Scarlet Plague0
Kyd, Shakespeare, and Arden of Faversham: Rerunning a Two-Horse Race0
The Eagle Has Landed: A Prophetic Pun in John Gower’sCronica tripertita0
Social and Ecological Relationships in South Korean Quarantine and COVID-19 Literature0
The Mound and the Supernatural: The Dream of the Rood Line 32b Reconsidered0
Illustrations As Metatext in Fear and Loathing in Las Vegas0
“I Reed a Hard Readinge a whill”: Reconstructing the Reading of Lady Margaret Hoby0
A Story About Beaver Slavery in Arabic, Northern European, and Persian Sources0
Prosthetic Memory and Textual Inheritance: Reading Nicole Krauss’s The History of Love with Bernard Stiegler0
On Gendering the Speaker in Anne Vaughan Lock’s Meditation of a Penitent Sinner0
“She Dragged Herself Along”: The Limping Heroine in Edith Wharton’s “All Souls’”0
“First Hell”: The Timing and Circumstances of Hell’s Creation in Paradise Lost0
Specter of Shame: Social Melancholy and (De)pathologization of Femininity in Fae Myenne Ng’s Bone0
Snoopy’s Pedigree: The Etymology of Beagle0
Narrative Tension in A Narrow Fellow in the Grass0
F. Scott Fitzgerald and Willa Cather: A Literary Relationship in Letters0
The Character Helle in De Resurrectione Domini , the Old English Cotton Vespasian D.xiv Version of Christ’s Descent into Hell in the Gospel of Nicodemus0
Limestone, Language, and Play: On W. H. Auden’s “In Praise of Limestone”0
Primo Levi’s “The Last One”: A Possible Context0
Things Teachers Can Learn from Roald Dahl’s Matilda : Education in Children’s Literature0
The Date of Composition of D. H. Lawrence’s “Insouciance”0
The Question of Mrs Costello’s Hostility in Henry James’s “Daisy Miller”0
Victory in Ethics: An Ethical Reading of Joseph Conrad’s Victory0
Problems with the Dramatic Irony Theory ofBeowulf0
Auden-Byron Parallel: Lord Byron’s Don Juan as Intertext in W. H. Auden’s Travel Writing0
“Laetitia Pilkington’s “ Verses Wrote in a Library ” and the Poetical Imagination”0
Reception, Translation, and British Liberalism’s Continental Roots: Augustin Filon on John Morley’s French Studies0
Spunk, Gormless , and Their Multi-Factor Etymologies0
“She’s Mad, but She’s Magic”: Kay “Kaja” Johnson, Charles Bukowski and Their Literary Relationship0
Temporality and History in John Bale’s King Johan0
Interest Theory and Slingsby Bethel in Absalom and Achitophel0
The Nonhuman Turn inGravity’s Rainbow0
Grendel and the Witches: Germanic Mythology and Beowulf Line 1630
Masculinity, Trauma, and Literary Rebellion: John Berryman’s Homage to Mistress Bradstreet0
“You Horrible Lovely Genius”: Assia Wevill, Storytelling, and Feminist Recovery0
“Potatosoap”: Moly in James Joyce’s Ulysses0
New Light on Nella Larsen’s Denmark0
“Who Is the Real Protagonist?: Unreliable Narration and Narrative Maneuver in William Trevor’s “Gilbert’s Mother”0
Monstrous Alphabet in J. M. Coetzee’s Foe0
Imagery and Influence: The Parallel Prospects of Ursula K. Le Guin and Nikolai Gogol0
Washington Allston’s “Belshazzar”: The Key to Poe’s “The Masque of the Red Death”0
The Portrayal of King Cynewulf in the Entry for 755 in the Anglo-Saxon Chronicle0
The Neglected Aestheticism in Scotland: Robert Louis Stevenson’s Bohemian Aesthetics0
