Anq-A Quarterly Journal of Short Articles Notes and Reviews

Article	Citations
George Henry Lewes’ Diary for 1870	2
Addenda: One Middle English Manuscript and Four Editions of Medieval Works Known to J. R. R. Tolkien and What They Reveal	2
J.R.R. Tolkien and Bertha S. Phillpotts: A New Source for “The Monsters and the Critics”	1
Kyd, Shakespeare, and Arden of Faversham: Rerunning a Two-Horse Race	1
The Middle English Life of Christina Mirabilis by Thomas of Cantimpre´	1
George Henry Lewes’ Diary for January–March 1871	1
W. H. Auden’s “The Secret Agent,” the Old English “Wulf and Eadwacer,” and Ockham’s Razor	1
Finding “Bluebeard” in Kurt Vonnegut’s Bluebeard	1
Environmental Lessons From the Crime of the Ancient Mariner	1
Problems with the Dramatic Irony Theory of Beowulf	1
“First Hell”: The Timing and Circumstances of Hell’s Creation in Paradise Lost	1
Quarantine Then and Now: Reflections on Year of Wonders and COVID-19	1
Sir Orfeo as the Source for the Medieval Romance Topoi of Abduction and Otherworld Rampant within The Hobbit ’s Mirkwoo	1
Fictive Kinship in Marilynne Robinson’s Gilead	1
A Glimpse of Allocentrism in Doughty’s Travels in Arabia Deserta	1
Heremod and the Jutes	1
On the History of the Chinese Translations ofGulliver’s Travels	1
The Calm of the Wild: Memory, Inversion and Narrative Authority as a Function of Quarantine in Jack London’sThe Scarlet Plague	1
Quarantine Time is “Out of Joint”: Re-Stitching Time as Posthuman Temporalities in Emma Donoghue’sThe Pull of the Stars	1
The Origin of the Name Beowulf in a Gutnish *baþolfr “Battle-Wolf”	1
“He’s a Machine—made So.”: Rethinking Humanlike Robots in Issac Asimov’s I, Robot	1
“From the North”: M. R. James’s “Oh, Whistle, and I’ll Come to You, My Lad”	1
Nicolay Yakovlev’s Theory of Old English Meter: A Reply	1
An Icelandic Unferð in Illuga Saga Gríðarfóstra	1
Word Collocations and Character N-grams Agree that Munday Did Not Compose Sir Thomas More	1

More Unpublished George Eliot-George Henry Lewes Letters	0
Inhabiting a Comfortable Fiction of the Self: J.M. Coetzee’s Summertime	0
Death by hari-kari in The Murder of Roger Ackroyd	0
The Unsoundness of the Stylometric Case for Thomas Watson’s Authorship of Arden of Faversham	0
“As in a Mirror”: The Medusa Allusion in Oliver Onions’ “The Beckoning Fair One”	0
Ann Patchett’s Run and James Joyce’s “The Dead”: A Call to Action	0
Horse Imagery in Thomas Hardy’s Fiction	0
On the Publication of Mary Wroth’s Urania (1621)	0
Body as a Metaphor in Doris Lessing’s “To Room Nineteen”	0
Armand Aubigny’s Quest for Legitimacy	0
Twee ‘Dainty, Quaint, Precious, mawkish’	0
“The Blind Man Eats Many Flies”: From Folk Remedy to Folk Saying?	0
The Celebration of Technoscience in “1980,” a Futuristic Science Fiction Published from Calcutta in 1835	0
Rank/range and chain mail: Two Comparable Etymologies, with a Note on mesh	0
A Midsummer Night’s Dream and African Source Materials	0
“Hic Jacet”: Oliver Onions’s Doppelganger Tale for the Artistic Types	0
Challenging Marginalization: Zitkala-Sa, American Indian Stories , and the Child of Disruption	0
CORRECTION	0
Bligh, Mariner, and Byron’s The Island	0
“Her Eyes Were Huge and Hungered”: Mother Love and the Decline of Rinthy Holme in Cormac McCarthy’s Outer Dark	0
Faces and Gazes inThe Winter’s Tale	0
A “Modification” of Spenser in “Resolution and Independence”	0
Stitches of Ecological Destiny in John Millington Synge’s Riders to the Sea	0
Interest Theory and Slingsby Bethel in Absalom and Achitophel	0
“It Gives Me the Willies ”	0
Cædmon, Daniel, and the Dreamer in The Dream of the Rood	0
An Unremarked Collocation	0
An Unusual Lexical Choice in the Old English Translation of the Homiliary of Angers	0
