Journal of New Music Research

Papers
(The TQCC of Journal of New Music Research is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-06-01 to 2025-06-01.)
ArticleCitations
Common and distinct quantitative characteristics of Chinese and Western music in terms of modes, scales, degrees and melody variations16
The evolution of inharmonicity and noisiness in contemporary popular music15
Entropy, pitch, and noise: organisation and disorganisation in the perception of closure for different types of spectra12
Personalised popular music generation using imitation and structure11
Creative uses of low tech in Bamako recording studios (Mali)7
Musical intra-actions with digital musical instruments7
The aesthetics of deconstruction: neural synthesis of transformation matrices using GANs on multichannel polyphonic MIDI data5
The Timbre of sape: identifying the sound quality in music instrument making5
A collaborative digital edition of 15th- and 16th-century German lute tablature: the E-LAUTE project5
Linguistic tone in Chinese rap: an interdisciplinary approach5
Views from the South: how making cultures from the Global South can inform sustainability in technologically-mediated arts design practices4
Ways of knowing, ways of writing: technical practice research in new musical instrument design3
Virtually reunited: the complete critical edition of Mozart’s Oeuvre in the Digital Mozart Edition3
FluidHarmony: Defining an equal-tempered and hierarchical harmonic lexicon in the Fourier space2
Editorial2
Toward a community model of scholarly editing: FAIR/CARE, research ethics, & labour visibility2
Research on a method of conveying material sensations through sound effects2
Human–machine agencies in live coding for music performance2
The evolution of syncopation in twentieth-century American popular music2
Orchidea: a comprehensive framework for target-based computer-assisted dynamic orchestration2
(Dis)Embodied mechatronic displays for telematic music performance2
From genies performing magic to sages imparting wisdom: a value-centred survey of music AI user interfaces, creative affordances and artist objectives1
On the use of nuclear magnetic resonance spectroscopy in music composition- principles, practice and possibilities1
An investigation of music analysis by the application of grammar-based compressors1
Editing Purcell’s keyboard music: some reflections on collected editions, past and future1
The virtual drum circle: polyrhythmic music interactions in mixed reality1
Success in reaching affect self-regulation goals through everyday music listening1
IRIS: A tunable sound sculpture based on acoustic periodic composites for musical performance1
“‘A huge man is bursting out of a rock’”: bodies, motion, and creativity in verbal reports of musical connotation1
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