The Politics of Naming: Helen in Alice Munro’s “Floating Bridge”0
Two Unpublished Letters of Helen Maria Williams to Hester Lynch Piozzi0
Pricing and Competition in Early London Editions of Robinson Crusoe , 1719–17470
Morrison’s The Bluest Eye and the Myth of Persephone: An Ecofeminist Critique0
A New George Eliot Letter0
“Please Tell About Dad”: Anxiety and Nostalgia in Arthur Miller’s Death of a Salesman0
New Evidence Against an Early Date for Hamlet0
Koringa and the Professor: Beating some ‘fictive’ bounds in Finuala Dowling’s The Man Who Loved Crocodile Tamers0
“Of Unreproved Name”: The Decay of Memory in Ben Jonson’s Volpone0
Hemingway’s The Old Man and the Sea : Paired Oppositions as a Narrative Strategy0
William Butler Yeats’s Encounter with Korea0
Twee ‘Dainty, Quaint, Precious, mawkish’0
The Multiple Meanings of the Ear Metaphor in Hamlet0
Cosmic Egg and Infant Demiurge: Antecedents of McCarthy’s Judge Holden ( Blood Meridian )0
Dogwood, Whippletree , and Swingletree : Cross-Referential Etymologies0
An Unremarked Collocation0
What are You Going to Do Now?: Intentional Action in The Graduate0
“The Goddamn Vietnam Thing”: Donald E. Westlake’s The Comedy Is Finished0
Examining Scholarly Disagreement on D. H. Lawrence’s “The State of Funk”: New Perspectives from Archives0
Postlapsarian Garden in Kyd’s the Spanish Tragedy and Shakespeare’s Hamlet0
Deep Time, Prehistoric Animals, and the Crystal: J. G. Ballard and Haeckel’s Evolutionary Biology0
Eleven Alexander Baron Letters0
A “Peculiarly American” Sense in T. S. Eliot’s “Tradition and the Individual Talent”0
Emersonian Borrowings in Two Early Poems of Wallace Stevens0
Reading and Reworking the Bard in Amherst, Massachusetts: Allusions to William Shakespeare’s Tragedies in Three of Emily Dickinson’s Poems0
An Unheimlich Wanderer: Mick’s Spatial Anxiety in Carson McCullers’s The Heart Is a Lonely Hunter0
Death by hari-kari in The Murder of Roger Ackroyd0
“Pulling Meaning” from the Earth: Blues Singing in Song of Solomon0
“Things Can Always Get Worse”: Charles Dickens’s David Copperfield , William Shakespeare’s King Lear , and the Comitragic Arc of the Musse0
Behind the Scenes: Exposing the American West in Peter Handke’s Short Letter, Long Farewell0
The Quadrant and the Sextant: Taking the Measure of the Cosmos in Herman Melville’s Moby-Dick and Cormac McCarthy’s The Road0
The Female Prophet and Religious Re-visioning in Marilynne Robinson’s Lila0
“Like This”: The Coffin Pictogram and the Implied Editor in as I Lay Dying0
On Mockingbirds and Finches: Charles Darwin, Eugenics, and the Title of Harper Lee’s Most Famous Novel0
“Stopping by Woods on a Snowy Evening”: Robert Frost’s Comments on Emerson0
The Origin of Faggot “Homosexual” and Its Historical Tie to Heresy0
“I am Rather Morbid”: An Unpublished George Eliot letter to Sir Henry Maine0
Some Notes on the Rhetoric of Macbeth ’s “If It Were Done” Soliloquy0
“What’s in a Name?”: Barton Booth, Billy Booth and Some Theatrical Roots in Fielding’sAmelia0
Digging up Emerson’s Garden: Competing Notions of Transcendentalist Temporality in the Dial0
The Iron Teeth of Wrath: A Source for Spenser’s Faerie Queene II.iv. in The Pilgrimage of the Lyfe of the Manhode of Guillaume de Deguilev0