Human Machines and Machinic Humans in Philip K Dick’s We Can Build You	0
Waste and Empty the Sea	0
Victory in Ethics: An Ethical Reading of Joseph Conrad’s Victory	0
“I Reed a Hard Readinge a whill”: Reconstructing the Reading of Lady Margaret Hoby	0
Adaptations of a Cultural Image: The Monkey King in Contemporary Overseas Chinese English Literature	0
Winding the Horn: Collins’s Beetle and Rogers’s Bee	0
Edward Young, Alexander Pope, and Lorenzo’s “Salamander-heart”	0
Auden-Byron Parallel: Lord Byron’s Don Juan as Intertext in W. H. Auden’s Travel Writing	0
Functions of Stamps in Iris Murdoch’s Bruno’s Dream	0
The Origin of Faggot “Homosexual” and Its Historical Tie to Heresy	0
Charles Henry Smith, Florida Promoter	0
“In the Grip of Grue”: The Fascination with Horror in Cormac McCarthy’s Suttree	0
Mr. Collins’s Secret Sermon in Pride and Prejudice	0
The Balcony Scene: Class, Descent and Spatial Metaphor in A Streetcar Named Desire	0
Traces of Literacy in Clark Coolidge’s “A / per”	0
On the Differences between Gulliver’s Travels and Han Man You	0
(Post)Feminism in the Vicki Barr Series: A Study of Helen Wells’ Peril over the Airport (1953)	0
Thomas Elyot, Papyrius Geminus Eleates, and Hermathena, seu de Eloquentiae victoria (1522)	0
Deconstructing Wo(man) and Animal Binary in Morrison’s The Bluest Eye	0
American (Un)sustainability and Transcendental Resilience in Jack London’s The Scarlet Plague	0
“She Dragged Herself Along”: The Limping Heroine in Edith Wharton’s “All Souls’”	0
Tripping on Entropy: LSD in Pynchon’s The Crying of Lot 49	0

Sodomy and the M.O.A.I. Riddle in Twelfth Night	0
A Posthumanist Reading of Geological Agency in “The Domain of Arnheim”	0
The Influence of Alexandre Dumas in Mark Twain’s Adventures of Huckleberry Finn	0
Tennyson’s Proof Copies Rejected by the Turkish Bureaucracy	0
Philip Larkin’s “The Mower” as a Curtal Sonnet	0
Relocating the Sacred: Evolving Perceptions of Faith in Don DeLillo’sFalling Man	0
Limestone, Language, and Play: On W. H. Auden’s “In Praise of Limestone”	0
Edward Bellamy’s Use and Critique of Advertising in Looking Backward and The New Nation	0
“I am Rather Morbid”: An Unpublished George Eliot letter to Sir Henry Maine	0
Stillness in Locomotion: Exploring the Self-Dissolution of Urban Existence in Bowen’s To the North	0
“Lyell’s Hypothesis Again”: Kenneth Rexroth’s Diction of Stone	0
The Plague in Romeo and Juliet: “The Day Is Hot”	0
Grendel and the Witches: Germanic Mythology and Beowulf Line 163	0
Eleven Alexander Baron Letters	0
Hardy’s Intertextual Use of English Drama in The Return of the Native	0
“Maids Turn’d Bottels” in the Rape of the Lock : A Reconsideration	0
An Early Fragment of Cormac McCarthy’s The Passenger	0
“Subscribers, Underwriters, and Sterne”	0
The Quadrant and the Sextant: Taking the Measure of the Cosmos in Herman Melville’s Moby-Dick and Cormac McCarthy’s The Road	0
Estovers: Customary Communal Rights to Natural Resources in Rural England	0
A “Peculiarly American” Sense in T. S. Eliot’s “Tradition and the Individual Talent”	0
Memory as Techné: Remapping the Beckettian Dynamics of Remembrance in That Time	0
Decoding Gaudiness in Early Hard-Boiled Fiction	0
Last of the Romans: Boffin, Belisarius, and the Collapse of Historical Distance in Dickens’s Our Mutual Friend	0
The Evolutionary Nightmare of Michael Symmons Roberts: A Source in P. L. Travers	0
“Punish with Impunity”: The Unreliable Narration in “My Purple Scented Novel”	0
Emersonian Borrowings in Two Early Poems of Wallace Stevens	0
A Textual Study of Lawrence Durrell’sRevolt of Aphrodite: The Book that Has Not yet Been	0
