OOIR: Observatory of International Research

Papers

(The median citation count of Nordic Theatre Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-04-01 to 2025-04-01.)

Article	Citations
Turning Points and Conflicting Interests	1
Aesthetics of Presence: Philosophical and Practical Reconsiderations	0
Expanded choreography and history writing in the flesh	0
Performative Representation of “Others” in the Opera Genre	0
Hamlet and Its Danish Double. The Historical Performance as Medium for a Utopian Monarchy	0
Theatre and Materiality	0
Speculative Geographies and the Horizons of Performance Studies	0
The Displeasure of Implication in Fix & Foxy’s Dark Noon (2019)	0
Disseminating Shakespeare in the Nordic Countries	0
When Contextual Events Become Central to Fiction	0
Som en vildfågel i en bur	0
Introducing Behavioral Wedges and Nudging Into the Production Process to Reduce CO2	0
Precarization in the Name of Freedom	0
Late Nineteenth-Century Radical Utopias in Theatre Reviews	0
Thinking Matter(s) in Theatre Practice	0
Magic of Presence	0
Sexuality and the Transgression of Gaze in the Theatre	0
Theatre Talks	0
Cause of Death: Lähiö	0
Theatre Making “Space for the Unassimilable”	0
Reduce, Reuse, or Refuse?	0
Kim Skjoldager-Nielsen 1971-2022	0
“Ready to fly with a lust for life”	0
Performative Protest Actions in the Baltic States Against Sexual Violence in Russia’s War in Ukraine	0
Silence and Affect in the Swedish Performing Arts After #MeToo	0

Nordic Gore?	0
“Solos” with Sourdough and Drying, Cracking: Dramaturgy with Other-Than-Human Species	0
Theatre and Transgression	0
Hen: Queer Puppet Cabaret, Utopian Perspectives for Sexual Bodies	0
What Kind of Bodies Will Come Together in Passage 468?	0
Unknown Stories	0
The Cathartic Value of Applied Theatre	0
The emergence of the independent theatre scene in Estonia (1987–92)	0
Rise and Fall of Theatre NO99 in Estonia	0
On Ibsen and Strindberg. The Reversed Telescope.	0
Utopia and Performance	0
Migration and Opera Old and New	0
Essentially Contested	0
Rethinking Nordic	0
SCAN-AESTHETICS – Aesthetic strategies in Scandinavian and Nordic-Baltic independent theatre and performing arts: 1960-2010	0
Actors as Co-Creators in Contemporary Latvian Theatre	0
The Wet Pants - Becoming an Audience with the More than Human	0
Keep calm, the corridor will be open soon	0
Maciunas	0
Coeval Dancefutures in the Nordics	0
“We Are Still Not Being Heard”	0
Theatre displeasure touching society’s raw nerves: Castellucci and Frljić	0
Polishing Reykjavík	0
Opera-film Baņuta	0
Performativity and Transgression	0
Reconstructing Shakespeare in the Nordic Countries National Revival and Interwar Politics, 1870 – 1940	0
I avantgardets skugga	0
Stop Making Sense	0
Theatre and Social Responsibility	0
How to Resolve the Trauma of Exile?	0
Icebreakers	0
Building an Ideal Theatre	0
Original Portrayal of Mozart’s Don Giovanni	0
Gertrude Steins skuespil	0
Utopian Realism	0
Harriet Bosse’s Autobiography	0
Performances that Disappeared	0
Aesthetics and Dramaturgies of Immersive and Interactive Theatre Since the Turn of the Millennium	0
Swedish Whiteness, German Multiculturalism, French National Identity, and American Racial Profiling	0
Touching the Unknown	0
Life in the Posthuman Condition. Critical Responses to the Anthropocene	0
Pirrko Koski	0
Performing The Eighteenth Century: Theatrical Discourses, Practices and Artefacts	0
When the Utopian Performative Encounters Beauty	0
Theatre and Displeasure	0
The Enabling Materialities of the Charcoal Suit	0