“Something Like Amusement”: Comedy and Humor in Cormac McCarthy’s Suttree0
Homeland Behind the Iron Curtain: Steinbeck’s Depoliticized Writing in A Russian Journal0
Reflections on Quarantine and Social Relations in Zijian Chi’s Snow Crow in Light of Shanghai’s 2022 Quarantines0
Echoes of Hesiod’s Works and Days in T. S. Eliot’s The Waste Land0
Thrones and Dominions/Dominations in the Old English Version of the Homiliary of Angers0
The Heraldic Landscape in M. R. James’s “A Warning to the Curious”0
A Bibliography of the Literary Works of Bernard Isaac Durward0
“Worldes Faierie”: The Narrative Controversies over Constance in Confessio Amantis0
Quarantine Time is “Out of Joint”: Re-Stitching Time as Posthuman Temporalities in Emma Donoghue’sThe Pull of the Stars0
An American Source for Oscar Wilde’s A Woman of No Importance0
Creating the New Breed of Comic Heroine in Elizabeth Polwhele’s the Frolicks (1671)0
“Fathers and Sons” and the Triumphs and Tribulations of Male Bonding in August Wilson’s Two Trains Running and Jitney0
Two Sources for John Gower’s “Ad mundum mitto”0
O. Henry’s Fictional Quarrel with Henry James0
Cognitive Embedding in Retrospective Focalization in Robinson Crusoe : Self-Alienation, Moral Self-Fashioning, and Rhetorical Effect0
Dorothy Parker’s “Perfect Limousine”0
CORRECTION0
“Isn’t this the ending of Fahrenheit 451?”: The Intertextual Intersection of Fahrenheit 451, Fight Club, and Adjustment Day0
Madness as Resistance in Alice Walker’s By the Light of My Father’s Smile0
Coriolanus and Failures of Listening0
Literary Cartography and Planetary Poetics in Lord Jim0
Faces and Gazes in The Winter’s Tale0
The Fascination of Corruption: Oscar Wilde and Pater’s Leonardo da Vinci0
Issa and Ryokan in James Merrill’s the Book of Ephraim0
‘New Themes for the Bold’: The POOL Group’s Prototypically Queer Perspectives on Cinema0
The Prologue to Romeo and Juliet in Q1 (1597) and Q2 (1599): Purpose, Precedence, and Value0
Cædmon, Daniel, and the Dreamer in The Dream of the Rood0
“Lyell’s Hypothesis Again”: Kenneth Rexroth’s Diction of Stone0
Textual Beadwork in Zitkala-Ša’s Autobiographical Essays0
The Relevance of Rivendell’s Growing Cultural Value from The Hobbit to The Lord of the Rings0
Angela Carter and the “Sociology of clothes” in The Infernal Desire Machines of Doctor Hoffman0
Babbalanja’s Theurgy in Melville’s Mardi0
Johnson’s Circle, Conversation, and Civil Society0
Dexter and Sinister in M. R. James’s “Oh, Whistle, and I’ll Come to You, My Lad”0
Byrhtwold’s Speech in The Battle of Maldon : A New Analogue in Saxo Grammaticus’s Gesta Danorum0
Pasquill’s “Lives of the Saints” and Thomas Nashe’s Almond for a Parrat (1590)0
Art in the Stories of Jhumpa Lahiri0
Human Machines and Machinic Humans in Philip K Dick’s We Can Build You0
Animals in Quarantine: Biosecurity Vs. Biodiversity0
J.R.R. Tolkien and Bertha S. Phillpotts: A New Source for “The Monsters and the Critics”0
Sherlock Holmes, ‘Metaphysical Detective’: A Note on Arthur Conan Doyle’s “The Naval Treaty” and Alfred Tennyson’s “Flower in the Crannied Wall”0
Bret Harte’s “Ah Sin”: Irish Catholics, Chinese Immigrants, and Heathen Others in “Plain Language from Truthful James”0
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