“A Busy, Sprawling, Crowded, and Dirty River Port”: Chinua Achebe’s Green Thinking in “The Sacrificial Egg”	0
Katherine Mansfield’s “Bliss”: A Portrait of the Bourgeoisie	0
From Root to Rhizome: “Collaborative Survival” and “Vibrant Matter” in the Diasporic Prairies of Joy Kogawa’s Obasan and Hiromi Goto’s Chorus of Mushrooms	0
Environmental Horror in the Time of the Ancient Mariner	0
A Troublesome Source: The Liber Ex Lege Moysi and the Mosaic Prologue to King Alfred’s Domboc	0
Thomas Gray’s “Song” and the Thyrsis Topos	0
Narratological Redemption in Jim Thompson’s After Dark, My Sweet	0
Reflections on Quarantine and Social Relations in Zijian Chi’s Snow Crow in Light of Shanghai’s 2022 Quarantines	0
James Montgomery’s “Gazing Maniac” and James Thomson’s Celadon	0
“It Was Left for Others to Speak”: Uncle Tom’s Cabin and the Civil War	0
Sankofa, Pets, and Familiars: How Animal Characters Encourage Interspecies Decolonization, Liberation, and Kinship in Alice Walker’s The Temple of My Familiar	0
Madness as Resistance in Alice Walker’s By the Light of My Father’s Smile	0
Minor Germanic Deities and the Etymology of Beowulf’s Name	0
A Tale of Two Bigamists: Mary Elizabeth Braddon’s Lady Audley’s Secret and Aphra Behn’s The History of the Nun	0
“That Noisome and Contagious Receptacle”: Quarantine and Horror in Charles Brockden Brown’s “The Man at Home”	0
The Archetype in the Genesis A Adaptation of the Cainite Genealogy	0
“The Robber’s Daughter” and “Die Nymphe des Brunnens”	0
“Here is the Why-Poem”: Bodily Privacy in Anne Sexton’s “Wanting to Die”	0
A Bibliography of the Literary Works of Bernard Isaac Durward	0
Game of the Intruder: Parody in Death and the King’s Horseman	0
Sally Hemings and Thomas Jefferson: Some Thoughts	0
A Literary Forerunner to Judge Holden in Cormac McCarthy’s Blood Meridian: S. Behrman in Frank Norris’s The Octopus	0
Marie Hay’s The Evil Vineyard and Jung’s Memories, Dreams, Reflections	0
Reconstructing the Original Beasts and Super-Beasts by “Saki,” or How a Short Story Collection Took Shape	0
Jig’s Polemics in “Hills like White Elephants”	0
“Willing to Remember Jim”: Narrative as Mediation	0
Dickinson’s Self-Cultivation, Optional Summer and Chinese Aesthetic	0
William Shenstone, Visual Culture and Relational Media Practices	0
The Philosophy of Eating in “Bon-bon”	0
What the Dickens! No Twelve Noon?	0
“Potatosoap”: Moly in James Joyce’s Ulysses	0
The Political Unconscious of Jackson Mac Low	0
Fantrapasy: Narrative Entrapment and Inescapability of Fate: The Case of Late Mrs Mallard	0
Illustrating Gulliver and the Lilliputians in 1727 and 1728	0
Plague Writing and Quarantine in Zijian Chi’s Snow Crow	0
“Miss Brill”: Katherine Mansfield’s Urban Modern Text	0
Murtherers as Your Selues: Speech Ascription in King Richard III	0
Possible Sources of Marlowe’s Heterodox Malta	0
The Image of Hats in Katherine Mansfield’s “The Garden Party”	0
George Eliot’s “Language of Colours”	0
The Rise of the Arm Chair and the Fall of the Discipline—Philosophy and Quarantine: An Introduction to the Quarantine Special Issue	0
The Hamlet Wager: Ods A’th Weeker Side	0
Lucretius, Seneca the Younger, Aulus Gellius, Justus Lipsius, and Shakespeare: The Reshaping of a Classical Topos inThe Tempest	0
“Old Buggers”: Graham Swift’s Last Orders and the Chatham Naval Memorial	0
Byrhtwold’s Speech in The Battle of Maldon : A New Analogue in Saxo Grammaticus’s Gesta Danorum	0
Sixteenth to Eighteenth-Century Underclass Slang: autem mort “Married Woman”	0
The Composition of the Offa Digression and Its Rhetorical Purpose in Beowulf	0
Dogwood, Whippletree , and Swingletree : Cross-Referential Etymologies	0
Dickinson’s Non-Holding, “Sumptuous Destitution” and Emerson	0
