OOIR: Observatory of International Research

Papers

(The median citation count of Journal of New Music Research is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-06-01 to 2026-06-01.)

Article	Citations
Common and distinct quantitative characteristics of Chinese and Western music in terms of modes, scales, degrees and melody variations	12
The evolution of inharmonicity and noisiness in contemporary popular music	9
Entropy, pitch, and noise: organisation and disorganisation in the perception of closure for different types of spectra	7
Pytakt: a Python library for symbolic music description, generation, and real-time processing	7
A collaborative digital edition of 15th- and 16th-century German lute tablature: the E-LAUTE project	5
Musical intra-actions with digital musical instruments	5
Linguistic tone in Chinese rap: an interdisciplinary approach	4
Ways of knowing, ways of writing: technical practice research in new musical instrument design	3
Views from the South: how making cultures from the Global South can inform sustainability in technologically-mediated arts design practices	3
The Timbre of sape: identifying the sound quality in music instrument making	3
The aesthetics of deconstruction: neural synthesis of transformation matrices using GANs on multichannel polyphonic MIDI data	3
Virtually reunited: the complete critical edition of Mozart’s Oeuvre in the Digital Mozart Edition	2
(Dis)Embodied mechatronic displays for telematic music performance	2
The virtual drum circle: polyrhythmic music interactions in mixed reality	2
Mid-century timings: an exploration into musical genre, tempo and tempo variability in Ecuadorian música nacional performance	2
Editorial	2
Toward a community model of scholarly editing: FAIR/CARE, research ethics, & labour visibility	2
From genies performing magic to sages imparting wisdom: a value-centred survey of music AI user interfaces, creative affordances and artist objectives	2
Human–machine agencies in live coding for music performance	2
User experience with digital musical instruments: a transferable method for longitudinal evaluation	2
Editing Purcell’s keyboard music: some reflections on collected editions, past and future	2
Design for performability: a proposal for democratic redesign of the classical guitar	1
Mechanisms of musical emotion transfer: insights from 22 composers and the musicological and psychological literature	1
Geometries in sound: an investigation of embodied cognition in contemporary art music	1
The cognitive, affective, and motoric correlates of rhythmic complexity	1

Research into new music? Or new research into music?	1
Automatic music transcription for sitar music analysis	1
Musical performance in the Journal of New Music Research	1
Editorial	1
Validation of musical stimuli for emotion evaluation: the Musical Emotion Evaluation Test	1
AMMRI: a computational assessment tool for music novices’ replication and improvisation tasks	1
Theoretically informed training improves accent production in percussion	1
Tonic identification in classical music using source-modified group delay functions	1
The monumental edition in the digital age: creating a sustainable future	1
Real-time sound synthesis from normal forms of dynamical systems	1
“‘A huge man is bursting out of a rock’”: bodies, motion, and creativity in verbal reports of musical connotation	1
Postural adaptations of saxophone players during music performance	0
A digital corpus for exploring the lute music of John Dowland (1563-1626)	0
Classification of Iranian classical music using a combination of simple networks	0
Research on human engagement with music in the Journal of New Music Research	0
Correction	0
Hit song science: a comprehensive survey and research directions	0
Is the revised version of the Short Test of Musical Preferences a sound measure of musical tastes?	0
Evaluation of audio-tactile congruences for a wearable musical interface	0
Correction	0
Examining transposed makams in Turkish music through machine learning: classification of Rengidil-Neveser and Ruhnevaz-Buselik pieces	0
Introduction to the special issue of technoscientific practices of music: critical implications of new technologies	0
Real-time auralisation for music performers on virtual stages: general definitions and pilot study with guitar duets	0
Digital critical edition of Čiurlionis' piano music: a case study	0
The Stretchy Strap: supporting encumbered interaction with guitars	0
‘Texting Scarlatti’: unlocking a standard edition with a digital toolkit	0
Similarity of structures in popular music	0
The algorithmic nature of song-sequencing: statistical regularities in music albums	0
Structural Segmentation and Labelling of Tabla Solo Performances	0
How clarinettists vary amplitude, frequency, spectral features and microtiming to play music expressively	0
The perception of tension in harmonic intervals across Indian and Western listeners: the roles of psychoacoustics and musical expertise	0
Effective features to define harmonic distance models	0
Data structures for music encoding: tables, trees, and graphs	0
An unsupervised feature selection approach for finding diverse emotional-semantic representations in sonic branding music	0
Hindustani raga and singer classification using 2D and 3D pose estimation from video recordings	0
The modal behaviour of a violin corpus	0
Multidisciplinarity in the Journal of New Music Research	0
On mapping as a technoscientific practice in digital musical instruments	0
A digital companion for musicological scholarship: the Lohengrin TimeMachine	0
Innovation, data colonialism and ethics: critical reflections on the impacts of AI on Irish traditional music	0
Phonetics as a means of nationalising art songs: a comparative music-phonetics study based on Zhao Yuanren’s New Poetry Collection	0
The multimodal, multidimensional nature of music from multiple perspectives	0
Data- and interaction-driven approaches for sustained musical practices with machine learning	0
The future of scholarly, critical editions of music	0
Sight-singing in a group context: An eye-tracking study with experienced choral singers	0
Developing and testing an analysis system to assess singing-pitch accuracy of Chinese children	0
Polish Music Heritage in Open Access	0
On the concept of Raga parentage in Carnatic music	0
Detecting chord tone alterations and suspensions	0
Augmenting musical instruments with digital identities	0

The Rebel Crank: redefining street barrel organs performance practice through physical gesture transgression	0
Theory and practice of higher-order frequency modulation synthesis	0
Tempering the clavier: a corpus-based examination of Bach’s cognition of intonation in the Well-Tempered Clavier	0