Journal of New Music Research

Papers
(The median citation count of Journal of New Music Research is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-04-01 to 2025-04-01.)
ArticleCitations
Space, sonic trajectories and the perception of cadence in electroacoustic music15
Musical performance in the Journal of New Music Research12
Notation as visual representation of sound-based music12
The modal behaviour of a violin corpus9
A model of large-scale thematic structure7
‘Texting Scarlatti’: unlocking a standard edition with a digital toolkit7
Toward a community model of scholarly editing: FAIR/CARE, research ethics, & labour visibility7
From genies performing magic to sages imparting wisdom: a value-centred survey of music AI user interfaces, creative affordances and artist objectives5
Correction5
Common and distinct quantitative characteristics of Chinese and Western music in terms of modes, scales, degrees and melody variations5
Surveying digital musical instrument use in active practice3
Success in reaching affect self-regulation goals through everyday music listening3
Editing Purcell’s keyboard music: some reflections on collected editions, past and future3
Motor performance in violin bowing: Effects of attentional focus on acoustical, physiological and physical parameters of a sound-producing action3
The evolution of inharmonicity and noisiness in contemporary popular music2
The cognitive, affective, and motoric correlates of rhythmic complexity2
Research into new music? Or new research into music?2
Hit song science: a comprehensive survey and research directions2
On the use of nuclear magnetic resonance spectroscopy in music composition- principles, practice and possibilities2
IRIS: A tunable sound sculpture based on acoustic periodic composites for musical performance1
Musical intra-actions with digital musical instruments1
Inaugural editorial1
The virtual drum circle: polyrhythmic music interactions in mixed reality1
Personalised popular music generation using imitation and structure1
Bright vowels are favoured on weak beats in popular music lyrics1
The Stretchy Strap: supporting encumbered interaction with guitars1
An investigation of music analysis by the application of grammar-based compressors1
On mapping as a technoscientific practice in digital musical instruments1
Music in the moment: how twenty-four expert free form musicians experienced sense of agency and an improvisational state of mind0
Breaking down the musician’s minds: How small changes in the musical instrument can impair your musical performance0
The Timbre of sape: identifying the sound quality in music instrument making0
Detecting chord tone alterations and suspensions0
“‘A huge man is bursting out of a rock’”: bodies, motion, and creativity in verbal reports of musical connotation0
Augmenting musical instruments with digital identities0
AMMRI: a computational assessment tool for music novices’ replication and improvisation tasks0
(Dis)Embodied mechatronic displays for telematic music performance0
Move like everyone is watching: Social context affects head motion and gaze in string quartet performance0
Phonetics as a means of nationalising art songs: a comparative music-phonetics study based on Zhao Yuanren’s New Poetry Collection0
Sight-singing in a group context: An eye-tracking study with experienced choral singers0
The algorithmic nature of song-sequencing: statistical regularities in music albums0
Orchidea: a comprehensive framework for target-based computer-assisted dynamic orchestration0
Data- and interaction-driven approaches for sustained musical practices with machine learning0
Editorial0
Ways of knowing, ways of writing: technical practice research in new musical instrument design0
Research on human engagement with music in the Journal of New Music Research0
Automatic music transcription for sitar music analysis0
What do we mean by ‘systematic’, ‘empirically grounded’ research in music?0
Theory and practice of higher-order frequency modulation synthesis0
Design for performability: a proposal for democratic redesign of the classical guitar0
Creative uses of low tech in Bamako recording studios (Mali)0
Hindustani raga and singer classification using 2D and 3D pose estimation from video recordings0
Entropy, pitch, and noise: organisation and disorganisation in the perception of closure for different types of spectra0
Virtually reunited: the complete critical edition of Mozart’s Oeuvre in the Digital Mozart Edition0
Tempering the clavier: a corpus-based examination of Bach’s cognition of intonation in the Well-Tempered Clavier0
The monumental edition in the digital age: creating a sustainable future0
Similarity of structures in popular music0
Geometries in sound: an investigation of embodied cognition in contemporary art music0
Research on a method of conveying material sensations through sound effects0
Innovation, data colonialism and ethics: critical reflections on the impacts of AI on Irish traditional music0
Analysing the relationship between tone and melody in Chaozhou songs0
Data structures for music encoding: tables, trees, and graphs0
Digital critical edition of Čiurlionis' piano music: a case study0
On the concept of Raga parentage in Carnatic music0
A collaborative digital edition of 15th- and 16th-century German lute tablature: the E-LAUTE project0
Back to the present: Assimilation of late 19th century performance features among currently active violinists0
The aesthetics of deconstruction: neural synthesis of transformation matrices using GANs on multichannel polyphonic MIDI data0
Individualized interpretation: Exploring structural and interpretive effects on evaluations of emotional content in Bach’s Well Tempered Clavier0
LeMo: an assembly kit for musical acoustics education0
Structural Segmentation and Labelling of Tabla Solo Performances0
Recognition of emotions in music through the Adaptive-Network-Based Fuzzy (ANFIS)0
Implementation of melodic morphing based on generative theory of tonal music0
Mapping timing and intensity strategies in drum-kit performance of a simple back-beat pattern0
Human–machine agencies in live coding for music performance0
A multi-genre model for music emotion recognition using linear regressors0
Multidisciplinarity in the Journal of New Music Research0
Introduction to the special issue of technoscientific practices of music: critical implications of new technologies0
The Rebel Crank: redefining street barrel organs performance practice through physical gesture transgression0
The evolution of syncopation in twentieth-century American popular music0
Views from the South: how making cultures from the Global South can inform sustainability in technologically-mediated arts design practices0
FluidHarmony: Defining an equal-tempered and hierarchical harmonic lexicon in the Fourier space0
Linguistic tone in Chinese rap: an interdisciplinary approach0
Examining transposed makams in Turkish music through machine learning: classification of Rengidil-Neveser and Ruhnevaz-Buselik pieces0
Correction0
Musical robot swarms, timing, and equilibria0
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