Conflicting Promises in the Book of Joshua and Chaucer’s “Franklin’s Tale”	0
Of Peerie Bairns and Periwinkles	0
The Silence of Sound: An Acoustic Study of Shakespeare’s Sonnet 129	0

The Task of the Chinese Translator: Charles Bernstein’s “A Test of Poetry”	0
“Laetitia Pilkington’s “ Verses Wrote in a Library ” and the Poetical Imagination”	0
“I do flowers, you know”: Mrs. Jordan's Green Discourse in Henry James's In the Cage	0
The Date of Composition of D. H. Lawrence’s “Insouciance”	0
“Imaginative Power” in “The Yellow Wallpaper”	0
Public Cries in the Medieval Languages of Britain: Haro! Havoc!	0
Edward Bellamy on Race, Empire, and Populism	0
Edie’s Enigma: Scott’s The Antiquary as a Source for Poe’s “Thou Art the Man”	0
Verbal Negative Contraction in Four Most Complete Witnesses to the Old English Bede	0
George Henry Lewes: Some Documents	0
An Unpublished Letter from Thomas Carlyle to His American Publisher Abraham Hart	0
Kay Boyle and the “Jewel of Inconsistencies”	0
The Erotic Wit of Herrick’s “The Parcæ”: Mythic Revision and a Metaleptic Pun on “Die”	0
The First Literary Fictions of the 1587 Roanoke “Lost Colony”	0
The Limits of Language and the Fragmentation of the Western Mind in John Burnside’s the Dumb House	0
“Cold Enough for Ye?”: The Chilling Effect of Cormac McCarthy’s Child of God	0
Bodies With/Out Souls: The Material Vs. The Immaterial in Issac Asimov’s The Bicentennial Man	0
“Go Make Thyself like a Nymph O’th’ Sea”: Ariel’s Costume and Samuel Daniel’sTethys Festival	0
Behind the Scenes: Exposing the American West in Peter Handke’s Short Letter, Long Farewell	0
Byron’s the Bride of Abydos: A Tragic Love Poem?	0
Notes on Thomas Gray’s Poetic Coterie and Correspondence	0
Pindar’s Isthmian 7.44–47 and Natale Conti’s Mythologiae 9.4 as the Possible Source Texts of Paradise Lost	0
Slime, Gender, and Environment: Misogyny’s Slimic Entanglements with Ecophobia	0
The Art of Repetition in The Story of an Hour	0
Architecture as Metaphor in Washington Irving’s “The Legend of Sleepy Hollow”	0
Birds of a Feather: Gay Uncle Jack and Queer Cousin Francis in To Kill a Mockingbird	0
Thrones and Dominions/Dominations in the Old English Version of the Homiliary of Angers	0
Postlapsarian Garden in Kyd’s the Spanish Tragedy and Shakespeare’s Hamlet	0
Snoopy’s Pedigree: The Etymology of Beagle	0
Echoes of the Biblical Story of Joseph and His Brothers in Willa Cather’s O Pioneers!	0
Emily’s Mysterious Planet in The Mysteries of Udolpho	0
Social and Ecological Relationships in South Korean Quarantine and COVID-19 Literature	0
Royal Wassail in Hamlet Reconsidered	0
Emerson and Marti: Kindred Spirits	0
Brian Vickers Gentle Shakespeare and Arden of Faversham Another View	0
Spinoza’s Sun, Bloom’s Spinoza: Monism and Ideology in James Joyce’s Ulysses	0
Richard Aldington’s Allegory of Reading: The Eaten Heart	0
Intergenerational Rebellion in Edmund Gosse’s Father and Son	0
Tracing Mangrove ’s Etymology: Plant Studies, Linguistic Circulation and Creole Culture	0
The Color of a Good Horse: The “Roan” in Henry IV Part 1 and Henry V	0
The Fascination of Corruption: Oscar Wilde and Pater’s Leonardo da Vinci	0
Motherhood and Its Intersection with Race in Toni Morrison’s Beloved	0
“Who Is the Real Protagonist?: Unreliable Narration and Narrative Maneuver in William Trevor’s “Gilbert’s Mother”	0
Queering the South: Adolescence and Triangular Desire in the Gay Novel 1940-1949	0
Foot Picts: Faerie Lore and the Second Sight	0
Ian McEwan’s Nutshell : A Creative Misreading of Hamlet	0
The Crisis and Rejuvenation of American Masculinity in Sinclair Lewis’s Arrowsmith	0
Coriolanus and Failures of Listening	0
