OOIR: Observatory of International Research

Papers

(The median citation count of Nordic Theatre Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-06-01 to 2025-06-01.)

Article	Citations
What Kind of Bodies Will Come Together in Passage 468?	1
The Cathartic Value of Applied Theatre	1
The Displeasure of Implication in Fix & Foxy’s Dark Noon (2019)	1
Performing The Eighteenth Century: Theatrical Discourses, Practices and Artefacts	1
Sexuality and the Transgression of Gaze in the Theatre	0
Theatre Making “Space for the Unassimilable”	0
Som en vildfågel i en bur	0
When Contextual Events Become Central to Fiction	0
Opera-film Baņuta	0
Keep calm, the corridor will be open soon	0
I avantgardets skugga	0
Reduce, Reuse, or Refuse?	0
Aesthetics of Presence: Philosophical and Practical Reconsiderations	0
Actors as Co-Creators in Contemporary Latvian Theatre	0
The Enabling Materialities of the Charcoal Suit	0
Cause of Death: Lähiö	0
Turning Points and Conflicting Interests	0
Maciunas	0
Performative Protest Actions in the Baltic States Against Sexual Violence in Russia’s War in Ukraine	0
Reconstructing Shakespeare in the Nordic Countries National Revival and Interwar Politics, 1870 – 1940	0
Rethinking Nordic	0
Theatre Talks	0
Hen: Queer Puppet Cabaret, Utopian Perspectives for Sexual Bodies	0
Migration and Opera Old and New	0
Theatre and Transgression	0

Hamlet and Its Danish Double. The Historical Performance as Medium for a Utopian Monarchy	0
Introducing Behavioral Wedges and Nudging Into the Production Process to Reduce CO2	0
Performances that Disappeared	0
The Wet Pants - Becoming an Audience with the More than Human	0
The emergence of the independent theatre scene in Estonia (1987–92)	0
Theatre and Materiality	0
Polishing Reykjavík	0
Theatre displeasure touching society’s raw nerves: Castellucci and Frljić	0
“Solos” with Sourdough and Drying, Cracking: Dramaturgy with Other-Than-Human Species	0
Expanded choreography and history writing in the flesh	0
On Ibsen and Strindberg. The Reversed Telescope.	0
Coeval Dancefutures in the Nordics	0
“We Are Still Not Being Heard”	0
Nordic Gore?	0
Theatre and Social Responsibility	0
SCAN-AESTHETICS – Aesthetic strategies in Scandinavian and Nordic-Baltic independent theatre and performing arts: 1960-2010	0
Theatre and Displeasure	0
Silence and Affect in the Swedish Performing Arts After #MeToo	0
How to Resolve the Trauma of Exile?	0
Magic of Presence	0
Thinking Matter(s) in Theatre Practice	0
Utopia and Performance	0
Original Portrayal of Mozart’s Don Giovanni	0
Stop Making Sense	0
Life in the Posthuman Condition. Critical Responses to the Anthropocene	0
Precarization in the Name of Freedom	0
Utopian Realism	0
Icebreakers	0
Swedish Whiteness, German Multiculturalism, French National Identity, and American Racial Profiling	0
Harriet Bosse’s Autobiography	0
Kim Skjoldager-Nielsen 1971-2022	0
Performativity and Transgression	0
Pirrko Koski	0
When the Utopian Performative Encounters Beauty	0
Gertrude Steins skuespil	0
Unknown Stories	0
Performative Representation of “Others” in the Opera Genre	0
Late Nineteenth-Century Radical Utopias in Theatre Reviews	0
Essentially Contested	0
Building an Ideal Theatre	0
Speculative Geographies and the Horizons of Performance Studies	0
“Ready to fly with a lust for life”	0
Touching the Unknown	0
Disseminating Shakespeare in the Nordic Countries	0
Aesthetics and Dramaturgies of Immersive and Interactive Theatre Since the Turn of the Millennium	0
Rise and Fall of Theatre NO99 in Estonia	0