Samson Agonistes as a Possible Source for a Punctuation Effect in Tennyson’s “Tithonus”	0
Temporality and History in John Bale’s King Johan	0
Food as Storied Matter in Amy Tan’s The Kitchen God’s Wife	0
“Here I Disclaim All My Paternal Care”: Disowning Offspring in Shakespeare’s King Lear	0
An American Source for Oscar Wilde’s A Woman of No Importance	0
From Dublin, Ireland, to Vestal, Tennessee: Snowfall and Memory in James Joyce’s “The Dead” and the Third Part of Cormac McCarthy’s The Orchard Keeper	0
“Like This”: The Coffin Pictogram and the Implied Editor in as I Lay Dying	0
The Transformation of Mark Twain’s “The Californian’s Tale” into “Shan Jia Qi Yu”	0
Repeated Phrases and Early Modern Authorship: Arden of Faversham as a Case Study	0
The Environment of Horror in Angela Carter’s “The Fall River Axe Murders”	0
Yellow Peril or Model Minority: The Narrative of Resistance in Yoshiko Uchida’s Picture Bride	0
Female Body in The House of Mirth from the Perspective of “Gaze Theory”	0
Quarantine and the Transformation of Power Dynamics during China’s War of Resistance against Japan	0
Julian Hawthorne Inscriptions in the Library of James Carleton Young	0
Verbs and Versification in The Dream of the Rood	0
The Mousetrap Scene, Hamlet’s Lucid Dream	0
Mixed-Race Flâneuse : Identity Quest Through Flânerie in Han Suyin’s The Mountain Is Young	0
On Mockingbirds and Finches: Charles Darwin, Eugenics, and the Title of Harper Lee’s Most Famous Novel	0
“In the austere theatre of the Infinite”: Constructivist Abstraction as the Aesthetic Archetype in Mina Loy’s Ekphrases	0
A Spatial Narrative Interpretation of The Story of an Hour	0
Pricing and Competition in Early London Editions of Robinson Crusoe , 1719–1747	0
Another Shaker of Salt: “To Earthward”	0
Emily Dickinson’s Measurement of Marriage in “I Gave Myself to Him–”	0
Angela Carter and the “Sociology of clothes” in The Infernal Desire Machines of Doctor Hoffman	0
Old English Wlītan and Wlātian : Poetic Verbs of Looking (And Seeing)	0
O. Henry’s Fictional Quarrel with Henry James	0
Johnson’s Circle, Conversation, and Civil Society	0
Contrapuntal Capitalism: Alternated Prosperity/failure in E. L. Doctorow’s Welcome to Hard Times	0
“It Merely Happens to One Man and Not to others”: An Unnoted Quote from T. S. Eliot in Dag Hammarskjöld’s Markings	0
F. Scott Fitzgerald and Willa Cather: A Literary Relationship in Letters	0
The Trials of Katherine of Aragon and Vittoria Corombona: 2.4 and 3.1 of Shakespeare’s “Henry VIII” and 3.2 of Webster’s “The White Devil”	0
Dander And Dandruff: Etymologies	0
William Butler Yeats’s Encounter with Korea	0
Flannery O’Connor’s Lost Cause: Desegregation in “A Late Encounter with the Enemy”	0
The Ghostliness of the Proper Name in Shakespeare’s Hamlet	0
On Gendering the Speaker in Anne Vaughan Lock’s Meditation of a Penitent Sinner	0
An Historical Source for the Indian Pre-history in Somerset Maugham’s The Hero	0
Spoiler Alert: Muriel Spark Gives Away the Ending	0
Plague and “Anti-Quarantine” Writing in Traditional Chinese Biography	0
The Mental Mapping of a Heterotopic Space in Jhumpa Lahiri’s The Namesake	0
Hemingway’s The Old Man and the Sea : Paired Oppositions as a Narrative Strategy	0
Insurrection and Narrativity: The Vitality of Clothes in Great Expectations	0
George Ellery Hale: An Unfinished Poem	0
Digging up Emerson’s Garden: Competing Notions of Transcendentalist Temporality in the Dial	0
“Maybe the Symbols Don’t Mean What They Seem To”: Mary Elizabeth Counselman and the Language of Modernism	0
The Relevance of Rivendell’s Growing Cultural Value from The Hobbit to The Lord of the Rings	0
Joseph Ritson and the Versions of Piers Plowman , Again	0